59 research outputs found
Rad na ulozi Ane u oredstavi Gornja Austrija
No full textŽivot nije jeftin prema tekstu Gornja Austrija, autora Franza Xavera Kroetza, naslov je diplomske ispitne predstave studentice Anamarije Jurišić pod mentorstvom izv. prof. Roberta Raponje i sumentorice Katice Šubarić na Umjetničkoj akademiji u Osijeku, na Odsjeku za kazališnu umjetnost, smjer gluma i lutkarstvo. S njom u predstavi sudjeluje kolega Luka Stilinović ,koji utjelovljuje ulogu muža Heinza. U ovom pismenom radu autorica opisuje proces rada na predstavi s naglaskom na analizu procesa kreiranja uloge Ane i sistematiziranog rada na predstavi. Na početku piše o svom procesu studiranja i osnovnim glumačkim alatima potrebnim za kreiranje uloge. Zatim iznosi činjenice o autoru, o dolasku i odabiru teksta, analizira scenske prizore, prostor igre i mikroradnje, odabir scenografije, rekvizite i glazbe te opisuje kojim je umjetničkim sredstvima uspjela doći od loše generalne probe do dobre premijere. Na kraju autorica zaključuje kako je proces kreiranja uloge i rada na ispitnoj predstavi uvelike nadogradio njezine izvođačke alate i utvrdio umjetnički identitet.Life is not cheap according to the text Upper Austria by the author Franz Xavera Kroetz is the title of the graduate exam presentation of the student Anamarija Jurišić under the mentorship of Prof. Roberta Raponja and assistant Katica Šubarić at the Academy of Art in Osijek, at the theater department, acting and puppetry. With her in the presentation is colleague Luka Stilinović who is acting a role of husband Heinz. In this written thesis author describes the work on the play with an emphasis on the analysis of the process of creating a role of Ana and describes systematized work on the play. In the beginning she writes about her study process and the basic acting tools needed to create the role. Then she tells facts about the author, and how she got and selected the text, she analyzes stage scenes, playgrounds and micro-works, selects scenery, props, and music and describes the artist's ability to come from a bad general rehearsal to a good premiere. At the end author concludes that her process of creating her role and work on the screenplay has greatly enhanced her performance tools and helped her to find her artistic identity
RAD NA ULOZI ANE U PREDSTAVI GORNJA AUSTRIJA
No full textŽivot nije jeftin prema tekstu Gornja Austrija, autora Franza Xavera Kroetza, naslov je diplomske ispitne predstave studentice Anamarije Jurišić pod mentorstvom izv. prof. Roberta Raponje i sumentorice Katice Šubarić na Umjetničkoj akademiji u Osijeku, na Odsjeku za kazališnu umjetnost, smjer gluma i lutkarstvo. S njom u predstavi sudjeluje kolega Luka Stilinović ,koji utjelovljuje ulogu muža Heinza. U ovom pismenom radu autorica opisuje proces rada na predstavi s naglaskom na analizu procesa kreiranja uloge Ane i sistematiziranog rada na predstavi. Na početku piše o svom procesu studiranja i osnovnim glumačkim alatima potrebnim za kreiranje uloge. Zatim iznosi činjenice o autoru, o dolasku i odabiru teksta, analizira scenske prizore, prostor igre i mikroradnje, odabir scenografije, rekvizite i glazbe te opisuje kojim je umjetničkim sredstvima uspjela doći od loše generalne probe do dobre premijere. Na kraju autorica zaključuje kako je proces kreiranja uloge i rada na ispitnoj predstavi uvelike nadogradio njezine izvođačke alate i utvrdio umjetnički identitet.Life is not cheap according to the text Upper Austria by the author Franz Xavera Kroetz is the title of the graduate exam presentation of the student Anamarija Jurišić under the mentorship of Prof. Roberta Raponja and assistant Katica Šubarić at the Academy of Art in Osijek, at the theater department, acting and puppetry. With her in the presentation is colleague Luka Stilinović who is acting a role of husband Heinz. In this written thesis author describes the work on the play with an emphasis on the analysis of the process of creating a role of Ana and describes systematized work on the play. In the beginning she writes about her study process and the basic acting tools needed to create the role. Then she tells facts about the author, and how she got and selected the text, she analyzes stage scenes, playgrounds and micro-works, selects scenery, props, and music and describes the artist's ability to come from a bad general rehearsal to a good premiere. At the end author concludes that her process of creating her role and work on the screenplay has greatly enhanced her performance tools and helped her to find her artistic identity
