1,830 research outputs found
O nascimento de um autor
No full textFernando Pessoa’s work constantly evokes authorship questions, mainly because it was assigned to different heteroryms and was left unpublished at the time of his death. The word “author” is seldom used in an explicit way by Pessoa, who often writes about the hero or the genius’s character. I will argue, in this article, that the Book of Disquietude was created in order to theorize and to prove what he could have defined as an exemplary author. I will thus try to justify the singularity of this book.A obra de Fernando Pessoa, atribuída a diversos heterónimos e deixada maioritariamente inédita à hora da sua morte, levanta frequentes questões de autoria. O termo “autor” é raramente utilizado de forma explícita por Pessoa, que prefere referir-se ao herói ou ao génio. Defenderei, neste artigo, que Pessoa concebe o Livro do Desassossego como teoria e prova daquilo que poderia ter definido como autor exemplar. Considerarei, com esse intuito, os aspectos que me parecem justificar a singularidade deste livro
João Cabral do Nascimento: a contemporary author erased from a certain family portrait
No full textJoão Cabral do Nascimento foi contemporâneo de artistas que, nos anos 1910-1920, procuraram a modernização dos seus sistemas culturais, através de discursos e projetos manifestamente modernistas. Esta sua contemporaneidade consubstanciou-se no convívio de Cabral de Nascimento com algumas figuras marcantes do período e na participação efetiva (e não raras vezes crítica) em alguns dos acontecimentos que, em Lisboa assim como em Coimbra e no Funchal, marcaram as diversas orientações dos Modernismos portugueses. Tomando de empréstimo, quer o verbo pessoano constellar-se quer a imagem (também benjaminiana) da constelação para pensar a relação entre textos e autores, neste artigo revisitam-se vários textos de teor cronístico e crítico de Cabral de Nascimento, para discutir a sua heterogénea contemporaneidade modernista e o silêncio que tem recaído sobre a obra do autor madeirense.João Cabral do Nascimento was a contemporary of some of the artists who, around the 1910s and the 1920s, sought to modernize their cultural systems, through modernist discourses and projects. This contemporaneity has been substantiated through Cabral de Nascimento’s contact with some of the most important artists of the period and through his effective participation (sometimes critical) in several of the events that, in Lisbon, as well as in Coimbra and Funchal, marked the different orientations of the Portuguese modernisms. Recovering both the Pessoan verb constellar-se, and the constellation image (also Benjaminian) to think about the relationship between texts and authors, this article revisits several chronicles and critical texts by Cabral de Nascimento, to discuss his heterogeneous modernist contemporaneity and the silence that has fallen on the work of the author from Madeira.info:eu-repo/semantics/publishedVersio
First person – Ana Nascimento
No full textABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Ana Nascimento is the first author on ‘KIF13A mediates trafficking of influenza A virus ribonucleoproteins’, published in Journal of Cell Science. Ana conducted the work in this article in Maria João Amorim's lab at the Instituto Gulbenkian de Ciência, Portugal. She is now a PhD student in the lab of Beate Sodeik at the Institute of Virology at Hannover Medical School, investigating host–pathogen interactions, particularly involving viruses.</jats:p
Lathroeus immaculatus Nascimento, Bravo & Monnè, 2016, sp. nov.
