1,058 research outputs found
Estesia em tese: a nacionalização musical de Mário de Andrade
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2015.A nacionalização musical proposta pelo modernismo brasileiro por meio da apropriação erudita de elementos do cancioneiro popular e do folclore implica a identificação com uma musicalidade nacional. A afirmação de uma sensibilidade moderna, pressuposta pela referida identificação, subentende a construção de um sentido e de um sentimento nacional no interior de uma arte caracterizada, segundo uma concepção kantiana, pelo desinteresse e pela ininteligibilidade. Objetivamos compreender, a partir da nacionalização musical proposta por Mário de Andrade, as implicações do conceito de estesia, entendida como os efeitos sobre o corpo produzidos pelo contato com a arte. Em Andrade, a estesia recupera a etimologia de ?aisthesis? contra a sua subordinação ao modelo da representação e da contemplação, evidenciando a sensibilidade e, por conseguinte, o corpo. Como recusa da representação e da contemplação, a estesia designa uma reconciliação da arte com a vida, revelando, ao fim, um interesse eminentemente social. Ao propor um senso de comunidade, Andrade contraria tanto a ontologia nacional sustentada em teorias raciais positivistas, quanto o nacionalismo oficial do Estado Novo. Para tanto, revisamos os caracteres musicais de sua nacionalização musical em contraste com toda uma tradição ocidental, observando como as suas concepções musicais convergem, nos anos 1940, em um teatro cantado coletivo. Café, que representa um complemento para o poeta, permaneceria incompleto, no entanto, uma vez que os compositores Francisco Mignone e Camargo Guarnieri, que se responsabilizaram por sua musicalização, nunca o concluiriam. A tarefa caberia, ironicamente, a H. J. Koellreutter, acusado, desde que aportou no Brasil nos anos 1930, de formalista, sectarista e elitista, por empregar o atonalismo. No contexto de uma disputa de sentido em que as concepções musicais de Andrade serviriam para a legitimação e autorização do nacionalismo musical, de um lado, e o universalismo associado com o decadentismo da burguesia capitalista, de outro, o presente trabalho investiga, por fim, a busca de Koellreutter por uma interlocução com a obra de Andrade, que se consagra com a musicalização, nos anos 1990, do teatro cantado inacabado.Abstract : The musical nationalization proposed by Brazilian modernism through the appropriation of musical elements of popular music and folklore by classical composers implies an identification with national musicality. The affirmation of a modern sensibility, presupposed by such identification, involves the construction of a national sense and sensation through an art considered to be unintelligible and disinterested since Kantian aesthetics. Our goal, regarding Mário de Andrade?s musical nationalization proposal in particular, is to understand the implications of the concept of aesthesis, understood as contact with a work of art and its effects on the body. On Andrade?s work, aesthesis recovers the etymological sense of ?aisthesis?, going against its subordination to the model of representation and contemplation, highlighting the sensitivity and, consequently, the body. When refusal of representation and contemplation, aesthesis also names a reconciliation between art and life, revealing a social interest. Andrade?s musical nationalization therefore proposes a concept of community, contradicting both the national ontology sustained by positivist racial theories as a basis for the national State, and the official nationalism of the state from the Brazilian Revolution of 1930 forward, especially concerning its relation with the body. Therefore, we review the musical characters of Andrade?s nationalization and observe how his musical conceptions converge in Café. Conceived in the 1940s, the opera considered by the author to be his most socialist work and a complement of himself would remain incomplete, since Brazilian composers as Francisco Mignone and Camargo Guarnieri would never musicalize it. Ironically, H. J. Koellreutter, who has been accused of formalist, sectarian and elitist since he arrived in Brazil in the 1930s, would accomplish the task in the 1990s. In the context of a hegemonic dispute in which Andrade?s musical conceptions would serve to legitimize and authorize the musical nationalism discourse, on one hand, and the universalism connected to the decadence of the capitalist bourgeoisie, on the other, we investigate Koellreutter persuit for a dialogue with Andrade?s work, consolidated with his musical composition of Andrade?s opera in the 1990s
A new species of the Amphisbaena (Squamata, Amphisbaenidae) from the Brazilian Cerrado with a key for the two-pored species
No full textRibeiro, Síria, Sá, Vânia, Santos-Jr, Alfredo P., Graboski, Roberta, Zaher, Hussam, Guedes, Andrei G., Andrade, Sheila P., Vaz-Silva, Wilian (2019): A new species of the Amphisbaena (Squamata, Amphisbaenidae) from the Brazilian Cerrado with a key for the two-pored species. Zootaxa 4550 (3): 301-320, DOI: 10.11646/zootaxa.4550.3.
