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LA ODE MUHAMMAD IDRUS QAIMUDDIN SASTRAWAN SUFI TERNAMA DI BUTON ABAD XIX
This article talk about the characterization of La Ode Muhammad Idrus Qaimuddin as a popular mystical in Buton in XIX century. Among the mystical characters at his period, he was known as a productive writer. His works in mysticism side was written in some languages (Wolio language, Malay, and Arabic). On of his popular poem entitled "Bula Malino" its content is about seeing which directed to him self. According to him, loving and teaching him self is a main need in the human life, so he clarified through his poem motuyaapa kaasina miya yitu, yinda mo/awana kaasimu yikaromu, moo sarowu guru Bemo yadariko yinda mo/awana yada-yadari karomu. However people love us, it is still better loving ourselves, even though a thousand teachers who theach us, it is better we teach ourselves.
Artikel ini membicarakan ketokohan La Ode Muhammad Idrus Qaimuddin sebagai sufi ternama di Buton abad XIX. Di antara sederetan tokoh sufi pada zamannya, ia dikenal sebagai penulis yang sangat produktif. Karya-karyanyadi bidang tasawuf ditulis dalam beberapa bahasa (Wolio, Melayu dan Arab). Salah satu syairnya paling populer berjudul "Bula Malino
LA ODE MUHAMMAD IDRUS QAIMUDDIN SASTRAWAN SUFI TERNAMA DI BUTON ABAD XIX
This article talk about the characterization of La Ode Muhammad Idrus Qaimuddin as a popular mystical in Buton in XIX century. Among the mystical characters at his period, he was known as a productive writer. His works in mysticism side was written in some languages (Wolio language, Malay, and Arabic). On of his popular poem entitled "Bula Malino" its content is about seeing which directed to him self. According to him, loving and teaching him self is a main need in the human life, so he clarified through his poem motuyaapa kaasina miya yitu, yinda mo/awana kaasimu yikaromu, moo sarowu guru Bemo yadariko yinda mo/awana yada-yadari karomu. However people love us, it is still better loving ourselves, even though a thousand teachers who theach us, it is better we teach ourselves.
Artikel ini membicarakan ketokohan La Ode Muhammad Idrus Qaimuddin sebagai sufi ternama di Buton abad XIX. Di antara sederetan tokoh sufi pada zamannya, ia dikenal sebagai penulis yang sangat produktif. Karya-karyanyadi bidang tasawuf ditulis dalam beberapa bahasa (Wolio, Melayu dan Arab). Salah satu syairnya paling populer berjudul "Bula Malino"isinya mengenai nasihat yang ditujukan kepada dirinya. Menurutnya, menyayangi dan mengajari diri sendiri merupakan kebutuhan mendasar dalam kehidupan manusia sehingga ia menegaskan melalui syairnya motuyaapa kaasina miya yitu, yinda mo/awana kaasimu yikaromu, moo sarowu guru bemo yadariko yinda mo/awana yadayadari karomu walau bagaimanapun kasih orang itu, tidak lebih baik daripada menyayangi diri sendiri, walaupun seribu guru yang mengajarimu, tidak lebih baik daripada mengajari diri sendiri
La Ode Muhammad Idrus Qaimuddin Sastrawan Sufi Ternama di Buton Abad XIX
This article talk about the characterization of La Ode Muhammad Idrus Qaimuddin as a popular mystical in Buton in XIX century. Among the mystical characters at his period, he known as a productive writer. His works in mysticism side was written in some languages (Wolio language, Malay, and Arabic). On of his popular poem entitled "Bula Malino" its content is about seeing which directed to him self. According to him, loving and teaching him self is a main need in the human life, so he clarified through his poem motuyaapa kaasina miya yitu, yinda molawana kaasimu yikaromu, moo sarowu guru Bemo yadariko yinda molawana yoda-yadari karomu. However people love us, it is still better loving ourselves, even though a thousand teachers who teach us, it is better we teach ourselves
Tanqiyatul Qulub Fi Ma'rifati 'Allamil Ghuyub
Pembahasan Buku ini meliputi: al-dirosah 'an al-mualif, dirosah 'an al-kita
KARAKTERISTIK ARSITEKTUR MASJID QUBA BAADIA DI KOTA BAUBAU
Mosques are part of a symbol of a religious ritual as a rite of obediqwaan or a manifestation of muslims to be made a place of worship of almighty god. The diversity of mosques in the region marks that Islam is accepted as the religion believed by the people in the region. The architecture of mosques can also provide information regarding the influence of Islam comes from. The quba baadia mosque is the monumental melting point of islamic archaeology built during the reign of buton, also known during the reign of sultan muhammad idrus qaimuddin. Quba baadia mosque has been through redecorating several times, but the architectural feature is still raw. As for the problem with this research, it is knowing the characteristics that are characteristic of the differentiation from other mosques and knowing the factors that influence them.
 
Nilai pendidikan karakter dalam satra wolio kabanti bula malino karya laode muhammad idrus qaimuddin
Naskah ?DLIYÂ AL-ANWÂR FI TASHFIAT AL-AKDÂR? Karya Muhammad Idrus Qaimuddin (Tinjauan Stilistika)
Penelitian ini bertujuan untuk mengetahui penggunaan diksi dan gaya bahasa dalam naskah Dliyâ‟ al-Anwâr fi Tashfiat al-Akdâr. Dengan menggunakan jenis penelitian deskriptif kualitatif, penelitian ini mengambil data berupa diksi dan gaya bahasa yang terdapat dalam naskah berupa kata, frasa, dan kalimat yang menunjukkan adanya ciri-ciri diksi dan gaya bahasa. Sumber data dalam penelitian ini adalah Naskah Naskah Dliyâ‟ al-Anwâr fi Tashfiat al-Akdâr. Teknik pengumpulan data yang digunakan ialah teknik catat. Data di analisis dengan menggunakan tinjauan stilistika. Hasil penelitian menunjukkan bahwa: 1) terdapat Sembilan (9) diksi yang digunakan dan di bagi berdasarkan jenisnya yaitu: a) diksi bermakna denotitif, b) diksi bermakna konotatif, c) diksi bermakna sinonim, d) diksi bermakna antonim, e) diksi bernilai rasa, f) diksi bermakna konkret, g) diksi bermakna abstrak, h) diksi bermakna keumuman, i) diksi bermakna kekhususan, 2) terdapat tiga (3) gaya bahasa kiasan yang digunakan dan di bagi berdasarkan jenisnya yaitu: a) gaya simile (tasybih), b) metafora (isti‟ârah), c) personifikasi (tajsîd). Dengan penemuan di atas, semoga dapat membantu para pembaca untuk memahami isi naskah Dliyâ‟ al-Anwâr fi Tashfiat al-Akdâr, baik dari segi diksi dan gaya bahasanya maupun makna yang terkandung didalamnya. Berdasarkan hasil penelitian di atas, dapat disimpulkan bahwa pendekatan stilistika dapat dijadikan sebagai alat mengaanalisis dalam penelitian naskah tasawuf
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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