1,801 research outputs found
Edison Carneiro, biografemas: poesia, samba e candomblé
No full textApresenta-se um biografema de Edison Carneiro, estruturado pela percepção dos lugares de fala do Mestre Antigo, bem como por sua produção poética, sua relação com o samba e com a mitologia afro-brasileira. Demonstra-se que Edison Carneiro era “pessoa de dentro” ou, aproveitando-se de seus dizeres, “uma pessoa de casa”, em seus labores artísticos e etnográficos. Vê-se a produção do intelectual feiticeiro compromissada com um lugar de fala afro-brasileiro, popular e plural tanto na poesia, como referente à defesa do samba e na etnografia de candomblés da Bahia. O método, anunciado na primeira frase, é a biografemática barthesiana, contudo, permitindo-se o pesquisador, fazer inferências na teoria de Roland Barthes, seja aproveitando conceitos questionados por Barthes, seja criando conceitos complementares à biografemática ou à crítica da cultura. Por fim, têm-se um biografema de Edison Carneiro, que também permite revelações de passagens significativas da história da cultura brasileira, com as quais Carneiro têm responsabilidades. Seja na poesia, criando novos paradigmas para compreensões do amor e de suas posses, seja na defesa do samba, antecipando a noção de salvaguarda ou dando possibilidades para o entendimento de preconceitos, revisões e/ou permanências de mitos afro-brasileiros, demonstra-se a contribuição plural e afro-brasileira de Edison Carneiro.ABSTRACT This work presents a biographem – a narrative about someone’s life and works – about Edison Carneiro. This method of narrative writing – biographematics – belongs to Roland Barthes. However, on our inferences, we use his arguments and theoretical concepts he questioned, or we create complementary concepts to biographematics or to the cultural criticism. We structured Carneiro’s biographem on the perception of his discursive places, his poetic production and his relation with samba and Afro-Brazilian mythology. Edison Carneiro was a "person from inside" or, using his words, "a person from home". The artistic and ethnographic production of the wizard-intellectual was committed to the Afro-Brazilian popular and plural discursive place. In his poetry, he created new ways to represent and understand love and it possessions. In his works on the defense of samba, he anticipated the notion of safeguarding. In his works on the candomble of Bahia, he opened possibilities to understand it revisions and permanencies and the prejudices against this Afro-Brazilian religion. From these arguments, we can conclude that Carneiro’s biographem also reveals important moments of Brazilian culture, which we may relate to him
Edison
No full textFrom Pulitzer Prize-winning author Morris comes a revelatory new biography of Thomas Alva Edison, the most prolific genius in American historyThomas Alva Edison's invention of the first practical incandescent lamp 140 years ago so dazzled the world that it cast a shadow over his later achievements. In all, this near-deaf genius patented 1,093 inventions, not including those he left unlicensed for the benefit of medicine.Morris portrays the unknown Edison-- philosopher, futurist, chemist, botanist, wartime defense adviser, founder of nearly 250 companies-- while deconstructing the Edison of mythological memory. -- adapted from jacke
A day with Thomas A. Edison /
No full textA six-part documentary recording the 74-year-old Edison's collaborations with his staff, conversations with industrial leaders, and supervision of the factory's production line. The majority of the film (parts 3, 4, and 5) chronicles Edison's trip to the incandescent light bulb factory and details its manufacturing process.Copyright: General Electric Co.; 26Jun22; MU2171.Author, H. Schroeder.Duration: 3:37 (part 1), 4:13 (part 2), 4:02 (part 3), 4:02 (part 4), 4:15 (part 5), and 3:35 (part 6) at 16 fps.Source used: Copyright catalog, motion pictures, 1912-1939.MAVIS 826721. DLCReceived: 5-1-1965 from USDA film lab; viewing print; preservation; Edison Collection
