11,293 research outputs found
Elizabeth Yates and Matthew Porter in a Joint Junior Voice Recital
This is the program for the joint junior voice recital of soprano Elizabeth Yates and baritone Matthew Porter. Pianist Bradley Permenter accompanied Yates; pianist Jonathan Besanson accompanied Porter. The recital took place on March 23, 1984, in the Mabee Fine Arts Center Recital Hall
Three-Dimensional Models of Experimentally-Produced Lithic Artifacts Created using Expedient and Refined Photogrammetry Protocols
The data are divided into four ZIP files based on whether they contain core or flake models, and whether the models were created using an expedient or refined photogrammetric setup and protocol. Each of these .ZIP files contains the relevant 3D models in OBJ format. There are three files associated with each model (OBJ, MTL, and JPG texture). The files are named based on object ID, and the setup used to create them (i.e. expedient or refined). All models were processed and scaled in Agisoft PhotoScan Professional Edition. Geomagic Design X was used to center and align models around the origin.The data set consists of three-dimensional (3D) models of experimentally produced lithic artifacts created using both expedient and refined photogrammetric setups and processing protocols. Source images for all models were captured using a 12.1 megapixel Canon PowerShot SX260 HS compact digital camera. In our expedient protocol, objects were placed on a wire stand. The photographer moved around the object, and captured photos using Auto mode. In our refined protocol, objects were placed on a rotating turntable under controlled lighting conditions. The camera was placed on a tripod. Shutter speed, f-stop, and ISO were set manually. This refined protocol is described in Porter, S. T., Roussel, M., & Soressi, M. (2016). A Simple Photogrammetry Rig for the Reliable Creation of 3D Artifact Models in the Field Lithic Examples from the Early Upper Paleolithic Sequence of Les Cottés (France). Advances in Archaeological Practice, 4(1), 71-86. The associated paper discusses the relative fidelity of the models produced using these different workflows. Models may also be viewed online (in browser) at: https://sketchfab.com/unlarchaeology/collections/magnani-et-al-2016.Magnani, Matthew; Douglass, Matthew; Porter, Samantha T. (2016). Three-Dimensional Models of Experimentally-Produced Lithic Artifacts Created using Expedient and Refined Photogrammetry Protocols. Retrieved from the University Digital Conservancy, http://dx.doi.org/10.13020/D6T88N
Matthew Henry: The Bible, Prayer, and Piety – A Tercentenary Celebration
The summer of 2014 marked the tercentenary of the death of Matthew Henry (1662–1714), a leading figure among early eighteenth-century Dissenters and author of the six-volume Exposition of the Old and New Testaments (1707–1714/25). This monumental work, which by 1855 had already been published in twenty-five different editions, attempted a peculiarly practical approach to the biblical text and continues to be widely used and readily accessible even today in both print and online versions. The theme of foreign (or ‘strange’) wives and Israelite intermarriage is one which occurs throughout the Hebrew Bible and, accordingly, throughout Matthew Henry’s commentary upon it. Where it appears, the practice of intermarriage is characterized by Henry as (at best) unwise and (at worst) a very real threat to both social and religious cohesion. This essay explores how Henry deals with the issue of ‘strange wives’, why he believes they continue to pose a threat, and (in view of the overall intention of his commentary) what ‘practical observations’ he offers to his reader as a result. In doing so it is argued that Henry’s commentary traces a thematic thread from the ante-diluvian age to the post-exilic period of calamities resulting from mixed marriages between ‘professors of religion’ and their ‘strange wives’
Citation expectations: are they realized? Study of the Matthew index for Russian papers published abroad
We consider the "Matthew effect" in the citation process which leads to reallocation (or misallocation) of the citations received by scientific papers within the same journals. The case when such reallocation correlates with a country where an author works is investigated. Russian papers in chemistry and physics published abroad were examined. We found that in both disciplines in about 60% of journals Russian papers are cited less than average ones. However, if we consider each discipline as a whole, citedness of a Russian paper in physics will be on the average level, while chemistry publications receive about 16% citations less than one may expect from the citedness of the journals where they appear. Moreover, Russian chemistry papers mostly become undercited in the leading journals of the field. Characteristics of a "Matthew index" indicator and its significance for scientometric studies are also discussed
An Interview with Matthew Kaiser on Competition and Play
An Interview with Matthew Kaiser on Competition and Play, by Sean Scanlan. Matthew Kaiser, the author of The World in Play: Portraits of a Victorian Concept (Stanford UP, 2012) says that “[c]ompetition is the disease from which modern life suffers,” and that “[c]ompetition is the only cure” for this suffering. This contradictory pairing seems to get at the heart of his thesis: play, as a totalizing, umbrella-like concept, emanates from a host of philosophical, political, and scientific work produced by Victorians who posed many of their ideas of play in sports metaphors, competitive logics, and narratives of struggle. Kaiser goes beyond the dichotomy of competition and play/competition or play, by stating “I’m interested in the totalizing potential of both concepts, the way that play, or competition for that matter, swallows the world whole, becomes in the minds of so many people, the organizing principle of reality, whether of culture or nature or consciousness, or of all three.
