1,095 research outputs found
The Value in Comparing Organizational Fields and Forms
Following the spirit of an earlier volume in the series focusing on ‘Comparative Approaches to Organizational Research’, the mandate of the current volume is to provide a comparative account of dynamics across two organizational fields – health care and higher education – and, subsequently, two specific types of organizational forms – hospitals and universities. In so doing, we take a broader perspective encompassing various conceptual and theoretical points of departure emanating from, mostly, the institutional literature in the social sciences (and its various perspectives), but also from public policy and administration literatures – of relevance to scholars and the communities of practice working within either field. In this introductory paper to the volume, we provide a brief overview of developments across the two organizational fields and illuminate on the most important scholarly traditions underpinning the study of both system dynamics as a whole as well as universities and hospitals as organizations and institutions. We conclude by reflecting on the implication of the volume’s key findings in regards to comparative research within organizational studies
Capital, Estado y Diplomacia: la internacionalización temprana de la industria de la construcción brasileña (1964-1979)
El propósito de este trabajo es investigar el papel desempeñado por el estado en facilitar el proceso de internacionalización de capital de la industria de la construcción en Brasil durante las décadas de 1960 y 1970. Sostenemos que las necesidades y características únicas de esta industria requirieron una convergencia específica de factores institucionales y medidas políticas para fomentar su desarrollo. Por lo tanto, sostenemos que una perspectiva integral de la industria en su conjunto es más efectiva que centrarse en empresas individuales al explicar este proceso. Utilizando un enfoque histórico y basándonos en datos del Instituto Brasileño de Geografía y Estadística (IBGE) y la Fundación João Pinheiro, construimos una narrativa que ilustra la evolución de las políticas estatales destinadas a crear un entorno propicio para la expansión de la industria. En particular, destacamos el impacto de la demanda estatal de proyectos de construcción a gran escala durante las décadas de 1960 y 1970. Esta demanda se facilitó a través de mecanismos como la provisión de crédito por parte del Banco Nacional de la Vivienda (BNH) y la propia requisición estatal para proyectos de construcción pesada. También exploramos cómo se utilizaron esfuerzos diplomáticos para cultivar relaciones con otros países, identificar posibles mercados internacionales y respaldar a la industria de la construcción nacional a medida que la demanda estatal comenzó a disminuir a finales de la década de 1970.The purpose of this paper is to investigate the role played by the state in facilitating the process of capital internationalization within the Brazilian construction industry during the 1960s and 70s. We argue that this industry's unique needs and characteristics necessitate a specific convergence of institutional factors and policy measures to foster its development. As such, we contend that a comprehensive perspective on the industry is more effective than singling out individual companies when explaining this process. Employing a historical approach and drawing on data from reputable sources such as the Brazilian Institute of Geography and Statistics (IBGE) and the João Pinheiro Foundation, we construct a narrative that illustrates the evolution of state policies to create a conducive environment for the industry's expansion. In particular, we emphasize the impact of the state's demand for large-scale construction projects during the 1960s and 70s. This demand was facilitated through mechanisms such as credit provision by the National Housing Bank (BNH) and the state's requisition for heavy construction projects. We also explore how diplomatic endeavors were utilized to cultivate relationships with other countries, identify potential international markets, and support the domestic construction industry as state demand diminished in the late 1970s
Jorge Pinheiro - obra figurativa : referenciais/diferenciais
In the sequence of the dissertation, Jorge Pinheiro: The Referential (2010) [Master’s degree in Painting] in FBAUL, aiming at the figurative work of the author in the last decade of the 20th century and the first decade of the 21st century, the current project of research emerges, deepening the knowledge about the representation and figuration of the pictorial work produced during this period of time. The figurative painting of Jorge Pinheiro, produced over 1990-2010, resorting to models of the Model, is the representation of images culturally produced in images obscurely dreamt in the game Composition and Representation. Jorge Pinheiro states that he first starts from the titles he searches for in Literature. Provocative, the title intertwined with the representation reaches the observer. The recognition of the appropriated figurative fragments is the key to decoding his painting. The initial spectator is the one the author looks for. The myths and symbolic values are represented in the Painting. They are representations of representations on behalf of the shapes of power in Composition and Representation. The Symbol-Figures of Representation taken from Painting, Photography, Cinema, and Photojournalism are sublimated icons, corrupted or ruined in the artwork of Jorge Pinheiro. The artwork questions its legitimacy and simultaneously reiterates it, reflects the concept of originality in the work’s identity, identifies the first authors, and makes us think of the authorship of the second authors, highlighting the position of the artist in relation to society and to his own craft with historical background. The cultural image prevails in the game of representation and aesthetic discourse because the object of imitation is not an object but an idea. Reinventing the Memory recall legacy, the painting of Jorge Pinheiro is a permeable territory where Painting evokes Painting, Art, and Western Humanistic Values, allowing a whole generation to identify itself in the artwork and question our way of being in the worl
