1,056 research outputs found
La prosa documentale di Svetlana Aleksievič: tra reportage e memoir collettivo
No full textThis essay offers an analysis of the work of Svetlana Alexievich as the most complete expression of documentary prose, defined as a hybrid narrative and combining the genres of the reportage and the collective memoir. This narrative trend attained full development in Soviet literature during the 1970s and is characterized by a transfer from the author to direct witnesses of the narrated events. While Iryna Shylnikova traces the origins of this trend, a diachronic study of documentary prose allows her to reconstruct Svetlana Alexievich’s artistic method. She explains, at the same time, how a recourse to living testimonies on real facts can be transformed into an aesthetic phenomenon. In particular, Shylnikova focuses on Second-hand Time in an attempt to establish the core points of the author’s poetics
Tecnologías modernas de fitness en la educación física de los estudiantes
No full textTecnologías modernas de fitness en la educación física de los estudiantes / Valery Zhamardiy, Olena Shkola, Sergiy Bezpaliy, Bohdan Kalynovskyi,
Olena Vasylenko, Iryna Ivanochko, Nadya Dovgan,
Igor Malynskyi. Oleksandr Danylenko, Grygoriy Griban, Kostiantyn Prontenko // Revista Dilemas contemporaneous : Educación, Política y Valores : Edición Especial. – 2019. – № VII, Noviembre. – Artículo № 81.У статті наведені сучасні фітнес-технології у фізичному вихованні студентів
Provenance as a tool for supporting the dashboard onboarding process
No full textAuthor Iryna KondrashchenkoMasterarbeit Universität Linz 202
Chernivtsi as a text in Iryna Vilde’s story cycle “Butterflies on the Pins”
No full textУ статті пропонується аналіз семіотичного простору чернівецького тексту в циклі повістей Ірини Вільде «Метелики на шпильках». Розглядаються особливості тексту міста у його візуальному, культурологічному, ольфакторному аспектахThis article draws attention to the semiology of Chernivtsi as a text in Iryna Vilde’sstory cycle “Butterflies on the Pins”. The author of the essay analyses the most important visual, cultural and olfactoral aspects of the city text
Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-)
No full textInterview with Iryna Tsilyk
Iryna is a filmmaker and writer born in 1982 in Kyiv. Since 2014 her work has captured the events that followed Russia’s invasion and annexation of Crimea, the subsequent war in the Donbas, and the full-scale Russian invasion of Ukraine which took place in February 2022.
Iryna’s short film Home (2016) was included in the short film collection Ukrainian New Wave 20/16+ and her films Tayra and Kid formed part of the anthology documentary Invisible Battalion (Dir. Gorlova, Lishchynska, Tsilyk, 2017) released as part of a global advocacy project that documented the participation of Ukrainian women in the conflict.
Her own debut feature documentary The Earth Is Blue as an Orange won the Directing Award at the Sundance Film Festival in 2020, and formed part of the official selection for Berlinale, IDFA, CPH:DOX, Hot Docs and more than 100 other international film festivals. The film featured single mother Hanna Gladka and her four children, bringing to life the family’s experience as residents of the front-line war zone in Donbas, Ukraine.
Iryna is also the author of eight books of poetry and short stories published both in Ukraine and having been translated into a number of languages. Her next project is the feature-length fiction film Rock. Paper. Grenade, adapted from the novel “Who are you?” by Ukrainian novelist, and Iryna’s husband, Artem Chekh
Classical Crossover and Its Russian and Ukrainian Interpretations
No full textThis article aims to explore the phenomenon of “classical crossover,” a contemporary music trend that blends “high” and “low” elements. In addition to analyzing the genre’s main features and cultural preconditions for its emergence, the article will examine its historical origins and development. The second part of the article focuses on examples of classical crossover in Russian and Ukrainian music, with an analysis of several artists who have ventured into this new type of production, including the Terem Quartet, Anna Netrebko, Olga Chubareva, and Arina Domski. By applying historical and cultural methodology, the article suggests that classical crossover has a broad audience in Russia and Ukraine, allowing musicians to introduce elite classical music to the masses. Although some may view the genre as a dilution of classical music’s distinctive qualities in order to cater to popular tastes, it also provides musicians with the opportunity to create original pieces that merge tradition with innovation. Considering all of the above, the author of this article aims to explore the cultural significance and impact of classical crossover in the music industry
Constructing an integrated model of public-sector leadership competencies: an exploration
