519 research outputs found
Retradução comentada de Corinne ou l'Italie de Mme de Staël
Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014.Esta tese, vinculada à linha da "Teoria, crítica e história da tradução" objetiva a retradução comentada de Corinne ou l'Italie (1807) de Madame de Staël. No primeiro capítulo, descrevem-se a vida e as obras da autora, com ênfase para Corinne ou l'Italie, que foi traduzida e retraduzida em outras línguas, principalmente o inglês, italiano e alemão. Em seguida, no capítulo 2, apresenta-se a primeira tradução para o português do Brasil Corina ou a Itália (1945, Edições Cultura). Como terceira etapa, comenta-se a retradução com base nas reflexões teóricas de Berman, Pym, Venuti, Gambier. Apresentam-se exemplos dos aspectos semânticos, culturais, estilísticos presentes ao longo dos XX livros, a partir do original e da retradução. Os comentários do processo de tradução permitem uma frutífera troca literária e cultural e a tradução, o estudo e conhecimento da obra de Madame de Staël, por consequência, enriquecem o cânone da literatura francesa traduzida no Brasil.Abstract : This thesis, linked to the research field "Theory, criticism and history of translation" attempts to do a commented retranslation of Mme de Staël's Corinne ou l'Italie (1807). The first chapter describes the life and the works of the author, with emphasis on Corinne ou l'Italie, which was translated and retranslated into other languages, mainly English, Italian and German. In Chapter 2, the first translation of Corinne ou l'Italie into Brazilina Portuguese (1945, Cultura Printings) is presented. In chapter 3 the retranslation is analyzed through comments based on theoretical reflections of Berman, Pym, Venuti and Gambier. Examples of semantic, cultural and stylistics aspects of the XX books (original and retranslated version) are presented. The comments of the translation process allow a rich literary and cultural exchange. As well as a deeper investigation about Madame de Staël's work enriches the standard of French literature in Brazil
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Sachbericht zum Verwendungsnachweis
Das Ziel der klinischen Studie war es, den transgenerationalen Teufelskreis von Gewalt-, Missbrauchs und Vernachlässigungserfahrungen und psychischen Erkrankungen durch ein Präventionsprogramm zu durchbrechen, welches sich an Mütter und Väter wendet, die an einer schweren psychischen Erkrankung leiden und sich in akuter psychiatrischer Behandlung befinden. Auf der Grundlage der Ergebnisse aus UBICA I (Mielke, Neukel et al. 2020) (Neukel, Herpertz et al. 2019) , die die Fähigkeit zur Mentalisierung als protektiven Mechanismus gegen Gewaltpotential gegenüber Kindern bei vulnerablen Müttern mit einer eigenen Vorgeschichte früher Traumatisierungen identifizieren konnten, wurde eine mentalisierungsbasierte Elternberatung (MB-PC: mentalization-based parental counselling) eingesetzt und in einer randomisiert kontrollierten Studie gegen einen psychoedukativen Workshop (SCC+) getestet. Vorausgegangen war eine Pilotstudie, die zum Ziel hatte, das von der Gruppe um G. Bryme entwickelte mentalisierungsbasierte „Leuchtturm-Elternprogramm“ in Bezug auf seine Implementierbarkeit in den deutschen psychiatrischen Stationsalltag, die Zufriedenheit der Teilnehmerinnen mit dem Programm sowie die elterliche Stressbelastung vor und nach Teilnahme zu überprüfen (Volkert, Georg et al. 2019). In der hier berichteten Phase-III Studie wurden beide Interventionsarme als Add-on zur psychiatrischen Behandlung (‚standard clinical care‘, SCC) des Krankheitsbildes angeboten. Ziel der Untersuchung war die Messung der Wirksamkeit dieses Interventionsprogramms im realen Kontext eines psychiatrischen Krankenhauses
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Corinne Griffith
Corinne Griffith, who, according to the United Artists biography, was born Griffin, found success as an actress, producer, author, real estate magnate, anti-income-tax crusader, painter, and composer. We do not know enough, however, about how Griffith selected and shaped her productions. But contracts and letters on file in the Warner Brothers Archives at the University of Southern California show that arrangements between Corinne Griffith Productions and her distributors, First National Pictures (1923-26, 1928) and United Artists (1927), awarded her a relatively high amount of oversight
Corinne Moulton letter to Franklin County Woman Suffrage Association, October 21, 1914
Corinne Moulton, a resident of Canal Fulton, Ohio, wrote this letter on October 21, 1914, to the suffrage headquarters in Ohio to request pro-suffrage literature she could use to prepare for a debate on the issue of women's suffrage.
The Franklin County Woman Suffrage Association was formed in 1912, after the Ohio Constitutional Convention elected to bring to a vote the question of removing the words "white male" from the state constitution with regard to voting rights. Headquartered in the Chamber of Commerce building in Columbus, Ohio, the organization put out regular publications, organized public speeches and meetings, distributed literature and held parades in support of the suffrage movement. Women's suffrage in Ohio was defeated in a special election in 1912 and again in 1914 and 1916 before a resolution narrowly passed in 1917 allowing municipal voting by women in Columbus. In 1920, the 19th Amendment passed, extending the vote to women and prohibiting state and federal government from denying suffrage on the basis of sex
Ennuyeuse l'Angleterre de Corinne?
