12,428 research outputs found
Morte em V., de Reinaldo Santos Neves: notas de leitura
No full textOrganizada por Inês Aguiar dos Santos Neves, a seleta traz cinco estudos sobre o último romance de Reinaldo Santos Neves, Morte em V., publicado em 2023: "Sibila a caminho: uma leitura amorosa de Morte em V., de Reinaldo Santos Neves, de Eduardo Madeira; "Morte em V., de Reinaldo Santos Neves: notas de leitura", de Getúlio Marcos Pereira Neves; "Morte em V.: literatura como destino", de Inês Aguiar dos Santos Neves; "Morte em V., o espaço da paixão", de Maria Lúcia Kopernick, e "Morte em V. – relíquia de romance de formação", de Rita de Cássia Maia e Silva Costa
Navigating the Labyrinth of Jurisdiction in Restrictive Measures Cases: Neves 77 Solutions (C-351/22)
No full text(Series Information) European Papers - A Journal on Law and Integration, 2025 10(3), 555-577 | Article | (Table of Contents) 1. Introduction – 2. Facts of the case and questions referred – 3. Opinion of Advocate General Ćapeta – 4. Judgment of the Court – 5. Analysis of selected issues concerning the Court’s jurisdiction – 5.1. In the shadow: fundamental rights protection as a question of competence – 5.2. Categorization of restrictive measures: binary constitutional choices meet complex political realities – 5.3 The comeback of Article 40 TEU: a missed opportunity? – 6. Concluding remarks. | (Abstract) On 10 September 2024, the ECJ delivered its judgment in Case C-351/22 (Neves 77 Solutions). In this case, the Court was confronted with the question whether it has jurisdiction to hear a preliminary reference on the interpretation of a CFSP Decision concerning restrictive measures. While the judgment constitutes an important clarification with regard to the ECJ’s jurisdiction in the area of CFSP matters, it appears that the relevance of the ruling was largely underappreciated when compared to the judgment in Joined Cases C-29/22 P and C-44/22 P (KS and KD v Council and Others), which was delivered on the same day. In this annotation, I explore the complex legal questions concerning the Court’s jurisdiction underlying the Neves 77 Solutions ruling, discussing both merits and flaws of the judgment. While at first sight Neves 77 Solutions might seem relatively unspectacular, I argue that the implications of the judgment are highly significant, particularly in view of the EU’s envisaged accession to the ECHR
Zooplankton abundance from the Congo River and tributaries
No full text<p>Data set generated by a BIOTA-FAPESP 2020/04047-5 project, coordinated by Prof. Gilmar Perbiche Neves from UFSCar-DHb, Brazil. The available data are on composition, abundance (individuals per cubic meter) and diversity indices.</p>
A Complete V-Equational System for Graded lambda-Calculus
No full textModern programming frequently requires generalised notions of program
equivalence based on a metric or a similar structure. Previous work addressed
this challenge by introducing the notion of a V-equation, i.e. an equation
labelled by an element of a quantale V, which covers inter alia (ultra-)metric,
classical, and fuzzy (in)equations. It also introduced a V-equational system
for the linear variant of lambda-calculus where any given resource must be used
exactly once.
