82 research outputs found
Rad na ulozi Sarah u predstavi "Ljubavnik"
Djelo Harolda Pintera Ljubavnik zaživjelo je kao diplomska predstava Gordana Marijanovića i Matee Bublić pod mentorstvom doc. art. Jasmina Novljakovića na Akademiji za umjetnost i kulturu u Osijeku na odsjeku za kazališnu umjetnost, smjer gluma i lutkarstvo. U ovom diplomskom radu Matea opisuje proces rada na diplomskoj predstavi koji uključuje rad na tekstu, rad u prostoru te rad na ulozi. Na početku ukratko iznosi činjenice o autoru i djelu nakon čega kronološki navodi faze rada unutar kojih opisuje proces svojeg glumačkog istraživanja i spoznajne činjenice o utvrđenom znanju. Kroz sva poglavlja čitatelja upoznaje s režijskim konceptom predstave, opisuje mu scenografiju, kostimografiju i rekvizite te mu približava karakter predstave. Svoj diplomski rad Matea zaokružuje spoznajom i iznošenjem činjenica o stečenom znanju kroz petogodišnje studiranje te svojom idejom o karakteristikama koje čine kvalitetnog glumca.Drama „Lover“ by Harold Pinter was set on the scene as a final exam of Gordan Marijanović and Matea Bublić, mentored by assist. prof. art. Jasmin Novljaković and produced by Academy for art and culture in Osijek under the Department of Theatre Arts, study of acting and puppetry. In this written thesis Matea is describing the working process on the final exam which is consisted of chapters which are talking about: working on the text, working on the scene and creating a role. On the beginning she is writing about author and drama, chronologically describes the working phases and analyse process of acting reaserch. Through all chapters Matea introduces the reader to the concept of the play, describes the scenography, costumography and tries to bring the character of the play closer to the reader. She is concluding her written thesis by bringing the facts about acquired knowledge through the study and sharing her opinion about characteristics of a good actor
Influence of cadmium of glucosinolate profile in Lepidium sativum L. : master thesis
Glukozinolati su sekundarni metaboliti koji se sintetiziraju iz aminokiselina. Identificirani su u preko 16 biljnih porodica, a najznačajnija je porodica Brassicaceae u koju se ubraja biljka Lepidium sativum L. Glukozinolati su kemijski i biološki neaktivni spojevi te im je zajedničko da su po kemijskoj strukturi β- tioglukozidni-N-hidroksisulfati s varijabilnim bočnim lancem. Kres salata (Lepidium sativum L.) je jednogodišnja kultura koja sadrži mnoge ljekovite tvari, ali je u ljudskoj prehrani slabo rasprostranjena. Navodi se da je kres salata dobar hiperakumulator teških metala. Biljke nemaju potrebu za kadmijem i uglavnom ne podnose koncentracije veće od 1 ppm, no navedena biljka može akumulirati kadmij u tkivima i tolerirati koncentraciju do 100 ppm. U ovom radu opisan je uzgoj biljke Lepidium sativum L. koji je zalijevan s otopinama kadmija različitih koncentracija od 1 do 50 ppm. Razvoj klica praćen je tijekom 7 dana i jedino pri koncentraciji od 50 ppm došlo je do propadanja biljke. Izolacija glukozinolata se vršila ekstrakcijom uz pomoć 70%-tnog metanola uz desulfataciju, dok se analiza vršila vezanom tehnikom UHPLC-DAD-MS/MS. Identificirani su sljedeći glukozinolati: glukotropeolin koji se nalazi u svim uzorcima i 4-metoksiglukobrasicin koji nije pronađen jedino u sjemenu. Glukotropeolin spada u skupinu arilalifatskih, dok 4-metoksiglukobrasicin pripada skupinu heterocikličnih (indolnih) glukozinolata. Sadržaj glukozinolata, s obzirom na to da su se uzorci zalijevali otopinama kadmija različitih koncentracija, nije se značajno mijenjao. U radu je također opisana priprema biljnog materijala za analizu atomskom apsorpcijskom spektroskopijom. Prije početka analiziranja potrebno je napraviti krivulju umjeravanja, zato što se preko nje iščitavaju koncentracije kadmija u biljnom materijalnu. Na temelju dobivenih rezultata izvodi se zaključak da li se biljka Lepidium sativum L. može koristiti kao hiperakumulator kadmija.Glucosinolates are secondary metabolites that are synthesized from amino acids. They were found in over 16 plant families, the most important being the Brassicaceae family, which includes the plant Lepidium sativum L. Glucosinolates