1,725,440 research outputs found
Risk Assessment of Transitional Economies by Multivariate and Multicriteria Approaches
This article assesses country-risk of sixteen Central, Baltic and South-East European transition countries, for 2005 and 2007, using multivariate cluster analysis. It was aided by the appropriate ANOVA (analysis of variance) testing and the multicriteria PROMETHEE method. The combination of methods makes for more accurate and efficient country-risk assessment.Country risk classifications and ratings involve evaluating the performance of countries while considering their economic and socio-political characteristics. The purpose of the article is to classify, and then find the comparative position of each individual country in the group of analyzed countries, in order to find out to which extent development of market economy and democratic society has been achieved.Country-risk, Transition countries, Multivariate cluster analysis, PROMETHEE method.
Neli Saks
Književni deo "Jevrejskog almanaha" u kome je objavljen esej Ljubiše Jocića "Neli Saks", odnosi se na literarne radove sa jevrejskom tematikom iz oblasti istorije, književnosti, umetnosti, memoarske građe i Holokausta. Neki od radova iz ove rubrike objavljuju se po prvi put, neki su objavljeni i na drugim mestima a neki su delovi većih celina (zbirki, romana, memoarske građe, dnevnika i sl.).The literary section of the "Jewish Almanac" where is published the essay "Neli Saks" by Ljubiša Jocić, refers to literary works on Jewish topics in the fields of history, literature, art, memoirs, and Holocaust. Some of the works in this section are published for the first time, some have been published elsewhere and, some are parts of larger entities (collections, novels, memoirs, diaries, letters, etc.)
I am that I am
Rad I AM THAT I AM je jedan rad na velikom platnu dimenzija 150 x 200 cm. Rad je napravljen u maniri apstraktnog ekspresionizma. Autorica je željela pronaći vlastiti rukopis i napraviti rad u kojem se vidi energija. Rad je bio performativni akt gdje je umjetnici bilo važnije kako se osjeća tijekom izvedbe rada nego završni produkt. Želja umjetnice je bilo istražiti vlastitu svijest i napraviti rad koji umjetna inteligencija nikad ne bi mogla napraviti. Rad se zove I AM THAT I AM iz dva razloga. Prvi je onaj očiti a to je ono sam što jesam, a drugi je biram ONO što jesam. Autorici je ovo prva apstraktno ekspresionistička slika na velikom platnu. Rad je rađen u akrilu bež i crne boje. Rad je bio propitivanje autentičnosti i vlastite svijesti i jedna vrsta oslobađanja.The work I AM THAT I AM is one work on a large canvas measuring 150x200 cm. The work is made in the manner of abstract expressionism. The author wanted to find her own handwriting and make a work that shows energy. The work was a performative act where it was more important for the artist how she felt during the performance of the work than the final product. The artist's desire was to explore her own consciousness and create work that artificial intelligence could never create. The work is called I AM THAT I AM for two reasons. The first one is the obvious one, which is what I am, and the second one is I choose WHAT I am. This is the author's first abstract expressionist painting on a large canvas. The work is made in beige and black acrylic. The work was a questioning of authenticity and self-awareness and a kind of release
Selected picture books by Neli Kodrič Filipić
Namen diplomskega dela je bil predstaviti avtorico številnih del za otroke in mladino – Neli Kodrič Filipić. V svojem diplomskem delu sem analizirala štiri njene slikanice: Punčka in velikan (2009), Ali te lahko objamem močno? (2011), Sreča je (2008) in Požar (2016). Ker avtorice prej nisem poznala, sem se z različnimi metodami lotila raziskovanja in podrobnega analiziranja njenih del. Deskriptivno metodo dela sem uporabila pri predstavitvi avtorice Neli Kodrič Filipić in ilustratorjev, metodo analize in sinteze pri podrobnem analiziranju izbranih del, metodo načrtovanja pri načrtovanju praktičnih dejavnosti v skupini predšolskih otrok. Pri izvedbi dejavnosti sem uporabila metodo praktičnega izvajanja dejavnosti. Nad pestro paleto tem, ki jih avtorica opisuje v svojih delih, sem bila zelo očarana, saj se pisateljica loteva