37,398 research outputs found
UCL Art Museum Screening: Confessions To The Mirror + Q+A with Maria Walsh
No full textScreening of Confessions To The Mirror (16mm, col, 68min, 2016) and Q+A with the filmmaker and Invited Speaker, Art Historian, Maria Walsh.
6.30pm, 22nd May 2018 Bloomsbury Studio, UCL, London WC1H OAH. A UCL Art Museum Event. Curated by Nina Pearlman
Introduction
No full textDuring the 1970s, adding 'women's' to 'art' was a powerfully political act. Fuelled by the momentum of the women's liberation movement, artists, art historians, critics and curators began to explore the women's art practice, as distinct from men's, and to challenge its invisibility in the established art world and historical canon. In the 1980s, they continued to creatively critique representations of female sexuality, and in the 1990s, some began to embrace the 'post-feminist' idea of difference and the performance of gender. Throughout this pivotal period, the MAKE magazine offered a unique platform for academics, artists and arts professionals to critically engage with women's art. Though the need to talk about 'women's art' seemed to lose some of its political urgency in the early 2000s, many artists, art historians and art students are now once again explicitly engaging with feminist art histories and art practices as possible models and precedents for resistance. Now is the time to revisit the past, in order to understand and galvanise the energy of the present.Gathering together the work of eminent writers such as Griselda Pollock and Marina Warner, on celebrated artists such as Helen Chadwick, Sarah Lucas and The Guerrilla Girls, this unparalleled anthology of material from the MAKE archive allows us to trace the lineages and links between then and now.
Maria Walsh and Mo Throp wrote the introductory chapter and also edited this book
"Maria Elena Walsh: the art of seeing what is hidden. Writing and singing dictatorship to children"
No full textreservedDopo una sintesi delle principali tappe rispetto al contesto culturale e politico dell'Argentina tra gli anni '30 e '80, si cercherà di definire come gli eventi di questi decenni abbiano influito sulla struttura del Paese, sia dal punto di vista sociale e politico che dal punto di vista economico. Questo primo sguardo generale al contesto storico servirà a gettare le basi per la successiva analisi della biografia di María Elena Walsh e di alcune sue opere dedicate al pubblico infantile e più in generale per comprendere la sua produzione artistica.After a summary of the main stages and the cultural and political context of Argentina between the 1930s and 1980s, the study will try to define how the events of these decades have influenced the structure of the country, both from a social-political point of view and from an economic point of view. The first general look at the historical context will serve to lay the foundations for the subsequent analysis of María Elena Walsh's biography and some of her works dedicated to her children's audience and more generally to understand her artistic production
Tradução cultural comentada dos contos Los nutrieros, em defensa propia Los ojos del traidor e el viaje circular de Rodolfo Jorge Walsh para o português brasileiro
Full text linkDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.Esta dissertação de mestrado é uma tradução cultural comentada ao português brasileiro dos contos "Los nutrieros", "En defensa propia", "Los ojos del traidor" e "El viaje circular", presentes na obra Cuento para tahúres y otros relatos policiales, escritos por Rodolfo Jorge Walsh (1927-1977) entre 1951 e 1961 e publicados em 1987, dez anos após sua morte. Walsh foi um dos mais representativos escritores argentinos do século XX,o qual revolucionou a literatura de seu tempo, tanto no que se refere ao tratamento que dava aos problemas sociais e políticos como nas questões estéticas de sua obra. Nosso corpus é composto de contos do gênero policial, dessa forma, procuramos encontrar a melhor maneira de levar à língua fonte (espanhol) as características desse gênero na língua alvo(português). O trabalho divide-se em três capítulos, sendo o primeiro um ensaio introdutório sobre a construção de Walsh como escritor, enfatizando o policial, gênero ao qual os contos, objeto desse estudo, pertencem. Esse capítulo tem como objetivo apresentar o escritor e seu gênero de escrita ao leitor brasileiro. Já o segundo trata de um trabalho com questões relacionadas ao projeto tradutório:a tradução cultural comentada, que servirá de suporte teórico para o terceiro e último capítulo, no qual se dá a apresentação da tradução feita juntamente com os comentários sobre o percurso. Abstract : This Master Thesis is a cultural translation commented from Spanish to Brazilian Portuguese of the tales "En defensa propia", "Los nutrieros", "Losojos del traidor" and "El viaje circular", from the book Cuento para tahúresy otros relatos policiales, written by Rodolfo Jorge Walsh (1927-1977) between 1951 and 1961 and which were published in 1987, 10 years afterhis death. Walsh was one of the most significant Argentine writers of thet wentieth century, which revolutionized the literature of his time, not onlyin social and politic terms but also aesthetics issues. Our corpus consists oftales of the detective genre, this way, we find the best way to get to the source language (Spanish) the characteristics of this genre in the target language (Portuguese).The work presented here contains three chapters: the first being an introductory essay on the construction of Walsh as a writer, emphasizing the cop genre to which the tales, the object of this study belong; aiming to introduce him and his style to Brazilian readers; the second is to work with issues related to the project of translation: translating cultural commentary, which will provide theoretical support for the thirdand final chapter, in which he gives a presentation of the translation made with the submission of comments on the route
Maria Bersani
No full textLa voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
'Corpus – Mary Kelly interviewed by Maria Walsh'
No full textOriginally published in the art magazine Art Monthly in 2011, this interview with the artist Mary Kelly is included in the edited volume: Talking Art 2: Art Monthly interviews with artists since 2007
Corpus: Mary Kelly interviewed by Maria Walsh
No full textFollowing her pursuit of a radical practice based on psychoanalytical theories, LA-based Mary Kelly has become one of the most influential conceptual artists; her epic Post-Partum Document, 1973-79, is one of the movement's seminal artworks. Here, she discusses psychoanalysis, the development of Feminism, primal political scenes and non-monumental memorials.