Uso indevido de esteróides anabólico-androgênicos entre os pacientes de uma clínica de medicina do esporte em Florianópolis-Santa Catarina
No full textTrabalho de Conclusão de Curso - Universidade Federal de Santa Catarina. Curso de Medicina. Departamento de Saúde Pública
FIGURE 5 in A new species of the Amphisbaena (Squamata, Amphisbaenidae) from the Brazilian Cerrado with a key for the two-pored species
No full textFIGURE 5. Phylogenetic relationships of Amphisbaena mebengokre sp. nov. within Amphisbaena based in the maximum likelihood (ML) tree produced in RAxML of Amphisbaenia on combined analysis of three nuclear (BDNF, c-mos and RAG1) and three mitocondrial (12S, 16S and ND2) markers. Red branches denotes the clade composed by species of the Amphisbaena silvestrii group. The values of boostrap> 70% are showed in the nodes.Published as part of Ribeiro, Síria, Sá, Vânia, Santos-Jr, Alfredo P., Graboski, Roberta, Zaher, Hussam, Guedes, Andrei G., Andrade, Sheila P. & Vaz-Silva, Wilian, 2019, A new species of the Amphisbaena (Squamata, Amphisbaenidae) from the Brazilian Cerrado with a key for the two-pored species, pp. 301-320 in Zootaxa 4550 (3) on page 309, DOI: 10.11646/zootaxa.4550.3.1, http://zenodo.org/record/262539
sj-pdf-1-jso-10.1177_23971983241235708 – Supplemental material for Attitudes and barriers to pulmonary arterial hypertension screening in systemic sclerosis patients: A survey of UK-based rheumatologists
No full textSupplemental material, sj-pdf-1-jso-10.1177_23971983241235708 for Attitudes and barriers to pulmonary arterial hypertension screening in systemic sclerosis patients: A survey of UK-based rheumatologists by María Paula Álvarez-Hernández, Yannick Allanore, Ivo Andrade, Maya H Buch, Gerry Coghlan, Francesco Del Galdo, Christopher P Denton, Dinesh Khanna, David G Kiely, John D Pauling, Sheila Ramjug and Michael Hughes in Journal of Scleroderma and Related Disorders</p
“E nos abraçaremos fidelíssimos”- a amizade entre Mário de Andrade e Carlos Lacerda
No full textRESUMO
Com base no conteúdo de quatro cartas de Mário de Andrade (três endereçadas a Carlos e uma, a Murilo Miranda), o autor realiza interpretação psicológica de Andrade e Lacerda, detendo-se nos traços hipocondríacos e psicopatológicos em geral do primeiro e na agressividade histérica do segundo. Argumenta que as relações entre os dois foram perturbadas por “suspeitas estranhas”de Lacerda em relação a Andrade.
ABSTRACT
“And faithfully we will hug ourselves”- the Mário de Andrade and Carlos Lacerda’s relationship. v. 21, n. 1, p. 67-96, jan./jun. 1993.
Grounded on the content of four Mário de Andrade’s letters (three addressed to Carlos Lacerda and another one to Murilo Miranda), the author accomplishes a psychological interpretation of Andrade and Lacerda, stressing the hypocondriac and psychopathological traits of the first and the hysteric aggressiveness of the latter. Argues that the relationship between them were disturbed by Lacerda’s “strange hunches” toward Andrade.
