3,065 research outputs found
ECHR Melo Tadeu: A Tax Case Which Should Bring on More Carefully Selected Criminal Procedures
No full textThe European Court of Human Rights (ECHR) judged in the Melo Tadeu case that the refusal of the authorities to undo the seizure of assets after a criminal acquittal, is disproportional, regardless whether the appeal was too late. The Melo Tadeu judgment implies mainly that the presumption of innocence remains in full force after a criminal acquittal. In this article the author discusses the Melo Tadeu judgment of the ECHR
Ser linchado en instagram : la histora de Santiago Melo
No full textEsta es una historia sobre linchamientos. Sobre la justicia a mano propia, el caso de Santiago Melo. Los registros se remontan a tiempos bíblicos y se reciclan en el presente. Aunque los de ahora son diferentes: los linchamientos actuales han mutado, gracias, en buena parte, al boom de las redes sociales. Las víctimas son atacadas con insultos, amenazas y hostigamientos que casi siempre causan daños psicológicos y aunque no necesariamente se hacen para matar, como en el pasado, sus consecuencias son impredecibles. Ahora, como antes, quienes linchan creen que están haciendo lo correcto y aquellos que podían evitarlos no lo hicieron.This is a story about lynchings. About justice at your own hand, the case of Santiago Melo. The records date back to biblical times and are recycled in the present. Although the ones of now are different: the current lynchings have mutated, thanks, in good part, to the boom of the social networks. Victims are attacked with insults, threats and harassment that almost always cause psychological damage and although not necessarily done to kill, as in the past, its consequences are unpredictable. Now, as before, those who lynch believe they are doing the right thing and those who could avoid them did not.Magíster en PeriodismoMaestrí
Ser linchado en instagram : la histora de Santiago Melo
No full textEsta es una historia sobre linchamientos. Sobre la justicia a mano propia, el caso de Santiago Melo. Los registros se remontan a tiempos bíblicos y se reciclan en el presente. Aunque los de ahora son diferentes: los linchamientos actuales han mutado, gracias, en buena parte, al boom de las redes sociales. Las víctimas son atacadas con insultos, amenazas y hostigamientos que casi siempre causan daños psicológicos y aunque no necesariamente se hacen para matar, como en el pasado, sus consecuencias son impredecibles. Ahora, como antes, quienes linchan creen que están haciendo lo correcto y aquellos que podían evitarlos no lo hicieron.This is a story about lynchings. About justice at your own hand, the case of Santiago Melo. The records date back to biblical times and are recycled in the present. Although the ones of now are different: the current lynchings have mutated, thanks, in good part, to the boom of the social networks. Victims are attacked with insults, threats and harassment that almost always cause psychological damage and although not necessarily done to kill, as in the past, its consequences are unpredictable. Now, as before, those who lynch believe they are doing the right thing and those who could avoid them did not.Magíster en PeriodismoMaestrí
ARTS IN DIALOGUE Poetry and Painting: Joao Cabral de Melo Neto and Joan MirÃ
No full textA Pintura e a Literatura, apesar de consistirem em atividades distintas, interagem entre si e se comunicam dentro de um campo abrangente, denominado Arte. O presente estudo pretende uma aproximaÃÃo, um diÃlogo, estabelecido entre poesia e pintura. Propomos uma abordagem comparativa entre algumas peÃas da obra do pintor catalÃo Joan Mirà (1893-1983), e os poemas presentes no livro A pedra do sono (1942) do poeta pernambucano JoÃo Cabral de Melo Neto (1920-1999), tendo como pano de fundo a estÃtica surrealista, postulada por Andrà Breton, em 1924, na FranÃa. Teremos como base teÃrica fundamental o pensamento de JoÃo Cabral de Melo Neto, exposto em um ensaio crÃtico, no ano de 1949, intitulado âJoan MirÃâ. O conhecido âpoeta engenheiroâ possuÃa forte afinidade com a Teoria LiterÃria, escrevendo alguns textos de crÃtica de arte e literatura. Neles discorre acerca do processo de composiÃÃo artÃstica, correntes estÃticas, movimentos literÃrios, personalidades brasileiras e estrangeiras. Para viabilizar a anÃlise, recorremos aos teÃricos de Literatura Comparada, como: TÃnia Carvalhal, Sandra Nitrini, Julia Kristeva e Mikhail Bakhtin; bem como, aos crÃticos de Arte: Fayga Ostrower, Omar Calabrese, Paul ValÃry, dentre outros, que possibilitaram uma compreensÃo acerca de movimentos artÃsticos, correntes estÃticas e tÃcnicas peculiares de criaÃÃo e composiÃÃo. Iniciamos com uma reflexÃo acerca da Arte e do fazer artÃstico; em seguida, foi enfocado o perfil artÃstico de JoÃo Cabral de Melo Neto e sua face teÃrico-crÃtica, tendo por base o estudo relativo à obra de Joan MirÃ. A Ãltima etapa contempla uma anÃlise do