nasilja v družini, nestrpnosti med ljudmi, istospolne usmerjenosti, begunske krize itd. Ker so izbrana dela slikanice, sem nekaj besed namenila karakteristiki slikanice ter opisala književni vrsti kratko realistično zgodbo in klasično umetno pravljico. Predstavila sem ilustratorje, ki so izbrane slikanice opremili z ilustracijami: Tomislava Torjanca, Damijana Stepančiča, Elviro Lušo Džumhur in Bojano Dimitrovski. Osredotočila sem se na prej omenjene slikanice, ki so se mi kljub zahtevnim temam zdele primerne tudi za predšolske otroke. Poiskala sem način, kako otrokom prek dejavnosti približati problemske teme, ki se jih v izbranih delih loteva Neli Kodrič Filipić. S tem sem poskušala potrditi ali ovreči tri raziskovalne predpostavke: da bo katera izmed knjig za to starost otrok prezahtevna, da bom s knjigo lažje vzbudila globoka čustva pri otrocih in jih s tem spodbudila k razmišljanju ter da imajo slikanice pozitiven vpliv na otroka. Ugotovitve sem predstavila v sklepnem delu diplomske naloge.The purpose of this diploma work is to present Neli Kodrič Filipić, an author of numerous works for children and youth. In my diploma work I analysed four of her picture books: Punčka in velikan (2009), Ali te lahko objamem močno? (2011), Sreča je (2008) and Požar (2016). As I had no prior knowledge of this author, I dealt with researching and detailed analysing with different methods. The descriptive method was used to present the author and illustrators, method of analysis and synthesis was used with detailed analysing of the chosen works and method of planning was used with planning practical activities in a group of preschool children. When executing the activities I used the method of practical activity execution. I was very impressed with the wide range of topics the author deals with in her works, for instance domestic violence, intolerance among people, homosexuality, refugee crisis etc. Since the chosen works are picture books I dedicated a few words to the characteristics of picture books and described the literary genres of realistic story and modern artificial fairy tale. Furthermore I introduced the illustrators that enriched the picture books with illustrations, namely Tomislav Torjanc, Damijan Stepančič, Elvira Luša Džumhur and Bojana Dimitrovski. Firstly, I focused on the aforementioned picture books, which I find appropriate for preschool children despite the demanding topics. I found a way in which to draw the problem topics, which Neli Kodrič Filipić deals with in the chosen works, closer to children through activities. In this way I tried to confirm or discard the research assumptions. I assume that some of the books will prove to be too demanding for children of this age, that through a book it will be easier to awake deep feelings in children and thus encourage them to think about the topics. The findings are presented in the conclusion of the diploma paper
Evaluatie van pilotuitvoering van de NELI
Dit document bevat een inventarisatie van de kansen en uitdagingen die er zijn voor de implementatie van de NELI op basis van de pilot die is uitgevoerd op vier scholen (Eglantier Delft, Egelantier Almere, Daltonschool Nellestein Amsterdam en IKC De Ster Amsterdam). Het is een vervolg op de tussentijdse evaluatie uit januari 2023. De pilot bestond uit de hele interventiecyclus, namelijk scholen betrekken bij NELI, training van onderwijsassistenten, selectie van leerlingen voor de interventie, en de daadwerkelijke interventie. Deze inventarisatie is bedoeld voor de direct betrokkenen van Vinci toponderwijs en voor de onderzoekers van de NRO Kansrijke Interventies NELI van de Vrije Universiteit. De rapportage mag niet verder worden verspreid
I am that I am
