1,399 research outputs found
Senses of Taras Shevchenko and mass-media : pre-anniversary situation
No full textУ статті проаналізовано культурно-мовну ситуацію в українських медіа, що склалася в переддень ювілею Тараса Шевченка. Визначено типи та форми інформаційних покликань на Кобзаря, їх вплив на масову свідомість соціуму, окреслено інформаційні джерела, в яких по-різному представлено онім Тарас Шевченко й суміжні з ним номінації, а також тексти та ідеї українського Поета.The author on the material of 2012-2013 years analyzes cultural and linguistic situation in the Ukrainian media that emerged on the eve of Taras Shevchenko’s anniversary. In the paradigm of modern medialinguistics types and forms of information links to Taras Shevchenko are characterized, through their influence on mass language consciousness. The attention is also paid to the features of information sources (paper and electronic media) , in which proper name Taras Shevchenko in a different completeness and efficiency is presented. In the article the idea on the eve of the anniversary of "interpretation" of the meanings in the texts of Taras Shevchenko - such "interpretation" must form the base of philological analysis. The author emphasizes on the relevant for modern Ukrainian society universal values and meanings, that are artistically presented in Taras Shevchenko’s texts, - freedom, friendship, brotherhood and others
Taras Ševčenko on Majdan
No full textThe author illustrates the different ways in which the Ukrainian national poet Taras Ševčenko was ‘used’ by participants in the protest movement known as Jevromajdan (Euromaidan) (November 2013-February 2014). In particular the author analyzes quotations and adaptations of Ševčenko’s poetry, portrayals of the poet himself (paintings, photomontages, sculptures), and poems inspired by him and conceived as a sort of dialogue with him. The aforementioned uses of Ševčenko are investigated with regard to their function in supporting the protesters’ claims and reasons for discontent, also taking into account the inextricable and unique bond that links Ukraine and Ukrainians with the human, moral and poetic legacy of Taras Ševčenko
Seven Jubilees of Taras Shevchenko
No full textУ контексті відзначення 200-ліття з дня народження Т.Шевченка аналізується широкий спектр оцінок та інтерпретацій життя, творчого доробку, світогляду українського генія його сучасниками й наступними поколіннями під час
відзначення ювілеїв Кобзаря за різних політичних умов національного життя українців.On the 200th anniversary of Taras Shevchenko birthday context author analyzes the
wide spectrum of perceptions and interpretations of genius poet's life, creative works
and world-view by his contemporaries and future generations during celebrating of
Taras Shevchenko’s jubilees in the different political situations.Виступ на засіданні круглого столу «Т.Г.Шевченко крізь два століття: людина, творець,
символ», який відбувся 11 березня 2014 р. в Інституті історії України НАНУ
The importance of network goals for strategic chain management
No full textNowadays food products are increasingly produced in supply chain networks that involve numerous firms. Due to their pyramidal-hierarchical structure, such networks possess a focal company that coordinates the network. The managerial task of the focal company is to work out collective strategy that addresses cooperation and coordination problems at the firm, dyadic and network levels. These strategies must take into account that at each level specific goals must be achieved. Though the focal company is a strategy setting unit that sets network goals, other network actors may perceive these goals as firm-level goals of the focal company. Therefore, conflicts may occur in supply chain networks.Supply chain networks, focal company, network goals, Agribusiness,
Art of Dancing in Taras Shevchenko's Creative Activity
No full textThe author of the article focuses on the art of dancing in Taras Shevchenko’s creative activity. He lays the stress on the fact that the poet’s literary tunes one can identify with the tunes of contiguity of sense of rhythm. The author of the article concludes that dance is a symbol of deathless Cossacks and wealth of the national ethnos
Art of Dancing in Taras Shevchenko's Creative Activity
No full textThe author of the article focuses on the art of dancing in Taras Shevchenko’s creative activity. He lays the stress on the fact that the poet’s literary tunes one can identify with the tunes of contiguity of sense of rhythm. The author of the article concludes that dance is a symbol of deathless Cossacks and wealth of the national ethnos
Art of Dancing in Taras Shevchenko's Creative Activity
No full textThe author of the article focuses on the art of dancing in Taras Shevchenko’s creative activity. He lays the stress on the fact that the poet’s literary tunes one can identify with the tunes of contiguity of sense of rhythm. The author of the article concludes that dance is a symbol of deathless Cossacks and wealth of the national ethnos
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MISAME
No full textRecording of Taras Bujewski's Via Dolorosa. This piece is connected to a poem written by the composer himself and a visual part. The author imagines a human state of mind in first moments after death. The musical texture consists of the sounds of a small room, a big city outside, and infinite cosmos
Log Taras Walls Construction in the Russian State in the Late 16th –Early 18th Century
No full textThis article reconstructs the design of crowned taras walls built in the late 16th – early 18th century in the Russian state. Based on an analysis of published written sources, archaeological and pictorial materials, the author establishes the main metric characteristics of these walls, their structural variability, and design features. The paper demonstrates that the widespread notion of taras as two parallel crowned walls with interlocks does not correspond to historical reality. The study identifies three main types of crowned taras walls: with a single wall, with double closing external walls, and with infilling of the space between double walls with soil (earth, stone, or “hryashch”, which is a type of coarse sand). The article also reconstructs the design of taras walls in Olonets based on descriptions dating back to 1649 and 1670, revealing differences in taras log cabins’ construction and the parameters. The description of the Sumskoy Ostrog (prison) of 1740 is considered an example of a wall with triangular taras log walls. The author concludes that the design of crowned taras walls is associated with the features of the defensive architecture of that period. During the Livonian War, garrisons of Russian fortresses faced the problem of wooden walls being set on fire by red-hot cannonballs. In response, a solution was found: the construction of double-row walls with the space between them filled with soil, which allowed them to successfully withstand artillery fire and prevent fires. The article presents schematic diagrams of taras wall design, as well as illustrations demonstrating their construction. This research contributes to the study of Russian fortification history and can be used for further research, as well as for the reconstruction of historical fortifications
Narrations on Taras Shevchenko in Myrhorodshchyna
No full textУ статті охарактеризовано маловідомі перекази про перебування Т. Шевченка на Миргородщині, зафіксовані різними дослідниками (І. Білик, В. Беренштам, А. Свидницький, І. Зубковський, Д. Косарик, І. Гурин) та зібрані автором статті.The article characterizes the little-known narrations on the sojourns of Taras Shevchenko in Myrhorodshchyna recorded by different researchers (I. Bilyk, V. Bernshtam, A. Svydnytskyi, I. Zubkovskyi, D. Kosaryk, I. Huryn), as well as by the article’s author herself
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