RÉSUMÉ
“Et nous nous embrasserons très fidèlement”- l’amitié entre Mário de Andrade et Carlos Lacerda. v. 21, n. 1, p. 67-96, jan./jun. 1993.
D’après le contenu de quatre lettres de Mário de Andrade (trois adressées à Carlos Lacerda et une à Murilo Miranda), l’auteur offre une interprétation psychologique d’Andrade et Lacerda et se détient particulièrement sur les traits hypocondriaques et psychopathologiques du premier et sur l’agressivité hystérique du second. Il montre que cette amitié a été également troublée par “les étranges soupçons”de Lacerda pour Andrade
UMA POSSÍVEL REPRESENTAÇÃO DO MODERNISMO LITERÁRIO BRASILEIRO ATRAVÉS DAS EPÍSTOLAS TROCADAS ENTRE MÁRIO DE ANDRADE E CARLOS DRUMMOND DE ANDRADE
No full textEste artigo apresentado tem o objetivo de fazer uma análise e interpretação das cartas trocadas entre Mário de Andrade e Carlos Drummond de Andrade, durante o período de seis anos, começando em 1924 (a 1ª carta) e indo até 1930, ano em que Drummond publica seu primeiro livro de poesias, chamado Alguma Poesia, referência e ponto de base do modernismo brasileiro, no qual, a partir da década de 30, consolida-se o projeto de uma literatura brasileira em conformidade com os princípios modernistas em pauta. Trata-se, portanto, de um artigo de historiografia e crítica literária brasileira, na medida em que procura, por meio da pesquisa de documentos como cartas, conferências, depoimentos, entre outras fontes, apreender o processo de escrita de uma história que se reinventou construindo um novo modo de ler a tradição e o futuro dessa mesma literatura. Com o estudo desses documentos, com ênfase nas cartas em que Mário e Drummond debatem a elaboração dos poemas que irão compor o futuro livro, pretendemos apreender o momento de uma literatura brasileira modernista em processo, na perspectiva tanto do autor de Paulicéia Desvairada como da recepção crítica ao livro de estreia do poeta mineiro.PALAVRAS-CHAVE: Epistolografia. Escritas de si. Historiografia literária brasileira. Literatura modernista brasileira. Mário de Andrade. Carlos Drummond de Andrade Abstract This article presented aims to make an analysis and interpretation of the letters exchanged between Mário de Andrade and Carlos Drummond de Andrade during the period of six years, beginning in 1924 (the 1st letter) and going until 1930, the year that Drummond published his first book of poetry, called Alguma Poesia, reference point and base of Brazilian modernism, in which, from the 30s, consolidates the project of a Brazilian literature in accordance with the principles modernist agenda. It is, therefore, an article of Brazilian historiography and literary criticism, in that it seeks, through the study of documents such as letters, conferences, Macabéa – Revista Eletrônica do Netlli | V.2., N.1., JUN. 2013, p. 95-107. depositions, among other sources, grasp the process of writing a story that reinvented building a new way of reading the tradition and the future of that literature. With the study of these documents, with emphasis on the letters in which Mario and Drummond discuss the preparation of the poems that will make the future book, we intend to seize the moment of a Brazilian Modernist literature in process, both from the perspective of the author as Paulicéia Desvairada reception criticism of the book's debut miner poet.KEYWORDS: Epistolography. Written himself. Brazilian literary historiography. Brazilian modernist literatura. Mário de Andrade. Carlos Drummond de Andrade. DOI: https://doi.org/10.47295/mren.v2i1.479
Carlos Drummond de Andrade e José Osório de Oliveira: a divulgação da poesia drummondiana na revista luso-brasileira Atlântico / Carlos Drummond de Andrade and José Osório de Oliveira: The Disclosure of Drummond’s Poetry in the Luso-Brazilian Magazine Atlântico