Cardozo AELJ Author Interview Series: Matthew Goldman, Class of 2022
The Cardozo AELJ Author Interview Series seeks to give our readers further insight into the Articles and Notes published in the Cardozo Arts & Entertainment Law Journal. In this interview, Matthew Goldman discusses his Note, Fragmented Music Copyright Protection: A Better Arrangement, which was published in Volume 40, Issue 3.
This post was originally published on the Cardozo Arts & Entertainment Law Journal website on November 7, 2023. The original post can be accessed via the Archived Link button above
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Cardozo AELJ Author Interview Series: Matthew Goldman, Class of 2022
The Cardozo AELJ Author Interview Series seeks to give our readers further insight into the Articles and Notes published in the Cardozo Arts & Entertainment Law Journal. In this interview, Matthew Goldman discusses his Note, Fragmented Music Copyright Protection: A Better Arrangement, which was published in Volume 40, Issue 3.
This post was originally published on the Cardozo Arts & Entertainment Law Journal website on November 7, 2023. The original post can be accessed via the Archived Link button above
Cardozo AELJ Author Interview Series: Matthew Goldman, Class of 2022
The Cardozo AELJ Author Interview Series seeks to give our readers further insight into the Articles and Notes published in the Cardozo Arts & Entertainment Law Journal. In this interview, Matthew Goldman discusses his Note, Fragmented Music Copyright Protection: A Better Arrangement, which was published in Volume 40, Issue 3.
This post was originally published on the Cardozo Arts & Entertainment Law Journal website on November 7, 2023. The original post can be accessed via the Archived Link button above
Matthew and Mark
The author of the Gospel of Matthew was arguably the very first Christian seeking to rejudaize Jesus of Nazareth. Throughout two millennia, and undeniably most intensively during the last half-century, many students of the Bible have followed in his footsteps. Although he was successful in many respects, we must not forget who paid the price for his endeavour: the Pharisees, the proto-Rabbis and the Founding Fathers of those we know as the Jewish people, those whom Jesus knew as his own
'Woe to you, hypocrites!' : law and leaders in The Gospel of Matthew
This thesis seeks to move beyond the impasse in Matthean scholarship that posits the reason for conflict in Matthew 23 with the authorial community. A framework is developed that allows the possibility that the gospel was received and understood by a widespread, general audience that itself was not necessarily embroiled in conflict. Multiple complementary methods are used to analyze how an ancient audience might expect conflict and work through its development in the narrative. Analysis of comparative biographical literature and of Old Testament references and allusions shows that readers could expect in literature the type and intensity of conflict exhibited in Matthew 23. The gospel's internal narrative development provides unity to the conflict episodes in Matthew 9-23. It also offers rationale for the escalation of conflict for which Matthew 23 is the summary. Chapter One: The Shape of the Discussion surveys representative works including redaction, social scientific, socio-historical, narrative and genre critics, to understand the options for studying conflict in Matthew. Reader-response oriented genre criticism provides language for framing reader expectations. Chapter Two: Expecting Conflict examines expectations that can be associated with Matthew's use of the Old Testament and by comparison with ancient biographies. Chapter Three: The Conflict Builds works systematically through each of the points of contact between Jesus and the leaders of Israel in chapters 9-22 organized by three topics: legal interpretation, the identity and authority of Jesus, and the character of the leaders. Chapter Four: Woe to You takes up the task of examining Matthew 23. The analysis of Matthew 23 identifies three components in the summary of conflict: Jesus presented as the model for his audience, Jesus' final denunciation of the leaders, and the presentation of Jesus as God’s representative. The multi-methodological approach used in this study of Matthew 23 suggests a narrative that invites the reader to rethink how one knows and understands God. The study thereby provides an alternative to the assumption that conflict reflects the immediate experience of a narrowly conceived authorial community
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