ensaio de JoÃo Cabral acerca da pintura de MirÃ, concernente à construÃÃo de sua obra. O diÃlogo à viabilizado no tocante à evidÃncia de temas recorrentes, bem como pelo processo de composiÃÃo com vÃrios pontos de aproximaÃÃo entre os dois artistas.Painting and Literature, although they consist of different activities, interact and communicate to each other into a large field, denominated Art. This study aims to approximate, like a dialogue, between Poetry and Painting. We propose a comparative approach between some parts of the Spanish painter Joan MirÃâs (1893-1983) work and some poems of A pedra do sono (1942), by JoÃo Cabral de Melo Neto (1920-1999), a Brazilian poet from Pernambuco. This study will have as a backdrop the Surrealist aesthetic, postulated by Andrà Breton, in 1924, in France. We will have as a fundamental theoretical basis JoÃo Cabral de Melo Netoâs thought, exhibited in a critical essay, in 1949, entitled âJoan MirÃâ. The famous âengineer poetâ had a strong relation with the Literary Theory, and he wrote some critic texts of Art and Literature, in which the author discusses about the artistic composition process, kinds of aesthetic, literary movements, Brazilian and foreign personalities. To enable this analyses, we used the Comparative Literature Theoretical, like: TÃnia Carvalhal, Sandra Nitrini, Julia Kristeva e Mikhail Bakhtin; and the Art critics: Fayga Ostrower, Omar Calabrese, Paul ValÃry, among other, who have allowed a comprehension about artistic movements, kinds of aesthetic and creationâs and compositionâs peculiar techniques. We will begin thinking about Art and artistic making; then, JoÃo Cabral de Melo Netoâs artistic profile will be focused, as his theoretical/critical face, based on his Joan Mirà study. The last step includes an analysis of the JoÃo Cabralâs essay about MirÃâs paintings, concerned to his own work. The dialogue is made possible with regard to the evidence of recurrent themes, as well as the composition process with a lot of approximated points between those artists
Infinito e segredo nas poéticas da combinação de Melo e Castro e de Herberto Helder / Infinite and Secret in the Poetics of Combination of Melo e Castro and Herberto Helder
No full textResumo: A partir da colaboração entre Melo e Castro e Herberto Helder na direção do segundo número da revista PO.EX, de 1966, o texto propõe um diálogo entre os dois poetas quanto ao uso do método cibernético da combinação em suas poéticas. Toma-se inicialmente o contexto do pós-guerra, quando o método combinatório passa a ser chave de criação para os poetas. No fim do texto, chega-se à contemporaneidade, quando a tecnologia algorítmica parece controlar e conduzir destinos político-culturais. Nesse percurso, articulam-se algumas semelhanças e diferenças entre os usos da combinação pelos dois poetas, permitindo-nos pensar algumas contradições históricas na imbricação entre discurso poético e tecnologia, sendo infinito e segredo os elementos potencialmente políticos que as poéticas de Melo e Castro e Herberto Helder desenvolvem em suas combinações.Palavras-chave: infinito, segredo, combinação, Herberto Helder, Melo e Castro.Abstract: Based on the collaboration between Melo e Castro and Herberto Helder for the second issue of the PO.EX magazine, from 1966, the article proposes a dialogue between the two poets regarding the use of the cybernetic method of combination in their poetics. Initially, as of the post-war context, when the combinatorial method became the key of creation for some poets. In the conclusion, it reaches contemporary times, when algorithmic technology seems to control and drive political-cultural goals. Throughout the article, the author approaches some similarities and differences between the uses of the combination by the poets, enabling us to think some historical contradictions in the connection between poetic discourse and technology. This leads infinite and secret as potentially political elements in the Melo e Castro and Herberto Helder’s poetics of combination.Keywords: infinite, secret, combination, Herberto Helder, Melo e Castro
UNNALI MELO: WUJUD PANGGILAN GEREJA DITENGAH UMAT BERAGAMA DI TORAJA
No full textThe church has a duty and calling to convey and carry out peace among religious people in
society. the same as in the Toraja tribe. In the Toraja area there are several religions such as
Christianity, Islam, and tribal religion, namely Aluk Todolo. In the Toraja tribe there is what is
called the Unnali melo understanding (buying kindness) which is carried out to solve a problem
that has no common ground so that peace can occur. The author sees that the unnali melo
understanding is a form of the church's vocation among religious people. In this article the
author uses the library research method through articles and writings. The purpose of writing is
to understand about unnali culture and the relationship between the church and culture within
