263,264 research outputs found
Merchant G. A. Shevelev and Development of Private Farming in Western Transbaikalia in First Half of 19<sup>th</sup> Century
No full textThe agricultural activities of provincial merchants in adverse climatic conditions of Western Transbaikalia are considered. The author dwells on the concrete example of the agricultural activities of Verkhneudinsk merchant of the first guild Grigoriy Shevelev. It is shown that Transbaikal merchants were in the larger mass highly educated representatives of their class, communicated with the Decembrists, were a source of formation of local intellectuals, engaged in research in various fields of knowledge, sponsored many scientific expeditions of the region and was involved in them. Particular attention is paid to the fact that the development of agriculture and improvement of technical devices by merchants was carried out in addition to the main business activities and were often entertaining and experimental, because did not make a profit. On the basis of the biographical method involving documents of the State archive of the Republic of Buryatia and the material extracted from the Agricultural journal of 1830-ies, the professional activity of merchant G. Shevelev is shown, who was known for his contacts with the Imperial Moscow Society of Agriculture (IMSA). On the recommendation of A. N. Muravyov for the first time in Eastern Siberia merchant founded an experimental farm for agriculture under Verkhneudinsk, for which he was awarded of the gold medal of IMSA
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Украинская духовная атмосфера за интеллектуальным барометром Юрия Шевелёва
No full textСтаття написана до столітнього ювілею Ю.Шевельова (1908–2002), розкрито тему “Юрій Шевельов
(Шерех) й Україна”. Проаналізовано літературознавчу спадщину, зокрема й завершальний двотомник
(2001) “Я–мене–мені... (і довкруги)”.This article was written on the occasion of the 100th annivesary of Yury Shevelev (Sherekh) (1908–2002).
The author investigates the relations between Yury Shevelev (Sherekh) and Ukraine, analysing the writer’s
literary criticism, in particular his last book (in two volumes) “Me–myself–I... (and around)” (2001).Статья написана к столетнему ювилею
Ю.Шевелёва (1908–2002), раскрыто тему “Юрий Шевелёв (Шерех) и Украина”. Проанализировано
литературоведческое наследие, в том числе и окончательный двухтомник (2001) “Я–меня–мне… (и вокруг)”
Украинская духовная атмосфера за интеллектуальным барометром Юрия Шевелёва
No full textСтаття написана до столітнього ювілею Ю.Шевельова (1908–2002), розкрито тему “Юрій Шевельов
(Шерех) й Україна”. Проаналізовано літературознавчу спадщину, зокрема й завершальний двотомник
(2001) “Я–мене–мені... (і довкруги)”.This article was written on the occasion of the 100th annivesary of Yury Shevelev (Sherekh) (1908–2002).
The author investigates the relations between Yury Shevelev (Sherekh) and Ukraine, analysing the writer’s
literary criticism, in particular his last book (in two volumes) “Me–myself–I... (and around)” (2001).Статья написана к столетнему ювилею
Ю.Шевелёва (1908–2002), раскрыто тему “Юрий Шевелёв (Шерех) и Украина”. Проанализировано
литературоведческое наследие, в том числе и окончательный двухтомник (2001) “Я–меня–мне… (и вокруг)”
Украинская духовная атмосфера за интеллектуальным барометром Юрия Шевелёва
No full textСтаття написана до столітнього ювілею Ю.Шевельова (1908–2002), розкрито тему “Юрій Шевельов
(Шерех) й Україна”. Проаналізовано літературознавчу спадщину, зокрема й завершальний двотомник
(2001) “Я–мене–мені... (і довкруги)”.This article was written on the occasion of the 100th annivesary of Yury Shevelev (Sherekh) (1908–2002).