Determinação de vida residual através de análise metalográfica em tubos de A-312 TP 304H sujeitos ao mecanismo de fluência
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro Tecnológico. Programa de Pós-graduação em Engenharia Mecânic
Dracolestes Goin, Candela, Abello, and Oliveira, 2009, is a Nomen nudum
No full textGoin et al. (2009) described the oldest Paucituberculata marsupials from the Las Flores and La Barda localities of Argentina (Late Palaeocene, and Early?Middle Eocene), as well as from the Itaboraí Basin of Brazil (Late Palaeocene). The new taxa, represented by very scarce, although well-preserved, dental remains were named Riolestes capricornicus, Bardalestes hunco, and Bardalestessp. Notwithstanding, these authors named Dracolestessp. the specimen MLP 90-II-5-300 (Goin et al., 2009, Table 1: p. 871), and also designated Dracolestesas a Plesion of the Order Paucituberculata (Goin et al., 2007, Table 3: p. 879). According to Goin et al. (2009) the specimen MLP 90-II-5-300 is an isolated right talonid that was illustrated and named Bardalestessp. in Fig. 2 E-F (p. 869). This specimen, as well as the specimens MLP 90-II-5-336,MLP 90-II-5-335, MLP 90-II-5-337. were the four referred specimens of Bardalestessp. (p.873), and were described on pages 873-874 of Goin et al. (2009). According to the above-mentionedevidences, the name DracolestesGoin, Candela, Abello and Oliveira 2009 fails to conform to Article 13 of the International Code of Zoological Nomenclature (ICZN, 2000), because Dracolesteswas not ??accompanied by a description or definition that states in words characters that are purported to differentiate the taxon? (Art. 13.1.1, ICZN, 2000). Dracolestesis a nomen nudumand, consequently, is not an available name. Notwithstanding, Dracolestes??may be made available later for the same or a different concept; in such a case it would take authorship and date [Arts. 50, 21] from that act of establishment, not from any earlier publication as a nomen nudum? (ICZN, 2000: Glossary). An internet inside the ?Index to Organism names? (ION, 2008) and Google Scholar ({{Google scholar cite|keywords=dracolestes}}) revealed that the name Dracolestes has not been used or cited in the scientific literature after the paper of Goin et al. (2009).Fil: Goin, Francisco Javier. Universidad Nacional de La Plata. Facultad de Ciencias Naturales y Museo; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; ArgentinaFil: Candela, Adriana Magdalena. Universidad Nacional de La Plata. Facultad de Ciencias Naturales y Museo; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; ArgentinaFil: Abello, María Alejandra. Universidad Nacional de La Plata. Facultad de Ciencias Naturales y Museo. Laboratorio de Sistemática y Biología Evolutiva; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; ArgentinaFil: Oliveira, Edison V.. Universidade Federal de Pernambuco; BrasilFil: Ortiz Jaureguizar, Edgardo. Universidad Nacional de La Plata. Facultad de Ciencias Naturales y Museo. Laboratorio de Sistemática y Biología Evolutiva; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; Argentin
Compensação reativa em sistemas elétricos de potência, através de fatores de sensitividade
No full textNão constaNão const
Miogryllus undefined-2 Zefa, Martins, Demari, Acosta, Centeno, Castro-Souza, Oliveira, Miyoshi, Fianco, Redü, Timm, Costa & Szinwelski, 2022, gen. nov.
