922,460 research outputs found

    species (Copepoda: Pontellidae) in Indonesian waters with notes on their species-groups

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    Thirteen species of the genus Labidocera Lubbock, 1853 were identified. Plankton samples collected from nine sites around coastal areas of Indonesia from 2003 to 2015. Among these species, there were three recently described species, Labidocera javaensis Mulyadi, 1997, L. muranoi Mulyadi, 1997, and L. kaimanaensis Mulyadi, 2014, three new records, L. bengalensis Krishnaswamy, 1952, L. pavo Giesbrecht, 1889 and L. sinilobata Shen & Lee, 1963, and seven previously recorded species from Indonesian waters. These species divided into five species-groups, detruncata-, kroyeri-, minuta-, pectinata- and an unassigned group, based on its morphological characters. The Labidocera detruncata-group includes the following species: L. bataviae A. Scott, 1909, L. detruncata (Dana, 1849), L. kaimanaensis Mulyadi, 2014, L. madurae A. Scott, 1909, L. pavo Giesbrecht, 1889, and L. sinilobata Shen & Lee, 1963. The Labidocera kroyeri-group includes L. kroyeri (Brady, 1883) and L. muranoi Mulyadi, 1997. The Labidocera minuta-group includes L. bengalensis Krishnaswamy, 1952 and L. minuta Giesbrecht, 1889. The Labidocera pectinata-group includes L. javaensis Mulyadi, 1997, L. papuensis Fleminger et al. 1982, and L. rotunda Mori, 1929. The unassigned group includes L. acuta (Dana, 1849) and L. laevidentata (Brady, 1883). Since the descriptions of these species groups and also species as yet unassigned to groups were often not given in sufficient detail, we provide re-descriptions of their species groups and their zoogeography in Indonesian waters, adjacent waters, and the world ocean

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    KOMPOSISI MUSIK ANGKLUNG “BAKIKIK” KARYA YADI MULYADI

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    Penelitian ini berjudul “Komposisi Musik Angklung Bakikik karya Yadi Mulyadi.” Yang bertujuan untuk dapat mengetahui komposisi musik angklung. Fokus penelitian pada ide konseptual serta bentuk dari komposisi musik angklung Bakikik ini. Dengan pertanyaan penelitian mengenai bagaimana ide konseptual komposisi musik angklung bakikik karya Yadi Mulyadi dan bagaimana bentuk komposisi musik angklung bakikik Karya yadi mulyadi. Maka, dilakukan teknik dan pengumpulan data melalui metode desktriptif analisis dengan pendekatan kualitatif. Data yang diperoleh melalui studi literatur berupa partitur serta buku-buku yang berkaitan dengan penelitian juga dengan pengumpulan dokumentasi audiovisual karya Bakikik ini. Berdasarkan penelitian ini, ada beberapa faktor yang turut mempengaruhi komposisi yang diciptakan oleh komposernya, terutama faktor latar belakang Yadi Mulyadi yang kental akan kesenian tradisi. Dalam setiap karya yang diciptakan, Yadi selalu menggabungkan alat musik barat dengan alat musik tradisi namun selalu menjadikan alat musik tradisi sebagai melodi-melodi utama. Salah satu karya yang terinspirasi dari musik tradisi adalah Bakikik. Hasil dari penelitian karya bakikik yang diciptakan yadi mulyadi dengan ide konseptual yang merupakan interpretasi dari “Kaulinan Barudak” dengan konsep glocalizer dengan menggunakan alat musik angklung, toleat dan beluk sebagai alat musik lokal yang dikemas menjadi lebih dinamis dengan musik jazz. Bentuk dari karya ini A-B-C yang merupakan ternery atau 3 bagian. Kata kunci: Komposisi, Angklung, Bakikik This research is entitled "The Musical Composition of Angklung Bakikik by Yadi Mulyadi." Which aims to be able to know the composition of angklung music. The focus of the research is on the conceptual idea and form of Bakikik's angklung musical composition. With research questions about how the conceptual idea of angklung bakikik music composition by Yadi Mulyadi and how the form of angklung bakikik music composition by Yadi Mulyadi. Thus, techniques and data collection were carried out through descriptive analysis methods with a qualitative approach. Data obtained through literature study in the form of scores and books related to research as well as by collecting audiovisual documentation by Bakikik. Based on this research, there are several factors that also influence the composition created by the composer, especially the background factor of Yadi Mulyadi who is thick with traditional arts. In every work he creates, Yadi always combines western musical instruments with traditional musical instruments but always uses traditional musical instruments as the main melodies. One of the works inspired by traditional music is Bakikik. The result of this research is the work of bakikik created by Yadi Mulyadi with a conceptual idea which is an interpretation of "Kaulinan Barudak" with the concept of a glocalizer using angklung, toleat and beluk musical instruments as local musical instruments that are packaged to be more dynamic with jazz music. The form of this work is A-B-C which is a ternary or 3 parts. Keywords: Composition, Angklung, Bakiki

