1,721,035 research outputs found
Da Oretta a Griselda : Boccaccio nella trattatistica rinascimentale sulla novella
No full textIn un'epoca di grande interesse per le questioni teoriche intorno alla letteratura, quale il XVI secolo, merita attenzione il modo in cui la novellistica, genere tradizionalmente marginale, si inserisce nel dibattito. Si leggono qui i due scritti esplicitamente dedicati alla novella, la Lezione sopra il comporre delle novelle di Francesco Bonciani (1574) e il Discorso sopra il Decameron di Francesco Sansovino (1571), e due trattati sul comportamento, il Galateo di Giovanni Della Casa e il Dialogo de' giuochi di Girolamo Bargagli (1572), indagando il loro rapporto con Boccaccio. La lettura pone in rilievo una forte dialettica tra passato e presente: i recuperi del narratore trecentesco, infatti, si danno sempre in forma condizionata e la sua autorità non è mai supinamente accettata.It is worth examining the position of short-story writing, traditionally defined as a secondary genre, in an age of strong interest in theoretical issues related to literary debate, such as the sixteenth century. This article focuses on two critical essays explicitly dedicated to the short story, Francesco Bonciani's Lezione sopra il comporre delle novelle (1574) and Francesco Sansovino's Discorso sopra il Decameron (1571), and two treatises on behaviour, Giovanni Della Casa's Galateo and Girolamo Bargagli's Dialogo de' giuochi (1572), by exploring their relationship with Boccaccio. This analysis stresses the ongoing intersection between past and present, since the quotations from the fourteenth-century author are always carefully weighed and his authority is never tacitly accepted
Koltès, l'oeuvre infinie
No full textInternational audienceL’art du contrepoint que Koltès manie dans plusieurs de ses pièces montre son intérêt pour la mise en concertation de deux voix, de deux textes, ou d’une forme de redoublement du propos qui modèle et module la progression des échanges sur le mode de la répétition-variation. Au-delà du plaisir qu’il prend à convoquer dans ses pièces des textes aimés et à mener son lecteur sur ce jeu de pistes, qui remplace le rapport plus étroit avec l’œuvre matricielle qu’avaient exprimé les nombreuses réécritures auxquelles il se livre au début des années soixante-dix, Koltès se sert souvent de la citation pour nuancer voire contredire les caractéristiques qu’il attribue aux personnages ou à l’action de ses pièces. Ces fragments textuels, qui sont parfois introduits dans les propos prononcés par les personnages ou laissés en marge des scènes sous forme d’épigraphes – à l’appréciation du seul lecteur –, viennent se mêler à sa propre prose et témoignent de son désir de faire de son œuvre, et de celle des auteurs à qui il emprunte ces mots, une entité aux contours et à la signification inassignables : mouvante, vivante, une œuvre infinie, entre érudition et facétie. Ce sont ces différents aspects que nous explorerons au fil de notre communication
La citazione meccanica
No full textFor some people quoting is the only way to communicate. In some pathologies, the difficulty in creating declarative clauses can be partially overcome through alternative strategies such as the mechanical and stereotyped repetition of words or sentences spoken by another person. In the past, this phenomenon – known as echolalia – was considered as a deficiency to be corrected. This article explores the debate over the communicative value of echolalia, drawing upon some studies which have demonstrated how imitation can play an essential role in the communication of children with language disorders
Machiavel, la guerre, les anciens : les 'antichi scrittori' dans l' 'Arte della guerra'
No full textInternational audienceMachiavel, la guerre, les anciens : les 'antichi scrittori' dans l' 'Arte della guerra
Itinerarios textuales del “Quijote” en América (siglos XVII a XIX)
No full textStarting with a brief description of the journey taken by the first editions of the Quixote which were sent to America, this article aims to review the textual biography of don Quixote in America between the 17th and 19th centuries. This selective review starts with the accounts of popular festivities that give evidence of the first appearances of don Quixote and Sancho in the texts. The selection of texts goes from 1607 to the Spanish Emancipation century, paying particular attention to its final years, with the analysis of some of the texts that Ruben Dario devoted to the Quixote, and of the rise of Don Quixote as a Spanish American symbol of identity
Le pouvoir 'civil' chez Machiavel, entre Tite-Live et le droit romain
No full textInternational audienceMachiavel, la guerre, les anciens : les 'antichi scrittori' dans l' 'Arte della guerra
Iacopo Sannazaro and the Creation of a Poetic Canon in Early Modern England
Full text linkThis article investigates the circulation and fame of Sannazaro’s Arcadia in early modern England, focusing first on Philip Sidney’s reception of the poem as part of an ongoing pastoral tradition. Sannazaro’s work thus contributed to create a new poetic context and decisively influenced Sidney’s own Arcadia. Significantly enough, after Sidney’s death the name of Sannazaro seems to suffer a deliberate act of ostracism (he does not appear in the works of Sidneian followers and commentators) as if Sidney’s scribal community preferred to exalt the name of their friend and patron by marginalizing one of Sidney’s sources
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