a tribe, specifically the Toraja tribe
A gramática filosófica de Bernardo de Lima e Melo Bacelar (1783)
No full textThe purpose of this article is to demonstrate the linguistic and pedagogical ideas present in the “Grammatica Philosophica da Língua Portugueza” (1783), by Bernardo de Lima e Melo Bacelar (ca.1736-post.1787), leaving from a critical reading of this Grammar book and an analysis about other researchers who have already studied it. The “Grammatica” is divided into three parts, according to the parts of the grammatical sentence and their functions in the sentence. These parts are subdivided into chapters. The author uses the case nomenclature to describe the terms of the sentences. His intention was to offer to the readers an innovative material, which could present the rules of the Portuguese language by a new methodology. Bacelar believed that a clear, precise and unambiguous communication would only be possible through the knowledge of these rules. As an attentive follower of Port-Royal’s rationalist ideas and of the Enlightenment, he also believed in the existence of an universal grammar. Although he was a great erudite of classical languages and of the Portuguese language, his job was underestimated by the scholars of his time. Unfortunately, he did not achieve his purpose of providing clarity in communication.A proposta deste artigo é demonstrar as ideias linguísticas e pedagógicas presentes na "Grammatica Philosophica da Língua Portugueza" (1783), de Bernardo de Lima e Melo Bacelar (ca.1736-post.1787), a partir de uma leitura crítica desta obra e da análise de outros estudiosos que já se empenharam em estudá-la. A "Grammatica" é dividida em três partes, de acordo com as partes da oração, conforme suas funções na frase. Estas partes são subdivididas em capítulos. O autor utiliza a nomenclatura casual para descrever os termos da oração. Sua preocupação ao compor a gramática era oferecer aos leitores um material inédito que pudesse apresentar de maneira inovadora as leis que regem a língua portuguesa, pois acreditava que uma comunicação clara, precisa e sem erros somente seria possível através do conhecimento dessas leis. Atento seguidor das ideias racionalistas de "Port-Royal" e do movimento iluminista, acreditava também na existência de uma gramática universal. Embora tenha sido um grande erudito das línguas clássicas e da língua materna, teve sua obra menosprezada pelos estudiosos de sua época, não atingindo, portanto, seus ideais de proporcionar clareza na comunicação
Half-Chewed Counsellors and Statesmen
No full textHalf-Chewed Counsellors and Statesmen is a story translated by Paul Michael Melo e Castro. This story was originally written in Portuguese and published in 1923 by the Goan author José da Silva Coelho (1889-1944)
Santos y musulmanes en la España medieval: la presencia del otro islámico en las hagiografías hispanas de los siglos VIII a X
No full textEl artículo propone un muy breve análisis de algunos textos hagiográficoshispanos, datados de los primeros siglos de la ocupación musulmana en la península. Através de ellos, se intenta poner de relieve cómo estos documentos construyeron unaimagen significativa del mundo islámico en una época en que éste constituía el poder porexcelencia de la región y en la cual la fidelidad al cristianismo se veía permanentementecuestionada por la actitud de muchos hombres, que preferían abrazar la nueva religiónislámica en pos de lograr una mejor posición económica y social. Ello dará como resultadoun molde hagiográfico de contenido específico, parcialmente alejado de otro tipo deproducción que buscaba imponer imágenes de santos más bien universales, válidos paratoda la cristiandad.Fil: Guiance, Ariel Omar. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Saavedra 15. Instituto Multidisciplinario de Historia y Ciencias Humanas; Argentin
Amphibians and reptiles of Wildsumaco Wildlife Sanctuary, Napo Province, Ecuador
No full textWe conducted a long-term inventory of the herpetofauna of Wildsumaco Wildlife Sanctuary in the eastern part of the Napo Province in Ecuador. This private preserve is about 500 ha in size and is located on the southern slopes of Volcán Sumaco. The preserve contains primary forest, secondary forest, and pasture habitats. Based mostly on nocturnal transect sampling we documented 39 species of amphibians including one species of salamander, two species of caecilians, and 36 species of frogs. Rain frogs (Pristimantis Jiminez de la Espada, 1871) were diverse with 14 species documented. A diverse species assemblage of 45 reptile species was also documented on the preserve. Six amphibian species found were listed by the IUCN Red List. At least three species exhibited substantial geographic range extensions and seven species showed elevational range extensions. We discovered several undescribed species including one salamander, three frogs, one lizard, and one snake
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