2,102 research outputs found
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Letter From Anne Byron to Mrs Isabella Hall
No full textabstract: Concerning Byron's orders concerning her personal finances and bank operations.Seller's Description: Note in upper right corner reads WDV 50.00.Curator's Note: Writing on verso reads "Wife of the Poet." The author is the wife of the poet Lord Byron.Postage Details: Stamped three times.
Address reads: Post & Paid
Mrs Isabella Hall
Harrington Lane Area
Co. Durham.Paper Details: Originally folded. Left side has small tears. Stamp in bled through on the verso
Performing arts portfolio by Isabella Delgado Gualdron
No full textSoy cuerpo y mente en movimiento
Soy investigación y creación en diálogo
Soy diversidad y versatilidad en escena
Soy mujer y comunidad en transformación
Soy Isabella
Nací para bailar y volar, para moverme y expresar lo que soy a través de mi cuerpo.
Soy parte de diferentes universos que componen el arte escénico, desde la ejecución, siendo una bailarina que vuela, hasta la dirección, gestión y producción, siendo una emprendedora que se apasiona por la construcción de experiencias para su comunidad.
Creía que el ballet lo era todo, hasta que conocí mi propio movimiento a través de la danza contemporánea y el circo aéreo. Me enamoré de lo que soy, del color de mi piel y la forma de mis huesos. Hoy me expreso, investigo y me muevo a través de esos tres lenguajes, jugando a encontrar mi voz para relacionarme con el mundo entre zapatillas, pies descalzos y aparatos para volar.
Mi sinceridad, vulnerabilidad y humildad son mis motivos y medios para conectar con el mundo, construir y aprender junto a mi comunidad. Por esta razón, también me apasiona el movimiento como flujo de aprendizaje, como compartir energético de experiencias en donde mi arte dialoga y se transforma con el arte de cada persona.
Comparto lo que me mueve emprendiendo y lanzándome a construir con mi empresa Adagio, arte y expresión, un espacio que me permite explorar todos los lenguajes que habitan en mí, investigando y creando como directora, gestora y productora. En mi hogar, Cali, se encuentra ese sueño vivo, en donde puedo ser yo, completa. En donde le doy a mi comunidad una casa para vivir y compartir el arte.
Soy Isabella. Soy un movimiento que conecta, danza, vuela, comprende y se entrega.
Link de acceso: isabelladelgadog.comI am body and mind in movement
I am research and creation in dialogue
I am diversity and versatility on stage
I am a woman and a community in transformation
I'm Isabella
I was born to dance and fly, to move and express who I am through my body.
I am part of different universes that make up scenic art, from execution, being a flying dancer, to directing, managing and producing, being an entrepreneur who is passionate about building experiences for her community.
I thought that ballet was everything, until I discovered my own movement through contemporary dance and aerial circus. I fell in love with who I am, the color of my skin and the shape of my bones. Today I express myself, investigate and move through these three languages, playing to find my voice to relate to the world between ballet slippers, bare feet and flying devices.
My sincerity, vulnerability and humility are my motives and means to connect with the world, build and learn together with my community. For this reason, I am also passionate about movement as a flow of learning, as an energetic sharing of experiences where my art dialogues and is transformed with the art of each person.
I share what moves me by undertaking and launching myself to build with my company Adagio, art and expression, a space that allows me to explore all the languages that inhabit me, researching and creating as a director, manager and producer. In my home, Cali, there is that living dream, where I can be myself, complete. Where I give my community a house to live and share art.
I'm Isabella. I am a movement that connects, dances, flies and transforms.
Link: isabelladelgadog.comMaestro (a) en Artes EscénicasPregrad
Isabella y Cesar reyecitos de la tradición
No full textDesde que fueron designados como Reyes del Carnaval de los Niños 2019, Isabella Chacón Ruiz y Cesar De la Hoz Padilla, se comprometieron con todos los pequeños barranquilleros a trabajar por la salvaguarda de la tradición, y así lo cumplieron, a través de sus actividades y presentaciones llenas de alegría, sencillez y amor por el Carnaval.Carnaval de Barranquilla S.A.S
Introduzione
No full textSaggio introduttivo all'edizione italiana del romanzo di Miguel de Unamuno, Amor y pedagogía, di cui l'autrice è anche traduttrice. L'introduzione ha un taglio storico-letterario e linguistico-traduttologico.Introductory essay to the Italian edition of Miguel de Unamuno's novel, Amor y pedagogía, of which the author is also a translator. The introduction offers an historical-literary and linguistic-traductological sketch
High school success
No full textauthor: Isabella Jacoby.This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Dampak Psikologis Tokoh Isabella Dalam Novel Isabella Karya Maulana Muhammad Saeed Dehlvi
No full textThe purpose of this research is to describe the role and impact of converting psychological character Isabella in the novel Isabella works of Maulana Muhammad Saeed Dehlvi by: (1) aspects of the Id, (2) aspects of the Ego, (3) aspects of the Super Ego. The data of this research are the word, phrase, phrases, and sentences that lead to the converting by Isabella that author expressed in the story. The data resources is founded in the novel itself. The data is collected by using descriptive methode that priorityzing the interaction interconcepts that studied empirically. The result of this research is thebpsychological impact that experienced by Isabella in the novel Isabella caused by id impulse that dominating herself
“They Tore My Entrails Apart”: San Juan de los Reyes and the Textiles of Isabella I of Castile’s Funerary Monument
No full textEl monasterio de San Juan de los Reyes se erigió como un espacio simbólico en la memoria de Isabel I de Castilla. Aunque los cenotafios regios no fueron ejecutados, el monumento funerario mantuvo viva su presencia a lo largo de la Edad Moderna. Los paños fúnebres, elaborados con terciopelos y brocados, reflejaban el poder y la magnificencia textil a la vez que cumplían con el ideal de austeridad expresado por la reina en su testamento. Este estudio analiza el papel de los textiles en la escenografía funeraria y su vinculación con la tradición Habsburgo y la imagen regia.The Monastery of San Juan de los Reyes became a symbolic space in the memory of Isabella I of Castile. Although the royal cenotaphs were never executed, the funerary monument preserved her presence throughout the Early Modern period. The funeral cloths, made of velvet and brocade, reflected power and textile magnificence while also adhering to the queen’s testamentary wish for austerity. This study examines the role of textiles in the funerary scenography and their connection to the Habsburg tradition and royal imagery
Killacinga - Andean South American Music Ensemble ASAB
No full textObra: Killacinga
Trote boliviano compuesto por Tatiana Naranjo.