NOVO UREĐENJE REVIZIJE U PARNIČNOM POSTUPKU-REVIZIJA DO DOPUŠTENJU
No full textCilj ovog rada autorice Anamarije Duvanĉić nazvanog „ Izvanredni pravni lijek revizija“ je pobliţe objasniti definiciju revizije kao izvanrednog pravnog lijeka te karakteristike revizije. Radi se o kompleksnoj materiji koja je doţivjela mnogobrojne promjene. Rad polazi od same definicije izvanrednih pravnih lijekova te samog instituta revizije i njegovih karakteristika. Potom se pobliţe objašnjava revizija bez dopuštenja ( bivša tzv. redovna revizija) te revizija ex lege ( bivša tzv. izvanredna revizija). Jedan od naĉina ostvarenja cilja je pribliţiti materiju kroz zakonske odredbe, potom kroz usporeĊivanje promjena, kroz sam revizijski postupak i na koncu, reviziju protiv rješenja. Revizija po dopuštenju ograniĉila bi pristup VSRH na naĉin da bi navedeni sud na temelju pravno definiranog okvira omogućio reviziju samo u onim sluĉajevima koji su vaţni za osiguranje jedinstvene primjene zakona i ravnopravnost svih u njegovoj primjeni ili za razvoj prava Republike Hrvatske putem sudske prakse.The purpose of this document called „Extraordinary remedy revision“ by the author Anamarija Duvanĉić is to closely explain the topic of revision, to give a definition and characteristics. It is a complex matter which has undergone many changes. The document itself starts from the definition of revision given by the law, then they are more closely explained trough defining other terms related to matter, such as: revision without permission, revision per permission. One of the ways how to explain the matter closely is trough it’s development, trough legal regulation,trough procedure and trough revision against solution. Revision per premission would limit acces to Supreme Court in a way that the said Court would, based on the legally defined framework, allow revision only in those cases which are important for ensuring a unique application of law and equality of all in its applictation or for the development of law through case la
RAD NA PREDSTAVI ''FRAGILE''
No full textPredstava Fragile nastala kao dio europskog projekta ''Zavirimo iza pozornice: Pioniri europskog Lutkarstva'' ujedno je i diplomski ispit Anamarije Jurišić pod mentorstvom doc. dr. art. Hrvoja Seršića na Umjetničkoj akademiji u Osijeku, na Odsjeku za kazališnu umjetnost, smjer gluma i lutkarstvo. Diplomski ispit je nastao u suradnji s kolegama Antoniom Jakupčevićem, Krešimirom Jelićem, Hanom Kunić, Ivanom Vukićević i Ines Zmazek, docentima Majom Lučić Vuković i Tamarom Kučinović, te asistentima Katarinom Arbanas i Nenadom Pavlovićem. U ovom pismenom radu autorica opisuje proces rada na predstavi s naglaskom na analizu procesa kreiranja predstave od ideje do realizacije. Na početku rada autorica opisuje svoje osjećaje prema lutkarskoj umjetnosti, zatim piše o projektu unutar kojeg je nastala predstave, piše kratke biografije lutkara koji su bili inspiracija i tema cijelog projekta te opisuje sam proces nastanka predstave od prvih kolegija na Akademiji, posjeta festivalima, do konačnog izvođenja pred publikom u Italiji. Na kraju, autorica rezimira cijeli proces i daje svoj zaključak o budućnosti lutkara i lutkarstvaThe play Fragile was born as part of the European project ‘‘All Strings Attached: The Pioneers of European Puppetry Behind the Scenes’’ and at the same time a graduate exam of Anamarija Jurišić under the mentor of assistant professor of arts Hrvoje Seršić at the Academy of Art in Osijek, at the theater department, acting and puppetry. Graduate exam was created in cooperation with colleagues Antonio Jakupčević, Krešimirom Jelić, Hanom Kunić, Ivan Vukićević and Ines Zmazek, assistant professors Maja Lučić Vuković and Tamara Kučinović, and instructors Katarina Arbanas and Nenad Pavlović. In this written thesis the author describes the work process on the play with an emphasis on the analysis of the process of creating the play from the idea to the realization. At the beginning of the work the author describes hers feelings for puppet art, then writes about the project within which the plays have been produced, writes short puppet biographies that were the inspiration and the theme of the whole project, and describes the process of making the first courses at the academy, to the final performance in front of the audience in Italy. At the end the author summarizes the whole process and gives his conclusion about the future of puppets and puppetry