The author investigates the relations between Yury Shevelev (Sherekh) and Ukraine, analysing the writer’s
literary criticism, in particular his last book (in two volumes) “Me–myself–I... (and around)” (2001).Статья написана к столетнему ювилею
Ю.Шевелёва (1908–2002), раскрыто тему “Юрий Шевелёв (Шерех) и Украина”. Проанализировано
литературоведческое наследие, в том числе и окончательный двухтомник (2001) “Я–меня–мне… (и вокруг)”
Protecting Animals 36: Author Witi Ihimaera
No full textIn this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Susceptibility of the pine processionary caterpillar Thaumetopoea pityocampa (Lepidoptera: Thaumetopoeidae) toward alfa-endotoxins of Bacillus thuringiensis under laboratory conditions
No full textAuthor in Essay by I. A. Goncharov “Pepiniere”
No full textFeatures of the embodiment of the author’s position in the essay by I. A. Goncharov “Pepiniere” are considered. The relevance of the study is due to the poorly studied poetics of this work. A review of the scientific literature on relevant topics is performed. Methodological and theoretical definitions are given. The scientific novelty of the article is in the fact that for the first time attention is paid to artistic techniques that allow to identify the author's position in the specified literary text. The author of the article grounds her opinion from the fact that, despite the dominance of the subjective point of view, other characters’ views stand out in the work. It is concluded in the study that the text of the work represents a biographical author and author-creator. It was established that the position of the author-creator is expressed through the title, epigraphs, which are quotes, as well as through different points of view, including the author-character, the author-narrator, the characters of the work. The author of the article dwells in detail on different ways of expressing the points of view of the author-character and the author-narrator. It is proved that the point of view of the author-character and the author-narrator can intersect, they are interchanged. The author's development of the term comic “point of view” is presented in the article
Espai i identitat en l'obra de Jordi Pere Cerdà. Una geografia literària cerdaniana
No full textL'obra de l'autor nord-català Jordi Pere Cerdà (1920-2011) teixeix una cartografia literària que abasta tota dimensió espacial -real, imaginada i ficcional. Les prospeccions que assagen els seus texts es fonen en el medi natural i rural, canten a l'amor, als veïns i als éssers fantàstics del folklore català, es comprometen amb els refugiats encarant-se a tota frontera i, també, a tot abisme interior i exterior que oprimesca l'ésser. El mapatge cognitiu i literari que crea Cerdà sobrepassa qualsevol obstacle per construir espais oberts i possibles, en comunió amb l'altre. Partint d'una aproximació teòrica geocrítica, aquest treball d'investigació aprofundeix en diverses nocions sobre l'espacialitat lligades a un context convuls, ple de transformacions a nivell socioeconòmic, polític, cultural i lingüístic, el qual determinarà la vida d'un autor i d'un territori transfronterer com el de la Cerdanya i la Catalunya del Nord. En definitiva, la rica experiència vital de Jordi Pere Cerdà ens permet reflexionar sobre les relacions que vulguem establir entre els individus i amb el nostre hàbitat natural i cultural, a fi d'esdevenir membres actius que participen de la transformació dels espais que configuren les nostres identitats.The work of the North Catalan author Jordi Pere Cerdà (1920-2011) weaves a literary cartography which reaches all spatial dimensions -real, imagined and fictional. The prospections proved by their texts merge with the natural and rural environment, sing to love, neighbours and the fantastic beings of the Catalan folklore. Such prospections also commit themselves with the refugees facing every frontier and, also, facing all interior and exterior abyss that oppresses the being. The cognitive and literary mapping created by Cerdà overcomes any obstacle to construct opened and possible spaces, in communion with the other. Based on the theoretical approach called geocriticism, this research study delves into various notions about spatiality linked to a convulsive context, full of transformations at a socioeconomic, political, cultural and linguistic level; these transformations will determine the life of an author and a cross-border territory such as Cerdagne and Northern Catalonia. In short, the rich experience of Jordi Pere Cerdà allows us to reflect on the relationships we want to establish between individuals, as well as between human groups and our natural and cultural habitat, in order to become active members that participate in the transformation of the spaces that make up our identities.Programa de Doctorat en Llengües Aplicades, Literatura i Traducci
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