3,457 research outputs found

    Joyce-Song wall-crossing as an asymptotic expansion

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    We conjecture that the Joyce-Song wall-crossing formula for Donaldson-Thomas invariants arises naturally from an asymptotic expansion in the field-theoretic work of Gaiotto, Moore, and Neitzke. This would also give a new perspective on how the formulae of Joyce and Song and of Kontsevich and Soibelman are related. We check the conjecture in many examples

    Joyce, Michael; 1989-10-03

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    Biography: Michael Joyce (born 1945) is a professor of English at Vassar College, New York, US. He is also an important author and critic of electronic literature. Joyce\u27s afternoon, a story, 1987, was among the first literary works of hypertext fiction to present itself as undeniably serious literature, and experimented with the short-story form in novel ways. It was created with the then-new Storyspace software, deployed the ambiguity and dubious narrator characteristic of high modernism, along with some suspense and romance elements, in a story whose meaning could change dramatically depending on the path taken through its lexias on each reading. For instance, a hard-to-find series of lexias presented a new set of facts about the narrator\u27s actions which affects the reader\u27s judgment of the narrator. In The New York Times, Robert Coover called afternoon the granddaddy of hypertext fictions , while The Toronto Globe and Mail said that it is to the hypertext interactive novel what the Gutenberg bible is to publishing. His Twilight, A Symphony (1996) was his second hypertext novel. Joyce\u27s published books include War outside Ireland: a novel (1982), Of two minds: hypertext pedagogy and poetics (1995), Othermindedness: the emergence of network culture (2000), Moral tales and meditations: technological parables and refractions (2001) and Foucault, in Winter, in the Linnaeus Garden (2015). He is a graduate of the Iowa Writers Workshop. He has been a Professor of English and Media Studies at Vassar College in Poughkeepsie. Joyce has collaborated with Los Angeles-based visual artist Alexandra Grant. The work Grant has made based on his texts ( The Ladder Quartet and the Six Portals ) has been exhibited at the Museum of Contemporary Art, Los Angeles and Honor Fraser Gallery in Los Angeles. -Wikipedia, Michael Joyce, 2020-09-1

    The treatment of family life and relationships in the works of James Joyce from Dubliners to Ulysses

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    PhDJoyce's treatment of family life and relationships reveals both a continuing concern with many of the same themes and a distinctive development from Dubliners to Ulysses. Throughout the works he is concerned with such matters as the nature of blood links, the tension between the needs of the individual and the needs of the family, and the quality of human affection, filial, parental, and sexual. While the early works, Dubliners, Stephen Hero, and A Portrait of the Artist as a Young Man, present the family as a social institution of some importance, Ulysses shows it to be associated with universal principles of prime importance. Moreover, while the first three works present a largely unfavourable and somewhat restricted view of family life, Exiles and Ulysses develop extensively both the fundamental value of family relationships and the complexities of emotion and motive inherent in them. The early concern with the limitations of family life corresponds to similar concerns in contemporary writers whom Joyce admired, Joyce's declared intentions in writing his own works, and his somewhat unhappy experiences with his own family. The shift to a more favourable and more complex view of family life in the later works corresponds to his evident maturation and to his increased recognition of the value of his own family life. Thus Joyce's treatment of family life and relationships is central to his development as man and artist. While many critics have noted that the family is indeed important in Joyce's works, none has examined the subject systematically or treated many of the matters considered in this thesis

    A Study of characterization and representation in James Joyce's a portrait of the artist as a young man and John barth's lost, in the funhouse

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    Dissetação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoAnálise da caracterização e da representação do artista nos romances A Portrait of the Artist as a Young Man de James Joyce e Lost in the Funhouse de John Barth. A análise destes romances quanto às diferenças existentes no modo de representação do artista, faz com que eles possam ser lidos, respectivamente, como representantes das narrativas modernista e pós-modernista

    The Four Kings of the Forest: A Fable

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    Although named a fable by the author/illustrator, this 20-page story reaches beyond the usual limits of a fable. It tells the story of four kings -- lion, elephant, gorilla, and snake -- who learn from a boy and make him a fifth king. Ingres mold-made paper with color lineoleum block prints. As Powell's description says, "The colors used and the illustrations are charming." Bound by green thread.Signed by Wilson, #244 of 275Joyce Lancaster Wilso

    New Dimensions in a Classic Novel: James Joyce

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    James Joyce is a fascinating writer, but he can be a most difficult author to teach. In her dissertation, Lynn Bongiovanni brings a recent viewpoint – empire theory – to bear on this most singular author and finds an interesting paradox. While Joyce inveighed against imperial rule – in this case, Ireland’s “colonization” by the British – he was capable of celebrating the fruits of empire in his writings. Just as you and I may deplore the consequences of what might be called the modern technology “empire,” even as we happily use our refrigerators and computers, Joyce had his own conflicted attitude towards empire. In this brief excerpt from Prof. Bongionvanni’s full dissertation¸ and in her interview, the author begins to set out the structure and overview of Joyce’s conflicted politics. In the later parts of her dissertation, she goes into detail, using specific passages from Joyce’s prose to illustrate her thesis

    Folk Song Encore

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    The programme included short biographies of all the musicians featured in the concert. Musicians such as Ian Lawrence and Ritchie Morris, Keith Blundell and the Balladeers, Barbara Thompson, Brian Bebbington, Mike Dickman, Edith Linda and Joyce, and The Legend Trio were scheduled to perform. These biographies appeared in between advertisements

    Joyce Yin, soprano

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    George Frideric HandelIrish folk song, arr. Benjamin BrittenClaude DebussyRichard StraussGabriel FaureJohann Sebastian BachGaetano Donizett

    James Joyce: From Hero to Author of the Bildungsroman

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    When James Joyce went to Paris as a young man in 1902, he followed a narrative arc fundamental to the European Bildungsromane. Comparing Joyce’s motives and decisions with those of his fictional predecessors in novels by Stendhal, Honoré de Balzac, Johann Wolfgang von Goethe, and others, I argue that he acted at first as an unwitting and unreconstructed hero of the genre but that, as he wrote the last two stories for Dubliners in 1906-1907, he earned greater perspective over his life and writing. Little Chandler, Gallaher, and Gabriel Conroy proved to be especially important catalysts for a Joyce in evolution from hero to author of his own Bildungsroman
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