748 research outputs found
Análisis del turismo accesible en la localidad de Santa Rosa de Calamuchita, Córdoba, durante el período 2010-2023
No full textA inicios de la década de 2010, se inició una profunda transformación en materia de
accesibilidad turística en la ciudad de Santa Rosa de Calamuchita (Provincia de Córdoba,
Argentina), impulsada por la intervención activa del gobierno local y las políticas que este ha
implementado en el destino. Por lo tanto, el presente trabajo tiene como objetivo indagar
acerca de la política que esta localidad ha desarrollado en el ámbito del turismo accesible,
proporcionando una descripción detallada de su evolución, gestión e importancia en el
contexto actual.
A su vez, se destaca el valor y la importancia de la accesibilidad turística y su
implementación en los destinos, lo cual garantiza el derecho de todas las personas de disfrutar
del turismo de forma autónoma y segura, sin que su experiencia se vea obstaculizada por
barreras físicas o sociales.Fil: Sebben, Camila. Universidad Nacional de Rosario. Facultad de Ciencia Política y Relaciones Internacionales; Argentin
Systems Prototyping in CAMILA
No full textFrom school physics we got used to a basic problem solving strategy: create a mathematical model, reason on it, calculate a solution. The Camila approach is an attempt to make such a strategy available at the software engineering level. Based on a notion of formal software component it encompasses a settheoretic notation, a prototyping environment, fully connectable to external applications and equipped with communication facilities, and an inequational refinement calculus. Camila aims to be both a learning tool for Computer Science students and a working tool for software engineers. At the first level it provides a smooth way to programming. At the second a rigorous way to develop complex systems and to promote the use of formal methods in software industry. These lecture notes are intended to support a one-week seminar on Systems Prototyping lectured by the first author as part of the Systems Design course of the Computer Systems Engineering degree at the University of Bristol (UK). Th..
Coming to Trans/Writing: Camila Sosa Villada’s Transvestite Autobiographical Narrative
No full textEl viaje inútil. Trans/escritura (2018) de Camila Sosa Villada, dramaturga y escritora travesti argentina, es un ensayo autobiográfico en el que se rastrean los recuerdos más antiguos del niño que fue Camila y una genealogía familiar plebeya para echar luz sobre el devenir autora y el devenir travesti, como dos procesos paralelos y en estrecha relación. Mi objetivo es indagar de qué modo se articula la experiencia subjetiva de una infancia marica y de una feminidad trans a través de los episodios biográficos recuperados. Para ello analizo cómo concibe Sosa Villada su propia llegada a la escritura, la génesis de su obra literaria y cuál es el álbum de familia en el que reconoce su linaje como escritora. Mi hipótesis es que esta obra sienta un hito inicial en lo que podría devenir una tradición hispanoamericana de reflexión y debate sobre la “escritura travesti”.El viaje inútil. Trans/escritura (2018) by Camila Sosa Villada, Argentine transvestite, playwright and writer, is an autobiographical essay in which the memories of the child who was Camila and a lower class family genealogy are traced to shed light on becoming an author and becoming a transvestite, as two parallel and closely related processes. My goal is to investigate how the subjective experience of a queer childhood and a trans femininity is articulated through the recovered biographical episodes. For this, I analyze how Sosa Villada conceives her own coming to trans/writing, the genesis of her literary work and what is the family album in which she recognizes her lineage as a writer. My hypothesis is that this work sets an initial milestone in what could become a Spanish-American tradition of reflection and debate on “transvestite writing”
La llegada a la trans/escritura: Camila Sosa Villada y la narrativa vivencial travesti
No full textEl viaje inútil. Trans/escritura (2018) by Camila Sosa Villada, Argentine transvestite, playwright and writer, is an autobiographical essay in which the memories of the child who was Camila and a lower class family genealogy are traced to shed light on becoming an author and becoming a transvestite, as two parallel and closely related processes. My goal is to investigate how the subjective experience of a queer childhood and a trans femininity is articulated through the recovered biographical episodes. For this, I analyze how Sosa Villada conceives her own coming to trans/writing, the genesis of her literary work and what is the family album in which she recognizes her lineage as a writer. My hypothesis is that this work sets an initial milestone in what could become a Spanish-American tradition of reflection and debate on “transvestite writing”.El viaje inútil. Trans/escritura (2018) de Camila Sosa Villada, dramaturga y escritora travesti argentina, es un ensayo autobiográfico en el que se rastrean los recuerdos más antiguos del niño que fue Camila y una genealogía familiar plebeya para echar luz sobre el devenir autora y el devenir travesti, como dos procesos paralelos y en estrecha relación. Mi objetivo es indagar de qué modo se articula la experiencia subjetiva de una infancia marica y de una feminidad trans a través de los episodios biográficos recuperados. Para ello analizo cómo concibe Sosa Villada su propia llegada a la escritura, la génesis de su obra literaria y cuál es el álbum de familia en el que reconoce su linaje como escritora. Mi hipótesis es que esta obra sienta un hito inicial en lo que podría devenir una tradición hispanoamericana de reflexión y debate sobre la “escritura travesti”
