45 research outputs found
Apresentação
Get PDFThe inauguration of "The Professor Anhaia Mello Room" provided with suitable audio-visual équipement and furniture for conferences and defences of Dissertations and Theses by the students of the Graduate Course of the FAUUSP Life and work of Prof. Anhaia Mello, founder of the Faculty of Architecture and Urbanism of the University of São Paulo - FAUUSP presented by Prof. Brenno Cyrino Nogueira. Lecture of Prof. Charles Beylier about the thought of the sociologist and anthropologist Roger Bastide, calling the attention to the interpenetration of cultures. Seminar about the lecture. The inauguration, the lecture and the sem inar as homage not only to the distinguished french anthropologist, one of the founders of the USP but also to the sixties years of this universit
A (im)possibilidade de aplicação de dirimente supralegal aos crimes contra a ordem tributária praticados no âmbito de pessoa jurídica
Get PDFA co-culpabilidade e o estado de necessidade exculpante consistem em dirimentes supralegais, capazes de afastar a culpabilidade, em razão de encontrar-se o autor do fato diante de situação em que não é razoável exigir-se conduta diversa. A atividade desenvolvida pelas pessoas jurídicas de cunho empresarial, por sua vez, envolvem diversas situações de dificuldades e riscos que são absolutamente imprevisíveis no momento em que se planejou a empreitada comercial. Diante desta conceituação, necessário se faz analisar tais institutos e circunstâncias quando da prática dos crimes contra a Ordem Tributária, previstos na Lei n. 8.137/90, ao passo em que, em determinadas situações, torna-se impossível exigir do autor conduta diversa. O presente trabalho pretende, além de demonstrar a possibilidade de subsunção dos conceitos das dirimentes supralegais aos crimes tributários, fazer análise acerca do Direito Tributário e do Direito Penal, a fim de se contextualizar a apresentação central
Aprendizado de máquina para redução do tráfego de dados e da latência na névoa das coisas
No full textThe Internet of Things (IoT) has produced infrastructures and applications that generate large amounts of data. These data are usually data streams, that have the characteristic of being continuous and infinite and also have the peculiarity of modifying their behavior over time. Due to the large capacity of storage, data processing, and provisioning of resources, this data is generally processed and analyzed in cloud computing environments.
Although Cloud Computing provides the IoT infrastructure with adequate scalability and resource centric features, the distance between devices and the cloud can impose limitations to achieve low latency in data traffic. In order to maintain scalability, achieve low latency and reduce data traffic between the IoT devices and the Cloud, the Fog Computing was proposed. Although the Fog Computing paradigm establishes resource availability at the edge of the network, the technologies and techniques currently used for IoT data processing and analysis may not be sufficient to support the continuous and unlimited data stream that IoT platforms produce. In this way, this work presents an approach for processing and analyzing data stream from the Internet of Things in real time in Fog. The main advantage of using our approach is the possibility of reducing the amount of data transmitted on the network infrastructure, which allows, as a consequence, to perform an online data modeling, by detecting changes in data behavior, and a reduction of the Internet usage. In addition, the proposed platform does not require a constant Internet connection. Finally, we evaluate the proposal from the perspective of performance in a scenario of intelligent objects at the edge of the network.The Internet of Things (IoT) has produced infrastructures and applications that generate large amounts of data. These data are usually data streams, that have the characteristic of being continuous and infinite and also have the peculiarity of modifying their behavior over time. Due to the large capacity of storage, data processing and provisioning of resources, this data is generally processed and analyzed in cloud computing environments.