In this paper we drop the (often too strict) linearity constraint by adding
graded modal types which allow multiple uses of a resource in a controlled
manner. We show that such a control, whilst providing more expressivity to the
programmer, also interacts more richly with V-equations than the linear or
Cartesian cases. Our main result is the introduction of a sound and complete
V-equational system for a lambda-calculus with graded modal types interpreted
by what we call a Lipschitz exponential comonad. We also show how to build such
comonads canonically via a universal construction, and use our results to
derive graded metric equational systems (and corresponding models) for programs
with timed and probabilistic behaviour.Comment: Conference paper accepted at MFPS'23. Omitted proofs can be found in
arXiv:2304.02082v
Eustáquio Neves: photographic subject - memory and image
No full textEsta pesquisa tem como ponto de partida o acesso ao ateliê e aos arquivos de criação do artista Eustáquio Neves. A investigação dos percursos identificados nas obras, esboços, anotações e falas de Neves busca relações entre os processos de criação e a presença comunicante materializada nos trabalhados do artista, visando descobrir de que maneira os procedimentos adotados pelo autor transformam imagens em estandartes que carregam memórias deliberadamente evocadas enquanto povoam universo ficcional com seus próprios tempos e espaços. Neves coloca a fotografia no contexto das artes visuais ao criar imagens complexas nas quais o clamor político e as marcas do processo – tanto fotográfico quanto extrafotográfico – se impõem. A presença resulta, portanto, de investimento semântico que perpassa todo o processo de criação e, no caso de Neves, é amplificado pelo uso não convencional desses procedimentos. O estabelecimento de vínculos entre obras, autor e contexto de produção tem como objetivo detectar nexos e recorrências entre os trabalhos de Neves, em suas diversas etapas de desenvolvimento, e questões pertinentes acerca das artes visuais contemporâneas. O tratamento acadêmico do material, feito sob a perspectiva da crítica de processos de acordo com contribuições teóricas de Cecilia Almeida Salles, faz emergir discussões sobre os tempos e espaços fotográficos, autoria, memória e arquivos. Ao lado de Salles aparecem autores que colaboram para uma abordagem interdisciplinar: Vincent Colapietro, Henri Bergson, Edgar Morin, Georges Didi-Huberman, Jacques Rancière e Michel FoucaultThis research has as its starting point the access to the studio and the creation archives of the Brazilian artist Eustáquio Neves. The investigation of the paths identified in Neves' s works, sketches, notes and speeches, seeks to establish relations between the creation processes and the communicating presence materialized in the artist's works, in order to discover how the procedures adopted by the author transform images into manifestos that carry memories deliberately evoked, as they populate a fictional universe within their own times and spaces. Neves places photography in the context of the visual arts by creating complex images in which the process reminiscences - both photographic and extra-photographic - impose themselves, as well as the political statement. Presence therefore results from a semantic investment that permeates the entire creation process and, in the case of Neves, is amplified by the unconventional use of these procedures. The establishment of links between works, author and context of production aims to detect nexuses and recurrences between the material, in its various stages of development, and pertinent questions about contemporary visual arts. The academic treatment is made from the perspective of process criticism in accordance with Cecilia Salles' theoretical contributions and gives rise to discussions about photographic times and spaces, authorship, memory and archives. Alongside Salles are authors who collaborate for an interdisciplinary approach: Vincent Colapietro, Henri Bergson, Edgar Morin, Georges Didi-Huberman, Jacques Rancière and Michel FoucaultConselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNP
Novos modelos estruturais para o sítio ativo de metaloenzimas de vanádio e cobre
No full textTese (doutordo) - Universidade Federal de Santa Catarina, Centro de Ciências Físicas e Matematicas. Programa de Pós-Graduação em Química.Síntese e caracterização estrutural de novos complexos mono e multinucleares de vanádio (IV)/(V) e cobre (II) envolvendo ligantes contendo nitrogênio amínico/piridínico e oxigênio fenólico, os quais foram usados para simular estruturalmente sítios ativos de biomoléculas naturais como a Bromoperoxidase e a Galactose Oxidase
The critical realism of João das Neves
No full textOrientador: Suzi Frankl SperberDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de ArtesResumo: Esta pesquisa analisa a produção dramatúrgica de João das Neves, compreendendo, assim, os seguintes textos: O último carro (1964), O quintal (1978), Mural mulher (1979), Café da manhã (1980) e A pandorga e a lei (1983-1984), que, na sua totalidade, foram produzidos durante a ditadura militar no Brasil. O engajamento político de João das Neves possibilitou o desenvolvimento de