are chemically and biologically inactive compounds and have in common that they are chemically β-thioglucoside-N-hydroxysulfates with a variable side chain. The Lepidium sativum L. plant is an annual crop that contains many medicinal substances, but is poorly used in the human diet. Cress salad is known to be a good hyperaccumulator of heavy metals. Plants do not need cadmium and generally do not tolerate concentrations higher than 1 ppm, but this plant can accumulate cadmium in tissues and tolerate concentrations up to 100 ppm. This thesis describes the cultivation of the plant Lepidium sativum L., which was watered with cadmium solutions of different concentrations from 1 to 50 ppm. Sprouts development was monitored for 7 days and only at a concentration of 50 ppm did the plant decay. Isolation of glucosinolate was performed by extraction with 70% methanol with desulfation, while the analysis was performed using UHPLC-DAD- MS/MS. The following glucosinolates were identified: glucotropeolin was found in all samples and 4- methoxyglucobrasicin which was not found only in seeds. Glucotropeolin belongs to the group of arylaliphatic, while 4-methoxyglucobrasicin belongs to the group of heterocyclic (indole) glucosinolates. The glucosinolate content, since the samples were watered with cadmium solutions of different concentrations, did not change significantly. The thesis also describes the preparation of plant material for analysis by atomic absorption spectroscopy. Before starting the analysis, it is necessary to make a calibration curve because the cadmium concentrations in the plant material are read through it. Based on the obtained results, it was concluded that the plant Lepidium sativum L. can be used as a hyperaccumulator of cadmium
Glucosinolate profile of horseradish (Armoracia rusticana). Conventional vs. microwave assisted isolation of volatiles : bachelor thesis
Glukozinolati su sekundarni metaboliti koji se sintetiziraju iz aminokiselina. Pronađeni su u 16 porodica reda Brassicales, od kojih je najznačajnija porodica Brassicaceae (kupusnjača) u koju se ubrajaju brojne biljke svakodnevno korištene u prehrani, kao što su kupus, brokula, cvjetača i druge. Po kemijskoj strukturi glukozinolati su β- tioglukozidni-N-hidroksisulfatis varijabilnim bočnim lancem. Glukozinolati su kemijski i biološki neaktivni spojevi, a njihovom razgradnjom nastaju hlapljivi sumporovi spojevi koji imaju niz ljekovitih djelovanja. Oni se razgrađuju enzimskim, termičkim i kemijskim putem. U ovom radu primijenjene su različite metode razgradnje uključujući hidrodestilaciju u modificiranoj aparaturi po Clevengeru (100 °C, 150 min), mikrovalnu destilaciju i ekstrakciju (500 W, 98 °C, 15 - 30 min) koji su primjer termičke razgradnje te autoliza, nakon koje je uslijedila ekstrakcija s diklormetanom, koja je primjer enzimske razgradnje. Cilj rada bio je izolirati i identificirati sumporove spojeve iz hrena (Armoracia rusticana P. Gaertn., B. Mey. et Scherb.). Korijen i lišće hrena sakupljeno je u samoniklom nasadu u Konavlima (u blizini Dubrovnika, Hrvatska) u ožujku 2019. godine. Za identifikaciju spojeva korištene su GC-MS i HPLC-DAD tehnika. Analizom hlapljivih spojeva identificiran je alil-izotiocijanat, kao glavni produkt razgradnje glukozinolata koji potječe od sinigrina, zajedno s feniletil-izotiocijanatom i benzenpropanonitrilom, koji potječu od glukozinolata glukonasturcina. U listu hrena prisutan je samo sinigrin, dok je u korijenu uz sinigrin prisutan i glukonasturcin. Kasnije je potvrđeno HPLC-DAD tehnikom preko desulfatiziranih (desulfoglukozinolata) produkata.Glucosinolates are secondary metabolites that are synthesized from amino acid. They were found in 16 families of Brassicales, among the most important Brassicaceae family, which includes well-known plants of everyday nutrition such as cabbage, broccoli, cauliflower and others. Chemically these are β-thioglucoside-N-hydroxysulfates with a variable side chain. Glucosinolates are chemically and bioloyically inactice compounds, and with their degradation occur volatile sulfur compound which have a number of medicinal effects. They can be broken down by enzymatic, thermal and chemical ways. In our study we used different