Although Cloud Computing provides the IoT infrastructure with adequate scalability
and resource centric features, the distance between devices and the cloud can impose limitations to achieve low latency in data traffic. In order to maintain scalability, achieve low latency and reduce data traffic between the IoT devices and the Cloud, the Fog Computing was proposed. Although the Fog Computing paradigm establishes resource availability at the edge of the network, the technologies and techniques currently used
for IoT data processing and analysis may not be sufficient to support the continuous and unlimited data stream that IoT platforms produce. In this way, this work presents an approach for processing and analyzing data stream from the Internet of Things in real time in Fog. The main advantage of using our approach is the possibility of reducing the amount of data transmitted on the network infrastructure, which allows, as a consequence, to perform an online data modeling, by detecting changes in data behavior, and a reduction of the Internet usage. In addition, the proposed platform does not require a constant Internet connection. Finally, we evaluate the proposal from the perspective of performance in a scenario of intelligent objects at the edge of the network.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES
Os paratextos das antologias brasileiras de contos de Edgar Allan Poe no século XXI
Get PDFTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014.Esta tese analisa elementos paratextuais em antologias brasileiras de contos de Edgar Allan Poe lançados ou reeditados nos doze primeiros anos do século XXI, verificando de que forma o autor e sua obra são apresentados ao leitor através desses paratextos. Para tanto, analiso quartas capas, orelhas, prefácios, posfácios e notas. O nível de participação do tradutor na utilização desses elementos é também examinado, para que se possa averiguar até que ponto esse intermediador de culturas teve visibilidade nas publicações. A referida análise é norteada, principalmente, pelos fundamentos teóricos de Gérard Genette, sobretudo em seu livro intitulado Paratextos Editoriais (2009), do original Seuils (1987).Abstract : This thesis analyzes paratextual elements in Edgar Allan Poe's Brazilian anthologies of short stories published or reprinted in the first twelve years of the 21st century, observing how the author and his fictional writings are presented to the reader through those paratexts. Thus, I analyze back pages, flaps, forewords, afterwords, and notes. The use the translator made of those elements is examined in order to assess the translator's visibility in the published editions. The referred analysis is grounded mainly on Gérard Genette's theory, especially in his book entitled Editorial Paratexts (2009) from the original Seuils (1987)
Julian Fontana – an Underestimated Artist from the Chopin's Closest Circle
No full textThe doctoral dissertation is a monograph of the life and artistic work of Julian Fontana – a truly Renaissance mind, a pianist and composer, an émigré activist, translator, language purist, author of scientific studies of astronomy, and the closest friend, pupil, copist and advisor of Fryderyk Chopin, who went down in the history of music thanks to his acting as the editor of his OEuvres Posthumes. It represents a type of contextual biography in which Fontana is presented against the background of Chopin's life, Polish émigré community, and the era, depicting the existence of not only Fontana himself, but also a nineteenth-century artist facing socio-economic and cultural changes. Furthermore, the thesis presents new factual data on Chopin himself, constituting a contribution to completing the composer's biography. The monograph comprises six main Chapters: I –Sources, II – Life, III – Musical Output, IV – Pianism, V – Fontana – Copyist and Editor, VI – Appendices, and a Bibliography
Contemporary Literature. Analysis of Jonathan Bazzi's novels
No full textopenDopo una breve panoramica della letteratura italiana degli ultimi vent’anni si analizzano i due romanzi di Jonathan Bazzi "Febbre" e "Corpi minori" dai punti di vista formale, stilistico e tematico. Si discute inoltre il rapporto tra social media, autofiction e autore; nel capitolo 4 si riporta l'intervista che Bazzi ci ha gentilmente concesso, in cui questi argomenti vengono ripresi.
Si individuano alcune differenze che i testi mostrano rispetto alla letteratura moderna, e gli aspetti che hanno in comune con quella contemporanea; nel fare questo si accennano quindi alcune caratteristiche della società che li ha prodotti.The paper starts off with a brief overview of the contemporary Italian literature; then the reader is guided through an analysis of Jonathan Bazzi's novels, "Febbre" ("Fever") and "Corpi minori" ("Minor bodies"), both translated in English and published by Scribe. The relationship between author, autofiction and social media will also be discussed; in chapter four the reader will find the interview Bazzi kindly granted us
Non-minimal fields of the pure spinor string in general curved backgrounds
No full textIndexación: ScopusAbstract: We study the coupling of the non-minimal ghost fields of the pure spinor superstring in general curved backgrounds. The coupling is found solving the consistency relations from the nilpotency of the non-minimal BRST charge. © 2015, The Author(s).https://link-springer-com.recursosbiblioteca.unab.cl/article/10.1007/JHEP02(2015)09
Julian Fontana – niedoceniony artysta z najbliższego otoczenia Chopina
No full textThe present doctoral dissertation is a monograph of life and artistic work
of Julian Fontana – the closest friend, pupil, copist and advisor of Fryderyk Chopin, who accompanied him almost constantly from their early age to the last days, who went down in the history of music thanks to his acting as the editor of his Œuvres Posthumes, and at the same time a truly Renaissance mind a pianist and composer, an émigré activist, translator, language purist, author of scientific studies of astronomy. It is representing a type of contextual biography in which the central character is presented against the background of the era parallel to Chopin’s life, constituting a contribution to completing the composer’s biography. The thesis comprises six main Chapters: I – Present State of Research and Source Criticism, II – Life, III – Musical Output, IV – Pianism, V – Fontana – Copist and Editor, VI – Bibliography.