No full textLathroeus immaculatus sp. nov. (Figs. 3–7) Holotype. Male. Pubescence white-yellowish. Integument light brown mainly in dorsal region of body. Integument dark brown: apex of mandibles, apex of antennomeres, ventral region of thorax and abdomen, coxae, ventral region of posterior half of femora, base and posterior 1/3 of tibiae, apex of tarsomere I and all others tarsomeres. Antennal tubercles proeminent and with smalls glabrum areas in posterior region. Width of upper ocular lobe subequal to width of antennal tubercles, space between them approximately equal to width of an upper ocular lobe. Antennae reaching elytral apices in VII antennomere. Scape subequal in length to antennomere III; antennomere III with equal length of IV; remaining antennomeres gradually shorter. Prothorax length about 2/3 of its width; lateral median tubercle round and flattened. Anterior pronotum region with two high tubercles and row of punctures on posterior margin. Prosternal and mesosternal process flat, with elevated edges. Width of prosternal process approximately 1/4 diameter of a procoxal cavity. Width of mesosternal process approximately 1/5 diameter of a mesocoxal cavity. Metasternal suture reaching apex of anterior metasternal projection. Scutellum rounded at apex. Elytra with subparallel sides at anterior 2/3; length approximately 3.5 times length of prothorax; centro-basal region with prominence ridges and erect bristles blackened at apex. Elytral apices obliquely truncated with external spine and spicule in sutural angle. Metatarsomere I as long as following segments added together. Fifth sternite approximately 1.5 longer than fourth, subtrapezoidal and notched. Measurements, in mm. Holotype male, total length, 7.2; prothoracic length, 1.4; prothorax greater width 2.0; elytral length, 5.2; humeral width, 2.7. Etymology. The name is a reference to the absence of maculae on the pronotum and elytra. Type material. Holotype, male, Brazil, Ceará; Quixadá (Serra do Urucu), 05°54’18” S 39°50’46” W, 780 m, 02.IX.2013. Carvalho J.R., Bravo F., Menezes E., Nascimento F.E. & Cordeiro D. col. (MNRJ). Remarks. The genus Lathroeus Thomson, 1864 was created to allocate Lathroeus oreoderoides Thomson, 1864. Lathroeus oreoderoides was described from a single specimen, and the author did not indicate the type locality. Recently, a second specimen was collected in Bolivia (Wappes et al. 2013). Melzer (1932) described the second species of the genus, Lathroeus mysticus Melzer, 1932 from Brazil. Monné (2001), published a synopsis of the genus, providing an identification key to the species. Lathroeus immaculatus sp. nov. resembles L. mysticus by the dimensions of the body, but differs mainly by the centro-basal proeminence of the elytra, that in the new species have blackish and erect bristles on it (Fig. 6), whereas in L. mysticus such bristles are missing. Furthermore, Lathroeus immaculatus sp. nov. can be easily distinguished from both species of the genus by the absence of dark maculae on the prothorax and elytra.Published as part of Nascimento, Francisco E. De L., Bravo, Freddy & Monnè, Miguel A., 2016, Cerambycidae (Insecta: Coleoptera) of Quixadá, Ceará State, Brazil: new records and new species, pp. 399-411 in Zootaxa 4161 (3) on pages 401-402, DOI: 10.11646/zootaxa.4161.3.7, http://zenodo.org/record/27226
Abdias Nascimento : Esclavage, post-abolition et émancipation
No full textL’article propose une lecture de la pensée et des formes d’actualisation politique et culturelle d’un penseur du mouvement noir contemporain au Brésil, Abdias Nascimento. À travers les écrits politiques de cet auteur, il est possible de retracer les interprétations des actions privilégiées dans la lutte contre les discriminations qui ont suivi et suivent toujours l’expérience post-abolitionniste. L’adhésion à la pensée de la décolonisation puis à celle de l’afrocentrisme, et aussi à une version du panafricanisme qu’est le quilombisme (et dont il est l’auteur), n’a pas empêché cet intellectuel de la diaspora de penser l’émancipation depuis le continent latino-américain, et plus particulièrement depuis le Brésil. La perspective selon laquelle la fin de l’esclavage n’aurait pas eu lieu, leitmotiv du mouvement noir contemporain au Brésil et dont Nascimento est une figure fondatrice, permet l’établissement d’un parallèle entre les luttes du mouvement noir et celles du mouvement contre l’esclavage contemporain.This article proposes a reading of the reflections and forms of political and cultural actualization of a thinker in the contemporary Black movement of Brazil, namely Abdias Nascimento. The political writings of this author help retrace interpretations of actions carried out in the struggle against the discrimination that followed and is still following the post-abolitionist experience. Adhering to the thought of decolonization, and subsequently Afrocentrism and Quilombism, which is a version of Pan-Africanism he created himself, has not prevented this diaspora intellectual from thinking about emancipation from the standpoint of the Latin American continent and Brazil more specifically. The perspective that slavery never ended, a leitmotiv of the contemporary Black movement in Brazil and of which Nascimento is a founding figure, allows a parallel to be drawn between the struggles of the Black movement and those of the