methods of degradation which includes hydrodistillation in a modified apparatus by Clevenger (100 °C, 150 min), microwave assisted distillation and extraction (500 W, 98 °C, 15 - 30 min), which are an example of thermal degradation, and autolysis followed by extraction with dichloromethane which is an example of enzymatic degradation. The aim of this study was to isolate and identify sulfur compounds from the horseradish (Armoracia rusticana P. Gaertn., B. Mey. et Scherb.). The roots and the leaves of horseradish were collected from the wild-growing population in Konavle (near Dubrovnik, Croatia) in March 2019. GC-MS and HPLC-DAD techniques were used to identify compounds. Analysis of the volatile compounds hasidentified the presence of allyl isothiocyanate, as the main glucosinolate degradation product originating form sinigrin, along with phenylethyl isothiocyanate and benzenpropanonitrile, originating from glucosinolate gluconasturtiin. Only sinigrin was present in the leaf of horseradish, while at the root, along with sinigrin, the presence of gluconasturtiin was also confirmed. It was later confirmed with HPLC-DAD technique acros desulfated (desulfoglucosinolates) products
RAD NA PREDSTAVI PLETI MI, DUŠO, SEVDAH
U ovom pisanom diplomskom radu, Matea Bublić opisuje proces rada na ispitnoj predstavi „Pleti mi, dušo, sevdah“ koja je nastala u produkciji Akademije za umjetnost i kulturu u Osijeku pod mentorstvom doc. art. Tamare Kučinović i doc. ArtD. Maje Lučić Vuković. Na početku iznosi činjenice o nastanku projekta, a prije detaljnog opisa procesa rada, upoznaje nas s povijesnim i kulturološkim činjenicama koje su bitne za shvaćanje odabira sevdaha kao inspiracije za stvaranje predstave. U centralnom dijelu svojeg rada autorica kronološki opisuje faze rada koje uključuju: istraživanje, odabir pjesama, lutkarske tehnologije, animaciju, glazbenu adaptaciju, izradu scenografije i dramaturgiju predstave. Svoj diplomski rad zaključuje iznošenjem činjenica o prednosti lutkarstva kao multimedijske umjetnosti, te prednosti lutkara uz sve vještine koje posjeduje.In this written thesis Matea Bublić is describing the working process on the play „Knitt, my soul, a love song“, which was produced by Academy for art and culture in Osijek and mentored by Assist. Prof. Tamara Kučinović and Assist. Prof. Maja Lučić Vuković Art.D. On the beginning she is bringing the facts about the project and introducing the reader with historical and cultural information which are important for understanding sevdah as a source of inspiration. In the middle part of this written thesis author is chronologically describing the working phases which are consisted of: research, selection of the songs, puppet technology, animation, music adaptation, making of scenography and dramaturgy of the play. She is concluding by bringing the facts which are affirming the puppetry as a multimedial art form and asserting all advantages that puppeteers possess
System for author and style recognition of artistic paintings
Ovaj rad bavi se izradom sustava za raspoznavanje autora i stilova iz umjetničkih slika. Objašnjeni su osnovni pojmovi koji olakšavaju shvaćanje korištenih metoda poput dubokog učenja, konvolucijske nauronske mreže, i prijenosnog učenja. Sustav se temelji na ResNet50 modelu, unaprijed naučenom modelu poznatom po svojoj točnosti u zadacima klasifikacije slike. Proces uključuje prikupljanje i pripremu podataka, uključujući filtriranje, augmentaciju i normalizaciju slika. Nakon implementacije modela, sustav se evaluira kako bi se utvrdila njegova točnost. Rad nudi detaljnu analizu rezultata, uključujući matrice zabune za klasifikaciju autora i stilova, te grafove funkcije gubitka i točnosti.This paper focuses on developing a system for recognizing authors and styles in artistic images. It explains main concepts that help in understanding the methods used, such as deep learning, convolutional neural networks, and transfer learning. The system is built on the ResNet50 model, a pre-trained model renowned for its accuracy in image classification tasks. The process involves data collection and preparation, including filtering, augmentation, and normalization of images. After the model is implemented, the system is evaluated to assess its accuracy. The paper provides a detailed analysis of the results, including confusion matrices for author and style classification, as well as graphs for the loss function and accuracy
