1,721,014 research outputs found
I farmaci del dottor Schnitzler
No full textIntroduzione alla traduzione italiana del Libro dei motti e delle riflessioni di Arthur Schnitzle
Per una nuova edizione dei Motti e Facezie del Piovano Arlotto
No full textIl seguente lavoro si compone in una recensio completa della tradizione dei Motti e Facezie del Piovano Arlotto, un inquadramento storico-critico dell'opera e un'edizione della prima stampa del testo. E' stata infine analizzata la struttura linguistica e morfologica dell'editio princeps, al fine di stabilirne la validità ecdotica attraverso mirati accostamenti con gli altri testimoni.
Purpose of this work is a complete recensio of the textual tradition of Motti e Facezie del Piovano Arlotto, a critical and historical analysis and a critical edition of the first printed edition of the text. In the end I made a linguistic and morphologic analysis on the text of the said edition, to look at its value for a future critical edition through targeted examples with the other witnesses of the text
Il libro come elemento di narrazione sociale nel XVI secolo. Aneddoti, motti e rime di personaggi illustri nelle edizioni del poligrafo Lodovico Domenichi (1515–1564)
No full textIl libro come elemento di narrazione sociale nel XVI secolo. Aneddoti, motti e rime di personaggi illustri nelle edizioni del poligrafo Lodovico Domenichi (1515–1564
A novel palladium-catalyzed synthesis of phenanthrenes from o-substituted aryl iodides and diphenyl- or alkylphenylacetylenes
No full textFigure presented 1,5-Selectively disubstituted 9,10-diphenyl-or alkylphenylphenanthrenes are obtained by reaction of ortho-substituted aryl iodides and diphenyl-or alkylphenylacetylenes in the presence of palladium and norbornene as catalysts. The reaction outcome is controlled by the steric effect exerted by the ortho substituent in the aryl iodide
Synthesis of fluorenyl alcohols: Via cooperative palladium/norbornene catalysis
No full textHerein, we report a novel catalytic synthesis of substituted 9H-fluoren-9-ols starting from aryl iodides and secondary ortho-bromobenzyl alcohols in the presence of palladium/norbornene as a catalytic system. The present protocol exhibits high functional group tolerance, mild reaction conditions and moderate to good yields. This transformation is based on two sequential pathways: (i) Pd(ii)-mediated oxidation of the secondary alcohol to the corresponding ketone and (ii) Pd(0)/norbornene-catalyzed reaction of the in situ generated ortho-bromoacetophenone with the aryl iodide
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
I «Motti e facezie del Piovano Arlotto» : una nuova edizione critica e commentata
No full textLa tesi propone una nuova edizione critica e commentata dei «Motti e facezie del Piovano Arlotto» (primi anni ’80 del XV secolo), una delle più importanti raccolte umanistiche del genere faceto. Dopo l’edizione curata da Gianfranco Folena nel 1953, Giorgio Petrocchi ha portato alla luce un nuovo importante testimone dell’opera, l’Ottoboniano latino 1394 della Biblioteca Apostolica Vaticana, di fine XV - inizio XVI secolo: il manoscritto attesta una forma meno sorvegliata della raccolta, che nella sua nuova edizione si presenta priva dell’intento edificante di cui fu investita a partire già dai primi decenni del XVI secolo. In introduzione al testo, si offre un esame della fortuna del protagonista della silloge, Arlotto Mainardi (1396 - 1484), il quale nel corso dei secoli si vide appunto attribuire caratteri e facezie non presenti nel testimone antico, a conferma della sua fama come personaggio, protagonista di una raccolta anonima di un genere già di per sé facilmente sottoponibile a mutamenti
Iacopo Sannazaro, la letteratura delle immagini e il “pedante pugliese”. Imprese, motti e motti di spirito
Full text linkIl saggio prende in esame un aspetto poco noto, ma non per questo privo di interesse, della figura e dell’opera di Iacopo Sannazaro ovvero il rapporto con la letteratura delle immagini e in particolar modo l’impegno dell’umanista a ideare imprese, motti e motti di spirito anche per se stesso nonché la fortuna e la notorietà dell’intero corpus in volgare e in latino in un genere editoriale come la trattatistica delle imprese e degli emblemi destinato a sopravvivere ben oltre la fine del Rinascimento.The essay examines a little known but not uninteresting aspect of the figure and work of Jacopo Sannazaro, that is his relationship with the literature of images and especially his personal commitment in creating emblems, ‘motti’ and wits, also for his own use. In addition, the fortune and the fame of the whole corpus (in Vernacular and in Latin) are investigated in the treatises of emblems, a literary genre destined to survive well beyond the end of the Renaissance
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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