1,720,968 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Basquiat e Irmãos Campana: uma reflexão sobre estética, comunicação e poder
This article proposes, in an exploratory way, a rapprochement between aesthetics and communication, focusing on the production of meaning in works of design and art. It resorts to the empirical object “Favela Chair”, by the Campana brothers, and to the painting “Notary”, by Jean Michel Basquiat, in order to reflect on the construction of meaning of these cultural objects, expanding the horizon of interpretation from the symbolic to the social and political level. We seek thus to build up a critical reflection on contemporary art and design, unveiling some power structures underlying the field of cultural industry.Este artigo propõe, de forma exploratória, uma aproximação entre estética e comunicação, com foco na produção de sentido de obras de design e arte. Recorre-se ao objeto empírico Cadeira favela, dos irmãos Campana, e à pintura Notary, de Jean Michel Basquiat, a fim de refletir sobre a significação desses objetos culturais, expandindo o horizonte da interpretação, do simbólico, ao campo social e político. Procuramos, assim, construir uma reflexão crítica sobre a arte e o design contemporâneos, desvelando algumas estruturas de poder subjacentes ao campo da indústria cultural
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Basquiat e Irmãos Campana: uma reflexão sobre estética, comunicação e poder
This article proposes, in an exploratory way, a rapprochement between aesthetics and communication, focusing on the production of meaning in works of design and art. It resorts to the empirical object “Favela Chair”, by the Campana brothers, and to the painting “Notary”, by Jean Michel Basquiat, in order to reflect on the construction of meaning of these cultural objects, expanding the horizon of interpretation from the symbolic to the social and political level. We seek thus to build up a critical reflection on contemporary art and design, unveiling some power structures underlying the field of cultural industry.Este artigo propõe, de forma exploratória, uma aproximação entre estética e comunicação, com foco na produção de sentido de obras de design e arte. Recorre-se ao objeto empírico Cadeira favela, dos irmãos Campana, e à pintura Notary, de Jean Michel Basquiat, a fim de refletir sobre a significação desses objetos culturais, expandindo o horizonte da interpretação, do simbólico, ao campo social e político. Procuramos, assim, construir uma reflexão crítica sobre a arte e o design contemporâneos, desvelando algumas estruturas de poder subjacentes ao campo da indústria cultural
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Dobra, tempo e devir na cultura da moda contemporânea: ensaio sobre moda e transgressão
The article starts from the sociocultural and technological contexts --interfering in the timing of senses, sensations and bodily affections-- in order to question the processuality of fashion, its historical time, its mutations and its contemporary affirmation as an autophagic system from which the becoming of culture emerges. It discusses critically the phenomenon of fashion as an operator of consumption and a producer of trends. Key words: fashion, fold, counterculture.É do contexto sociocultural e tecnológico – interferindo no tempo dos sentidos, sensações e afetos dos corpos – que partimos para questionar a processualidade da moda, seu tempo histórico, suas mutações e sua afirmação contemporânea como sistema autofágico, a partir do qual emergem os devires da cultura. O presente artigo aborda criticamente o fenômeno da moda como operador de consumo e produtor de tendências. Palavras-chave: moda, dobra, contracultura
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