30,907 research outputs found
The Encounter between the West and the Arab World in the Age of Nahdah (Renaissance). The Translation Movement in the Arab Literary Reviews
No full textIn quest'articolo si riflette sul ruolo giocato dalla riviste letterarie arabe nella diffusione della conoscenza della cultura occidentale. Il movimento di traduzione avviato durante la Nahda (la Rinascita) in Egitto e nella Grande Siria condusse a cambiamenti sostanziali dei canoni estetici, ma suscitò anche un movimento di forte opposizione da parte dei conservatori
Maria Bersani
No full textLa voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
In Sarbiewski's Circle − Albert Ines' Lyric Poetry
No full textAlbert Ines is discussed here as the author of the lyrical poem Lyricorum centuriae (Gdańsk 1655). In the collection there are many religious poems, especially ones taking up Virgin Mary as their subject matter, and hence Ines is described as vates Marianus. Ines' religious poems are bound by a double convention: that of the use of biblical and ancient metaphors; they are also even ”garrulous” because of motives of praise accumulated in a litany-style manner. His reflective poems are more interesting; they are a kind of intellectual-lyric poetry abouding in clever sayings, pointed antitheses, etc. Ines imitates Sarbiewski but being consistent with the rule ”imitari non expilare” he limits himself to only two ”parodies”; and even they are not very typical. The fact that Ines imitates Sarbiewski is also seen in taking up the same subjects in his poems. This similarity is sometimes rather faint so its significance for our interpretation will be limited
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
O curso de licenciatura em educação física da Universidade Federal de Santa Catarina: suas concepções de ensino e de educação física
No full textDissertação (mestrado) - Universidade Federal de Santa Maria. Centro de Educação Fisica e Desporto
Erratum: Lack of immunity against rubella among Italian young adults. [BMC Infect Dis., 17, (2017) (199)] Doi: 10.1186/s12879-017-2295-y
No full textAfter publication of this article [1], the authors noted that the given names and family names of all authors had been inverted, and are therefore incorrect in the original article. In the original article, the author names appear as the following: Gallone Maria Serena, Gallone Maria Filomena, Larocca Angela Maria Vittoria, Germinario Cinzia and Tafuri Silvio. However, this is incorrect, and the author names should appear as per the below: Maria Serena Gallone, Maria Filomena Gallone, Angela Maria Vittoria Larocca, Cinzia Germinario, Silvio Tafuri. The author names have been corrected in the author list and the citation for this Erratum
Generation of Added Value to the Tree Tomato of the Yellow Variety with the Preparation of the bocadillo in the Municipality of Macaravita Santander.
No full textA nivel nacional se elabora, se comercializa y se consume mayormente el bocadillo de guayaba siendo este el más conocido. El objetivo de esta investigación sobre generación de valor agregado del tomate de árbol con la elaboración del bocadillo en el municipio de Macaravita Santander, es el de evaluar que el tomate de árbol que se produce es apto para la transformación en bocadillo; evaluar la aceptación, formulación y análisis de las características organolépticas y fisicoquímicas del bocadillo de tomate de árbol producido de manera artesanal. Para la captura de esta información se realizó una toma de muestra de PH, grados brix y madurez pruebas micro biológicas, una encuesta realizada de manera física a las personas del municipio de Macaravita para poder determinar entre dos formulaciones que bocadillo prefieren en cuento a aroma, sabor, textura y color.PregradoProfesional en Producción AgroindustrialAt the national level, the guava sandwich is elaborated, marketed and consumed, being this the best known. The objective of this research on the generation of added value of the tree tomato with the elaboration of the bocadillo in the municipality of Macaravita Santander, is to evaluate that the tree tomato that is produced is suitable for transformation into a bocadillo; evaluate the acceptance, formulation and analysis of the organoleptic and physicochemical characteristics of the tree tomato sandwich produced in an artisanal way. To capture this information, a sample of PH, brix degrees and maturity microbiological tests was carried out, a survey was carried out physically to the people of the municipality of Macaravita to be able to determine between two formulations which bocadillo they prefer in terms of aroma, flavor , texture and color