No full textResumo: Tomando como objeto os dois poemas publicados por Carlos Drummond de Andrade na revista luso-brasileira Atlântico (“O voo sobre as igrejas” e “Versos à boca da noite”), o presente artigo visa a apresentar estudo sobre os efeitos de sentido produzidos por tal colaboração, considerando a materialidade do veículo em questão e a ambiência discursiva por ele conferida aos textos. Nesse processo, de início, procura-se recuperar as correspondências inéditas enviadas ao poeta mineiro por José Osório de Oliveira, secretário da publicação e reconhecido homem de letras português dedicado à literatura brasileira. Em seguida, apresentam-se a estrutura, as particularidades e as diretrizes da política editorial do periódico, uma espécie de álbum luxuoso considerado o mais importante elo editorial do intercâmbio literário e intelectual pactuado pelas ditaduras de Salazar e Vargas a partir do Acordo Cultural de 1941. Por fim, examina-se o direcionamento interpretativo de ambos os poemas operado pelo suporte, quer no sentido de valorizar uma figura mítica da dita “civilização lusíada”, algo caro à proposta de recuperação interessada do passado efetuada pela revista, quer de circunscrever e atenuar o lirismo crítico do autor de Sentimento do mundo.Palavras-chave: Carlos Drummond de Andrade; José Osório de Oliveira; Atlântico: Revista Luso-Brasileira; Estado Novo brasileiro e português.Abstract: Considering two poems published by Carlos Drummond de Andrade in the Portuguese-Brazilian magazine Atlântico (“O voo sobre as igrejas” e “Versos à boca da noite”), this article aims to present the results of an investigation into the effects of meaning produced by such collaboration, considering the materiality of the publication in question and the discursive ambience impacting on those texts. Firstly, we seek to recover the unpublished letters sent to Drummond by José Osório de Oliveira, secretary of the publication and recognized Portuguese intellectual devoted to the Brazilian literature. Then, the structure and guidelines of the journal’s editorial policy are presented. More specifically, Atlântico was a kind of luxurious album which was considered the most important editorial link in the literary and intellectual exchange agreed upon by the Salazar and Vargas dictatorships since the signing of the Cultural Agreement in 1941. Finally, we examine the interpretative framework of both poems operated by the support, which, in the first text, values a mythical figure of the so-called “Portuguese civilization”, something dear to the magazine’s interested proposal to recover the past, and in the second it intends to circumscribe and attenuate the critical lyricism of the author of Sentimento do mundo.Keywords: Carlos Drummond de Andrade; José Osório de Oliveira; Atlântico: Revista Luso-Brasileira; Brazilian and Portuguese Estado Novo
Mycomystes nigriventris Pecci-Maddalena & Lopes-Andrade 2020, sp. nov.
No full text<i>Mycomystes nigriventris</i> sp. nov. <p>Figs. 1–14</p> <p> <b>Material examined.</b> <b> <i>Holotype</i>.</b> <i>Mycomystes nigriventris</i> holotype, sex undetermined, specimen not dissected (DZUP), “ Coleção M. Alvarenga [printed] \ Capão do Imbuia, CURITIBA, Paraná, Brasil, II–1966, R. Lange leg. [printed], \ DZUP 235198 [printed] \ HOLOTYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, red paper]”. <b>Type locality.</b> Capão do Imbuia, a quarter of the city of Curitiba, in the state of Paraná, South Brazil. Estimated coordinates: 25°25’40’’S, 49°16’23’’W.</p> <p> <b> <i>Paratypes</i>.