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    Metaphor and Organization Studies: Going Beyond Resonance to Further Theory and Practice

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    Research on metaphor in organization studies has proliferated over the last 40 years. For the majority of its history, metaphors have been studied and deployed as linguistic and cognitive ‘resources’ to help scholars and practitioners understand the complexity of organizations and the environments in which they operate. Reviewing classic papers on the topic published in Organization Studies, we synthesise the key characteristics of past work and informed by our review offer a more multi-dimensional theoretical perspective to channel research into new directions. The new perspective that we offer is premised on leveraging dissonance and multi-modality in producing and using metaphors and we in turn demonstrate how such a viewpoint draws out new vistas for both scholars and practitioners alike. We highlight some of the implications of centring future thinking from this multi-dimensional perspective, including new strategies of deploying metaphors to generate potentially path-breaking theories and ways of studying phenomena

    Metaphors and metaphorization in organizational analysis: thinking the unthinkable

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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    The struggle with sense.

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    This paper explores the relationship between two perspectives on sense-making - the narrative and the phenomenological. Our aim is not to make a propositional comparison of the two approaches, but to observe them at work as heuristics; as devices which illustrate the process of making sense. At the core of our study is the way each approach can illuminate the process of sense-making by its opposite, which we call "non-sense"

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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