1,721,135 research outputs found
Éros et Thanatos. Représentations, enjeux théoriques et perspectives empiriques en sociologie de la culture
No full textLa responsabilità sociale dei giornalisti
No full textIl quindicesimo numero di Comunicazionepuntodoc intende porsi come momento di riflessione collettiva e transnazionale sui tentativi di riaffermazione del ruolo dei giornalisti nelle democrazie moderne. Non si tratta quindi di avviare uno studio sul trattamento mediatico della diversità, o di coinvolgere la professione in una posizione militante che consisterebbe nel promuovere il tema della diversità, ma di mettere in discussione e capire l'esercizio della professione giornalistica in questa particolare configurazione, rispondendo così alle sfide delle società contemporanee. Un ulteriore obiettivo, di stampo metodologico, è legato alla mobilitazione di metodi di analisi sul tema in questione, trattando il tema della RS dei giornalisti da due punti di vista particolari: l'etica deontologica (rispetto delle norme) e l'etica consequenzialista (conseguenze dei contenuti) delle pratiche e produzioni dei giornalisti.
Tra rispetto delle norme e buone pratiche professionali, in che modo i giornalisti costruiscono e trattano la loro RS sulla questione dell’espressione della diversità? Quali ingiunzioni pesano sulle loro azioni? Quali sono le condizioni e le possibilità offerte dalle aziende per permettere ai giornalisti di assumere la loro RS individuale e collettiva sulla questione dell’espressione della diversità
Sport, health and academia: A reflexive approach to the disenchantment and the re-enchantment of the bod
No full textInternational audienceStarting from Max Weber’s idea of Entzauberung, I propose a self-socio-analysis in which I analyse my bodily strategies of everyday resistance in the struggle between a kind of Protestant ethic of academic labour and the contemporary need for hedonism and magic.I conduct this analysis through the lens of the micro-, meso- and macro-sociology of everyday life, rooting my work on mixed and reflexive methodological approach.As a human being, my quest for ‘magic’ develops through the practice of oriental disciplines and martial arts. Their rituals, practices and ways of being provide a world that is Other, with ecological equilibrium between the body and the cosmos and thus a different perspective on space and time. As part of my experience, some typical features of the present age, that constitute the critical aspects to deal with day to day, strongly emerge. These features create a fracture between the magic world of the ecological equilibrium of oriental disciplines’ practice, and the rational irrationality of the world of precarious academic work, with its needs and obligation
Sport, health and academia: A reflexive approach to the disenchantment and the re-enchantment of the bod
No full textInternational audienceStarting from Max Weber’s idea of Entzauberung, I propose a self-socio-analysis in which I analyse my bodily strategies of everyday resistance in the struggle between a kind of Protestant ethic of academic labour and the contemporary need for hedonism and magic.I conduct this analysis through the lens of the micro-, meso- and macro-sociology of everyday life, rooting my work on mixed and reflexive methodological approach.As a human being, my quest for ‘magic’ develops through the practice of oriental disciplines and martial arts. Their rituals, practices and ways of being provide a world that is Other, with ecological equilibrium between the body and the cosmos and thus a different perspective on space and time. As part of my experience, some typical features of the present age, that constitute the critical aspects to deal with day to day, strongly emerge. These features create a fracture between the magic world of the ecological equilibrium of oriental disciplines’ practice, and the rational irrationality of the world of precarious academic work, with its needs and obligation
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Emersion in the leisure environment and the recosmologisation of sport
No full textInternational audienc
Emersion in the leisure environment and the recosmologisation of sport
No full textInternational audienc
Emersion in the leisure environment and the recosmologisation of sport
No full textInternational audienc
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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