</b> A total of 21 specimens, as follows: 1 specimen, sex undetermined (CAMB) “ Coleção M. Alvarenga [printed] \ RIO GRANDE, R.G. SUL. BRASIL, VIII. 1979, L.C. ALVARENGA [handwritten] \ Coleção A.M. BELLO [printed] PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow pa- per]”; 1 ♀ (DZUP, dissected) “ Coleção M. Alvarenga [printed] \ Capão do Imbuia, CURITIBA, Paraná, Brasil, II– 1966, R. Lange leg. [printed], \ DZUP 235197 [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 ♀ (DZUP, dissected) “ Coleção M. Alvarenga [printed] \ Capão do Imbuia, CURITIBA, Paraná, Brasil, II–1966, R. Lange leg. [printed], \ DZUP 235185 [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undetermined (MNRJ) “ Coleção M. Alvarenga [printed] \ B. Rico Anhembi, S. Paulo, Brasil [printed], II. 1982 [handwritten], W. Rokermann [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undetermined (MNRJ) “ Brasil – S. Paulo, Est. S. Paulo [printed], & VIII [handwritten], Saude [printed], 1920 [handwritten], An Pilzen gefunden. 8 [?]. 6. 1920, Melmi [? handwritten, versus label] \ <i>Mycotretus misellus Lac.</i> [handwritten], J. Guerin. det. 194 [printed] 8[handwritten] \ UR [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undeter- mined (MNRJ) “ Brasil – S. Paulo, Est. S. Paulo [printed], & VIII [handwritten], Saude [printed], 1920 [handwritten], An Pilzen gefunden. 8. VIII [?]. 1920, [? handwritten, versus label] \ <i>Mycotretus misellus Lac.</i> [handwritten], J. Guerin. det. 194[printed]8[handwritten] \ UR [printed] \ 110 [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 ♂ (MCNZ, dissected) “ Triunfo, RS, (Copesul), 30. XI. 2004, A. Barcellos col. [printed] \ Col. MCN 232832 [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci- Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 ♂ (MCNZ, dissected) “ Est. Ecol. TAIM, Rio Grande, RS, 17/XII [handwritten] / 19[printed]85[handwritten], A. Lise leg. [printed] \ Col. MCN [printed] 62631 [handwritten] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undetermined (MCNZ) “Tapes, RS (Faz. São Miguel), 17. XII. 2003, Equipe Probio col. [printed] \ Col. MCN 225584 [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undetermined (MCNZ) “Triunfo, RS, (Copesul), 30. XI. 2004, R. Ott col. [printed] \ Col. MCN 232829 [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undetermined (MCNZ) “Montenegro, RS, 15/XII [handwritten]/19[printed]77[handwritten], H. Bischoff [handwritten] leg [printed] \ Col MCN 26.913 [handwritten] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undetermined (MCNZ) “ Est. Ecol. TAIM, Rio Grande, RS, 15/X [handwritten] / 19 [printed] 85 [handwritten], A. Lise leg. [printed] \ Col. MCN. [printed] 62852 [handwritten] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [print- ed, yellow paper]”; 1 specimen, sex undetermined (MCNZ) “Tapes, RS (Faz. São Miguel), 17. XII. 2003, Equipe Probio col. [printed] \ Col. MCN 225720 [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undetermined (MCNZ) “Tapes, RS (Faz. São Miguel), 17. XII. 2003, Equipe Probio col. [printed] \ Col. MCN 225655 [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undetermined (MCNZ) “Cambará do Sul, RS, 21/XII [handwritten] 19 [printed] 94 [handwritten], A. Bonaldo [handwritten] leg. [printed] \ Col. MCN 238432 [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undetermined (MCNZ) “Triunfo, RS, (Copesul), 6. I. 2005, A. Barcellos col. [printed] \ Col. MCN 232830 [printed] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 1 specimen, sex undetermined (MZSP) “N. Teutonia., S. Catarina. [printed], 10.950 [handwritten] \ Coll. J. Guerin. S. Paulo. Brasil. [printed], 17750 [handwritten] \ <i>Mycotretus nigropunctatus</i> var. D. Dup. [handwritten], J. Guerin. det. 19 [printed] 51 [handwritten] \ PARATYPUS <i>Mycomystes nigriventris</i> Pecci-Maddalena & Lopes-Andrade [printed, yellow paper]”; 4 specimens, sex undetermined (FSCA) “ Fazenda Bom Jesus das Ar- aucárias Reserva (PR, Brazil), Cultivo de <i>Pleurotus</i> sp., P. L. Lopes col. 18-19.II.2008 (noon) \ <i>Mycotretus gemmula</i> Lac., 1842, P. Lopez det. 2008”.