Investigação química e biológica em hippeastrum breviflorum herb. (amaryllidaceae)
No full textPlantas da família Amaryllidaceae são amplamente utilizadas na medicina popular no tratamento de diversas doenças. Estudos têm mostrado que a atividade biológica destes vegetais está relacionada à presença de alcalóides tetraisoquinolínicos, embora outros compostos não alcaloídicos também tenham sido encontrados. O gênero Hippeastrum encontra-se distribuído predominantemente na América do Sul sendo que no Estado do Rio Grande do Sul foram relatadas seis espécies nativas: H. glaucescens, H. striatum, H. papilium, H. reginae e H. breviflorum. A espécie estudada neste trabalho, H. breviflorum, foi coletada na região de Aparados da Serra (RS) e separada em dois grupos de acordo com a coloração das flores (vermelhas ou brancas). O material vegetal de ambos os grupos foi separado em bulbos, folhas, raízes, frutos e flores e submetido ao método clássico para extração de alcalóides. Empregando-se cromatografia em camada delgada e cromatografia líquida de alta eficiência dos extratos obtidos verificou-se que os dois grupos vegetais são idênticos qualitativamente para um mesmo extrato testado. Foram isolados dez produtos de H. breviflorum sendo que sete compostos tiveram suas estruturas determinadas através do uso de técnicas de ressonância magnética nuclear, de espectrometria de massas e de cromatografia. As outras três substâncias apresentaram-se em quantidade insuficiente para análise. A partir das folhas de H. breviflorum foram isolados dois compostos identificados como etilcafeato e p-hidroxibenzaldeído, nos frutos foram encontrados os flavonóides rutina e quercetina e nos bulbos foram isolados os alcalóides licorina, HB1 e HB5, estes dois últimos inéditos denominados de breviflorina A e beviflorina B. Dentre os compostos e extratos testados quanto à atividade antioxidante frente a DPPH, etilcafeato, quercetina e rutina foram os produtos mais ativos. O composto etilcafeato apresentou inibição do vírus da Herpes equivalente ao controle positivo aciclovir
“Direito à preguiça”: Entrevista com Camila Betoni, autora da obra selecionada para a capa da 69ª edição da revista cadernos pagu – terceira edição comemorativa dos 30 anos do Núcleo de Estudos de Gênero Pagu e da revista cadernos pagu
No full textInterview with Camila Betoni, author of the book selected for the cover of the 69th edition of cadernos pagu magazine.Entrevista com Camila Betoni, autora da obra selecionada para a capa da 69ª edição da revista cadernos pagu.Entrevista com Camila Betoni, autora da obra selecionada para a capa da 69ª edição da revista cadernos pagu
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The myth of Camila O'Gorman in the works of Juana Manuela Gorriti, María Luisa Bemberg, and Enrique Molina
No full textCamila O'Gorman, a transgressive aristocratic woman who proudly defied the values of Family, Church, and Society in nineteenth-century Argentina, was executed beside her lover, the priest Ladislau Gutiérrez. Since her execution by dictator Juan Manuel de Rosas, her life and death represent a myth of rebellion and repression in the Argentine imagination, inspiring many works of literature and film. This dissertation studies three major works inspired by her life: the short story "Camila O'Gorman" (1876) by Juana Manuela Gorriti, the film Camila (1984) by María Luisa Bemberg, and the novel Una sombra donde sueña Camila O'Gorman (1973) by Enrique Molina. It proposes that each author shaped the images of the female protagonist by imprinting on the character of Camila the authors' personal reaction to the political climate in which they lived. Roland Barthes's Mythologies marks the main theoretical frame and distinctive theories on nationalism, narrative, film and genre are also applied. Chapter One situates the political climate of Camila's contemporary life. It studies the mythologies created to support and undermine Rosas' power. Moreover, it gives an account of three women who actively participated in politics: Mariquita Sánchez, Encarnación Ezcurra, and Manuela de Rosas. Chapter Two studies Gorriti as a nation builder. Her story "Camila O'Gorman" reinforces the ideals of a liberal progressive nation. By portraying Camila as a negative symbol, Gorriti adheres to the conservative view on women. Chapter Three inserts the life and work of Bemberg into the development of politics in Argentina. The film Camila addresses the parallel violence of the military regime in the 1980's. The character of Camila is portrayed as a defiant daughter, complying with the feminist views of the eighties. Chapter Four addresses Molina's Surrealist ideals, which determined his poetic analysis of Argentine history, foreshadowing the Proceso dictatorship. In his novel, Camila is represented as a Surrealist muse, who seeks liberty, love and poetry. The historical analogies recovered by the authors lead one to conclude that mythologies of Camila O'Gorman reappear in Argentina in times of political change and debate the rank of women in society.Spanish and Portugues
