162,209 research outputs found
[Report to Chief J. E. Curry, by an unknown author #1]
No full textReport to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
[Report to Chief J. E. Curry, by an unknown author #2]
No full textReport to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
The author in literary theory and theories of literature
No full textWe have become accustomed to regarding the question of the author in literary criticism and theory in anti-authorial terms. It is a quaintness of modern literary theory that the author, whom we would, commonsensically, expect to be the central agent in the production of the literary work, has, for the most part of the past century, been considered a liminal character of minor importance to literary criticism, and, if not completely dead, then at least a ghost haunting the limits of the literary work of art
(Re)Making a Killing. Forbrydelsen : une réseau d'adaptations?
No full textForbrydelsen (2007-2012, The Killing) est une série policière en
trois saisons qui suit la brillante et obsessionnelle détective
Sarah Lund dans sa chasse aux tueurs à travers les paysages
sombres et labyrinthiques de Copenhague ainsi que la politique obscure
de cette ville, tandis que sa vie de famille se désintègre lentement. Le
script de cette série a été écrit par Søren Sveistrup pour la société
publique danoise DR Drama. Visant à l’origine le grand public national,
elle est devenue une obsession nationale, attirant en moyenne 2 millions
de téléspectateurs par semaine - dans un pays qui compte 5,5 millions
d’habitants. Cette série est fondamentale pour la popularité mondiale
du Nordic Noir et du roman policier scandinave dans les années 2010 :
à ce jour, elle reste la série télévisée la plus populaire issue des pays
nordiques. Forbrydelsen a été exportée dans 159 pays et territoires
sur tous les continents (Esser 2017 ; Bondebjerg, Redvall 2015), a été
nominée pour plusieurs Emmys et a reçu le UK International BAFTA
en 2011. En même temps, Forbrydelsen a commencé à mener sa propre
vie sous le nom de The Killing dans un remake américain très remarqué,
(Re)Making a Killing
Forbrydelsen : un réseau d’adaptations ?
◊Jakob Stougaard-Nielsenle nordic noir, un dispositif transmédiatique
?
◊ Jakob Stougaard-Nielsen, professeur de littérature scandinave et comparée,
University College of London, .
* Traduit de l’angais par Alessandra Ballotti. Cet article a été publié en anglais sous
le titre «Revisiting the Crime Scene: Intermedial Translation, Adaptation, and
Novelization of The Killing », in Badley, L., Nestingen, A., Seppälä, J., 2020 (eds.),
Nordic Noir, Adaptation, Appropriation, Cham, Palgrave Macmillan, p. 89-112.
42 Jakob Stougaard-Nielsen
produit par Fox pour AMC et plus tard pour Netflix (2011-2014). The
Killing (US), qui a également connu une diffusion internationale, est
d’abord resté fidèle à l’original danois, même s’il a été géographiquement
déplacé à Seattle, au nord-ouest des États-Unis. Bientôt, il a commencé
à développer de nouvelles intrigues et de nouvelles lignes narratives
et personnages au cours de ses quatre saisons, s’écartant de l’original
danois
Murder on the mountain: author talk with Peter J. Wosh
No full textAuthor talk by Peter J. Wosh on May 5th, 2022, on his book, "Murder on the Mountain: crime, passion, and punishment in gilded age New Jersey.
Mr. Melvin J. Collier, RWWL AUC, June 2011
No full textThis video is a conversation with Mr. Melvin J. Collier. Mr. Collier talks about his book, "From Mississippi to Africa: A Journey of Discovery". Daniel Le, AUC Woodruff Library, is the interviewer
A Tripartite Post-Recession Rebalancing
No full textIn this latest Advance & Rutgers Report, entitled “A Tripartite Post-Recession Rebalancing,” Dean James W. Hughes and Professor Joseph J. Seneca deliver an incisive assessment of the current market conditions and obstacles in the path of our economic recovery. They offer a statistical cautionary tale that the private and public sector need to hear and acknowledge in order for the economy to make continued progress.This report was published as Issue Paper Number 7, November 2011, in Advance & Rutgers Report
Evidence for the decay B0→J/ψω and measurement of the relative branching fractions of meson decays to J/ψη and J/ψη′
No full textFirst evidence of the B 0 → J / ψ ω decay is found and the B s 0 → J / ψ η and B s 0 → J / ψ η ′ decays are studied using a dataset corresponding to an integrated luminosity of 1.0 fb -1 collected by the LHCb experiment in proton-proton collisions at a centre-of-mass energy of sqrt(s) = 7 TeV. The branching fractions of these decays are measured relative to that of the B 0 → J / ψ ρ 0 decay:frac(B (B 0 → J / ψ ω), B (B 0 → J / ψ ρ 0)) = 0.89 ± 0.19 (stat) - 0.13 + 0.07 (syst),frac(B (B s 0 → J / ψ η), B (B 0 → J / ψ ρ 0)) = 14.0 ± 1.2 (stat) - 1.5 + 1.1 (syst) - 1.0 + 1.1 (frac(f d, f s)),frac(B (B s 0 → J / ψ η ′), B (B 0 → J / ψ ρ 0)) = 12.7 ± 1.1 (stat) - 1.3 + 0.5 (syst) - 0.9 + 1.0 (frac(f d, f s)), where the last uncertainty is due to the knowledge of f d / f s, the ratio of b-quark hadronization factors that accounts for the different production rate of B 0 and B s 0 mesons. The ratio of the branching fractions of B s 0 → J / ψ η ′ and B s 0 → J / ψ η decays is measured to befrac(B (B s 0 → J / ψ η ′), B (B s 0 → J / ψ η)) = 0.90 ± 0.09 (stat) - 0.02 + 0.06 (syst)
The vanishing author in computer-generated works: a critical analysis of recent Australian case law
No full textAbstract
The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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