The first Chapter takes a heuristic approach. The existing research situation has been outlined here and available sources subjected to criticism. The second Chapter, the largest in size, takes into account Julian Fontana’s biography embedded in a wide context, with particular empahasis not only on general social, cultural and political processes, but also circumstances related specifically to Polish matters. Being inspired by the concept of perceiving the work in a social process, everything that contributed to the cause of Fontana’s creative existence, has been outlined. The genealogy of the Fontana family has been described in detail as well as his early years spent in Warsaw at Chopin’s side, which contributed to shaping the personalities of both young men. While outlining Fontana’s emigration years, special attention has been focused on the Polish diaspora in places visted by him: Paris, London and New York. In the biographical part, all social-political processes having a direct impact on the fate of Fontana and Chopin in exile have been taken into account. Much attention has also been given to outline the cultural and educational activities of Poles in Paris in the 19th century. The milieu of the Polish intellectual elite in exile has been depicted on the basis of unknown so far and forgotten primary sources: diary materials, documentation of the Polish emigration institutions, the nineteenth-century press and prints from that era. Also the exotic culture of Cuba in the 19th century has been described at great length, where Fontana was a pioneer in presenting Chopin’s music previously unknown there. Attention has also been paid to the musical culture of New York, where Fontana stayed in the second half of the 1840s.
In the third Chapter, the catalogue of Fontana’s artistic production is shown, and
describing Fontana’s artistic output, his works have been presented in a wild social context, trying to show the ‘social cause’ and the ‘social trace’ – the concepts introduced by Jim Samson. Following H.R. Jauss’s theory of reception and the ‘horizon of expectations’ described by him, Fontana’s work has been presented in a genre perspective. Invoking the concepts of dialogicality and intertextuality, special attention has been paid to the relations to Chopin’s work and the current trends, in which Fontana was situated.
In Chapter Four, devoted to Fontana’s pianism, the focus has been on the sociological phenomena of the era: on the one hand – the nascent cult of the individual, and on the other hand – increasing role of the middle class, availability of public and semi-public concerts, allowing artists to compete in a capitalistic market. The struggles of artists entrepreneurs in the first half of the 19th century have been shown. Also, special attention has been paid to Fontana’s role in promoting Chopin’s music on both hemispheres.
Chapter Five shows one of the most important aspects of Fontana’s activities
– being a copyist and editor of Chopin’s works, including the posthumous ones, with all the copies he prepared having been organized together with the revisions of duplicates made by others, and the editions both published in Chopin’s lifetime and after he died. A separate Chapter has been devoted to presentation of the chronology of the actions connected with publishing Œuvres Posthumes by Chopin, which influenced the final form of the publication. Furthermore, Fontana’s edition of Chopin’s posthumous works has been evaluated, and its critical reception presented from the moment it was published until today.Praca jest monografią życia i twórczości Juliana Fontany – najbliższego przyjaciela, ucznia, kopisty i doradcy Chopina, zapisanego na kartach historii muzyki przede wszystkim jako wydawca jego Œuvres Posthumes, a przy tym prawdziwie renesansowego umysłu: pianisty i kompozytora, działacza emigracyjnego, tłumacza, purysty językowego, autora prac naukowych z zakresu astronomii. Jest typem biografii kontekstualnej, w której postać główna została przedstawiona na tle epoki, emigracji polskiej oraz ukazanego paralelnie życia Chopina, stanowiąc przyczynek do uzupełnienia biografii kompozytora. Praca zawiera sześć głównych rozdziałów: I – Stan badań i krytyka źródeł, II – Życie, III – Twórczość muzyczna, IV – Pianistyka, V – Fontana – kopista i edytor, VI – Bibliografia.