Jorge Pinheiro - obra figurativa : referenciais/diferenciais
In the sequence of the dissertation, Jorge Pinheiro: The Referential (2010) [Master’s degree in Painting] in FBAUL, aiming at the figurative work of the author in the last decade of the 20th century and the first decade of the 21st century, the current project of research emerges, deepening the knowledge about the representation and figuration of the pictorial work produced during this period of time. The figurative painting of Jorge Pinheiro, produced over 1990-2010, resorting to models of the Model, is the representation of images culturally produced in images obscurely dreamt in the game Composition and Representation. Jorge Pinheiro states that he first starts from the titles he searches for in Literature. Provocative, the title intertwined with the representation reaches the observer. The recognition of the appropriated figurative fragments is the key to decoding his painting. The initial spectator is the one the author looks for. The myths and symbolic values are represented in the Painting. They are representations of representations on behalf of the shapes of power in Composition and Representation. The Symbol-Figures of Representation taken from Painting, Photography, Cinema, and Photojournalism are sublimated icons, corrupted or ruined in the artwork of Jorge Pinheiro. The artwork questions its legitimacy and simultaneously reiterates it, reflects the concept of originality in the work’s identity, identifies the first authors, and makes us think of the authorship of the second authors, highlighting the position of the artist in relation to society and to his own craft with historical background. The cultural image prevails in the game of representation and aesthetic discourse because the object of imitation is not an object but an idea. Reinventing the Memory recall legacy, the painting of Jorge Pinheiro is a permeable territory where Painting evokes Painting, Art, and Western Humanistic Values, allowing a whole generation to identify itself in the artwork and question our way of being in the worl
Book Review: Universities and Regional Development: A Critical Assessment of Tensions and Contradictions
Edited by Rómulo Pinheiro, Paul Benneworth and Glen A. JonesLondon and New York: Routledge, 2014. 265 pp
Projeto de implementação de um sistema de gestão da qualidade baseado na norma NP EN ISO 9001:2015 - estudo de caso Pinheiro Cardoso, Lda
Versão Final (Esta versão contém as críticas e sugestões dos elementos do júri)O projeto apresentado consiste na implementação de um Sistema de Gestão da Qualidade na
organização Pinheiro&Cardoso, Lda., empresa do setor da Construção Civil – Carpintaria
de Limpos. O projeto tem por base um estudo de caso, com o intuito de melhorar o seu
desempenho organizacional. O Sistema de Gestão da Qualidade projetado é apoiado pela
versão portuguesa da Norma Europeia ISO 9001:2015.
O presente estudo foi sustentado por reuniões com a gestão de topo da Pinheiro&Cardoso,
Lda., entrevista com os colaboradores, formação de sensibilização com toda a organização
e observações do autor, permitindo o desenvolvimento de uma proposta para futura
implementação de um Sistema de Gestão da Qualidade na empresa.
A metodologia utilizada neste trabalho é o estudo de caso de natureza qualitativa.
Primeiramente, foi feita uma análise das práticas da organização face aos requisitos do
referencial normativo, consentindo num conhecimento para desenvolver as ações
necessárias à implementação do Sistema de Gestão da Qualidade. Foi estudado o processo
do trabalho desenvolvido pela organização desde a consulta dos clientes ao fornecimento de
produtos e serviços, sendo parte fundamental a abordagem por processos recomendado pelo
referencial normativo.
O resultado permitiu adequar os processos existentes, analisar o contexto organizacional e
desenvolver a estratégia de implementação do Sistema de Gestão da Qualidade de acordo
com a norma NP EN ISO 9001:2015, sempre com o foco central na satisfação dos clientes e
outras partes interessadas.
A organização Pinheiro&Cardoso, Lda., com a proposta de implementação do presente
projeto, assumiu uma nova postura face ao pensamento sobre a Qualidade e sua importância.
A perceção do funcionamento e a clarificação do seu sistema documental também foram
adquiridos pela empresa, que se comprometeu a corrigir situações, procurando a melhoria
das ligações com todas as partes interessadas.The project presented consists on the implementation of a quality management system at the
Pinheiro&Cardoso, Lda., of the building construction sector, specifically “Carpintaria de
Limpos”. This project is based on a case study with the aim of improving its organizational
performance. The designed Quality Management System is supported by the Portuguese
version of the European Standard ISO 900:2015.
The actual study was supported by meetings with Pinheiro&Cardoso, Lda. leadership, by the
interviews to the employees and by the awareness formation with the whole organization
and author observations, allowing the development of a proposal to a Management System
of Quality future implementation in the company.