</p> <p> <b>Etymology.</b> The specific epithet, from the Latin adjective “niger, nigra, nigrum” (= black, dark, dusky) and the Latin noun “venter, ventris (m.)” (= “belly”), refers to its black ventral coloration.</p> <p> <b>Diagnosis.</b> <i>Mycomystes nigriventris</i> resembles its Mexican congener <i>M. ferrugineus</i> in the oval body shape and dilated tibiae. It differs in the black ventral coloration (yellowish to reddish-brown in <i>M</i>. <i>ferrugineus</i>), elytral punctation with rows of punctures uniformly longitudinal and not confluent (in <i>M</i>. <i>ferrugineus</i> these punctures are more irregular and confluent at disc), the lack of a conspicuous angle at the outer side of protibiae (present in <i>M</i>. <i>ferrugineus</i>) and the occurrence in the southern portion of the Neotropics (while <i>M</i>. <i>ferrugineus</i> occurs in the northern portion).</p> <p> <b>Description.</b> TL = 4.27–6.12 mm (5.41± 0.59 mm, <i>n</i> = 9; length of the holotype = 5.65 mm). Body oval, widest at anterior third of elytra, TL/EW = 1.58–1.68 (1.63±0.03), GD/EW = 0.61–0.71 (0.66±0.034), glabrous, glossy; dorsal coloration homogeneously yellowish-brown or reddish-brown (Fig. 1). Ventral coloration yellowish-brown; prosternal process, meso- and metaventrite and legs blackish (Figs. 2, 3); head yellowish to reddish-brown (Figs. 1, 4); mouthparts yellowish to reddish-brown (Figs. 4–8), mentum plate subpentagonal, with a rounded outline (Fig. 8); antennae yellowish to reddish-brown, antennomeres VII to XI blackish.</p> <p> <b>Head.</b> Glabrous; punctation fine, sparse; frontoclypeal suture interrupted at middle. Clypeus shallowly, arcu- ately emarginate. Antenna (left antenna measured in holotype given in mm): FL, 0.71, CL, 0.53, CL/FL 0.74; length of antennomeres I to XI as follows (in mm): 0.19, 0.12, 0.21, 0.14, 0.11, 0.10, 0.10, 0.08, 0.13, 0.12, 0.18. Eyes glabrous (GW 0.43 mm in holotype), finely granulate. Mouthparts (Figs. 4–8): Labrum free, sclerotized, pubescent, slightly emarginate at middle. Mandibles short, broad; outer apical edge with one distinct depression containing setae; apex with two teeth; mandibular base emarginate, with additional outgrowth above mola; inner edge of right mandible with conspicuous additional mesal teeth, glabrous, absent in left mandible (Fig. 6, arrow); mola well-de- veloped, naked, distinctly transversely costate; prostheca distal to mola, soft, with additional tuft of setae. Maxillae with cardo subtriangular, stipes elongated; galea shorter but wider than lacinia, somewhat widened towards densely pubescent apex; lacinia much longer and narrower than galea, densely pubescent at apex, with highly sclerotized inconspicuous pair of hooks; maxillary palp with four palpomeres, palpomere I almost as long as palpomeres II–III combined; apical palpomere semicircular (Fig. 7, mp), asymmetrical, approximately 3.46× wider than long and 5× wider than apical labial palpomere. Three labial palpomeres on each palp, palpomere III club-shaped (asymmetrical, Fig. 7, lp); mentum subpentagonal, with a rounded outline (Fig. 4, arrow and Fig. 8).</p> <p> <b>Thorax.