contemporary anti-slavery movement.Este artículo propone una lectura del pensamiento y de las formas de actualización política y cultural de un pensador del movimiento negro contemporáneo de Brasil, Abdias do Nascimiento. A través de los escritos políticos de este autor, es posible rastrear las interpretaciones de las acciones privilegiadas en la lucha contra la discriminación que siguió y sigue haciéndolo la experiencia post-abolicionista. La adhesión al pensamiento de la descolonización y después a la del afrocentrismo y a una versión del panafricanismo que es el quilombismo de cual él es autor, no ha impedido a este intelectual de la diáspora de pensar la emancipación desde el continente latinoamericano y más particularmente desde Brasil. La perspectiva según la cual la esclavitud nunca ha desaparecido, leitmotiv del movimiento negro contemporáneo en Brasil y del cual Do Nascimiento es una de las figuras fundadoras, permite establecer un paralelo entre las luchas del movimiento negro y las del movimiento contra la esclavitud contemporánea
Conhecendo Beatriz Nascimento: mulher negra, intelectual e quilombola
No full textO presente estudo é fruto de inúmeras inquietações teórico-políticas no que tange à invisibilidade de intelectuais negras na sociedade de classes, marcada pelo racismo e pela violência patriarcal. Neste tipo de sociedade, às mulheres negras são impostas as tarefas relacionadas ao cuidado e, logo, são aceitas apenas na condição de servir. Situação que se estende ao meio acadêmico, onde mulheres negras não são consideradas como intelectuais e continuam sendo invisibilizadas tanto como possíveis referências teóricas nos projetos pedagógicos e como representações docentes, discentes e técnicas no interior desses espaços que permanecem fundamentalmente reflexo da cultura do colonizador. Este Trabalho de Conclusão de Curso consistiu em conhecer Beatriz Nascimento, mulher negra, intelectual e quilombola. A autora nasceu em 1942, na cidade de Aracaju. Aos 7 anos de idade, sua família mudou-se para o Rio de Janeiro. Em terras cariocas, Beatriz Nascimento cursou Licenciatura em História pela Universidade Federal do Rio de Janeiro (UFRJ), onde posteriormente iniciou o mestrado em Comunicação. Pesquisadora, professora e militante do Movimento Negro brasileiro, ela nos apresenta formulações relevantes acerca da compreensão da formação socio-histórica do país, bem como sobre as relações raciais, movimentos e quilombos. Para tal, optou-se pelo método de revisão bibliográfica, uma pesquisa exploratória, de natureza qualitativa, na qual se recorreu a livros, artigos, revistas, sites, notícias e documentos, produção audiovisual, inclusive e principalmente, as obras de Maria Beatriz Nascimento. O objetivo central da pesquisa consistiu em compreender quem foi Beatriz Nascimento e suas principais formulações teórico-políticas, as quais podem contribuir com a formação em Serviço Social e a luta antirracista no exercício profissional. Quanto aos objetivos específicos, buscaram examinar: 1) trajetória infantil e escolar; 2) maturidade, trajetória universitária e política; 3) principais formulações teóricas; 4) algumas reflexões para o Serviço Social.The present study is the result of numerous theoretical-political concerns regarding the invisibility of black intellectuals in class society, marked by racism and patriarchal violence. In this type of society, black women are imposed tasks related to care and, therefore, they are accepted only on the condition of serving. A situation that extends to the academic environment, where black women are not considered intellectuals and continue to be invisible both as possible theoretical references in pedagogical projects and as representations of teachers, students and technicians within these spaces that remain fundamentally a reflection of the colonizer's culture. This Course Conclusion Work consisted of getting to know Beatriz Nascimento, a black, intellectual and quilombola woman. The author was born in 1942, in the city of Aracaju. At the age of 7, his family moved to Rio de Janeiro. In Rio de Janeiro, Beatriz Nascimento studied History at the Federal University of Rio de Janeiro (UFRJ), where she later began her master's degree in Communication. Researcher, teacher and activist of the Brazilian Black Movement, she presents us with relevant formulations about the understanding of the socio-historical formation of the country, as well as about racial relations, movements and quilombos. To this end, the method of bibliographic review was chosen, an exploratory research, of a qualitative nature, in which books, articles, magazines, websites, news and documents, audiovisual production, including and mainly, the works of Maria Beatriz Nascimento were used. . The main objective of the research was to understand who Beatriz Nascimento was and her main theoretical-political formulations, which can contribute to training in Social Work and the anti-racist struggle in professional practice. As for the specific objectives, they sought to examine: 1) childhood and school trajectory; 2) maturity, university and political trajectory; 3) main theoretical formulations; 4) some reflections for Social Work
O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento
No full textThis paper aims at proposing a reading of the supposedly fictional book Retrato desnatural (diários - 2004 a 2007), by Evando Nascimento, published in 2008, by observing the way through which the author, in consonance with the notion of “writable text” by Roland Barthes, entertains a dialogue with diverse artistic lan- guages (plastic arts, music, theater, cinema, literature) as well as with the western philosophy. It will also be verified that this dialogue, on its turn, flows into the idea of expropriation of the subject, since the author recognizes, under the sign of the "self", the innumerable traces of the others in his writing. The copious "mes" that integrate the manufacturing of the self-portrait, vestiges left by the other in the self, compose an exact image of his innate movability - pantomimes of the author/actor exhibiting multiple interversions, redefining the task of self-reengen- dering through writing, by postulating that "everything then are daily fictions, that is, infictions, slips, rollings of an I and its others. Until when." (Nascimento, 2008, p. 160). Singular snapshots showing us, readers/spectators, their only pos- sible face: an unnatural portrait
Negritude : uma proposta de contribuição da obra “quilombismo” de Abdias Nascimento às Relações Internacionais
No full textThe objective of this work is to analyze the contribution of the book "Quilombismo" by Abdias Nascimento to International Relations, through the perspective of the author in Panafricanism. The research is qualitative and based on bibliographical research using the hypothetical-deductive method. Its nature is exploratory, seeking to base the conceptions of several authors on the subject in question. The research is divided into three chapters. In the first chapter, a brief summary of the life story of Abdias Nascimento is presented, which is important to understand his participation in the black movements. In the second chapter, the concept of quilombismo and the construction of the work in the midst of its exile are explored, as well as the influences that permeate it. Finally, the last chapter reproduces the historicity of PanAfricanism and Abdias Nascimento's connection within the international community between the United States and some African countries, highlighting his participation in various lectures on anti-racist issues.O objetivo deste trabalho é analisar a contribuição da obra "Quilombismo" de Abdias Nascimento para as Relações Internacionais, através da perspectiva do autor no pan-africanismo. A pesquisa é qualitativa e baseada em pesquisa bibliográfica utilizando o método hipotético-dedutivo. Sua natureza é exploratória, buscando embasar as concepções de vários autores sobre o tema em questão. A pesquisa está dividida em três capítulos. No primeiro capítulo, apresenta-se um breve resumo da história de vida de Abdias Nascimento, uma parte importante para entender sua participação nos movimentos negros. No segundo capítulo, explora-se o conceito de quilombismo e a construção da obra em meio seu exilio, e também as influências que a permeiam. Por fim, o último capítulo reproduzo a historicidade do panafricanismo e a conexão de Abdias Nascimento dentro da comunidade internacional entre os Estados unidos e alguns países africanos, destacando suas participações em várias palestras com assuntos antirracistas durante seu exilio.São Cristóvão, S
Feste di Milano nel felicissimo nascimento del serenissimo principe di Spagna don Filippo Dominico Vittorio /
No full textLine omitted at foot of p. 64 supplied as printed cancel slip in c. 1, written in by hand in c. 2, blank in c. 3.Large woodcut of the princely arms on t.p. verso. Woodcut head- and tail-pieces, initials.Mode of access: Internet.Owner's inscription at foot of t.p. of c. 1: Fran.ci Gentilis J.C. et C.C. mtris.Binding, c. 2: old limp vellum. Page edges red.Binding, c. 1: decorated paper backed in vellum. Author & title in gilt on spine label.Library's c. 3 bound with: Relatione di quanto e' successo nella città di Vagliadolid. Milan: Bordoni & Lorcarni, 1608 (SPECIAL 89-B13585 c. 1)
Abdias do Nascimento on the Museum of Black Art
No full textThis is the second article that Abdias do Nascimento published about the Museu de Arte Negra (MAN) in 1968, plus his reflections when he republished it in 1980. In the first section, he reports on the creation and development of MAN in Rio de Janeiro from 1950 onwards, presenting justifications for its creation by art critics, intellectuals, and artists. The author also comments on Rubem Valentim’s work as an example of how MAN could be a cultural bridge between Black Africa and Brazil and on José Heitor’s sculptures as an example of the conservation of African visual techniques and conceptions in the country. In the second part of the essay, Nascimento reevaluates his optimism regarding the understanding and support of the government and the ruling class of Brazil. Based on his experience as a self-exile in the U.S. from 1968 and in the context of the struggle of Pan-Africanism, he criticizes the colonialism inherent in the conception of a universal civilization. In addition to pointing out the need to train Afro-descendant theorists and art critics, he mentions other artists (Francisco Chagas, Valentim da Fonseca e Silva, Antônio Francisco Lisboa, Estevão Silva, e Pedro Américo), highlighting the urgent need to survey Africans’ and Afro-descendants’ creations in Brazil
- …