    a Gaya Komunikasi Budaya Dedi Mulyadi Dalam Mewujudkan Jabar Istimewa

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    Dedi Mulyadi recorded history as being elected Governor of West Java by winning the highest number of votes. Based on the West Java KPU recapitulation meeting, the pair Dedi Mulyadi – Erwan were determined to win with 14,130,192 votes or 62 percent. Dedi Mulyadi's victory was inseparable from the cultural communication style he used either during the campaign or long before the campaign started. This paper will elaborate on Dedi Mulyadi's communication style with the Sundanese cultural background that he applied to create Special West Java. By using qualitative research methods with a literature study approach and in-depth interviews, this paper concludes that Dedi Mulyadi has succeeded in winning the sympathy of the West Java public in the 2024 West Java gubernatorial election by applying a unique, friendly and down-to-earth Sundanese cultural communication style.Dedi Mulyadi mencatatkan sejarah terpilih menjadi Gubernur Jabar dengan Raihan suara tentinggi. Berdasarkan rapat rekapitulasi KPU Jabar pasangan Dedi Mulyadi – Erwan ditetapkan menang dengan Raihan 14.130.192 suara atau 62 persen. Kemenangan Dedi Mulyadi tidak terlepas dari gaya komunikasi budaya yang digunakannya baik selama kampanye atau jauh hari sebelum kampanye dimulai. Tiga tahun sebelum ditetapkan sebagai calon, kang Dedi sudah berkeliling ke ratusan desa yang ada di Jawa Barat. Dia menjajal kampung terjauh untuk berkomunikasi dengan rakyat jelata, miskin ataupun anak yatim. Dengan diliput oleh tim creator yang menyertainya, Dedi berdialog atau ngobrol dengan masyarakat kecil dan menanyakan berbagai permasalahan hidupnya. Setelah diberikan sedikit wejangan kemudian diakhiri dengan pemberian uang mulai dari 300 hingga satu juta rupiah. Kemudian konten itu diupload di berbagai situs media sosialnya. Dari sanalah kemudian warga Jabar mengenal kang Dedi. Kepergian Ridwan Kamil yang nyagub di DKI Jakarta memberikan berkah tersendiri bagi kang Dedi sehingga dia tidak memiliki saingan yang berat di Jabar. Paper ini akan mengelaborasi gaya berkomunikasi Dedi Mulyadi dengan latar budaya sunda yang diterapkannya untuk mewujudkan Jawa Barat Istimewa. Dengan menggunakan metode penelitian kualitatif dengan pendekatan studi kepustakaan dan wawancara mendalam, paper ini menyimpulkan bahwa Dedi Mulyadi telah berhasil meraih simpati public Jawa Barat dalam Pilgub Jabar 2024 dengan  menerapkan gaya komunikasi budaya Sunda yang loma, akrab, dan bersahaja

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    The construction of Karen Karnak: The multi-author-function

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    This thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author

    POLA KOMUNIKASI POLITIK PADA AKUN MEDIA SOSIAL INSTAGRAM DEDI MULYADI PERSPEKTIF SOSIOLINGUISTIK

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    Abstract: This research is motivated by the simple, generous and active life on social media Dedi Mulyadi when he was a Member of the DPR RI, so the researchers wanted to analyze the pattern of political communication in the Instagram social media of the DPR RI Member. The purpose of this study was to analyze the pattern of choice of speech code of Dedi Mulyadi in political communication on Instagram social media. Political communication can be done by using the choice of speech code according to its purpose and function. Data is collected by listening, recording, and note-taking methods. In carrying out the listening method, the tapping technique is applied as the basic technique. Then it is continued with advanced techniques in the form of free listening and conversation techniques, recording techniques, and note-taking techniques. Data analysis was carried out using the equivalent method, contextual method, and was carried out using mark-up reading techniques. Based on the results of data analysis, Dedi Mulyadi uses the choice of speech code as a communication need according to the function of his speech. The form of choice of speech code used varies. The pattern of choice of speech code for Dedi Mulyadi as a Member of the DPR RI in political communication on social media Instagram is classified into two parts, namely based on the relationship between participants and the surrounding situation. Dedi Mulyadi in making the choice of speech code has various patterns with the dominant patterns that appear based on participant relationships, namely vertical patterns and informal patterns. &nbsp

    HUBUNGAN PENERAPAN PP NOMOR 71 TAHUN 2010 DENGAN AKUNTABILITAS KINERJA LAPORAN KEUANGAN DAERAH PADA SEKRETARIAT DAERAH KOTA BENGKULU

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    Mulyadi, Ahmad Soleh;The Relationship between the application of PP No 71 2010 With accountability performance of financial report at regional Secretariat in Bengkulu. This research aims to find out the execution of government regulation Number 71 in 2010. The population in this research is the member of Finance in regional Secretariat Bengkulu. It used census as the sample collection method by choosing 15 person as the sample. The test results show that there is a relationship between the regulation of the Government No. 71 in 2010 with the accountability performance of financial report at regional Secretariat in Bengkulu. while the others is affected by other factors which are not examined by the author. Thus the hypothesis that the authors reveal that PP Number 71 in 2010 affect the accountability performance of financial statements in regional Secretariat in Bengkulu is proved

    SPEECH STYLE USED BY SETO MULYADI IN ISLAMIC DA’WAH

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    Speech is a fundamental component of human communication, and it is shaped by a multitude of factors, leading to the emergence of various speech styles. Speech style is a type of communicative style that is determined by an intuitive understanding of the levels of familiarity or intimacy between individuals. These variations in speech style can be influenced by cultural, social, and situational factors, which contribute to the richness and diversity of human communication. This study aimed to explore speech style used by Seto Mulyadi Islamic da’wah in Tarawih sermon at Mosque of Gajah Mada University in 2023. Seto Mulyadi is a child psychologist and was the chairman of National Commission for Child Protection of Indonesia who tends to speak in story telling way. This research used qualitative descriptive method as foundation in conducting research. The research data consists of script of Seto Mulyadi's video speech from Youtube. The data analysis process involves four steps: data collection, data condensation, data display, and conclusion drawing/verification. Based on finding, there are frozen style, formal style, consultative style, and casual style occurred in Seto Mulyadi’s utterances. Formal style is the most occurrence speech style in his speech. Furthermore, the personal background of Seto Mulyadi and the recipients of the message also influence variation of his speech style

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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