146 research outputs found
The Practice of Enterprise Modeling:Proceedings of the 17th IFIP WG 8.1 Working Conference on the Practice of Enterprise Modeling (PoEM 2024)
No full textThis book constitutes the proceedings of the 17th IFIP Working Conference on the Practice of Enterprise Modeling, PoEM 2024, which took place in Stockholm, Sweden, during December 3-5, 2024.PoEM offers a forum for sharing experiences and knowledge between the academic community and practitioners from industry and the public sector. This year the theme of the conference is Industry 5.0 and Society 5.0.The 17 full papers presented in this volume were carefully reviewed and selected from a total of 48 submissions. They were organized in topical sections named as follows: Enterprise modeling for digital transformation and industry applications; advances in enterprise modelling techniques; process mining and business process analysis; security, compliance, and configuration in enterprise modeling
Opportunities and Challenges for GORE in the era of Learning-based AI:iStar 2024 Panel Report
No full textThe following discussion paper summarizes the results of a panel discussion conducted on October 28, 2024 at the 17th iStar International Workshop, co-located with the International Conference in Conceptual Modelling (ER) in Pittsburgh, PA, United States. The panelists included Travis D. Breaux from Carnegie Mellon University, US, Giancarlo Guizzardi from the University of Twente, The Netherlands, and Eric Yu from the University of Toronto, Canada. The panel was moderated by Elda Paja from the IT University of Copenhagen, Denmark
Opportunities and Challenges for GORE in the era of Learning-based AI:iStar 2024 Panel Report
No full textThe following discussion paper summarizes the results of a panel discussion conducted on October 28, 2024 at the 17th iStar International Workshop, co-located with the International Conference in Conceptual Modelling (ER) in Pittsburgh, PA, United States. The panelists included Travis D. Breaux from Carnegie Mellon University, US, Giancarlo Guizzardi from the University of Twente, The Netherlands, and Eric Yu from the University of Toronto, Canada. The panel was moderated by Elda Paja from the IT University of Copenhagen, Denmark
Knowledge-Driven Data Ecosystems Toward Data Transparency
Get PDFA data ecosystem (DE) offers a keystone-player or alliance-driven infrastructure that enables the interaction of different stakeholders and the resolution of interoperability issues among shared data. However, despite years of research in data governance and management, trustability is still affected by the absence of transparent and traceable data-driven pipelines. In this work, we focus on requirements and challenges that DEs face when ensuring data transparency. Requirements are derived from the data and organizational management, as well as from broader legal and ethical considerations. We propose a novel knowledge-driven DE architecture, providing the pillars for satisfying the analyzed requirements. We illustrate the potential of our proposal in a real-world scenario. Last, we discuss and rate the potential of the proposed architecture in the fulfillmentof these requirements
Konsep Diri Pengusaha Muda (Studi Pada Elda Susanti Stick Mozarella Pku By.el’s)
Get PDFElda Susanti is a young entrepreneur engaged in the culinary business. Starting a
business since she was in college, Elda Susanti has succeeded in becoming an
entrepreneur, one of the millennial favorite snacks, Stick mozzarella pku by.el's.
The first attempt called Stick Mozzarella Pku by. el's already has 4 branch outlets
in Pekanbaru. This prompted the author to conduct research on the self-concept
of young entrepreneurs in carrying out three identities at the same time being an
entrepreneur, being a child, and being a student. This study discusses the selfconcept that focuses on the self-concept of young entrepreneurs Elda Susanti stick
mozzarella pku by.el's. In this study using a qualitative approach with interviews,
observation and documentation. The results of the study indicate that the selfconcept possessed by young entrepreneurs is an independent attitude, never gives
up, always innovates, is able to see business opportunities in the future or in the
long term, and always maintains communication between business owners and
employees
Gli antroponimi nel Catalogo delle donne. Percorsi storici e geografici della tradizione epica
No full textThe dissertation delves into the origin of the Hesiodic Catalogue of Women and strives to illuminate the relationship between this genealogical epic poem and the Homeric tradition. The study focuses in particular on personal names, which are the most distinctive element of this poem.