Ensamble de Música Andina Suramericana ASAB
Integrantes:
Vientos:
Elkin Villamil
Anderson Serrano
Violín
Margie Castillo
Violonchelo
Mariana Ortiz
Bandolas
Juan Niño
Daniela González
Charangos
Julián Méndez
Sergio Guerrero
John Silva
Cuatro
Yermain Garay
Tiples
Isabella Niño
Alejandro Villada
Brayan Sarmiento
Guitarras 1
Kevin Yanquen
Ricardo Pérez
Guitarras 2
Christian Usaquén
María Paula Reyes
Daniel Torres
Percusión
Cristian Cupitra
Camila Giraldo
Piano
Christian Barján
Bajo
Juan Felipe Palacios
Directores:
Tatiana Naranjo y Juan Pablo Rubio
Créditos producción
Sonido
Daniel Pardo
Karen Pachón
David Gil
Iluminación
Francisco Robles
José de los Santos
Fotografía y video
María Fernanda Vargas
Jeison Narváez
Producción general
Carlos Andrés Mejía
Francisco Méndez
Coordinador PCAM
Manuel Bernal Martínez
Decana - FA ASAB
Dora Lilian Marín DíazWork: Killacinga
Bolivian trot composed by Tatiana Naranjo.
Andean South American Music Ensemble ASAB
Members:
Winds:
Elkin Villamil
Anderson Serrano
Violin
Margie Castillo
Cello
Mariana Ortiz
Bandolas
Juan Niño
Daniela Gonzalez
charangos
Julian Mendez
Sergio Guerrero
John Silva
Four
Yermain Garay
Tips
Isabella Child
Alejandro Villada
Brayan Sarmiento
Guitars 1
Kevin Yanquen
Ricardo Perez
Guitars 2
Christian Usaquen
Maria Paula Reyes
Daniel Torres
Percussion
Cristian Cupitra
Camila Giraldo
Piano
Christian Barjan
Low
Juan Felipe Palacios
Directors:
Tatiana Naranjo and Juan Pablo Rubio
production credits
Sound
Daniel Pardo
Karen Pachón
David Gil
Lightning
Francisco Robles
Jose de los Santos
Photography and video
Maria Fernanda Vargas
Jeison Narvaez
General production
Carlos Andres Mejia
Francisco Mendez
PCAM Coordinator
Manuel Bernal Martínez
Dean - FA ASAB
Dora Lilian Marín Día
I capitoli di Isabella d’Aragona per gli ebrei di Bari
No full textThe privilege deed granted by Isabella of Aragon to the Jews of Bari
This paper is the edition of a notarial deed relating to an agreement entered into between the universitas of Bari and the local Jewish community. Among other inserts, the deed contains an unpublished privilege granted in 1522 to the Jews of Bari by its feudal lord, Isabella of Aragon, concerning the safety of the Jewish families, their general assets, and the methods of exercising the activity of moneylending. The author provides a close analysis of the manuscript and a biographical note on Isabella of Aragon which explains the context in which the deed was granted, comparing its articles with similar measures previously issued in favour of Jews living in the Kingdom of Naples.In questo lavoro si presenta l’edizione di un atto notarile relativo a un accordo stipulato tra l’Universitas di Bari e la locale comunità ebraica. L’atto contiene, tra gli inserti, un inedito privilegio concesso nel 1522 agli ebrei di Bari dalla feudataria della città Isabella d’Aragona e relativo alla sicurezza delle loro famiglie, dei loro beni e alle modalità di esercizio dell'attività di prestito. Dopo una attenta analisi del manoscritto, l’autore fornisce cenni biografici su Isabella d’Aragona e si sofferma ad analizzare gli articoli che compongono il privilegio, confrontandoli con provvedimenti simili già emessi in precedenza a favore degli ebrei del regno di Napoli.
The privilege deed granted by Isabella of Aragon to the Jews of Bari
This paper is the edition of a notarial deed relating to an agreement entered into between the universitas of Bari and the local Jewish community. Among other inserts, the deed contains an unpublished privilege granted in 1522 to the Jews of Bari by its feudal lord, Isabella of Aragon, concerning the safety of the Jewish families, their general assets, and the methods of exercising the activity of moneylending. The author provides a close analysis of the manuscript and a biographical note on Isabella of Aragon which explains the context in which the deed was granted, comparing its articles with similar measures previously issued in favour of Jews living in the Kingdom of Naples
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