Repository of Arts Academy
Not a member yet
641 research outputs found
Sort by
Conservation and restoration procedures on mosaic fragments from the collection of the Archaeological Museum in Split
No full textU stražnjem dvorištu Arheološkog muzeja u Splitu nalazi se značajna količina arheološkog materijala, koja je u taj prostor smještena radi privremene ili trajne pohrane, u očekivanju konzervatorsko-restauratorskih zahvata ili jednostavno zbog ostvarenja sigurnijih uvjeta nego što bi to bilo moguće ostvariti na izvornim lokalitetima. U određenim slučajevima, suvremeni je život Salone uzrokovao uništenje nekih lokaliteta, ili slučajne pronalaske artefakata tijekom poljodjelskih radova, pa su istraživači, ravnatelji muzeja, ili muzejski kustosi otkupljivali nalaze i pohranjivali ih u muzej. Među tim materijalom posebnu pozornost konzervatora-restauratora privuklo je trinaest paleta s ulomcima mozaika kojima je bila potrebna hitna intervencija zbog izrazito lošeg stanja - bili su prekriveni mahovinom, borovim iglicama i smolom, određeni su se ulomci prelamali, a njihov teselatum se odvajao od podloge. Ova znatna količina materijala predstavljala je izazov u svakom pogledu, počevši od nedostatka izvorne povijesne dokumentacije o njihovom porijeklu i okolnostima njihovog dopremanja u muzej, pa sve do planiranja budućih restauratorskih radova na svakom pojedinom ulomku, odgovarajućeg načina pohrane i eventualne prezentacije. Premda je hitna, preliminarna intervencija na tim mozaicima započela je prije nekoliko godina, kada je glavnina materijala dokumentirana i kataloški obrađena, dok pitanja konzervacije i prezentacije nisu razriješena, te je svakim tjednom bilo vidljivo narušavanje stanja, odnosno cjelovitosti ulomaka mozaika. Zbog izrazito nepovoljnih uvjeta čuvanja u dvorištu sub divo, mozaici su prebačeni u dislocirano skladište (depo) Arheološkog muzeja u Solinu, kako bi se olakšala priprema za konzervatorsko-restauratorske radove. Premještanjem u depo započela je njihova detaljna konzervatorsko – restauratorska obrada, uključujući čišćenje, spajanje ulomaka i izradu privremenih podloga. Ovi su zahvati omogućili njihovo primjereno čuvanje i značajno usporili njihovo propadanje, čime su stvoreni preduvjeti za njihovo buduće istraživanje i prezentaciju, posebno u svjetlu mogućnosti pronalaska novih ulomaka ili podataka o njihovom porijeklu.In the backyard of the Archaeological Museum in Split, there is a significant amount of archaeological material, placed in this space for temporary or permanent storage, awaiting conservation-restoration interventions, or simply due to the need for safer conditions than could be provided at the original sites. In certain cases, the modern life of Salona caused the destruction of some sites, or accidental discoveries of artifacts during agricultural works, leading researchers, museum directors, or museum curators to acquire the finds and store them in the museum. Among this material, special attention from conservators-restorers was drawn to thirteen pallets with mosaic fragments that required urgent intervention due to their extremely poor condition – they were covered with moss, pine needles, and resin; some fragments were breaking apart, and their tessellatum was detaching from the substrate. This substantial amount of material posed a challenge in every respect, starting with the lack of original historical documentation regarding their origin and the circumstances of their transport to the museum, all the way to planning future restoration work on each individual fragment, finding appropriate storage methods, and potential presentation. Although an urgent, preliminary intervention on these mosaics began several years ago, when the majority of the material was documented and cataloged, the questions of conservation and presentation remained unresolved, and the deterioration, i.e., the fragmentation of the mosaic pieces, became more evident each week. Due to extremely unfavorable storage conditions in the open-air courtyard, the mosaics were transferred to an off-site storage facility (depot) of the Archaeological Museum in Solin, to facilitate preparation for conservation-restoration works. With the move to the depot, their detailed conservation-restoration treatment began, including cleaning, joining fragments, and creating temporary supports. These measures enabled their proper preservation and significantly slowed down their deterioration, creating the conditions necessary for their future research and presentation, especially in light of the possibility of discovering new fragments or data about their origin
