1,721,087 research outputs found
The Conservative Avantgarde
No full texttraduzido deSCHECHNER, Richard. The Conservative Avantgarde. Este paper foi apresentado no Departamento de Antropologia da USP, em São Paulo, em junho de 2012.tradução: Diana Paola Gómez MateusUniversidade de São Paulo, São Paulo, São Paulo, Brasilrevisão técnica: John C. DawseyUniversidade de São Paulo, São Paulo, São Paulo, Brasiltraduzido de SCHECHNER, Richard. The Conservative Avantgarde. Este paper foi apresentado no Departamento de Antropologia da USP, em São Paulo, em junho de 2012.tradução: Diana Paola Gómez MateusUniversidade de São Paulo, São Paulo, São Paulo, Brasilrevisão técnica: John C. DawseyUniversidade de São Paulo, São Paulo, São Paulo, Brasi
O Tribunal como Teatro : Análise sobre a performance e discurso da verdade no Tribunal do Júri
Full text linkTCC(graduação) - Universidade Federal de Santa Catarina. Centro de Filosofia e Ciências Humanas. Antropologia.O trabalho busca analisar julgamentos realizados no Tribunal do Júri da capital do Estado de Santa Catarina, Florianópolis, de forma que se dirige a construções das “verdades” tais como apresentadas ao Júri pelo promotor e pela defesa. Assim, são apresentados relatos de campo sobre discursos desses operadores de direito, sendo que esses (relatos) são enquadrados com a finalidade de serem analisados por teorias antropológicas sobre jogos, teatro/drama, ritual, símbolos e performanceThis paper examines judgments made in the Jury of capital of Santa Catarina State, Florianópolis, so that it directs the construction of the "truths” as presented to the Jury by the prosecutor and defense. Therefore sets field reports on speeches these legal professionals and these (reports) are framed in order to be analyzed by anthropological theories about games, theater / drama, ritual, symbols and performance
Aptly fitted and naturally perform'd: dramatic performativity and the study of humor in Patrícia Fagundes's A Megera Domada
Full text linkDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura CorrespondentePeças teatrais podem ser consideradas tanto literatura como performance. Isso significa que elas têm força, autoridade tanto na forma de texto escrito (drama), como na forma de ação encenada (performance). A literatura, instituição baseada na pretensa estabilidade da palavra escrita, costuma simplificar o teatro à apenas drama, especialmente em se tratando de autores canônicos como William Shakespeare. Considerando tal contexto, a presente investigação analisa a relação entre linguagens verbais e não-verbais em performance teatral baseada em texto dramático, visando entender o processo que transforma o texto dramático em comportamento teatral (de acordo com o conceito de W. B. Worthen de dramatic performativity). Especificamente, esta investigação analisa os elementos verbais e não-verbais usados para produzir humor na tradução de The Taming of the Shrew, de Beatriz Viégas-Faria, e na encenação de A Megera Domada dirigida por Patrícia Fagundes e encenada em 2008, em Porto Alegre, pela Cia. Rústica. Os parâmetros conceituais utilizados nessa investigação são determinados por Worthen (2003), Patrice Pavis (1995) e Richard Schechner (2003, 2006), sendo que a análise da produção teatral é baseada na teoria de mise en scène de Pavis (1995).Theatre plays enjoy a status of both dramatic literature and performance. This means that they have force, authority as both written texts (drama) and staged action (performance). Literature, an institution base based on a pretense stability of the written word, tends to reduce theatre to drama, especially when it concerns canonic authors such as William Shakespeare. In face of this context, the present investigation analyzes the relation between verbal and non-verbal languages in stage performance of scripted drama, aiming at understanding the process to which the dramatic text is subject in order to be transformed into stage behavior (according to W. B. Worthen's concept of "dramatic performativity"). More specifically, it analyzes the verbal and non-verbal elements used to construct humor, in Beatriz Viégas-Faria's translation of The Taming of the Shrew and in Patrícia Fagundes's staging of A Megera Domada, performed in 2008, in Porto Alegre, by Cia Rústica. The conceptual parameters that guide this investigation are drawn mainly from Worthen (2003), Patrice Pavis (1995) and Richard Schechner (2003, 2006), being the approach to the theatrical activity based on Pavis's (1995) theory of mise en scène
The Significance of the Feminine Subculture in the Women's Army Corps during World War II
No full textGoing Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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