No full textDriven by the forces of globalization, the sweeping developments of recent decades have prompted changes in societal perceptions of leadership. The meaning of the concept itself has changed so dramatically that public leadership does not mean public-sector leadership anymore as the sectoral boundaries have been crossed to include individuals from the private and nonprofit sectors, civic leaders, and community volunteers involved in addressing pressing social, economic, and environmental problems (Luke, 1998). And yet, the chain of recent, universally acknowledged public sector leadership failures indicate that lack of leadership in public organizations is, if not immediately apparent, quite real. Increasingly, leadership quality is being linked to leadership training and development. In particular, an approach to leadership development and selection that is gaining momentum under “the pervasive influence” of New Public Management in the US and a number of other countries (Mau, 2009) is based on a set of identifiable personal characteristics called competencies. This research offers an analysis of competency-based approaches and addresses the need for better articulation of leadership models to ensure a better fit with the public sector (Trottier et al., 2008). The purpose of this theory-building exercise has been to create an integrated model of public-sector leadership competencies that could be used as a template in developing a leadership training program for public sector executives and/or managers. Exploratory in nature and qualitative in terms of methodology, the research offers a phenomenological perspective and provides critical assessment of the competency movement’s place within the processes transforming public service. Grounding the analysis in the existing leadership and public administration literature, I ask the questions: How well does the competency-based approach serve the mission of producing public leaders capable of sustaining high performance in their work communities—departmental units or agencies? And is it capable of capturing and integrating new and emerging competencies as they appear? The synthesis of selected competency models into the integrated model brings the disparate and disjointed language of competency modeling one step closer to a common denominator, thus deepening our understanding of this phenomenon. It also responds to the perceived need to further develop competency-based theory of leadership and contributes, through the advancement of the topic, to the improvement of our civil service and its leadership cadre’s training and development.Ph. D.Includes bibliographical referencesIncludes vitaby Iryna Illias
«Glory to live-giving talent». The problem of artist and society in the poems of Iryna Zhylenko
No full textУ статті вперше розглянуто особливості художньої інтерпретації проблеми взаємин митця й
суспільства в ранніх поемах Ірини Жиленко «Цар-Колос. Ода Катерині Білокур», «Збережи сонце для сві-
танку», «Облога. Поема про втечу і повернення». З’ясовано, що їх тематичною домінантою є розкодування
таємниці творчості, осмислення буттєвого вибору генія. Простежено, що проблему взаємин митця й сус-
пільства авторка розглядає через призму несприйняття соціумом «інакшості» героя, котрий, переживши
кризу самоідентифікації, формулює новий сенс свого життя, стає трагедійним персонажем, який безпри-
страсно піднімається над земною марнотою заради вічності, універсальних цінностей буття. Наголоше-
но, що загалом проблема митця й суспільства, сенсу творчості в аналізованих поемах має оптимістичне,
життєствердне вирішення. Указано, що художньому втіленню проблематики сприяють не тільки значні
за обсягом внутрішні монологи відомих митців, але й фрагментарна композиція творів.The article deals with the problem of interaction between the artist and the society in early poems
of Iryna Zhylenko for the first time. Theme dominant is defined as decodering of the mystery of creative
work, identification of the problem of genius’ choice in the poems of Iryna Zhylenko «Tsar-ear. Ode to Kateryna
Bilokur», «Save the Sun at the sunrise» and «Seige. The poem about escape and returning back». Lyric heroine
has an imaginary dialogue with prominent painters Kateryna Bilokur, Anry Matisse and Micelangelo Buonarotti.
All of them experience catharsis while coping with doubt. Interaction between the personality and the
society in the works mentioned above is considered via perception of the difference of the genius-artist by the
society. Having survived the crisis of self-identification and formulates new sense of life: «to serve the mankind
and the epochs», becomes a tragic character which impartially rises above earth misery for the sake of eternity,
universal values of life. The author is interested in characters’ critic psychological states, but in general the
problem of the artist and the society, the sense of creative work in the works we analyze has optimistic lifeaffirming
solution. Long inner monologues of famous artists and fragmentary composition promote its artistic
incarnation. Iryna Zhylenko grasps the idea of favouritepainers’ outlook and style evolution, the process of
identification their goal: to serve people. Poems «Tsar-ear. Ode to Kateryna Bilokur», «Save the Sun at for sunrise
» and «Seige. The poem about escape and returning back» confirm the development of author’ poetic skills,
incarnate typical for her concepts of home, garden, town, happiness, heart, light. They reflect the evolution of
Iryna Zhylenko’s poetics : from quiet self-concentration, meditation, privacy, self-irony to publicistic and civic
writing, ontological comprehension of the urgent problems of the second half of the twentieth century
Formation of Professional Folk Dance Ensembles in the USSR: Artistic and Sociocultural Aspects