Rad I AM THAT I AM je jedan rad na velikom platnu dimenzija 150 x 200 cm. Rad je napravljen u maniri apstraktnog ekspresionizma. Autorica je željela pronaći vlastiti rukopis i napraviti rad u kojem se vidi energija. Rad je bio performativni akt gdje je umjetnici bilo važnije kako se osjeća tijekom izvedbe rada nego završni produkt. Želja umjetnice je bilo istražiti vlastitu svijest i napraviti rad koji umjetna inteligencija nikad ne bi mogla napraviti. Rad se zove I AM THAT I AM iz dva razloga. Prvi je onaj očiti a to je ono sam što jesam, a drugi je biram ONO što jesam. Autorici je ovo prva apstraktno ekspresionistička slika na velikom platnu. Rad je rađen u akrilu bež i crne boje. Rad je bio propitivanje autentičnosti i vlastite svijesti i jedna vrsta oslobađanja.The work I AM THAT I AM is one work on a large canvas measuring 150x200 cm. The work is made in the manner of abstract expressionism. The author wanted to find her own handwriting and make a work that shows energy. The work was a performative act where it was more important for the artist how she felt during the performance of the work than the final product. The artist's desire was to explore her own consciousness and create work that artificial intelligence could never create. The work is called I AM THAT I AM for two reasons. The first one is the obvious one, which is what I am, and the second one is I choose WHAT I am. This is the author's first abstract expressionist painting on a large canvas. The work is made in beige and black acrylic. The work was a questioning of authenticity and self-awareness and a kind of release
I am that I am
Rad I AM THAT I AM je jedan rad na velikom platnu dimenzija 150 x 200 cm. Rad je napravljen u maniri apstraktnog ekspresionizma. Autorica je željela pronaći vlastiti rukopis i napraviti rad u kojem se vidi energija. Rad je bio performativni akt gdje je umjetnici bilo važnije kako se osjeća tijekom izvedbe rada nego završni produkt. Želja umjetnice je bilo istražiti vlastitu svijest i napraviti rad koji umjetna inteligencija nikad ne bi mogla napraviti. Rad se zove I AM THAT I AM iz dva razloga. Prvi je onaj očiti a to je ono sam što jesam, a drugi je biram ONO što jesam. Autorici je ovo prva apstraktno ekspresionistička slika na velikom platnu. Rad je rađen u akrilu bež i crne boje. Rad je bio propitivanje autentičnosti i vlastite svijesti i jedna vrsta oslobađanja.The work I AM THAT I AM is one work on a large canvas measuring 150x200 cm. The work is made in the manner of abstract expressionism. The author wanted to find her own handwriting and make a work that shows energy. The work was a performative act where it was more important for the artist how she felt during the performance of the work than the final product. The artist's desire was to explore her own consciousness and create work that artificial intelligence could never create. The work is called I AM THAT I AM for two reasons. The first one is the obvious one, which is what I am, and the second one is I choose WHAT I am. This is the author's first abstract expressionist painting on a large canvas. The work is made in beige and black acrylic. The work was a questioning of authenticity and self-awareness and a kind of release
Evaluatie van pilotuitvoering van de NELI
Dit document bevat een inventarisatie van de kansen en uitdagingen die er zijn voor de implementatie van de NELI op basis van de pilot die is uitgevoerd op vier scholen (Eglantier Delft, Egelantier Almere, Daltonschool Nellestein Amsterdam en IKC De Ster Amsterdam). Het is een vervolg op de tussentijdse evaluatie uit januari 2023. De pilot bestond uit de hele interventiecyclus, namelijk scholen betrekken bij NELI, training van onderwijsassistenten, selectie van leerlingen voor de interventie, en de daadwerkelijke interventie. Deze inventarisatie is bedoeld voor de direct betrokkenen van Vinci toponderwijs en voor de onderzoekers van de NRO Kansrijke Interventies NELI van de Vrije Universiteit. De rapportage mag niet verder worden verspreid
Neli Martínez
Retrato de Neli Martínez. La foto en blanco y negro capta un plano general de la menor acostada boca abajo. Usa un vestido de tono claro y está descalza. Esta lámina está en orientación horizontal, decorada con una viñeta impresa rectangular, ornamentada con un ramillete de margaritas en la parte inferior izquierda. La marca de cigarrillos y el título de la serie, se encuentran en la parte inferior de la imagen.Lámina en blanco y negro de 5x4 cm
Neli soovi : loov-praktiline lõputöö
Loov-praktilise lõputöö kirjaliku osa eesmärgiks oli anda ülevaade diplomikontserdi “Neli soovi” kontseptsioonist, ülesehitusest ning esitusele tulevatest lugudest. Kontsert koosneb viieteistkümnest loost, mis on kokku põimitud muusikaliseks lavastuseks.https://www.ester.ee/record=b5238164*es
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