100,907 research outputs found
Hannah Doyle
Date:1857Hannah McKinna, domestic, is listed as arriving into Adelaide on the immigrant ship Rodney from London on 8 December 1877. Hannah married Cornelius Doyle on 13 November 1879 in Adelaide. The 1891 census of the Northern Territory listed both Hannah and her husband Cornelius, Hannah listing her birthplace as Ireland. Cornelius worked for South Australian Railways, undertaking a position of Railway District Inspector. Hannah and Cornelius had two surviving children in the Northern Territory ? Kathleen Francis born 29 June 1893 and Bartha Augustine born 2 September 1895. In 1895 when Hannah was 38, she was one of the 82 women who enrolled to vote after the franchise was granted to South Australian and Territory women in 1894. Her occupation was listed as "matron", although it is unclear if her profession was nursing, or if this position referred to her marital status. Hannah was taken off the Roll in the 1898 revision because the family left Palmerston to return to South Australia.Pionee
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[Decorated mortarboard belonging to Hannah Zarate]
Photograph of a mortarboard cap decorated and worn by Hannah Zarate in Winter 2024 commencement ceremony
So Help Me Hannah performance
So Help Me Hannah, 1979, one of ten performance tapes, black and white, 25 min.So Help Me Hannah
Hannah Wilke
1982, 29 min, color, sound
This documentation of a 1982 event at the A.I.R. Gallery in New York features a riveting performance by Wilke, who is nude (except for high heeled-shoes) and aiming a gun. As she stalks the performance space like Emma Peel crossed with an exotic dancer, two cameramen follow her, recording her every movement. Dissonant music and a voiceover text about art, violence, power and gender provide the aural counterpoint to her often provocative physical gestures.
Camera: Robert Rubin, Bill Dolson. Sound: G. Lindahl.full view, left: Art Gallery of Windsor, Ontario, with live video cameras, audiotape, and slide projection. Cameras: Mark Sikich and Paul Vandeborne. right: Forest City Gallery, London, Ontario, with live video cameras, audiotape, and slide projection. Cameras: Scott Stamford and Jake Jablick
Dr Hannah Graham on Australian leadership: Integrity, relational leadership and tenacious courage of conviction
Hannah Graham talks to Victor Perton about Australian Leadership. Criminologist, author and university lecturer Dr Hannah Graham was born in Tasmania and studied and worked at the University of Tasmania, before moving to Scotland to work in the Scottish Centre for Crime and Justice Research at the University of Stirling. Hannah has worked on justice and health-related projects with the EU, the Scottish Government, the Australian Government and Tasmanian Government, and she does ongoing research and writing on innovation and justice. Connect to Hannah on Twitter: @DrHannahGraham and @Innovative_Jus
O agonismo no pensamento político de Hannah Arendt
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Sociologia Política, Florianópolis, 2014.Diante do fenômeno do totalitarismo e do niilismo europeu que culminou na morte do fundamento, Hannah Arendt procurou repensar a política contra o modo como ela era entendida na tradição da filosofia política. A politóloga alemã identificou uma desmedida da tradição nas tentativas de suplantar a contingência, instituir uma política da Verdade e uma política em nome do Bem entendido em termos absolutos. Contra essa hybris que tende a destruir a liberdade, e inspirada na Grécia trágica e na República Romana, Arendt elabora uma compreensão da política que é inerentemente agonística. Nela, o agonismo, a mútua contraposição de perspectivas na esfera pública, não seria um meio para atingir o consenso ou realizar um bem absoluto, mas a atividade através da qual os indivíduos e o mundo comum se revelam atualizando neste mundo a condição humana da pluralidade.Abstract : Starting from the phenomenon of totalitarianism and European nihilism that culminated in the death of the Ground, Hannah Arendt sought to rethink politics against the way it was understood in the tradition of political philosophy. The German political theorist identified hubris in the tradition in its attempts to overcome contingency, institute a policy of Truth and on behalf of Good understood in absolute terms. Against this hubris that tends to destroy freedom, and inspired by the tragic Greece and the Roman Republic, Arendt elaborates an understanding of politics that is inherently agonistic. In it, the agonism, the mutual contraposition of perspectives in the public sphere, would not be a means to reach consensus or performing an absolute good, but the activity through which individuals and the common world are revealed by updating in this world the human condition of plurality
Hannah Evelyn Morgan
"Hannah Evelyn Morgan NFX 133241 107 General Hospital Darwin 1945 to 6th Februray 19[46] Served in continuos Imperial Force from 13th November 1941 to 19th march 1946.
The light of the eye : doctrine, piety and reform in the works of Thomas Sherlock, Hannah More and Jane Austen
Bibliography: leaves 376-401.This thesis investigates the ways in which three eighteenth-century writers, Bishop Thomas Sherlock, Hannah More and Jane Austen embody orthodox Anglican doctrine according to their individual perceptions of the enlightening properties of Protestant Christianity. After situating them in their respective gender, literary and ecclesiastical contexts, I examine some of their key doctrines and analyse excerpts from their works. My selection of passages from Sherlock's works is fairly comprehensive, but in the case of More and Austen, where there is already a formidable body of literary criticism, it is more selective. Thus, I focus on doctrine in More's tracts, Strictures on the System of Female Education, An Essay on St Paul and most especially Coelebs in Search of a Wife and in the case of Austen, on her prayers and select passages from Sense and Sensibility and Mansfield Park. I conclude that, although diverse in their particular kind of Anglicanism (High, Evangelical and Median) and in their choice of genre, transparency or obscurity (anonymity and pseudonymity) and the various narratological strategies some of them invoke to circumvent certain taboos, Sherlock, More and Austen champion the same central orthodox doctrines, defend them against current alternatives to orthodoxy such as Latitudinarianism, Deism and various forms of Freethinking, and promote similar moral and ecclesiastical reforms. However, indirectly (through female characters who resist male representation or control) the women writers subject their ostensibly authorially-endorsed male narrators/characters to scrutiny and sometimes (when the males objectify the women) subversion
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