The examination of personal names allows the author to conclude that both the poem’s contents and language (at least in its final version) ultimately reflect a Greek Northwestern milieu and, further, to argue that the Catalogue of Women is an arresting example of an intersection between two different poetic traditions: an archaic one, handed down at a local level in Locris (or nearby), and a later one, Ionic-Homeric, but by then Panhellenic
STS: a Security Requirements Engineering methodology for socio-technical Systems
No full textToday’s software systems are situated within larger socio-technical systems, wherein they interact — by exchanging data and delegating tasks — with other technical components, humans, and organisations. The components (actors) of a socio-technical system are autonomous and loosely controllable. Therefore, when interacting, they may endanger security by, for example, disclosing confidential information, breaking the integrity of others’ data, and relying on untrusted third parties, among others. The design of a secure software system cannot disregard its collocation within a socio-technical context, where security is threatened not only by technical attacks, but also by social and organisational threats. This thesis proposes a tool-supported model-driven methodology, namely STS, for conducting security requirements engineering for socio-technical systems. In STS, security requirements are specified — using the STS-ml requirements modelling language — as social contracts that constrain the social interactions and the responsibilities of the actors in the socio-technical system. A particular feature of STS-ml is that it clearly distinguishes information from its representation — in terms of documents, and separates information flow from the permissions or prohibitions actors specify to others over their interactions. This separation allows STS-ml to support a rich set of security requirements. The requirements models of STS-ml have a formal semantics which enables automated reasoning for detecting possible conflicts among security requirements as well as conflicts between security requirements and actors’ business policies — how they intend to achieve their objectives. Importantly, automated reasoning techniques are proposed to calculate the impact of social threats on actors’ information and their objectives. Modelling and reasoning capabilities are supported by STS-Tool.
The effectiveness of STS methodology in modelling, and ultimately specifying security requirements for various socio-technical systems, is validated with the help of case studies from different domains. We assess the scalability for the implementation of the conflict identification algorithms conducting a scalability study using data from one of the case studies. Finally, we report on the results from user-oriented empirical evaluations of the STS methodology, the STS-ml modelling language, and the STS-Tool. These studies have been conducted over the past three years starting from the initial proposal of the methodology, language, and tool, in order to improve them after each evaluation
LA RICEZIONE DI ANDRÉ FRÉNAUD (1907-1993) A MILANO. DALL'IMPEGNO ALLA NEOAVANGUARDIA
No full textSeguendo l’attività di alcuni importanti editori e periodici milanesi – «Il Politecnico», la rubrica letteraria del «Corriere della Sera», «Il Verri», la casa editrice All’Insegna del Pesce d’Oro, la collana «Le Silerchie» presso Il Saggiatore – si analizza come, per un ventennio, il 'realismo metafisico' di André Frénaud si intrecci, acquisendo sottolineature via via diverse, con la riflessione e l’operato di alcuni tra i maggiori poeti del dopoguerra, milanesi di nascita o d’adozione: Eugenio Montale, Franco Fortini, Nelo Risi, Luciano Erba.By observing the activity of editors and periodicals in Milan between 1945 and 1964 - «Il Politecnico», «Corriere della Sera», «Il Verri», All’Insegna del Pesce d’Oro, Il Saggiatore – the author analyzes how André Frénaud's 'metaphysical realism' melds and interacts with the poetical theory and practice of major italian poets, born and/or living in Milan: Eugenio Montale, Franco Fortini, Nelo Risi, Luciano Erba
Goal-oriented requirements engineering: an extended systematic mapping study
Get PDFOver the last two decades, much attention has been paid to the area of goal-oriented requirements engineering (GORE), where goals are used as a useful conceptualization to elicit, model, and analyze requirements, capturing alternatives and conflicts. Goal modeling has been adapted and applied to many sub-topics within requirements engineering (RE) and beyond, such as agent orientation, aspect orientation, business intelligence, model-driven development, and security. Despite extensive efforts in this field, the RE community lacks a recent, general systematic literature review of the area. In this work, we present a systematic mapping study, covering the 246 top-cited GORE-related conference and journal papers, according to Scopus. Our literature map addresses several research questions: we classify the types of papers (e.g., proposals, formalizations, meta-studies), look at the presence of evaluation, the topics covered (e.g., security, agents, scenarios), frameworks used, venues, citations, author networks, and overall publication numbers. For most questions, we evaluate trends over time. Our findings show a proliferation of papers with new ideas and few citations, with a small number of authors and papers dominating citations; however, there is a slight rise in papers which build upon past work (implementations, integrations, and extensions). We see a rise in papers concerning adaptation/variability/evolution and a slight rise in case studies. Overall, interest in GORE has increased. We use our analysis results to make recommendations concerning future GORE research and make our data publicly available
Traduire la poésie: l'action du style. Erba et Luzi traducteurs de Michaux.
Get PDFIl testo rielabora un seminario tenuto all’Università di Bologna il 28 marzo 2012 nel quadro del corso di Traduzione francese di Giovanni Tallarico e sotto il patrocinio del CeSLiC. Accantonando il dibattito sull’intraducibilità della poesia, l’autrice si propone d’indagare che cosa la traduzione poetica possa effettivamente tradurre, articolando un percorso in due sezioni: un’introduzione a carattere teorico corredata da esempi, seguita da un saggio di analisi testuale.