Labor of Sisyphus
No full textOvaj diplomski rad temelji se na video-instalaciji na kartonu. Autorica radom Sizifov posao opisuje osmosatnu smjenu prilikom rada u studentskoj menzi u Splitu. Snimka prikazuje simultane isječke zadataka koje je autorica obavljala tokom više mjeseci. Video aludira na konzumerizam time što ističe kako se isti procesi u restoranu konstantno ponavljaju. Projekcija se projicira na zid na kojem su postavljeni kartoni koje je autorica prethodno modificirala u nejednake pravokutne plohe koje pri prikazivanju videa stvaraju presijecanja na video-slici. Videozapisi nejednakih pravokutnih oblika (zahvaljujući plohama kartona) zajedno sa zvukom stvaraju neuredna preklapanja; kaos koji iscrpljuje osjetila i djeluje nametljivo kao artificijelna transformacija monotonije svakodnevice.This thesis is based on a video installation projected on a cardboard. The author describes her eight-hour shift in the student canteen in Split through the work entitled Labor of Sisyphus work. The video shows simultaneous clips of the tasks she performed over several months. The video alludes to consumerism by emphasizing that the same processes are constantly repeated at the restaurant. The projection is cast onto the wall. There, the cardboards that the author previously modified into unequal rectangular surfaces are placed, creating cuts on the video when it is played. Videos projected on unequal rectangular shapes and cardboard sheets along with the sound create messy overlaps - chaos that exhausts the senses and seems intrusive as an artificial transformation of everyday monotony
Ispovjedaonica
No full textDiplomski rad Ispovjedaonica bavi se analizom i kontekstualizacijom umjetničke instalacije pod nazivom Ispovjedaonica, djelomice zasnovane i na konceptu readymadea. Instalacija izgleda kao autobusna stanica napravljena od vodovodnih cijevi. Unutar nje nalazi se šahovska ploča na kojoj su dvije figure kraljeva izrezbarenih od sapuna. Proces ispovijedi oblikuje čovjekovo razumijevanje sebe, svojih odnosa s drugima i svog mjesta u svijetu. U radu se istražuje simbolika korištenih elemenata, pri čemu autobusna stanica postaje mjesto introspekcije i čekanja, dok šahovska ploča predstavlja igru moći i identiteta, a sapun kao materijal naglašava prolaznost, krhkost i čistoću. U teorijskom djelu rada istražuje se relativnost i subjektivnost grijeha kroz radove mnogih umjetnika koji se bave temom grijeha, odnosno onih koji djeluju u okviru takozvane ispovjedne umjetnosti. Rad ima uporišta i u izvorima iz književnosti i filozofije. U radu se ogleda stav autorice da kroz umjetnost možemo istraživati svoja vlastita iskustva.The diploma thesis Confessional deals with the analysis and contextualization of the art installation titled Confessional. It is also partly based on the concept of readymade. The installation resembles a bus stop made of plumbing pipes. Inside it, there is a chessboard with two chess pieces of kings, carved out of soap. The process of confession shapes people’s understanding of themselves, their relationships with others, and their place in the world. The work explores the symbolism of the elements used in the installation. The bus stop becomes a place of introspection and waiting, the chessboard represents a game of power and identity. As a material, soap emphasizes transience, fragility, and purity. The theoretical part of the work examines the relativity and subjectivity of sin through the works of many artists who address the theme of sin, particularly those who operate within the framework of so-called Confessional Art. The work is also grounded in literary and philosophical sources. The work reflects the author's view that through art, we can explore our own experiences
A project that shaped the modern city
No full textOvaj rad prikazuje najistaknutije trenutke razvoja grada i stalnu prisutnost kulturnog i graditeljskog razvitka, koji će naposljetku dovesti do urbanističkog remek djela nazvanog „Split 3“. Dvadeseto stoljeće nosi u sebi velike promjene, nagle u usporedbi s prethodnim stoljećima, pa je tako i Split pratio taj ubrzani razvoj. Opisano je i razdoblje obnove nakon Drugog svjetskog rata, koje obilježeno naporima obnove i modernizacije grada. Naglasak je stavljen na natječaje za urbanistička rješenja, natječaje za stambene ulice i turističke projekte, kao i njihovu realizaciju.This paper presents the most significant moments in the city's development and the continuous presence of cultural and architectural growth, ultimately leading to the urban masterpiece known as "Split 3." The twentieth century brought major changes, which were notably rapid compared to previous centuries, and Split followed this accelerated development. The period of post-World War II reconstruction, marked by efforts to rebuild and modernize the city, are also described. Emphasis is placed on competitions for urban planning solutions, contests for residential streets and tourism projects, as well as their ralisation