System for author and style recognition of artistic paintings
Ovaj rad bavi se izradom sustava za raspoznavanje autora i stilova iz umjetničkih slika. Objašnjeni su osnovni pojmovi koji olakšavaju shvaćanje korištenih metoda poput dubokog učenja, konvolucijske nauronske mreže, i prijenosnog učenja. Sustav se temelji na ResNet50 modelu, unaprijed naučenom modelu poznatom po svojoj točnosti u zadacima klasifikacije slike. Proces uključuje prikupljanje i pripremu podataka, uključujući filtriranje, augmentaciju i normalizaciju slika. Nakon implementacije modela, sustav se evaluira kako bi se utvrdila njegova točnost. Rad nudi detaljnu analizu rezultata, uključujući matrice zabune za klasifikaciju autora i stilova, te grafove funkcije gubitka i točnosti.This paper focuses on developing a system for recognizing authors and styles in artistic images. It explains main concepts that help in understanding the methods used, such as deep learning, convolutional neural networks, and transfer learning. The system is built on the ResNet50 model, a pre-trained model renowned for its accuracy in image classification tasks. The process involves data collection and preparation, including filtering, augmentation, and normalization of images. After the model is implemented, the system is evaluated to assess its accuracy. The paper provides a detailed analysis of the results, including confusion matrices for author and style classification, as well as graphs for the loss function and accuracy
System for author and style recognition of artistic paintings
Ovaj rad bavi se izradom sustava za raspoznavanje autora i stilova iz umjetničkih slika. Objašnjeni su osnovni pojmovi koji olakšavaju shvaćanje korištenih metoda poput dubokog učenja, konvolucijske nauronske mreže, i prijenosnog učenja. Sustav se temelji na ResNet50 modelu, unaprijed naučenom modelu poznatom po svojoj točnosti u zadacima klasifikacije slike. Proces uključuje prikupljanje i pripremu podataka, uključujući filtriranje, augmentaciju i normalizaciju slika. Nakon implementacije modela, sustav se evaluira kako bi se utvrdila njegova točnost. Rad nudi detaljnu analizu rezultata, uključujući matrice zabune za klasifikaciju autora i stilova, te grafove funkcije gubitka i točnosti.This paper focuses on developing a system for recognizing authors and styles in artistic images. It explains main concepts that help in understanding the methods used, such as deep learning, convolutional neural networks, and transfer learning. The system is built on the ResNet50 model, a pre-trained model renowned for its accuracy in image classification tasks. The process involves data collection and preparation, including filtering, augmentation, and normalization of images. After the model is implemented, the system is evaluated to assess its accuracy. The paper provides a detailed analysis of the results, including confusion matrices for author and style classification, as well as graphs for the loss function and accuracy
Causal inference with multi-state models, applied on estimating the effect of the IUI treatment timing for couples with unexplained subfertility
This thesis examines statistical methods to find the right timing of intrauterine insemination treatment relative to the start of the follow-up of the couples. Intrauterine insemination is a fertility treatment conducted by injecting refined sperm into a woman's uterus. Lots of research has been done on timing of steps within one IUI cycle. However, not a lot of research has been done on investigating if couples should be advised to start with the IUI immediately after consulting a fertility clinic, or wait a few more months to see if the pregnancy occurs naturally during this time. To analyze this problem, treatment strategies are defined in the following way: a couple stays on expectant management until some predetermined time when the first IUI cycle is started, unless they become pregnant before that time. Strategies analyzed involve starting the treatment at 0, 3, 6 or 