No full textThe purpose of the article is to find out the main artistic and sociocultural factors that determined the formation of professional folk dance ensembles in the USSR. The research methodology is based on a combination of historical-cultural, formal-typological, comparative analysis, which made it possible to fully reveal the range of issues associated with the subject of the research. The scientific novelty consists in identifying the main artistic and sociocultural factors that led to the formation of professional folk dance ensembles in the USSR; clarification of the general and the difference in the principles of folklore dances adaptation by Y. Churko and K. Vasylenko. Conclusions. The article concludes that in the classification schemes of the principles of folklore dances adaptation by Y. Churko and K. Vasylenko, the first (minimal adaptation of the primary folklore source) and the third (the author’s work) principles coincide. Y. Churko states that the essential in the second principle is the connection with the folklore mainstay. K. Vasylenko places before arbitrary interpretation, enrichment with tricks, borrowing the styling of classical dance, a departure from folklore is allowed. The article found the cultural factors that determined the formation of professional folk dance ensembles in the USSR: the All-Union Folk Dance Festival in 1936 in Moscow; the success of the trykolinnyi (three-part) hopak in London in 1935; numerous shows and festivals of organised amateur performances and unorganised amateurs. Among the sociocultural ones is the article “The Ballet Falsity” (1936), which introduces the idea of the inorganic demonstration of folk dance on the ballet stage, emphasised the need to create independent forms of stage presentation of this kind of choreographic art; imposition of socialist realist principles, including “nationality”, “large-scale involvement”; replicating the formula of Soviet art “national in form, socialist in content,” which required the introduction of elements of national art in ideologically verified forms
Художнiй потенцiал жанру Künstlerroman (novel about an artist) в iрландськiй модернiй лiтературi та трансформацiя iдiостилю автора в перекладi українською мовою на матерiалi роману Дж. Джойса «Портрет митця замолоду» («A Portrait of the Artist as a Young
No full textArt of the ХХ century, in particular literature, developed under the influence of modernism. The personification of artistic research and experiments in the literature of this era was the figure of the famous Irish writer J. Joyce. Joyce’s artistic heritage has long been one of the most interesting and attractive phenomena for literary critics in various schools and industries. In modern researches of Ukrainian scientists, Joyce’s works are considered in a broad ideological and aesthetic context of that time, its innovation in the context of the development of literary trends of the last century. The paper is devoted to the study of the features of the translation of the autobiographical novel by the Irish writer James Joyce’s “A Portrait of the Artist as a Young Man” and the reproduction of the writer’s idiostyle by Mariana Prokopovych. The first chapter defines the theoretical foundations for studying the features of translation of autobiographical works; analyzes the problem of determining the genre of the novel about an artist; considers Künstlerroman as a modern literary and linguistic phenomenon. In the research part of the article, the features of translating an autobiographical novel are presented; the novel about an artist “A Portrait of the Artist as a Young Man” in the literary heritage of James Joyce is analyzed; the transformation of James Joyce idiostyle in the translation into Ukrainian of the Künstlerroman novel “A Portrait of the Artist as a Young Man” is taken under consideration: lexical aspect of equivalence: denotative aspect of lexical transformations and connotative aspect of lexical transformations; lexical-grammatical aspect of equivalence; grammatical aspect of equivalence, in particular, transformation at the morphological and syntactic levels. “Portrait of a young artist” is, in our opinion, the key work that combines the world of a novice writer with a deep philosophical view of the world of a mature artist. The author of the article is convinced that the problems of adequacy and equivalence of the original text and translation, without a doubt, deserve further research in modern translation studies, the prospects for further research in the context of our subject are, in our opinion, the ability to analyze functional-communicative, stylistic, connotative phraseological, onomasiological and pragmatic equivalence of translations into Ukrainian of other works by Irish writer J. Joyce and novels by other authors in the genre of the novel about the artist.Статтю присвячено дослiдженню жанрових особливостей роману iрландського письменника Дж. Джойса «Портрет художника в молодостi» та специфiцi вiдтворення iдiостилю митця в перекладi М. Прокопович. У статтi представленi особливостi перекладу автобiографiчного роману; проаналiзовано Künstlerroman «Портрет художника в молодостi» як особливе явище в лiтературнiй спадщинi Дж. Джойса; розглянуто трансформацiю iдiостилю Дж. Джойса в перекладi українською мовою роману: лексичний аспект еквiвалентностi: денотативний i конотативний аспекти лексичних трансформацiй; лексико-граматичний аспект еквiвалентностi; граматичний аспект еквiвалентностi, зокрема, трансформацiя на морфологiчному та синтаксичному рiвнях. Авторка переконана, що проблеми адекватностi та еквiвалентностi тексту оригiналу та перекладу, безперечно, заслуговують подальших дослiджень у сучасному перекладознавствi. Перспективами подальших дослiджень у контекстi теми цiєї статтi є, перш за все, необхiднiсть дослiдження функцiонально-комунiкативної, стилiстичної, конотативної фразеологiчної, ономасiологiчної та прагматичної еквiвалентностi перекладiв українською мовою творiв iрландського письменника Дж. Джойса та романiв iнших авторiв жанру роману про митця
- …