The methodology used for this work was the study of a case with a qualitative nature. Firstly,
the organization's practices in relation to the requirements of the normative framework were
analysed, allowing knowledge to develop the actions necessary for the implementation of
the Quality Management System. The work process developed by the organization was
studied from the customers to the products and services suppliers, being a fundamental part
in the approach by processes recommended by the referential normative.
The result allowed the adequacy of the existing processes, not only to analyse the
organizational context but also to develop the strategy of implementation of the Quality
Management System (NP EN ISO 9001: 2015), always with the central focus on the
customers’ satisfaction and other involved parts.
The Pinheiro&Cardoso, Lda. organization, with the proposed implementation of this project,
assumed a new posture regarding the thought about Quality and its importance. The
perception of the functioning and the clarification of its documental system were also
acquired by the company, which undertook to correct situations, seeking the improvement
of the connections with all the interested parts
DUAS LEITURAS DE “JULIETA: CONTO FANTÁSTICO”, DE PINHEIRO CHAGAS
The Portuguese writer Manuel Pinheiro Chagas (1842-1895) was very productive in the second half of the 19th century. Despite his diversified work, currently, he is practically forgotten, and he is not usually associated to Portuguese fantastic literature. The objective of this work is to read a narrative compiled in the collection A lenda da meia-noite (1874), “Julieta: conto fantástico”, in comparison with an article published in the journal O panorama (1868), in which the author makes theoretical-critical considerations on the fantastic. Our hypothesis is that Pinheiro Chagas, in the referred short story, inserts the fantastic in a similar way to his appointments in the respective article. In addition, we will show two possibilities of reading the short story, which are different, depending on the publication support.O escritor português Manuel Pinheiro Chagas (1842-1895) foi bastante produtivo na segunda metade do século XIX. Embora tenha uma obra diversificada, atualmente, é praticamente esquecido e não costuma ser vinculado à literatura fantástica portuguesa. Objetiva-se, neste estudo, a leitura de uma narrativa compilada na coletânea A lenda da meia-noite (1874), “Julieta: conto fantástico”, em cotejo com um artigo publicado no periódico O panorama (1868), no qual o autor faz considerações teórico-críticas acerca do fantástico. A nossa hipótese é que Pinheiro Chagas, no referido conto, insere o fantástico de forma semelhante aos apontamentos defendidos por ele no respectivo artigo. Além disso, mostraremos duas possibilidades de leitura para o conto, que são diferentes, a depender do suporte de publicação
Pinheiro Chagas, a forgotten writer
Este estudo tem por objetivo refletir sobre uma figura literária pouco estudada, Manuel Pinheiro Chagas (1842-1895), escritor português considerado pela crítica principalmente como romancista histórico. Ao eleger o romance histórico como narrativa romântica, parece que Chagas tenta disputar espaço com o romance realista/naturalista, mesmo depois da consolidação do Realismo. Por meio da análise de quatro de seus romances, A virgem Guaraciaba (1865), A máscara Vermelha (1873) e a sua continuação O juramento da Duquesa (1873), e A descoberta da Índia. Contada por um marinheiro (1890), verificamos como o projeto literário deste escritor, que se inicia com a efabulação da História, vai convergindo para um realismo pouco romantizado, que ele denominou de estudo histórico romântico.This study is intended to reflect about the literary understudied character, Manuel Pinheiro Chagas (1842-1895), portuguese writer considered by public opinion mainly as historical novelist. Choosing the historical novel as romance narrative, seems that Chagas tries to establish space with the realistic/naturalist novel, even after the Realism consolidation. Analyzing four of his novels, A virgem Guaraciaba (1865), A máscara Vermelha (1873) and its continuation O juramento da Duquesa (1873), and A descoberta da Índia. Contada por um marinheiro (1890), we could verify how the literary project from this author, that initiates itself with the history creation, starts to converge to a type of less romanticized realism, that he defines as romantic historical study
Yaka (ou o calcanhar de Aquiles?)
O autor, a partir do romance do angolano Pepetela, YAKA, põe em evidência as consequências do sistema colonial, no plano dos colonizadores. Os aspectos dramáticos decorrentes da condição de ‘superioridade’ do colonizador face a uma situação colonial concreta são ressaltados por Alexandre Pinheiro Torres, configurados num drama inserido numa situação concreta.The author, as from the novel of the Angolan writer Pepetela, Yaka, puts in evidence the consequences of the colonial system in the plan of the colonizers. The dramatic aspects due to the conditions of superiority of the colonizers in view of situation concrete colonial are the results of Alexandre Pinheiro Torres, configured in an inserted drama in a concrete situation
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