W rozdziale pierwszym zarysowano zastaną sytuację badawczą i poddano krytyce dostępne źródła. Drugi, największych rozmiarów rozdział uwzględnia biografię życia Juliana Fontany osadzoną w szerokim kontekście, ze szczególnym uwypukleniem nie tylko ogólnych procesów społecznych, kulturowych oraz politycznych, ale także okoliczności dotyczących materii specyficznie polskiej. Inspirując się koncepcją oglądu dzieła w procesie społecznym zarysowano wszystko to, co składało się na przyczynę twórczej aktywności Fontany. Szczegółowo opisano genealogię rodu Fontanów oraz pierwsze lata Juliana Fontany spędzone w Warszawie u boku Chopina, uwypuklając elementy, które złożyły się na ukształtowanie osobowości obu młodzieńców. Przedstawiając okres emigracyjny Fontany, wiele uwagi poświęcono polskiej diasporze w miejscach jego pobytu: w Paryżu, Londynie oraz Nowym Jorku. W części biograficznej uwzględniono procesy społeczno-polityczne mające bezpośredni wpływ na losy Fontany i Chopina na emigracji. Wiele uwagi poświęcono także zarysowaniu działalności kulturalnej i oświatowej Polaków w Paryżu w XIX w. Milieu polskiej elity intelektualnej na wychodźstwie przedstawiono na podstawie nieznanych dotąd oraz zapomnianych źródeł prymarnych: materiałów pamiętnikarskich, dokumentacji polskich instytucji emigracyjnych, XIX-wiecznej prasy oraz druków z epoki. Opisano także egzotyczną kulturę Kuby w XIX w., gdzie Fontana jako pionier zaprezentował nieznaną tam dotąd twórczość Chopina. Uwagę poświęcono także muzycznej kulturze Nowego Yorku, gdzie Fontana przebywał w drugiej połowie lat 1840-tych.
W rozdziale trzecim przedstawiono katalog utworów Fontany oraz omówiono jego twórczość w szerokim kontekście społecznym, podejmując próbę ukazania w nich „przyczyny społecznej” oraz „śladów społecznych” – pojęć wprowadzonych przez Jima Samsona. Podążając za teorią recepcji H.R. Jaussa oraz opisanego przezeń „horyzontu oczekiwań”, dzieło Fontany przedstawiono w perspektywie gatunkowej. Odwołując się do koncepcji dialogiczności i intertekstualności, zwrócono szczególną uwagę na związki z dziełem Chopina oraz obowiązującymi trendami, w które wpisywał się Fontana.
W rozdziale czwartym, dotyczącym pianistyki Fontany, położono nacisk na socjologiczne fenomeny epoki: z jednej strony – rodzący się kult jednostki, z drugiej zaś – rosnącą rolę klasy średniej, dostępność koncertów publicznych i półpublicznych, dającą artystom możliwość konkurowania na kapitalistycznym rynku. Zarysowano zmagania artystów jako przedsiębiorców w I poł. XIX w. Uwypuklono także szczególną rolę Fontany w promowaniu twórczości Chopina na obu półkulach.
Rozdział piąty przedstawia jeden z najistotniejszych aspektów działalności Fontany
– kopisty i edytora dzieł Chopina, w tym pośmiertnych, porządkując wszystkie dokonane przezeń kopie, rewizje odpisów wykonanych inną ręką oraz wydań, zarówno drukowanych za życia Chopina jak i jego śmierci. Osobny rozdział poświęcono przedstawieniu chronologii prac związanych z publikacją Œuvres Posthumes Chopina, które wpłynęły na ostateczny kształt wydawnictwa. Ponadto poddano ocenie edycje Fontany dzieł pośmiertnych Chopina, przedstawiając także ich krytyczną recepcję od momentu wydania po dzień dzisiejszy
Uma proposta de interdisciplinaridade para a ciencia do direito
Get PDFDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Ciencias Juridicas, 1996Essa pesquisa pretende evidenciar que a concepção materialista mecanicista - cartesiana - que norteia a ciência ainda predominantemente operante, engendrou um sistema de valores eminentemente materialista, cuja penetração na sociedade, afastou toda reflexão de conteúdo filosófico e metafísico, fato que tem resultado em uma reação adversa à própria sociedade humana