Conservation and restoration works on the nothwest tower of the amphitheather in Pula
No full textOvaj rad obuhvaća restauratorske radove izvedene na sjeverozapadnoj kuli amfiteatra u Puli u razdoblju od 2007. do 2011. godine. Prije samog konzervatorsko-restauratorskog postupka provedena je temeljita faza istraživanja. To je uključivalo niz testova, uključujući kemijsku analizu topivih soli, petrografsko ispitivanje uzorka vapnenca, ispitivanje naslaga na površini kamena, biološki obraštaj i statička ispitivanja. Nakon navedenih ispitivanja izrađen je konzervatorsko-restauratorski elaborat koji je služio kao podloga za izradu plana radova. Sam proces konzervacije-restauracije uključivao je niz koraka, uključujući mehaničko uklanjanje nečistoća, čišćenje vodenom parom, pjeskarenje, čišćenje laserom i izradu rekonstrukcija. Rezultati i uspješnost radova imaju značajnu vrijednost u planiranju i izvedbi buduće višegodišnje sanacije amfiteatra.This work includes the restoration work carried out on the northwest tower of the amphitheater in Pula in the period from 2007 to 2011. Before the actual conservation-restoration procedure, a thorough research phase was carried out. This involved a series of tests, including chemical analysis of soluble salts, petrographic examination of a limestone sample, examination of stone surface deposits, biological fouling and static tests. After the aforementioned tests, a conservation-restoration study was prepared, which served as a basis for creating a work plan. The conservation-restoration process itself included a number of steps, including mechanical removal of impurities, steam cleaning, sandblasting, laser cleaning and reconstruction. The results and success of the works have a significant value in the planning and implementation of the future multi-year restoration of the amphitheater
Biography and works of composer Paul Hindemith and analysis of Sonata for clarinet
No full textU ovom diplomskom radu kroz biografski i analitički pristup prikazuje se kako su životni i umjetnički utjecaji Paula Hindemitha, jednog od najznačajnijih skladatelja 20. stoljeća, oblikovali njegov stil, te formalne i izražajne značajke djela. Prvi dio rada prikazuje biografiju skladatelja, bogat opus i skladateljski stil, a drugi donosi detaljnu analizu Sonate za klarinet s fokusom na ritam, strukturu i izvođačke zahtjeve. Ova Sonata jedno je od najznačajnijih djela za klarinet i jedan od primjera skladateljske filozofije u kojoj glazba ima praktičnu i društvenu ulogu – „Gebrauchsmusik“.This thesis presents a biographical and analytical approach to show how the life and artistic influences of Paul Hindemith, one of the most significant composers of the 20th century, shaped his style as well as the formal and expressive characteristics of his works. The first part of the thesis covers the composer’s biography, extensive oeuvre, and compositional style, while the second part offers a detailed analysis of Sonata for clarinet with a focus on rhythm, structure, and performance demands. This Sonata is one of the most important works for clarinet and exemplifies the compositional philosophy in which music serves a practical and social function – known as "Gebrauchsmusik"
Formal and harmonic analysis and instrumentation of selected songs of Dora Pejačević
No full textOvaj rad bavi se formalno-harmonijskom analizom osam odabranih popijevaka Dore Pejačević, nastalih u vremenskome razdoblju od dvadeset godina. Cilj rada jest prikazati detaljan uvid u transformaciju skladateljskog izričaja i postupaka skladateljice kroz prizmu vokalnoga opusa. Kao prilog radu nastale su i instrumentacije tri odabrane popijevke za različite instrumentalne sastave.This paper deals with the formal and harmonic analysis of eight selected songs by Dora Pejačević, created over a period of twenty years. The aim of the work is to present a detailed insight into the transformation of the composer's expression through the prism of the vocal work. As a contribution to the work, the instrumentation of three selected songs for different instrumental ensembles was created