Third wave of open data: Identifying and overcoming the barriers towards open data of public undertakings
No full textThe creation of open data has seen a series of waves in which every growing resources of data are becoming accessible to a growing number of users from a diversifying number of public entities. The European Commission anticipates this movement by setting a new scope to the re-use of Public Sector Information Directive. Instead of exclusively focussing on Public Sector Information (PSI), the new scope of its successor, the Open Data Directive (ODD), includes data from public undertakings as well. In order for public undertakings to comply with this future legislation, research into the current openness of public undertakings and the barriers to open data is key. This research presents three different levels of openness of data: (1) data is only open for the own organisation, (2) data is open for the internal organisation and trusted parties can use the data, and (3) open data for all. In this case three Dutch public undertakings and several Croatian public undertakings were studied. The data of the public undertakings researched were at different levels of openness and none of the public undertakings are at this moment ready to comply with the future rules when the ODD requirements become mandatory. Barriers that are associated with achieving a higher level of open data are related to institutional, financial, legal, and quality and technical aspects. Overcoming these barriers requires, among other things, highly motivated staff to provide open data.Accepted Author ManuscriptUrban Data Scienc
Nadgrobni spomenik G. Aruncija Felicisima i starosna struktura pučanstva antičke Liburnije
No full textIn the first part of this paper, the author analyses two fragments of a single sepulchral monument found as spolia in the church of Sv. Juraj (St. George) in Raštević near Benkovac. The monument, which can generally be dated to the late Princpate period - most likely in the second half of the 2nd century AD, was erected by Sempronia Maximilla for her husband Gaius Aruntius Felicissimus, who died at the age of 70. In the second part, the author analyses data on the age of the deceased found in Liburnian sepulchral inscriptions and aims to prove the possible age limits of average life expectancy. Through that analysis it will be possible to better understand if, and to what degree, was Gaius Aruntius Felicissimus an exception from standards present during that period.</jats:p
Sepulchral monument of G. Aruntius Felicissimus and the age structure of ancient Liburnia
No full textU prvom dijelu ovog rada autorica analizira dva ulomka jednog nadgrobnog spomenika pronađena kao spoliji u crkvi Sv. Jurja u Rašteviću kod Benkovca. Spomenik, koji se okvirno može smjestiti u kasni principat, najvjerojatnije u drugu polovicu 2. st. po Kr., podigla je Sempronija Maksimila svom mužu G. Arunciju Felicisimu, koji je doživio starost od 70 godina.
U drugom dijelu autorica analizira podatke s nadgrobnih natpisa antičke Liburnije o starosti pokojnika te nastoji ustanoviti kolike su mogle biti granice očekivane prosječne životne dobi. S obzirom na njih moći će se i bolje razumjeti u kolikoj je mjeri G. Aruncije Felicisim predstavljao izuzetak od uobičajenih onodobnih standarda.In the first part of this paper, the author analyses two fragments of a single sepulchral monument found as spolia in the church of Sv. Juraj (St. George) in Raštević near Benkovac. The monument, which can generally be dated to the late Princpate period - most likely in the second half of the 2nd century AD, was erected by Sempronia Maximilla for her husband Gaius Aruntius Felicissimus, who died at the age of 70.
