1,721,334 research outputs found
SINESTESIA BASA JAWI ING CERBUNG KALAWARTI DJAKA LODHANG WARSA 2012
No full textPanaliten menika dipuntindakaken kanthi ancas inggih menika (1) kangge ngandharaken jinis sinestesia ingkang wonten ing cerbung kalawarti Djaka Lodhang warsa 2012; (2) kangge ngandharaken makna sinestesia ingkang wonten ing cerbung kalawarti Djaka Lodhang warsa 2012; (3) kangge ngandharaken ginanipun sinestesia ingkang wonten ing cerbung kalawarti Djaka Lodhang warsa 2012.
Panaliten menika kalebet jinis panaliten deskriptif. Sumber data ing panaliten menika inggih menika cerbung ing kalawarti Djaka Lodhang warsa 2012, cerbung ingkang dipunginakken menika wonten 2 irah – irahan inggih menika Kidung Sukma Larasing Jiwa saha Pak Guru. Data ing panaliten inggih menika frasa, klausa saha ukara – ukara ingkang ngalami ewah – ewahan teges amargi wontenipun pertukaran tanggapan indera ing cerbung kalawarti Djaka Lodhang warsa 2012. Teknik anggenipun ngempalaken data inggih menika kanthi cara maos saha nyerat. Pirantining panaliten inggih menika tabel analisis data ingkang dipunbiyantu ngginakaken kertu data. Wondene caranipun nganalisis data ngginakaken analisis deskriptif. Cara ngesahaken data dipunpikantuk mawi validitas semantik kontekstual saha reliabilitas stabilitas.
Panaliten ngasilaken jinis – jinis sinestesia ingkang wonten ing cerbung kalawarti Djaka Lodhang warsa 2012 ingkang antawisipun inggih menika: (1) sinestesia saking indera panggrayang dados indera pangrungu, (2) sinestesia saking indera panggrayang dados indera pandulu, (3) sinestesia saking indera pangraos dados indera pandulu, (4) sinestesia saking indera pangraos dados indera pangrungu, (5) sinestesia saking indera pangganda dados indera pangrungu, (6) sinestesia saking indera pandulu dados indera pangrungu, (7) sinestesia saking indera pangrungu dados indera pandulu, (8) sinestesia saking indera pangrungu dados indera panggrayang. Makna sinestesia ingkang wonten ing cerbung kalawarti Djaka Lodhang warsa 2012 inggih menika: (1) makna afektif, (2) makna referensial, saha (3) makna kolokatif. Ginanipun sinestesia ing cerbung kalawarti Djaka Lodhang warsa 2012 antawisipun inggih menika: 1) ngalusaken teges supados langkung sopan, (2) kangge nedahaken raos duka, (3) kangge nedahaken raos remen, (4) kangge nedahaken raos boten remen, (5) kangge maringi gambaran, saha (6) kangge nyangetaken teges
PANAMBANG ING CERKAK WONTEN KALAWARTI SEMPULUR WARSA 2011-2012
No full textPanaliten menika gadhah kalih ancasipun panaliten ingkang sapisan inggih menika panaliten kangge ngandharaken wujudipun panambang ing cerkak wonten kalawarti sempulur warsa 2011-2012. Kaping kalih inggih menika panaliten kangge ngandharaken ginanipun panambang ing cerkak wonten kalawarti sempulur warsa 2011-2012.
Panaliten menika kalebet panaliten deskriptif. Sumbe data ingkang dipunginakaken inggih menika cerkak kalawarti sempulur warsa 2011-2012. Data saking panaliten menika awujud panambang. Cara ngempalaken data wonten ing panaliten menika kanthi cara maos saha nyerat. Data dipungarap kanthi cara analisis deskriptif. Caranipun manggihaken validitas data ngginakaken triangulasi teori saha pamanggihipun para ahli, lajeng kangge manggihaken reliabilitas data ngginakaken reliabilitas stabilitas.
Asiling panaliten menika wujudipun data panambang wonten ing cerkak kalawarti Sempulur warsa 2011-2012, data ingkang dipunpanggihaken inggih menika ukara-ukara, salajengipun dipunklasifikasi supados saged nemtokaken wujud saha ginanipun panambang.