This paper takes as its starting point the discrepancy between the description of England by the heroine in Corinne ou l'Italie (1807) and, on the other hand, the presentation of the country as a political model in the Considérations sur la Révolution française, pondering the possibility of assessing gender in fiction or in history at the turn of the nineteenth century. The paper then addresses various options in the field of fiction itself by comparing the author of Corinne with Austen, the great English novelist of Staël's generation
L'affaire Proudhon. Lectures croisées de Qu 'est-ce que la propriété ?
The Proudhon affair. Crossed readings of Qu'est-ce que la propriété ?
Corinne Del mas [80-102].
The «Proudhon affair» enables an analysis of the links between Academics and Science but also political power, in 1840's. From numerous readings of a book and conflictual definitions of reality of infringements, the author undertakes to understand their stakes, among which acknowledgment of a self-taught person's knowledge by scientist societies, and difficult institutionnalisation of a discipline, political economy.L'affaire Proudhon. Lectures croisées de Qu'est-ce que la propriété ?
Corinne Delmas [80-102].
L'«affaire Proudhon» permet d'esquisser une analyse de la position ambiguë des Académies situées entre les savoirs et le pouvoir au tournant des années 1840. L'analyse de la réception multiple d'une œuvre a permis de comprendre les enjeux de la reconnaissance dans des lieux consacrés d'un intellectuel «autodidacte» et les conditions de la difficile institutionnalisation d'une discipline, l'économie politique.Delmas Corinne. L'affaire Proudhon. Lectures croisées de Qu 'est-ce que la propriété ?. In: Politix, vol. 8, n°29, Premier trimestre 1995. Frontières disciplinaires, sous la direction de Loïc Blondiaux et Brigitte Gaïti. pp. 80-102
Le théâtre poétique de Pham Van Ky
International audienceFLICKER (Corinne), « The poetic theater of Pham Van Ky. Le Rideau de pluie, a split dramaturgy » -As a French-speaking classic writer, Pham Van Ky is the author of almost seventy-one plays, including numerous radio plays. Le Rideau de pluie occupies an important place because it is one of the rare plays to have been staged. The duality between tradition and modernity dictates an original writing based on dual figures. Pham Van Ky finds in theater an artistic form more capable than novel or poetry of expressing the tension that tears him between East and West.FLICKER (Corinne), « Le théâtre poétique de Pham Van Ky. Le Rideau de pluie, une dramaturgie clivée », La Revue des lettres modernes, 2024 -3, L'Asie sur la scène FLICKER (Corinne), « Le théâtre poétique de Pham Van Ky. Le Rideau de pluie, une dramaturgie clivée » RÉSUMÉ -Classique francophone, Pham van Ky est l'auteur de près de soixante et onze pièces de théâtre, dont de nombreuses radiophoniques. Le Rideau de pluie occupe une place importante car c'est l'une des rares pièces à avoir été mise en scène. La dualité entre tradition et modernité lui dicte une écriture originale qui repose sur des figures duelles. Pham Van Ky trouve au théâtre une forme artistique plus à même que le roman ou la poésie d'exprimer la tension qui le déchire entre Orient et Occident. MOTS-CLÉS -théâtre, dramaturgie, Vietnam, tradition, modernit
Reading the rereadings: Valerie Walkerdine responds to the commentaries on ‘Video Replay’
This paper derives from an e-interview conducted with Valerie Walkerdine by Corinne Squire to reflect on the commentaries produced for this special issue. The interview begins with general questions about how the author perceives the impact of ‘Video Replay’ since its publication and its legacy in her own work, moves on to consider some of the specific issues raised by the three commentators, and ends with an address to the article's contemporary and likely future relevance
Grassroutes e-catalogue
Grassroutes promotes public knowledge and engagement with transcultural writing in Leicestershire that has been published since 1980. The e-catalogue is based on a survey that was conducted by Dr. Corinne Fowler in 2011. The survey yielded an unprecedented number of titles and suggests quite how prolific Leicestershire's writers have been.The Grassroutes e-catalogue is an open access database of transcultural writing in Leicestershire with information about titles, authors, genre, year and place of publication. You can browse the entries or search for a particular author or title. If you know of any relevant titles that ought to be added, please contact Corinne at [email protected]. You can also send her your feedback or comments about the catalogue.</p
Reading the rereadings: Valerie Walkerdine responds to the commentaries on ‘Video Replay’
This paper derives from an e-interview conducted with Valerie Walkerdine by Corinne Squire to reflect on the commentaries produced for this special issue [of Psychoanalysis, Culture & Society]. The interview begins with general questions about how the author perceives the impact of ‘Video Replay’ since its publication and its legacy in her own work, moves on to consider some of the specific issues raised by the three commentators, and ends with an address to the article's contemporary and likely future relevance
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