The Story of Sor Juana Ines de la Cruz
No full textabstract: The story of Sor Juana Ines de la Cruz is one of a woman who defied the odds of her time. Sor Juana was a nun born in the 1600's in Mexico. From an early start, she had an endless passion for knowledge and always strove to learn as much as she could. She went on to become a nun at the Convent of Santa Paula and used her intellect to advocate for women's rights. Though met with opposition, she wrote many poems, letters, and even plays which included her strong push for women's equality. However, the name Sor Juana Ines de la Cruz is almost never mentioned in popular feminist discourse, despite Sor Juana being credited as one of the first feminist authors. This paper works to not only tell the story of Sor Juana Ines de la Cruz in detail, but also works to answer the question, "Why do people not know about Sor Juana". By diving into the origins of the Feminist movement in the United States, the dark underbelly of Feminism is uncovered. Primarily, the topic of how racism in feminism has plague the civil rights movement, what damage has been done to people of color because of feminism's history, and how does that pertain to modern day feminism and Sor Juana. By telling her story through both written and visual aids, the voice of Sor Juana Ines de la Cruz is no longer silenced but free to tell her tale and move a generation
Twisted mass QCD thermodynamics: first results on apeNEXT
No full textCopyright owned by the author(s) under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike Licence.Ernst-Michael Ilgenfritz, Michael Müller-Preussker and Andre Sternbeck, Karl Jansen and Ines Wetzorke, Maria Paola Lombardo, Owe Philipsenhttp://pos.sissa.it/cgi-bin/reader/conf.cgi?confid=3
Imagens de Otto Maria Carpeaux: esboço de biografia
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2015.Este esboço de biografia procura citar algumas imagens de Otto Maria Carpeaux: construções biográficas de naturezas múltiplas, elaboradas em contextos, por atores e sob condições igualmente díspares. Está constituído a partir de uma visão crítica da História, o que permite que ?outras imagens?, fragmentárias e não monumentais, também tenham espaço. Em diálogo com o princípio da montagem, este esboço apresenta-se em duas partes. Na primeira, Imagens possíveis, estão citadas as imagens elaboradas em vida e post mortem acerca do austríaco-brasileiro que nasceu em Viena em 1900, se exilou no Brasil em 1939 e morreu no Rio de Janeiro, em 1978. Na segunda, Montagens possíveis, apresentam-se duas possibilidades de exercício biográfico: pela leitura alegórica do documentário O velho e o Novo (Otto Maria Carpeaux), entendido como instrumento de intervenção no contexto ditatorial brasileiro e de uma reelaboração biográfica concernentes às suas experiências europeias; e pelo Caderno de imagens críticas, registro dos encontros em Carpeaux pelo meio de imagens críticas produzidas a partir da cesura do presente.Abstract : This biographical sketch attempts to quote some images of Otto Maria Carpeaux: various types of biographical constructions, carried out in different contexts by disparate authors under conditions just as distinct. It stems from a critical view of history, allowing for ?other images? fragmented and non-monumental ? to share the space.In dialogue with the montage principle, this sketch has two parts. The first, Possible Images, quotes the images produced during and after the life of the Austrian-Brazilian, who was born in Vienna in 1900, went to Brazil in exile in 1939 and died in Rio de Janeiro in 1978. The second part, Possible Montages, presents two possibilities of a biographical exercise: through the allegorical reading of documentary O Velho e o Novo (Otto Maria Carpeaux), understood as an instrument of intervention in the Brazilian dictatorship context and as a biographical retelling of the author?s European experiences; and through my Scrapbook of Critical Images, a record of the encounters in Carpeaux through critical images produced from the caesura of the present
- …