um teatro voltado para os problemas candentes da realidade social brasileira, levando-o a formular uma obra de estrutura épica com suas especificidades próprias. Seu teatro, nesse sentido, procura esclarecer ao público certos aspectos da engrenagem social, integrar o espectador no espaço cênico e apresentar as personagens a partir de uma ótica social - e não individualizada, como é o caso do drama burguêsAbstract: This research analyses the dramaturgic production of João das Neves, encompassing the following plays: O último carro (1964), O quintal (1978), Mural mulher (1979), Café da manhã (1980) e A pandorga e a lei (1983-1984). These works were produced during the military dictatorship in Brazil. The political engagement of João das Neves made possible the development of a theatre turned to the effervescent problems of the Brazilian social reality, and leading the author to formulate an epic-structured play with its particular specificities. In this sense his dramaturgy aims to enlighten the public about some aspects of the social machinery, integrating the viewer to the scenic space. He also presents the characters from a social perspective ¿ non-individualized, as it is the case of the bourgeois dramaMestradoArtesMestre em Arte
Apresentação - João das Neves (1934 – 2018)
No full textO v.9 , n. 2 da revista Pitágoras 500 traz como tema o dossiê temático “João das Neves (1934 – 2018): cena, ação, sociedade”, que tem por objetivo suscitar a reflexão crítica sobre a obra deste importante artista brasileiro. Considerado um legítimo “homem de teatro”, é reconhecido em seu campo de atuação como um “artista completo”, tendo exercido diversas funções no fazer cênico e deixando importantes contribuições como diretor, dramaturgo, escritor, ator, iluminador, cenógrafo e produtor cultural
The theatrical work of João das Neves in the Grupo Opinião
No full textTendo-se realizado uma pesquisa de mestrado em que se objetivou examinar os aspectos constitutivos do pensamento crítico de João das Neves a partir do processo de investigação e análise de seus trabalhos em teatro no pré-64, projetou-se dar sequência história a esse estudo na tese agora apresentada, centrando-se em sua atuação no contexto político da ditadura militar brasileira. Desse modo, pretendeu-se verificar quais aspectos de seu pensamento mantêm-se e quais prevalecem em suas propostas no Grupo Opinião. Para tanto, foram analisadas várias frentes de engajamento de Neves, a fim de se compreender o papel desempenhado pelo artista para a criação e manutenção do grupo entre os anos 1964 e 1980. Nesse sentido, destacam-se aqui os seguintes temas investigados: o primeiro espetáculo do grupo, o Show Opinião; o Concurso e o Seminário de Dramaturgia Opinião, idealizados e organizados por João das Neves da década de 1970; a escrita e a encenação de O último carro, talvez a peça mais conhecida do autor; sua apropriação da ideia brechtiana de modelo; a pesquisa de Neves sobre a peça radiofônica alemã e o intercambio artístico iniciado e difundido por ele entre o Brasil e Alemanha; as particularidades cênico-dramatúrgicas de Mural mulher, última peça que se apresenta no espaço do Opinião; sua definição pelo teatro documentário e popular. Além das peças teatrais de João das Neves e da fortuna crítica, as análises foram construídas com base em documentos primários levantados, em declarações e depoimentos do autor em diferentes momentos e em entrevista realizada diretamente com ele. Por fim, vale dizer que, ao evidenciar as transformações decorrentes do período ditatorial, o exame do trabalho teatral de João das Neves no Grupo Opinião enseja uma aproximação do processo cultural brasileiro das últimas cinco décadas, contribuindo, portanto, para uma melhor compreensão do cenário artístico atual.Having conducted a master\'s degree research in which the objective was to examine the constitutive aspects of João das Neves\' critical thought based on the investigation and analysis of his theatrical works in the years prior to 1964, the project was to give historical continuity to this study in doctoral dissertation now presented, focusing on his work in the political context of the Brazilian military regime. In this way, the intention was to verify which aspects of his thought remain and which prevail in his proposals in Grupo Opinião. To this end, different aspects of Neves\' political engagement were analyzed in order to understand the role played by the artist in the creation and maintenance of the group between 1964 and 1980. In this sense, the following investigated themes to be noted are: the group\'s first play, Show Opinião; the Concourse and Seminar of Dramaturgy Opinião, conceived and organized by João das Neves in the 1970s; the writing and staging of O Último Carro, possibly the author\'s most known play; his appropriation of the Brecht\'s idea of model; Neves\' research on the German radio play and the artistic interchange initiated and spread by him between Brazil and Germany; the scenic-dramaturgical particularities of Mural Mulher, the last play performed at Opinião; his definition of documentary and popular theater. In addition to João das Neves\' plays and critical fortune, the analyses were built on primary documents surveyed, on statements and testimonials from the author at different times, and on interviews conducted with him. In addition to João das Neves\' plays and critical fortune, the analyses were built on primary documents surveyed, on statements and testimonials from the author at different times, and on interviews conducted with him. To conclude, it is Worth mentioning that showing the transformations of the dictatorship period, the examination of all theatrical work of João das Neves in Grupo Opinião presents a communion of the brazilian cultural process within the last five decades, providing a vast contribuition, nontheless, to a viable compreehension of the artistic scenario we see nowadays
Anacroneuria jaciara Bispo, Neves & Froehlich, 2005, sp. n.
