4,571 research outputs found
Professor Angela Shannon
No full textAngela Shannon shares her poetry with the Taylor community.
Angela Shannon is the author of Singing the Bones Together, a 2004 Minnesota Book Awards Finalist. She teaches English at Bethel University. Her work has been published in journals, textbooks, and anthologies, including TriQuarterly, Ploughshares, Where One Ends Another Begins: 150 Years of Minnesota Poetry, and Beyond the Frontier: African American Poetry for the 21st Century. Her choreopoem Root Woman premiered at the Fleetwood-Jourdain Theater in Evanston, Ill
Angela Shanté : 2022 Irma Black Award Silver Medal Acceptance Speech
No full textAuthor Angela Shanté gives an acceptance speech for When My Cousins Come to Town, illustrated by Keisha Morris (West Margin Press)https://educate.bankstreet.edu/irma_black_awards/1004/thumbnail.jp
The Family History of Angela Ruth Weidert
No full textAngela Ruth Weidert authored this family history as part of the course requirements for HIST 550/700 Your Family in History offered online in Spring 2018 and was submitted to the Pittsburg State University Digital Commons. Please contact the author directly with any questions or comments: [email protected]
De la blessure christique à la blessure biopolitique : Morgue de Andres Serrano
No full text(English and French below) In "Morgue (Cause of Death)" (1992), Andres Serrano ha fotografato in dettaglio, su grandi formati, le tracce di violenza su dei cadaveri anonimi, come la ferita sul piede in "Rat Poison Suicide II", a proposito della quale è stata regolarmente evocata la ferita nel costato di Cristo. L'articolo considera questa relazione non tanto come fonte iconografica, quanto come luogo di un'elaborazione figurale tra corpo e carne. Se per l'iconografia cristiana la morte ha lo statuto di un transito verso un corpo glorioso, la scena della morte violenta nella tarda modernità mostra un corpo il cui sostrato vivente, biologico non è più, come scrive Foucault, il “un fondo inaccessibile che emerge solo di tanto in tanto, nella casualità della morte e nella sua fatalità” ma entra “nel campo di intervento del potere”. Seguendo la dinamica figurale della soglia tra bios e zoe e tra corpo-involucro e carne sarà possibile ripensare lo statuto del corpo suicida di "Rat Poison suicide" rispetto al potere biopolitico di stimolazione della vita.
Dans Morgue (Cause of Death) (1992), Andres Serrano photographie en détail, sur de grands formats, les traces de violence sur des cadavres anonymes, comme la blessure sur le pied dans Rat Poison Suicide II au sujet de laquelle la blessure du Christ dans le sépulcre a été régulièrement évoquée. L’article envisage cette relation, non pas comme une source iconographique, mais comme le lieu d’une élaboration figurale entre corps-enveloppe et chair. Si pour l’iconographie chrétienne la blessure garde le statut d’un transit vers un corps glorieux, la scène de la morte violente est plutôt le lieu où le corps de la modernité tardive laisse affleurer ce fond biologique du vivant qui n’est plus, ainsi que l’écrit Foucault, le « soubassement inaccessible qui n’émerge que de temps en temps, dans le hasard de la mort et sa fatalité » mais entre dans le « champ d’intervention du pouvoir ». En suivant cette dynamique figurale du seuil entre bìos et zoe on reviendra sur le statut du corps suicidaire, un paradoxe pour le pouvoir biopolitique de stimulation de la vie.
In Morgue (Cause of Death) (1992), the photographer Andres Serrano takes detailed large-format photographs of the traces of violence on anonymous corpses, such as the wound on the foot in Rat Poison Suicide II, about which the wound of Christ in the sepulchre has been regularly evoked. The article considers this relationship, not as an iconographic source, but as the site of a figurative elaboration between body-shell and flesh. If for Christian iconography the wound retains the status of a transit towards a glorious body, in late modernity the scene of violent death is rather the place where the body allows this biological background of the living to emerge, which is no longer, as Foucault writes, the "inaccessible bedrock that emerges only from time to time, in the chance of death and its fatality", but enters the "field of intervention of power". Following this figurative dynamic of the threshold between bìos and zoe, we will return to the status of the suicidal body, a paradox for the biopolitical power to stimulate life
Hallazgos histopatológicos en placentas de madres con COVID-19 y su asociación con la severidad de la infección, Hospital Nacional Daniel Alcides, 2021-2022
No full textEl estudio se centra en la asociación entre los hallazgos histopatológicos en placentas de madres con COVID-19 y la severidad de la infección en el Hospital Nacional Daniel Alcides Carrión durante el periodo de 2021 a 2022. El objetivo general es determinar esta asociación, mientras que los objetivos específicos incluyen precisar la relación entre la mala perfusión vascular materna y fetal en las placentas y la severidad de la infección.
La hipótesis general plantea que los hallazgos histopatológicos en las placentas están significativamente asociados con la severidad de la infección por COVID-19. En contraste, la hipótesis nula sugiere que no existe tal asociación. Las variables del estudio se definen como la variable dependiente, que son los hallazgos histopatológicos, y la variable independiente, que es la severidad de la infección por COVID-19.
