5,417 research outputs found
Olga Koubrak: Protecting the Caribbean Sawfish
Student editor Patrick Sheppard sits down with Professor Olga Koubrak of the Schulich School of Law to discuss her work on the legal frameworks to protect sawfish in the Caribbean. Olga is the author of a 2018 paper titled “A Future for a Forgotten Predator: An Assessment of International Legal Frameworks for Protection and Recovery of the Caribbean Sawfishes,” and co-author of the more recent 2022 article titled “Strengthening Marine Species Protections in Cuba: A Case Study on the Critically Endangered Smalltooth Sawfish.” Patrick and Olga discuss the sawfish, means of protecting the animal domestically and internationally, problems in enforcement and international cooperation, and how the public perception of an animal affects how it is protected by authorities. To learn more about Olga and her work, check out her website at www.sealifelaw.org
Recension critique de "Olga Shevchenko, Crisis and the Everyday in Postsocialist Moscow, Indiana University Press, 2009", Europe-Asia Studies , vol. 65, n° 4, 2013
Recension critique de "Olga Shevchenko, Crisis and the Everyday in Postsocialist Moscow, Indiana University Press, 2009", Europe-Asia Studies , vol. 65, n° 4, 201
The metaphysics of death in prose of Olga Tokarczuk
The article presents and analyses the motive of death in the works of Olga Tokarczuk. The author focuses on anthropological and philosophic grasp of that category in her narrative prose. The text included here is a fragment of one of the chapters of author’s doctoral thesis entitled: The metaphysics of death, time and love in the works of Olga Tokarczuk
The metaphysics of death in prose of Olga Tokarczuk
The article presents and analyses the motive of death in the works of Olga Tokarczuk. The
author focuses on anthropological and philosophic grasp of that category in her narrative prose.
The text included here is a fragment of one of the chapters of author’s doctoral thesis entitled: The metaphysics of death, time and love in the works of Olga Tokarczuk.Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 zostało dofinansowane ze środków MNiSW w ramach działalności upowszechniającej nauk
Olga Shevchenko Crisis and the Everyday in Postsocialist
Taking Moscow as her research ground, the author develops a conceptual understanding of the relationship between social crisis and the everyday, which lies at the heart of this study. The central theme here is the prevalence of the 'total crisis' framework, a concept which defined the postsocialist experience for the Russians. Shevchenko argues that at its basis was the experience of economic uncertainty, social dislocations, and downward occupational mobility. A thoughtful, innovative and thought-provoking study, this book gives important insights into what proved to be one of the most dramatic episodes in Russia's recent history. It also provides an important basis for our understanding of the subsequent epoch. In particular, it helps to explain the phenomenal popularity of Vladimir Putin, who built his image on the antithesis to the 'lawless 1990s'. This book is an invaluable contribution to the study of contemporary Russia, with its multiple paradoxes and contradictions.<br/
The space in the literary work of Olga Tokarczuk
The article presents and analyses types of space existing in the literary output of Olga Tokarczuk. The author focuses on exploring two triple divisions of this phenomenon. First division deals with an area understood as both open and closed sites, and objects. The second division distinguishes realistic space (specific events and places), internal (a hero’s psychology and a relationship between a human being and a place) and mythical (placing reality in myth)
Olga Stychin and Nancy Appleby
Photograph - Olga Stychin and Nancy Appleby on a berry picking trip, Athabasca, Albert
Taras Shevchenko – the spiritual leader of the nation
У статті розглядається значення Т. Шевченка в історії української літератури та нації. Вирізняється роль «Кобзаря» Т. Шевченка в утвердженні національної ідентичності. Міждисциплінарний підхід забезпечує бачення знаковості творчості письменника у процесах національного відродження. Простежено вагомість шевченківської традиції в українській літературі. Специфіка шевченківських урочистостей, зокрема ювілейних святкувань, проаналізована на матеріалі історико-культурного контексту другої половини ХІХ – початку ХХ ст. Відзначено формування культу письменника на західноукраїнських землях у другій половині ХІХ ст. Доводиться, що життя і творчість Т. Шевченка засвідчують його виняткову авторитетність в українському культурному та політичному просторі й обумовлену цим його історичну місію як духовного лідера нації. Наголошується, що Т. Шевченко, як гімн і прапор, – символ Революції гідності. This paper deals with the value of T. Shevchenko in the history of Ukrainian literature and
the nation. It stands out Shevchenko’s «Kobzar» role in the development of national identity. The interdisciplinary approach provides vision significance of the writer's work in the process of national revival. It is traced weight Shevchenko’s tradition in Ukrainian literature. Specificity of Shevchenko’s celebrations, including anniversary celebrations, are analyzed on the materials of the historical and cultural context of the late nineteenth − early twentieth century. It is noted the formation of writer’s cult atWestern Ukrainian in the late nineteenth century. It is proved that the life and works
of Taras Shevchenko certify its exceptional credibility in Ukrainian cultural and
political space and the consequent its historic mission as the spiritual leader of the
nation. It is noted that Shevchenko as the national anthem and flag is symbol of the
Revolution dignity
Olga Stychin and Alice B. Donahue
Photograph - Olga Stychin and Alice B. Donahue on a berry picking trip, Athabasca, Albert
To Olga : an appreciation in verse.
Poetic appreciation of Mrs. Olga Hunter, wife of the author. Bound in cream card covers with applied cover label
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