9 months, or not at all until the end of the analysis, which is 1.5 years after diagnosis. Pregnancy probability for each couple is estimated with a multi-state Cox proportional hazards model. Then, the model is connected to the causal inference setting in order to compute the counterfactual pregnancy probability of each couple in the population. This thesis explores how multi-state models can be used to answer causal questions. To do this, a 3-state multi-state model is carefully connected to the causal inference theory and the assumptions this framework relies on are listed and commented upon. Treatment strategies are implemented through making an intervention on the IUI starting time. Then, a causal inference method, G-computation, is used to estimate the expected pregnancy probability of all couples in the population, given that everyone follows the same treatment strategy. Then, individual pregnancy probabilities are averaged in order to obtain the expected pregnancy rates in the population for each strategy. Methodology combining multi-state models and causal inference is new and only one similar study has been found so far in the literature. Multi-state models are currently used mostly for predictive analyses and it is of great interest to use them to answer causal questions as well. The results of this study show that there is no significant effect of the time the IUI has been started on the pregnancy rate in the population after 1.5 years, but there is significant difference between being and not being treated
Fin de partie - Endgame - Svršetak igre : how much "Fin de partie" is left in the two translations? A comparison between Samuel Beckett’s English self-translation and the Croatian translation of "Fin de partie"
Im Bereich der literarischen Übersetzung genießen SelbstübersetzerInnen oftmals eine größere Aufmerksamkeit und einen anderen Status als ÜbersetzerInnen fremder Werke und nehmen somit eine Sonderrolle ein. Ziel dieser Masterarbeit ist aufzudecken, ob genannte Faktoren Einfluss auf die Zieltexte von SelbstübersetzerInnen haben.Die vorliegende Arbeit untersucht mittels eines Übersetzungsvergleichs der englischen Selbstübersetzung sowie der kroatischen Übersetzung von Samuel Becketts Stück Fin de partie, welche Eingriffe in den Ausgangstext vorgenommen werden. In der Hypothese wird davon ausgegangen, dass die kroatische Übersetzung Svršetak igre von Alka Škiljan primär aufgrund der unterschiedlichen Sprachsysteme der Ausgangs- bzw. Zielsprache Unterschiede zwischen Ausgangs- und Zieltext aufweist, während in der englischen Selbstübersetzung Endgame darüber hinausgehende Diskrepanzen auftreten und diese somit distanzierter vom Original ausfällt. Die in einem ersten Analyseschritt durchgeführte Paratextanalyse nach Genette hat gezeigt, dass bereits die Paratexte darauf schließen lassen, dass Beckett trotz seiner Doppelrolle als Autor und Übersetzer primär als ersterer wahrgenommen wird und somit zu erwarten ist, dass ihm auch in der Rolle als Übersetzer künstlerische Freiheiten eingeräumt werden. Die textinterne Analyse von zehn Textbeispielen anhand des Analysemodells der deforming tendencies nach Berman konnte schließlich zeigen, dass die zu erwartenden größeren Freiheiten bei der Selbstübersetzung eingetroffen sind. Diese wies größere Unterschiede zum Original auf als die kroatische Übersetzung. Letztere fiel jedoch losgelöster vom Ausgangstext aus als ursprünglich angenommen. Die aus dem Übersetzungsvergleich gewonnenen Erkenntnisse legen nahe, dass SelbstübersetzerInnen durchaus eine Sonderrolle unter ÜbersetzerInnen einnehmen und ihre Übersetzungen insgesamt mehr Diskrepanzen vom Ausgangstext aufweisen als jene von ÜbersetzerInnen fremder Werke.In the field of literary translation, self-translators enjoy more attention as well as a different status than those who translate other peoples works and are granted a special status amongst translators. This master thesis aims to show whether the aforementioned factors influence the target texts of self-translators. By comparing the English self-translation and Croatian translation of Samuel Becketts play Fin de partie, this thesis examines interventions in the source text. The hypothesis assumes