El diseño del estudio es observacional, con un enfoque cuantitativo, analítico transversal y retrospectivo. La población de estudio incluye a todas las gestantes diagnosticadas con COVID-19 atendidas en el hospital mencionado entre enero de 2021 y junio de 2022, con un tamaño de muestra de 299 gestantes. Para la recolección de datos se utilizará documentación y una ficha de recolección. El análisis de resultados se llevará a cabo mediante el cálculo de promedios, desviaciones estándar, frecuencias absolutas y relativas, así como pruebas de chi-cuadrado y regresión ordinal, estableciendo un nivel de significancia del 5%Submitted by Ernesto Rojas ([email protected]) on 2024-07-18T18:09:31Z
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Previous issue date: 2024Tesi
Materia-autore = Author-Matter
No full textThe etymology of the word author refers to an act of creation, an act of augmentation, from the Latin verb augere. Author instantiates creation, the expansion of the pre-existing. In 1967 Roland Barthes declared the death of the author in his famous essay to state once more that the crisis is that of the author as a single subjectivity and as a term that condenses prestige, undermined by the de-subjectivation strategies of automatism, fortuity and fragmentation of the historical avant-gardes, as well as by the machinic act and by the reproducibility of the second avant-gardes.
Fifty years after Barthes’ paradigmatic formula, this lack of authorship appears to be a successful brand. The ten- sions between the anomie of matter, the law that establishes authorship and the economy that makes the work pos- sible, invoke discordant perspectives. Artists make the self-destruction of their work the real work, and appeal is made for the demolition of architectures, whether by a recognised author or not, in order to re-design, or better still, re-claim the territory. Artificial intelligence consolidates its logics and its design by progressively shedding human ingenuity. The space of criticism becomes, finally, increasingly ephemeral. However, there is an acceptation of criti- cism that is, rather than an individual ‘signature’, an exploration and explanation of how design makes theory.
The binomial author-matter seeks to mark these tensions and contradictions: the featured term author is main- tained to underline the persistence of that prestigious subjectivity, at the very moment when the rhetoric of “mat- ter as an author” promises other forms of authorship
Giussani Sansoni, Angela
No full textLa scheda ricostruisce la vita e l'apporto della scrittrice Angela Giussani Sansoni alla letteratura per l'infanzia.The headword explains the biography and the contribution of the author Angela Giussani Sansoni to the children's literature
Deliberation and journalism
No full textThe first chapter in 'International Journalism and Democracy' re-examines current ideas about the role of journalism in promoting democracy, introducing the concept of "deliberative journalism". 'Deliberation and Journalism' lists the ways in which journalists can assist deliberation and politics in communities around the world. The chapter defines deliberation as a specific form of conversation that precedes and promotes decision-making and action by members of a community. The author recognises the difficulty of engaging in deliberation in communities that are divided by different interests, identities, backgrounds, resources and needs. She provides examples of strategies that journalists can use to encourage inclusive and productive deliberation in the face of community diversity.\ud
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The chapter introduces examples of types of deliberative journalism that have emerged around the globe. These include strategies that have been sometimes been labeled as public journalism, civic journalism, peace journalism, development journalism, citizen journalism, the street press, community journalism, environmental journalism, and social entrepreneurism. The chapter also includes models of journalism that have not yet been given any particular name. Although the book identifies problems surrounding the theory and practice of these forms of journalism, the author notes that this is to be expected. Most models of deliberative journalism are relatively new, with none being more than a few decades old. The author concludes that resolution of these problems will only occur incrementally
Il tempo perduto delle donne nei racconti di Adriana Bittel: Cum încărunţeste o blondă, Soi bun, Departe-n zare, spre Azuga
No full textIl contributo comprende la prima traduzione in italiano di tre racconti della scrittrice rumena Adriana Bittel, e un saggio sulle strategie narrative messe in atto da Bittel per descrivere lo spazio della socialità femminile nella Romania del periodo precedente al 1989The contribution consists of the translation into Italian of three short stories authored by the Romanian woman writer Adriana Bittel, entitled respectively, "How a Blond turns white", "Good Quality", “Far away in the horizon, towards Azuga”. Angela Tarantino, the author of the translation, adds to her work a presentation of Adriana Bittel and the narrative strategies used to describe the space of the women's sociality in Romania during the years previous to 198
Erratum: Lack of immunity against rubella among Italian young adults. [BMC Infect Dis., 17, (2017) (199)] Doi: 10.1186/s12879-017-2295-y
No full textAfter publication of this article [1], the authors noted that the given names and family names of all authors had been inverted, and are therefore incorrect in the original article. In the original article, the author names appear as the following: Gallone Maria Serena, Gallone Maria Filomena, Larocca Angela Maria Vittoria, Germinario Cinzia and Tafuri Silvio. However, this is incorrect, and the author names should appear as per the below: Maria Serena Gallone, Maria Filomena Gallone, Angela Maria Vittoria Larocca, Cinzia Germinario, Silvio Tafuri. The author names have been corrected in the author list and the citation for this Erratum
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