1,721,379 research outputs found
PESSOA, Fernando. Sobre a heteronímia. Edição de Fernando Cabral Martins e Richard Zenith. Lisboa: Assírio & Alvim, 2022.
No full textResenha da edição: PESSOA, Fernando. Sobre a heteronímia. Edição de Fernando Cabral Martins e Richard Zenith. Lisboa: Assírio & Alvim, 2022
The Blind Viewer
Full text linkAfter watching Peter Gidal’s Room Film 1973, Michael Snow commented: ‘Your film had to be worked at. I felt… as if it was made by a blind man. I felt that searching tentative quality, the quality of trying to see’ (1.). The desire to see anew, as if it was for the first time, a learning to unlearn (2.), is one of the most enduring aspects of Gidal’s film practice and theory. A body of material as rich with possibilities as unresolved questions, paradoxes and dead ends. And yet, at a time when artists’ moving image has too often become a sheer repository for discourse, a reinvestment in Gidal’s attentiveness to the ‘coming into presence’ of the film may shed light on what these images and sounds do, rather than say. The question remains: how is a critique of image-production enacted, instead of represented?
Notes:
(1.) Snow, Michael, September 1973, quoted by Peter Gidal, ‘Theory and Definition of Structural / Materialist Film’, Structural Film Anthology, London: BFI, 1978, p.17
(2.) Borrowing a famous line from the poem, ‘what we see of things is things’ by Alberto Caeiro. Pessoa, Fernando, The Collected Poems of Alberto Caeiro, Exeter: Shearsman Books, 200
Edição de Fernando Cabral Martins e Richard Zenith. Lisboa: Assírio & Alvim, 2020
Full text linkUIDB/00657/2020 UIDP/00657/2020Resenha do livro: "PESSOA, Fernando. O caso mental português. Edição de Fernando Cabral Martins e Richard Zenith. Lisboa: Assírio & Alvim, 2020."publishersversionpublishe
PESSOA, Fernando - Correspondência inédita [organização e notas de Manuela Parreira da Silva], Lisboa, Livros Horizonte, 1996, 255 pp. [Recensão crítica]
No full textRecensão crítica à obra "PESSOA, Fernando - Correspondência inédita [organização e notas de Manuela Parreira da Silva], Lisboa, Livros Horizonte, 1996, 255 p." publicada na Revista Discursos: Estudos de Língua e Cultura Portuguesa, nº 15 abri 1997, p. 147-148info:eu-repo/semantics/publishedVersio
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Pessoa (Fernando). Le privilège des chemins. Édition bilingue. Recherche, transcription, montage et traduction de Teresa Rita Lopes. Postface de José Auguste Seabra
No full textChalon Louis. Pessoa (Fernando). Le privilège des chemins. Édition bilingue. Recherche, transcription, montage et traduction de Teresa Rita Lopes. Postface de José Auguste Seabra. In: Revue belge de philologie et d'histoire, tome 69, fasc. 3, 1991. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 751-752
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