Cerkak ingkang dipuntliti wonten enem (6) cerkak ingkang kaperang dados sekawan edisi. Asiling panaliten dipunlebetaken wonten ing tabel data analisis. Saking panaliten menika wonten gangsal (5) panambang inggih menika awujud polimorfemis panambang {-e/-ne} tuladhanipun tembung atine, tembung atine menika ndhapuk tembung aran. Awujud polimorfemis panambang {-i/-ni} tuladhanipun tembung nesoni, tembung nesoni menika ndhapuk tembung kriya. Awujud polimorfemis panambang {-a} tuladhanipun tembung metua, tembung metua menika ndhapuk tembung kriya. awujud polimorfemis panambang {-an} tuladhanipun subuhan, tembung subuhan menika ndhapuk tembung kriya saha awujud polimorfemis panambang {-na} tuladhanipun cepakna, tembung cepakna menika ndhapuk tembung kriya
IMPLIKATUR WONTEN ING WACANA DHAT NYENG KALAWARTI DJAKA LODHANG WARSA 2013
Full text linkAncasing panaliten menika ngandharaken ginanipun implikatur saha implikatur perlokusi utawi tumindaking implikatur ingkang kaserat wonten ing wacana Dhat Nyeng kalawarti Djaka Lodhang warsa 2013. Panaliten menika ngandharaken ginanipun implikatur lan panganggening implikatur wonten ing salebeting kalawarti kasebat ingkang dipunginakaken redaktur anggenipun nyerat.
Panaliten menika kalebet panaliten deskriptif. Data ing panaliten menika awujud ginanipun implikatur saha tumindaking implikatur. Sumber datanipun inggih menika kalawarti Djaka Lodang warsa 2013. Panaliten menika dipuntliti kanthi analisis pragmatik. Caranipun ngempalaken data inggih menika kanthi teknik maos saha teknik nyathet. Data dipunanalisis ngginakaken teknik deskriptif inggih menika panaliti ngandharaken ginanipun implikatur saha panganggening implikatur ingkang dipunginakaken wonten ing wacana Dhat Nyeng kalawarti Djaka Lodhang warsa 2013. Kangge manggihaken validitas data ngginakaken validitas reverensial, lajeng kangge manggihaken reliabilitas dhata ngginakaken reliabilitas dhata saha realibilitas intrarer.
Asiling panaliten menika ngandharaken ginanipun implikatur saha tumindaking implikatur wonten ing wacana Dhat Nyeng kalawarti Djaka Lodhang warsa 2013. Ginanipun implikatur ingkang dipunpanggihaken inggih menika (1) ginanipun implikatur bab sindiran, saha tumindaking implikaturipun inggih menika kangge ngritik tiyang utawi lembaga kanthi boten langsung, (2) ginanipun implikatur bab kritikan, tumindaking implikatur inggih menika kangge ngritik tiyang utawi lembaga kanthi langsung, (3) ginanipun implikatur bab saran, tumindaking implikaturipun inggih menika kangge paring sumbangsih penggalih supados saged paring kasejahteraan sesarengan, (4) ginanipun implikatur bab pangajab, tumindaking implikaturipun inggih menika pangajab supados langkung sae malih
Negative flux fixups in discontinous finite element SN transport
No full textWe introduce a conservative fixup strategy to remedy negative fluxes within a linear discontinuous spatially discretized radiation transport solver. The strategy is similar in principle to the classical set-to-zero fixup used with diamond difference schemes. We also discuss difficulties in creating an effective solver for such an approach and propose a hybrid source iteration/Krylov solver. Numerical results are presented for 2-D test cases
Lustrum ke II IAIN Sunan Ampel. Panitia Dasa Warsa IAIN Sunan Ampel/ IAIN Sunan Ampel Surabaya. Panitia Dasa Warsa Lustrum ke II Dasa Warsa
No full textxxxviii, 466 hal.; 23 cm
Perancangan komunikasi visual dua dasa warsa PT. Pupuk Kalimatan Timur (Persero)
No full textPerancangan ini menggunakan konsep yang menarik publik untuk emndapatkan informasi tentang PT. Pupuk Kaltim dan memahami esensi peringatan uda dasa warsa PT. pupuk klatim meningkatkan kegiatan komuniaksi korporat sebagai perusahaan besar agar masyarakat mempunyai pemahaman tentang PT. Pupuk Kaltim
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
SATU DASA WARSA JASIPAKTA
No full textAbstract In this year of 1994 the Data Packet Communication Network (JASIPAKTA) - LAPAN has been ten years old From this one period JASIPAKTA has been developing quite rapidly. This paper focuses the analysis on JASIPAKTA from the point of view_gf the life cycle of a research project which starts from the identification problem phase up to the development phase. The aim of this analysis is to know whether this project will still be reliable as a research project or has to be a whole project for public service. Abstrak Tahun 1994 ini Jaringan Komunikasi Paket Data (JASIPAKTA) - LAPAN genap frusict sepuluh tahun. Dariusianya yang satu dasa warsa tersebut, JASIPAKTA telah mengalami banyclk perkembangan clan kemajuan. Makalah ini ntengetengahkan analysis terhadap JASIPAKTA ditinjau dari siklus hidup sebuah proyek penelitian yang berawal dari fase pengenalan .masalah sampai dengan fase pengembangan. Tujuan dari analisis ini adalah untuk mengetahui apakah proyek ini masih layak sebagai proyek penelitian atau seharusnya sudah iepenuhnya menjadi suatu proyek pelayancm jasa.Hlm. 33-4
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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