</b> Pronotum subtrapezoidal, edges bordered, sides moderately arcuate, convergent anteriorly. PW/PL = 0.43–0.60 (0.51±0.05), widest medially in both sexes; shiny, punctation single, interspaces microreticulate; punc- tures separated by about 3 puncture-widths at disc, each puncture bearing one very short minute seta (barely visible even at magnification of 150×); anterior edge slightly convex at middle, anterior angles sharp; lateral edge with one glandular pore on anterior angle and one on posterior angle. Scutellar shield BW 0.39 mm (in holotype), subpentagonal, nearly rounded laterally, glabrous, bearing few punctures. Elytra with weak anterior marginal bead; EL/EW = 1.16–1.23 (1.19± 0.02), EL/PL = 2.32–3.22 (2.73±0.35); moderately convex, with eight longitudinal rows of punctures; punctures separated by about 4 puncture-widths; interspaces between rows with fine, sparse punctures, each puncture bearing one minute seta (barely visible at magnification of 150×); elytral punctation with rows of punctures uniformly longitudinal and not confluent. Metathoracic wings developed. Prosternum convex; anterior margin smooth, pubescent; notosternal sutures distinct, entire; procoxal cavities ovate; prosternal process abruptly expanded apically, shallowly emarginate at apex; procoxal lines barely visible, short, nearly straight. Mesoventrite small, convex; mesocoxal lines straight to slightly arched; anterior edge slightly convex. Metaventrite convex, gla- brous, finely punctate; interspaces of punctures microreticulate; metacoxal lines conspicuous, approximately 0.69× as long as metaventrite; discrimen approximately 0.68× as long as metaventrite at midline. Metendosternite welldeveloped, sclerotized; laminae present, plate-like; anterior tendons thin, moderately separated. Legs: Procoxae oval; mesocoxae almost globular; metacoxae transverse, cigarette-shaped. Femora elongate, smooth, without spines or other outgrowths. Tibiae short, conspicuously widened apically and lacking a conspicuous angle at the outer side of protibia (present in <i>M. ferrugineus</i>) (Fig. 3, arrow); apex with crown of wide flat setulae and two apical spurs. Tarsi densely pubescent.</p> <p> <b>Abdomen.</b> Slightly elongate; punctation coarse, shallow; interspaces microreticulate; vestiture of sparse, slen- der setae. Coxal lines conspicuous, not continuous around coxae (approximately 0.64× length of first abdominal ventrite). Length of ventrites 1 to 5 as follows (in mm, from base to apex of each ventrite at the longitudinal mid- line): 0.85, 0.52, 0.26, 0.28, 0.48. <b>Male terminalia</b> (Figs. 9–12): penis (Fig. 9, pen) elongate, slightly curved; basal portion with short sclerotized projection linked to the apophyses; internal sac with well-developed, elongate flagel- lum (Fig. 9, fla), 1.88× as long as penis, slightly sinuous, with membranous portion (Fig. 10, arrow) between virga and head of flagellum; head of flagellum (Fig. 10, head) horseshoe-shaped, inner contours widely separated, ante- rior borders laterally rounded, shallowly fused medially. Apophyses (Fig. 9, apo), approximately 1.7× longer than penis. Tegmen sclerotized (Fig. 11); parameres reduced, sclerotized, with densely pubescent outgrowths, slightly dilated. Tergite VIII sclerotized, with sparsely distributed bristles. Sternite VIII slightly sclerotized. Laterotergite IX sclerotized, pubescent, posteriorly elongate, slightly narrowed; outer contours angulate; anteroventral edge with paired, subparallel lateral struts, connected at their anterior tips by small, transverse, slightly sclerotized sclerite. Posterior edge of sternite IX sclerotized; outer contour rounded; weakly membranous anteriorly. Tergite X sclero- tized; posterior edge with sparsely distributed bristles. <b>Female terminalia:</b> genitalia (Figs. 13–14) with gonostyli and gonocoxites strongly sclerotized; vagina elongate at level of gonostyli (Fig. 14, arrows); baculi of paraprocts sclerotized, slightly arcuate; spermatheca oval, sclerotized; spemathecal duct sclerotized, slightly sinuous. Tergite VIII sclerotized, with sparsely distributed bristles. Sternite VIII with conspicuous median strut.</p> <p> <b>Remarks.