Nella prima sezione si individua nell’apertura metaforica il modo di significare caratteristico del testo poetico moderno (Renzi 1991). Si osserva il modo in cui questa apertura si genera nel testo attraverso l’azione dello stile. Rifiutando, sulla scorta di Meschonnic (1969), d’intendere lo stile come ‘scarto dalla norma’, si giunge a definirlo piuttosto come l’istituzione di un sistema di corrispondenza inedito tra significato e significante, in un processo di rimotivazione del rapporto segnico (Risset 2011) che è proprio del testo letterario. Lo stile investe perciò tutti i livelli del significante, dall’ordine delle parole al tratto pertinente del singolo fonema, e a tutti i livelli si può sorprenderne l’azione osservando l’intreccio tra il piano dell’equivalenza e quello della differenza (Jakobson 1987a).
Proseguendo la riflessione, si osserva che le virtualità dello stile inscritte nel testo si dispiegano nello spazio e nel tempo di una particolare tradizione, assumendo in essa valori specifici differenti e mutevoli nel corso delle generazioni. L’incommensurabilità tra diverse tradizioni recide la possibilità di una qualsiasi sostituibilità o equivalenza tra testo originale e testo tradotto, che sono piuttosto termini distinti di una relazione. Questo aspetto è sviluppato con riferimento alla riflessione di Fortini (1987 e 2011) da cui viene mutuata la distinzione fra tre tipi di traduzione: parafrasi, traduzione d’arte e rifacimento.
La riflessione introduttiva è illustrata, nella seconda parte, attraverso l’analisi di un componimento di Henri Michaux, La Cordillera de los Andes, a fronte delle traduzioni italiane di Luciano Erba e di Mario Luzi. La prima tende a levigare le asperità lessicali, metriche e sintattiche dell’originale, muta il quadro enunciativo del testo e ne scongolge l’impianto assiologico. La seconda opera più sottilmente con sfumature di registro e lievi sfasamenti semantici, aprendolo ad una dimensione trascendente.
Lo studio fornisce alcuni punti di riferimento essenziali in merito al dibattito sulla traduzione poetica nel Novecento. Accetta l’ipotesi che la traduzione poetica possa mirare a tradurre un sistema stilistico, ferma restando la diversità dei valori che questo assumerà entro la letteratura della lingua d’arrivo. Illustra infine, attraverso un’analisi originale, i modi concreti e le diverse misure in cui due poeti-traduttori trasformano il medesimo testo originale attingendo alle proprie diverse poetiche e risorse stilistiche.This essay is the revised version of a seminar originally held at the University of Bologna on 28 March 2012 as part of Prof. Giovanni Tallarico’s French Translation course and under the patronage of CeSLiC (Centre for the Study of Languages and Cultures). Leaving aside the debate on the untranslatability of poetry, the author aims to investigate what poetic translation can in fact offer. The argument is divided into two sections: a theoretical introduction offering some examples and a textual analysis essay.
In the first section, the metaphorical opening is identified as the typical signifying tool used in the modern poetic text (Renzi 1991). Attention is drawn to how the opening is generated within the text through the style’s agency. Refusing with Meschonnic (1969) to interpret style as a ‘deflection from the standard’, the latter is rather defined as the setting up of an unprecedented matching system between signified and signifier, in a process of re-motivation of the sign process (Risset 2011) typical of the literary text. Style thus covers all levels of the signifier, from word order to each phoneme’s distinctive features and at all levels its action may be spotted by observing the interlace between the level of equivalence and that of difference (Jakobson 1987a).
Through further reflection, style’s potentialities within the poetic text are seen to extend into the space and time of a specific tradition, with its specific, different and changeable values from generation to generation. The impossibility of comparing different traditions results in the impossibility of any replacement option or equivalence between the original text and the translated text, which are rather distinct terms of a relationship. This aspect is developed with reference to Fortini’s remarks (1987 and 2011), from which the distinction between three types of translation – paraphrase, artistic translation and re-make – is drawn.
An illustration of the introductory theoretical remarks is offered in the second part through the text analysis of a poem by Henri Michaux, La Cordillera de los Andes, alongside the Italian translations by Luciano Erba and by Mario Luzi. The former translation tends to soften hard angles in the original’s vocabulary, metre and syntax, by modifying its expressive framework and by overturning its axiological structure. The latter is more subtle in its use of register nuances and slight semantic shifts, thus opening the text to a transcendental dimension.
This study offers some essential reference points for the debate on poetic translation in the twentieth century. It accepts the hypothesis that poetic translation may be aimed at translating a stylistic system, irrespective of the different values that will still be assigned to it within the literature of the destination language. Finally, through an original analysis it exemplifies the concrete ways and the different extent to which the two poets-translators transform the same original text by drawing on their own different poetics and stylistic resources
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