No full text16. Gryllinae gen. nov. sp.2 (Fig. 15) — i) calling song, 2.7 kHz ± 0.09 (2.6–2.9, n = 6); three individuals emitted chirps with 3 pulses, two with 4 pulses, and one with 3 or 4 pulses; 51 Ch/min ± 7.54 (42–60, n = 6), 21.3ºC ± 0.553 (21–22.5, n = 6) (Fig. 83); ii) State of Ceará, municipality of Crato (Floresta Nacional do Araripe-Apodi); iii) present paper.Published as part of Zefa, Edison, Martins, Luciano De Pinho, Demari, Christian Peter, Acosta, Riuler Corrêa, Centeno, Elliott, Castro-Souza, Rodrigo Antônio, Oliveira, Gabriel Lobregat De, Miyoshi, Akio Ronaldo, Fianco, Marcos, Redü, Darlan Rutz, Timm, Vitor Falchi, Costa, Maria Kátia Matiotti Da & Szinwelski, Neucir, 2022, Singing crickets from Brazil (Orthoptera: Gryllidea), an illustrated checklist with access to the sounds produced, pp. 211-237 in Zootaxa 5209 (2) on page 219, DOI: 10.11646/zootaxa.5209.2.4, http://zenodo.org/record/732596
Miogryllus undefined-1 Zefa, Martins, Demari, Acosta, Centeno, Castro-Souza, Oliveira, Miyoshi, Fianco, Redü, Timm, Costa & Szinwelski, 2022, gen. nov.
No full text15. Gryllinae gen. nov. sp.1 (Fig. 14) — i) calling song, 4.2 kHz ± 0.083 (4.1–4.3, n = 7); chirps with 7 to 10 pulses; 28.3 Ch/min ± 2.71 (24–30, n = 7), 19.2ºC ± 0.905 (18.1–20.8, n = 7) (Fig. 82); ii) State of Espírito Santo, municipality of Cariacica (Reserva Biológica de Duas Bocas); iii) present paper.Published as part of Zefa, Edison, Martins, Luciano De Pinho, Demari, Christian Peter, Acosta, Riuler Corrêa, Centeno, Elliott, Castro-Souza, Rodrigo Antônio, Oliveira, Gabriel Lobregat De, Miyoshi, Akio Ronaldo, Fianco, Marcos, Redü, Darlan Rutz, Timm, Vitor Falchi, Costa, Maria Kátia Matiotti Da & Szinwelski, Neucir, 2022, Singing crickets from Brazil (Orthoptera: Gryllidea), an illustrated checklist with access to the sounds produced, pp. 211-237 in Zootaxa 5209 (2) on page 219, DOI: 10.11646/zootaxa.5209.2.4, http://zenodo.org/record/732596
A patrimonialização da memória da cultura popular brasileira no Museu de Folclore Edison Carneiro
No full textTextfocusing onthe actions of Edison Carneiro Folklore Museum from1968 to 1984, under the concepts of social memory (HALLBWACHS),cultural heritage and ‘will of memory’ (Namer).The period in question consists of two phasesof institutional practice, which reflect changes in the directionof cultural policy practiced during the military period in Brazil.Texto focalizando as ações do Museu de Folclore Edison Carneiro de 1968 a 1984, Ã luz dos conceitos de memória social (HALLBWACHS), de patrimônio e de vontade de memória (NAMER). O período em pauta compreende duas fases da atuação institucional, aqui denominadas de ‘folclorista’ e ‘antropológica’, que refletem as mudanças nos rumos da política cultural praticada durante o período militar
Revista de Estudos de Cultura - Culturas em negativo - n. 1, jan./abr. 2015
No full textSumário -
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EDITORIAL
Luiz Eduardo Oliveira, José Eduardo Franco
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Artigos -
ANTICAPITALISMO
Émerson Neves da Silva
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O ANTICRISTIANISMO NO BRASIL
Rogério Luiz de Souza, Edison Lucas Fabrício
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ANTIFEMINISMO
Maria Helena Santana Cruz, Alfrancio Ferreira Dias
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O ANTIFRANCESISMO NO BRASIL
Maria Regina Barcelos Bettiol
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ANTILUSITANISMO
Carolina P. Fedatto
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ANTILUSOFONISMO
Jair de Almeida Junior
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ANTIMANIQUEÍSMO
Jean Pierre Chauvin
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O ANTIMEDIEVALISMO NO BRASIL
Thiago Borges de Aguiar
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AS MÚTUAS NEGAÇÕES DO CRIACIONISMO E DO EVOLUCIONISMO: suas origens e efeitos na cultura contemporânea
José Claudio MatosSão Cristóvão, S
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