No full textAnacroneuria jaciara sp. n. Bispo & Neves (Figs. 1–7) Material. Holotype: BRAZIL, Mato Grosso, Jaciara, Córrego Tenente Amaral, 1 male (CERMT # 1), 1.IX. 1999. Paratypes: same locality, 4 males, 1 female, 1.IX. 1999; 1 female, 14.IX. 1999; 5 males, 1 female, 3. XI. 1999; 2 males, 4 females, 20.XI. 1999; 2 males, 27.XI. 1999; 1 male, 1 female, I. 2000; 2 males, 1 female, 6.I. 2000; 1 male, 18.I. 2000; 2 females, 29.I. 2000; 1 male, 2 females, 16.III. 2000; 2 females, 24.III. 2000; 2 males, 13.V. 2000; 3 males, 2 females, 26.V. 2000; 1 female, 27.VII. 2000; 5 males, 1 female, 16.IX. 2000; 4 males, 1 female, 12.IX. 2000; 2 males, 5.I. 2001; 3 males, 1 female, 20.I. 2001; 2 males, 1 female, 17.III. 2001; 1 male, 25.III. 2001; 1 female, 25.V. 2001; 3 males, 2 females, 17.VII. 2001. Cáceres, 1 male, 44 females, 14.X. 2003. Description. General color brownish to ochraceous. Frons of the general color but Mline and clypeal area lighter, sometimes not clearly delimited (Fig. 1); lappets brownish, genae and parietalia ochraceous to yellowish. Antennae brownish, maxillary palpi brownish, labial palpi yellowish. Pronotum ochraceous with darker sublateral stripes, rugosities lighter (Fig. 1). Wing membrane ochraceous, veins brownish to ochraceous, costal vein pale. Femora ochraceous, more yellowish in some specimens; tibiae and tarsi ochraceous. Cerci ochraceus. Male. Forewing length of specimens from Jaciara, 9.5–12 mm (n= 48, mean= 10.77 mm, s.d.= 0.62 mm); of specimen from Cáceres, 9.5 mm. Hammer conical, truncate apically (Fig. 2). Penial armature in dorsal/ventral view narrowing gradually to near the apex, then abruptly; ventral vesicles present near distal end. Dorsal keel absent. Hooks smoothly curved, apices pointed (Figs. 3–5). Female. Forewing length of females from Jaciara, 14–17 mm (n= 29, mean= 16.60 mm, s.d.= 0.967); females from Cáceres, 12.5–15 mm (n= 44, mean= 14.03 mm, s.d.= 0.742). Subgenital plate fourlobed, median lobes narrower than lateral ones. Sternum 9 with Tshaped field of hairs, sublateral ones stronger (Fig. 6). Egg oval, simple, 0.33 x 0.20 (Fig. 7). Remarks. The penial armature is similar to that of A. stanjewetti Froehlich (2002) from Santa Catarina, Brazil, and the provinces of Entre Ríos and Misiones, Argentina, but does not show, in dorsal view, wedge shapedkeel and does not have a marked distal curvature. As regards color, in A. stanjewetti the frons is darker and has a more marked pattern, and the pronotum is brown to the margins. The egg of A. stanjewetti is elongate oval and has a small peg in the posterior pole, absent in the present species. Etymology. Jaciara, the municipality where the holotype was collected. Noun in apposition.Published as part of Bispo, Pitágoras C., Neves, Cláudio O. & Froehlich, Claudio G., 2005, Two new species of Perlidae (Plecoptera) from Mato Grosso State, western Brazil, pp. 1-6 in Zootaxa 795 on pages 2-4, DOI: 10.5281/zenodo.17054
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