'For me, Freudian psychoanalysis, and Lacan's reading of it, in particular, is more relevant. Its linguistic emphasis allows you to deal with the psychic structure of difference in ways that address sexuality in relation to other issues such as race and class. As Maud Mannoni says, "The specifically human environment is neither biological, nor social, but linguistic." That was my mantra for Post-Partum Document.
The Walsh Family Resilience Questionnaire: the Italian version
No full textSilvana Rocchi,1 Claudio Ghidelli,2 Roberto Burro,3 Michele Vitacca,4 Simonetta Scalvini,5 Anna Maria Della Vedova,6 Gianmarco Roselli,7 Jean-Pierre Ramponi,8 Giorgio Bertolotti9 1Psychology Service, ICS Maugeri Spa SB, Institute of Lumezzane, 2Psychological Counselling Service, Università Cattolica del Sacro Cuore, Brescia, 3Department of Human Sciences, University of Verona, Verona, 4Respiratory Rehabilitation Division, 5Cardiac Rehabilitation Division, ICS Maugeri Spa SB, Institute of Lumezzane, 6Department of Clinical and Experimental Sciences, University of Brescia, 7Department of Mental Health, Spedali Civili, 8ICS Maugeri Spa SB, Institute of Lumezzane, Brescia, 9Psychology Unit, ICS Maugeri Spa SB, Institute of Tradate, Varese, Italy Background: Resilience focuses on strength under stress, in the context of adversity. Walsh’s theoretical model identifies relational processes that allow families to tackle and overcome critical situations, dividing them into three domains of family function. The aim of this study was to assess resilience in families of patients with a chronic disease by adapting and validating the Italian version of the Walsh Family Resilience Questionnaire (Walsh-IT). Patients and methods: An Italian adult sample of 421 participants (patients and relatives) was collected with the aim to assess the reliability and validity of the Walsh-IT. Concurrent validity was carried out by comparing this instrument with the Family Adaptability and Cohesion Evaluation Scale III (FACES III) administered at the same time as the Walsh-IT. Results: Reliability showed high correlation between repeated measurements. The alpha coefficient was 0.946. Both parallel analysis and minimum average partial criteria suggested that the best number of domains is equal to 3, explaining 50.4% of the total variance. Based on the results obtained from the Rasch analysis, items 10, 11, 16, 22, and 23 have been removed resulting in a short-form questionnaire (Walsh-IT-R) of 26 items with three domains: shared beliefs and support (SBS, α=0.928); family organization and interaction (FOI, α=0.863); and utilization of social resources (USR, α=0.567). The total score of the Walsh-IT-R was strongly correlated with the total score of FACES III Real Family Scale (r=0.68; p<0.0001). Conclusion: Results support that the Walsh-IT-R is a valid instrument for the assessment of family resilience in Italy when contending with the challenges of chronic disease. It could be used in pre- and post-assessment in practice effectiveness research, offering a profile of family resilience processes at the start and end of interventions and follow-up. Keywords: family resilience, chronic illness, assessment, Rasch model, family functionin
Rebecca Fortnum: Self contained
No full textSelf Contained, brings together several strands of artist Rebecca Fortnum's recent work on the formation of identity and the power of the gaze.This publication documents drawings shown at the V&A Museum of Childhood (2011–12) and works installed at the Freud Museum London (2013) and contains essays by Maria Walsh, Graham Music and Louisa Minkin as well as by Fortnum herself.'Fortnum's meditation on the self hinges on a dichotomy — is there a secret core self or are we simply a 'cluster of appurtenances' that flow into and out of other people and things?' (Maria Walsh
Untitled
No full textUntitled (2025) is a collaborative publication developed by artist and writer Morgan Quaintance and writer and academic Maria Walsh. Through a series of dialogic exchanges both writers explore (directly and indirectly) the core themes of home, alienation, intrusion and belonging. The book was published by Chelsea Space to coincide with Quaintance's exhibition Available Light, but it also stands as an autonomous publication
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