that the Croatian translation Svršetak igre by Alka Škiljan mainly shows differences to the original text due to the differing language systems of the source and target language. According to the hypothesis, the English self-translation Endgame will show changes beyond these differences and will thus be more detached from the original text.In a first step, the various texts paratexts were analysed according to Genettes model. The analysis has shown that the paratexts already indicate that, despite his role as both author and translator, Beckett is primarily perceived as the former. So, when acting as a translator, Beckett is granted artistic freedom. By applying Bermans analytic of translation, ten extracts were categorised according to the deforming tendencies model. The text analysis illustrated that Becketts self-translation shows indeed strategies which exhibit artistic freedom. As expected, the self-translation shows more differences to the original text than the Croatian version. The latter, however, showed more differences to the source text than initially expected. The findings gained by comparing the two translations suggest that self-translators do occupy a special role amongst translators and that their translations show more interventions in the source text than those of other translators.vorgelegt von Matea Osrečki-Ostojić, BAEnthält Zusammenfassungen auf Deutsch und EnglischAbweichender Titel laut Übersetzung des Verfassers/der VerfasserinMasterarbeit Karl-Franzens-Universität Graz 2020 21.59
I remember only happy days." Etnography of social memory of war-time medical work
U ovom radu etnografski istražujem društveno sjećanje na ratni medicinski rad te sjećanje na sâm Domovinski rat iz perspektive rada i radnog mjesta kroz analitičke koncepte kulture sjećanja i politike pamćenja. Analizu temeljim na biografskom intervjuu koji sam provela sa svojom majkom i na zbirci svjedočanstava o ratnom medicinskom radu. Metodološki polazim od komparativnog čitanja narativa o ratnom medicinskom radu, iskustveno smještenih u ratom više i manje pogođenim prostorima. Cilj je ovog rada detaljnije prikazati dinamiku kulture sjećanja i politike pamćenja u društvenom sjećanju na ratni medicinski rad. Njihov je međuodnos izuzetno kompleksan – iako se jedna na drugu u nekim pogledima oslanjaju, međusobno se i potiru. Analiza suvremene konstrukcije zajedničke prošlosti medicinskih radnika u Domovinskom ratu u tom međuodnosu pokazuje kako taj proces utječe na konstrukciju individualnog i društvenog identiteta, odnosno kako se ta grupa povezuje, ali i kako se unutar sebe razlikuje u sjećanju na ratni medicinski rad te na taj način diferencira i individue u grupi. Svrha je ovog rada ponuditi novu perspektivu u istraživanju društvenog sjećanja na Domovinski rat – perspektivu koja isprepliće ratnu svakodnevicu civila i vojske između kojih je doslovno i metaforički konstruiran medicinski radnik.In this article the author examines social memory of war-time medical work and the memory of Homeland war from the perspective of work and workplace, through the concepts of culture of memory and politics of memory. A biographical interview conducted with the researcher's mother and a collection of testimonies of war-time medical workers are the body of the analysis. The author appliea a qualitative methodology characteristic of ethnographic research using the method of comparative narrative reading. The aim of the article is to provide a more detailed insight into the interrelation of culture of memory and politics of memory within the social memory of war-time medical work. The analysis of the contemporary construction of the shared past of war-time medical workers shows the effects this process has on constructing individual and social identities. It shows how individuals are differentiated within the group depending on their memories of war-time medical work. The purpose of this article is to offer a new perspective in the research of social memory of Homeland war – a perspective that considers the war-time everyday life of the medical worker who is constructed both literally and metaphorically in between the civilian and the soldier
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