In the second part, the author analyses data on the age of the deceased found in Liburnian sepulchral inscriptions and aims to prove the possible age limits of average life expectancy. Through that analysis it will be possible to better understand if, and to what degree, was Gaius Aruntius Felicissimus an exception from standards present during that period
Liburnian anthroponyms
No full textU ovome se radu prvi put nakon gotovo pola stoljeća preispituje ukupan
domorodački antroponimijski korpus antičke Libumije. Koristeći se vlastitim
istraživanjima i zaključcima niza znanstvenih prinosa drugih autora, autorica u
libumski antroponimijski korpus uključuje neka nova imena, a neka druga iz
njega izbacuje. Korpus se prikazuje u dva popisa, od kojih jedan obuhvaća
sigurna ili gotovo sigurna domaća imena ovoga prostora, a drugi ona koja su
mogla pripadati i drugim imenskim područjima.The paper re-examines, for the first time in almost half a century, the native
Liburnian anthroponymie corpus in its entirety. On the basis of her own studies
and of those of the other scholars, the author excludes from the corpus some
names earlier considered as Liburnian, and in the same time includes in it some
previously unknown names. The corpus is divided in two lists: one including
only the names of certain or almost certain Liburnian native origin, and the other
those that could have also belonged to other onomastic areas
The concept of materiality and risk in audit
No full textTema ovog rada je Koncept značajnosti i rizika u reviziji. U prvom dijelu rada objašnjen je pojam koncepta značajnosti, kako se utvrđuje značajnost kod planiranja revizije, na kojim razinama i u kojim slučajevima je potrebno izmijeniti značajnost u tijeku revizije. Objašnjeno je i slikovno prikazano što znači kvalitativna, a što kvantitativna značajnost, te kako one utječu na određivanje značajnosti. Primjena koncepta značajnosti prikazana je i na primjeru poslovnog subjekta Meri d.o.o. u tri koraka, gdje je autor iznio i svoje zaključke.
Drugi dio rada bavi se revizijskim rizicima, te su obrađeni revizijski rizici i objašnjena je povezanost revizijskih rizika, koncepta značajnosti i revizijskih dokaza. Također je navedeno koje su prednosti revizije temeljene na riziku, te kako se utvrđuje potpunost plana revizije.The topic of this paper is the Concept of materiality and risk in audit. The first part of the paper explains the concept of materiality, how important is the audit planning, what levels and in which cases it is necessary to change the materiality of the audit. It is also explained in words and with the picture,meaning of qualitative and quantitative materiality and how they affect the determination of materiality. The application of the materiality concept is also shown in the example of the business entity Meri d.o.o. in three steps, where the author made his own conclusions.
The second part of the paper deals with audit risks. The author discussed about audit risks and the connection between audit risks, the concept of materiality and audit evidence. It is also indicated the benefits of risk-based auditing and how the completeness of the audit plan is determined
Alternative cultural center ‘Garaže’-urban element in the countryside
No full textRad se bavi stvaranjem urbane kulture u maloj sredini kroz studiju slučaja Vrbovečke udruge
mladih. Prikazom ustroja i djelovanja udruge, opisom aktivnosti koje se odvijaju u prostoru
udruge, kluba Garaže, te načina na koji su VUM i Garaže percipirani u Vrbovcu i izvan njega,
pokušat ću potvrditi tezu kako AKC Garaže predstavljaju oblik subkulturnog izražavanja u
funkciji uspostavljanja identiteta, stvaranja posebnih stilova ponašanja, te predstavljaju jedan od
prvih subkulturnih urbanih elemenata u maloj sredini. Također, rad se bavi i VUMfestom, DIY
festivalom u organizaciji VUM-a, njegovom transformacijom tokom godina, značenjem za
članove udruge, ali i širu zajednicu kao potencijalni push faktor turističkog razvoja Vrbovca.
Također, rad se dotiče i odnosa konzumerizma i subkulturnih praksi, te fenomena kooptacije
kroz primjer VUM-a i VUMfesta.Based on case study of NGO Vrbovec Youth Organization, the author strives to depict formation
of urban culture in a small town. Through display of structure and functions of Vrbovec Youth
Organization, ongoing activities in Garaže, the club run by the organization, the way both
Vrbovec Youth Organization and Garaže are perceived in the town of Vrbovec and broader, the
author attempts to support her claim that Alternative Cultural Center Garaže represent a form of
subcultural expression which plays a major role in identity forming, creation of distinct patterns
of behavior, and can be perceived as first subcultural urban element in a small community. The
author also points out the significance of VUMfest, DIY festival organized by Vrbovec Youth
Organization. Depicting the undergoing transformation of VUMfest and the significance it
generated throughout the years, for Organization members and local community, it’s plausible
role in tourism development is being examined. Also, the author discusses the relationship
53
between consumerism and subcultural practice, underlining cooptation as one of the key aspects
of modern capitalism, and impact it can have or has on the subject being researched here
- …