</b> The exact location of “Cerro de Plumas”, the type locality of <i>M. ferrugineus</i> cited by Gorham (1888), is unknown. It may refer to “Cerro de Palmas” in Veracruz, introduced as a correction to “Cerro de Plumas” in a subsequent issue of Biologia Centrali-Americana (Selander & Vaurie 1962). The type locality is certainly in Mexico, which places it far from the species described herein. <i>Mycomystes nigriventris</i> fits well in the genus because it has conspicuously dilated tibiae, an oval body, and a subpentagonal mentum plate, with a rounded outline and very elongate maxillary palpomeres in relation to labial palpomeres. All of these features are uncommon in Neotropical Tritomini and, as discussed below, they may also be found in at least four species of <i>Mycotretus</i>. Based on the original description, <i>Mycotretus misellus</i> Lacordaire is similar to <i>M. nigriventris</i> in the black ventral coloration. The type of <i>M</i>. <i>misellus</i> has not been located by either Alvarenga (1994) or the senior author of the present work. However, we think <i>Mycotretus misellus</i> is not conspecific to <i>M. nigriventris</i> based on the examination of a specimen identified as <i>M. misellus</i> from the Reiche collection, housed in the University Museum of Zoology Cambridge (Camdridge, UK). This specimen fits Lacordaire’s description well in the slightly elongate body and the coarse elytral punctation (features not observed in <i>M. nigriventris</i>). Aside from that, Lacordaire (1842) did not mention dilated tibiae, a conspicuous feature of <i>M. nigriventris</i>.</p> <p> <b>Host fungi.</b> There is a record of four specimens collected in <i>Pleurotus</i> sp. (Pleurotaceae) (see above the list of examined specimens).</p> <p> <b>Distribution.</b> South and Southeast Brazil (Fig. 15).</p>Published as part of <i>Pecci-Maddalena, Italo Salvatore De Castro & Lopes-Andrade, Cristiano, 2020, Mycomystes nigriventris sp. nov. (Coleoptera: Erotylidae: Tritomini) from South America, with insights into the genus Mycomystes Gorham, pp. 579-586 in Zootaxa 4780 (3)</i> on pages 580-585, DOI: 10.11646/zootaxa.4780.3.9, <a href="http://zenodo.org/record/3855417">http://zenodo.org/record/3855417</a>
O inconsciente surrealista latino-americano: tradução comentada de Emílio Adolfo Westphalen
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2015.O presente estudo volta-se para os poemas de linguagem surrealista, especificamente os poemas do peruano Emilio Adolfo Westphalen. Inserido na área de tradução comentada de textos literários, esta dissertação deseja desenvolver um estudo sobre como os surrealistas aspiravam traduzir o inconsciente em seus textos para, só então, pensar sobre a tradução levando em conta esses mecanismos. Para tal, legitima-se a pesquisa relacionada aos mecanismos envoltos nessa linguagem e como se traduziu este surrealismo francês na América Latina. A fundamentação teórica está baseada em teorias da tradução de Antoine Berman, de Walter Benjamin, Haroldo de Campos, Ezra Pound e Henri Meschonnic.Abstract : The hereby study resolves around poems containing surrealist language with emphasis on the ones surrealist poems by the Peruvian poet Emilio Adolfo Westphalen. Aligned at the literary translation perspective, the objective of this research is to carry out a study on how surrealists were inclined to ?translate? the unconscious in their texts in first place, for later thinking about the translation process taking those mechanisms into account. To do so, this research explores the study of the mechanisms related to the surrealist language and how the French surrealism has been expressed in Latin America. Its theoretical framework is based on the translation theories set forth by Antoine Berman, Walter Benjamin, Haroldo de Campos, Ezra Pound and Henri Meschonnic
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