Microbial enrichment culture responsible for the complete oxidative biodegradation of 3‑Amino-1,2,4-triazol-5-one (ATO), the reduced daughter product of the insensitive munitions compound 3‑Nitro-1,2,4-triazol-5-one (NTO)
No full text3-Nitro-1,2,4-triazol-5-one (NTO) is one of the main ingredients of many insensitive munitions, which are being used as replacements for conventional explosives. As its use becomes widespread, more research is needed to assess its environmental fate. Previous studies have shown that NTO is biologically reduced to 3-amino-1,2,4-triazol-5-one (ATO). However, the final degradation products of ATO are still unknown. We have studied the aerobic degradation of ATO by enrichment cultures derived from the soil. After multiple transfers, ATO degradation was monitored in closed bottles through measurements of inorganic carbon and nitrogen species. The results indicate that the members of the enrichment culture utilize ATO as the sole source of carbon and nitrogen. As ATO was mineralized to CO₂, N₂, and NH₄⁺, microbial growth was observed in the culture. Co-substrates addition did not increase the ATO degradation rate. Quantitative polymerase chain reaction analysis revealed that the organisms that enriched using ATO as carbon and nitrogen source were Terrimonas spp., Ramlibacter-related spp., Mesorhizobium spp., Hydrogenophaga spp., Ralstonia spp., Pseudomonas spp., Ectothiorhodospiraceae, and Sphingopyxis. This is the first study to report the complete mineralization of ATO by soil microorganisms, expanding our understanding of natural attenuation and bioremediation of the explosive NTO.Journal ArticleFinal article publishe
Correlation Between Poststroke Patients’ Independence and Cognition, and Their Family Caregivers’ Burden and Quality of Life
No full textAbstract
Date Presented 3/30/2017
This session describes the importance for professional practice of thinking about the development of a different approach focused on stroke patients and family caregivers.
Primary Author and Speaker: Daniel Cruz
Additional Authors and Speakers: Camila Caro</jats:p
Los empeños de un impreso. Camila Henríquez Ureña y la revista Lyceum
No full textThis article analyses the collaboration of Camila Henríquez Ureña as director and author of the trimestral magazine Lyceum (1936-1939) in its first stage, published by the society Feminine Lyceum Club of the Havana. For that purpose it is explained the origin of the magazine in relation with the phenomenon of the feminine societies founded at the beginning of the 20th century and, specifically, the cultural and social relevance of this institution of private nature in Cuba, which represented a fundamental space for the intellectual encounter for the society of the Havana, for the intellectuals of the Spanish exile and the international community. For their great documentary value, the 14 issues, which constitute the corpus of the Lyceum magazine, represent in this period an essential source to know the programming principles which encouraged the publishing and distribution, with the intellectual labour of Camila Henríquez Ureña, who apart from undertaking an intense feminist activism, collaborated on other projects with Fernando Ortiz and José María Chacón y Calvo, among others.Este artículo analiza la colaboración de Camila Henríquez Ureña como directora y autora de la revista trimestral Lyceum (1936-1939) en su primera época, publicada por la sociedad el Lyceum Club Femenino de La Habana. Para ello se explica el origen de la revista en relación con el fenómeno de las sociedades femeninas fundadas a inicios del siglo XX y, específicamente, la importancia cultural y social de esta institución de carácter privado en Cuba, lo cual representó un espacio fundamental para el encuentro intelectual de la sociedad habanera, de los intelectuales del exilio español y de la comunidad internacional. Por su alto valor documental, los 14 números que constituyen el corpus de la revista Lyceum en este período representan una fuente imprescindible para conocer los principios programáticos que alentaron la publicación y sus alcances, desde la labor intelectual de Camila Henríquez Ureña, quien además de emprender un intenso activismo feminista, colaboró en otros proyectos con Fernando Ortiz y José María Chacón y Calvo, entre otros
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