298 research outputs found
De la perifèria al centre: reflexions sobre la llengua catalana de l’escriptora Isabel-Clara Simó
No full textL’article presenta una revisió de les principals reflexions sobre la llengua catalana que l’escriptora Isabel-Clara Simó ha realitzat en diversos textos de caire periodístic i assagístic. L’autora defensa un espai lingüístic comú a tots els territoris que parlen la mateixa llengua i realitza una denúncia decidida per a tots els entrebancs que s’hi generen en la normalització de l’ús social de la llengua.The article presents a review of the main reflections on the Catalan language that the writer Isabel-Clara Simó has done in various journalistic and essayistic texts. The author defends a common linguistic area in all the territories that speak the same language and makes a determined denunciation for all the obstacles that are generated in the normalization of the social use of the language
De la perifèria al centre: reflexions sobre la llengua catalana de l’escriptora Isabel-Clara Simó
Full text linkL’article presenta una revisió de les principals reflexions sobre la llengua catalana que l’escriptora Isabel-Clara Simó ha realitzat en diversos textos de caire periodístic i assagístic. L’autora defensa un espai lingüístic comú a tots els territoris que parlen la mateixa llengua i realitza una denúncia decidida per a tots els entrebancs que s’hi generen en la normalització de l’ús social de la llengua.The article presents a review of the main reflections on the Catalan language that the writer Isabel-Clara Simó has done in various journalistic and essayistic texts. The author defends a common linguistic area in all the territories that speak the same language and makes a determined denunciation for all the obstacles that are generated in the normalization of the social use of the language
L’expressió de la violència en la narrativa d’Isabel-Clara Simó
Full text linkLa nostra recerca se centra en l’anàlisi de contes d’Isabel-Clara Simó. Tot i que la major part de la seua obra narrativa es basa en els paràmetres de la literatura psicològica, la recerca de l’expressió de la solitud dels personatges enmig de les dificultats del seu entorn ens ofereix una tensió íntima dins d’un ampli àmbit de situacions. Com a norma general, Isabel-Clara Simó centra els seus relats sobretot en la denúncia de situacions d’opressió de les dones. En el seu llibre, La salvatge (1994) i Dones (1999), l’autora introdueix la imatge de les dones urbanes actuals on són representades com a víctimes de les seues parelles.Our research focuses on the analysis of short stories by Isabel-Clara Simó. Although most of her narrative work is based on the parameters of psychological literature, the search for the expression of the characters’ solitude in the midst of the difficulties in their environment offers us an intimate tension within a wide scope of situations. As a general rule, Isabel-Clara Simó focuses her stories mainly on denouncing situations of women’s oppression. In her book, La salvatge (1994) and Dones (1999), the author introduces the image of current urban women where they are depicted as victims of their partners
Arquitetura dos cinemas: um estudo da modernidade em Santa Catarina
Full text linkDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro Tecnológico. Programa de Pós-graduação em Urbanismo História e ArquiteturaTendo como pano de fundo os tempos da modernidade, definido entre fins do século XIX e primeiras décadas do século XX, o objetivo deste estudo é abordar a relação entre a arquitetura dos cines em Santa Catarina e a significação de um imaginário de modernidade nas cidades que abrigaram as principais salas no estado, bem como a construção de suas paisagens. A pesquisa traça o percurso da constituição dos espaços de exibição dos filmes - do vaudeville ao cine palácio - nos anos da belle époque e do Art Déco, abordando também, necessariamente, a evolução na linguagem do cinema. A intenção é compreender como o cinema se fez mediador de um processo de civilização e modernização daqueles tempos, sob a ótica do conceito de habitus de Pierre Bourdieu. Com o resgate de informações iconográficas e históricas dos cines do estado, pretende-se ainda alertar e refletir sobre o processo de desaparecimento dos cinemas de rua e das possibilidades de renovação da centralidade das cidades que se perdem com eles
Algorithms for Decoding Probabilistic Language Generators: Beam Search and Locally Typical Sampling
No full textO ofício à Rainha Santa Isabel, de André de Resende
Full text linkCom o desenvolvimento do culto oficial da Rainha Santa Isabel (então, apenas beata), no século XVI, em Coimbra, o humanista André de Resende compôs e fez imprimir um ofício divino, para substituição de um outro, menos elaborado, utilizado pelas freiras do Mosteiro de Santa Claraa-Velha. Esse ofício consta dos autos do processo instaurado conducente à canonização da Rainha, no início do século XVII. Para a sua composição, no que diz respeito à componente das Lectiones, André de Resende inspirou-se e seguiu, com rigor e espírito de síntese, o relato biográfico da rainha que existia manuscrito na biblioteca do dito Mosteiro, de autor anónimo, mas pessoa próxima de D. Isabel. Essa biografia foi consultada por todos aqueles que se dedicaram a escrever sobre esta rainha.When the official worship of Queen Saint Elisabeth (a beatified woman, at that time) expanded, during the sixteenth century, in Coimbra, the humanist André de Resende composed and published a divine office, to replace a previously one used by the nuns of the Monastery of Santa Clara-a-Velha. That divine office appears on the proceedings conducing to the Queen's canonization, constituted at the beginning of the seventeenth century. To its composition, concerning the Lectiones, André de Resende took his inspiration and followed, rigorously and synthetically, the Queen's biographical narrative, existent as a manuscript at the Monastery's library, written by an anonymous author, but close to the Queen. That biography was used by all of those who wrote about this Saint Queen.info:eu-repo/semantics/publishedVersio
La narrativa breu d’Isabel-Clara Simó: a propòsit d’uns contes inèdits
No full textLa carrière littéraire d'Isabel-Clara Simó (1943-2020) s’est essentiellement développée dans les genres narratifs. Ainsi, elle alterne l'écriture et la publication de romans et de nouvelles. C'est dans ce sous-genre que nous voulons concentrer notre analyse, et c'est dans les nouvelles, probablement en raison de leur brièveté, qu’elle offre une grande expérimentation stylistique et thématique ensuite déployée dans les romans. L'autrice expérimente dans divers sous-genres et styles, ce qui nous amène à trouver une grande hétérogénéité structurelle dans ses textes. Cependant, on peut souligner un fait commun qui est l'importance qu’elle accorde au traitement des voix narratives comme reflet de la réalité dans laquelle évoluent les personnages. Nous nous concentrons sur plusieurs nouvelles inédites que nous avons pu consulter par le biais de la famille. Nous analysons également la dernière des publications d’Isabel-Clara Simó, le volume Prime Time. Irrévérences (2019), qui pour diverses raisons n'a pas été distribué dans les circuits commerciaux. Des textes fondamentaux pour comprendre l'évolution de sa stylistique et la diversité de ses thèmes, avec une volonté permanente d'expérimentation.The literary career of Isabel-Clara Simó (1943-2020) has been developed mainly in the narrative genres. Thus, she alternated between writing and publishing novels and short stories. It is in this sub-genre where we want to focus our analysis, as it was in these, probably due to its brevity, that she offered greater samples of stylistic and thematic experimentation that she later deployed in the novels. The author experiments in various sub-genres and styles, which lead us to find a great structural heterogeneity in her texts. However, a common fact can stand out which is the importance that the author attaches to the treatment of narrative voices as a reflection of the reality in which the characters evolve. In our research we focus on several short stories that the author left unpublished and that, through the family, we were able to consult. We also analyse the last of her publications, the volume Prime Time. Irreverences (2019), which for various reasons has not been distributed in commercial channels. Fundamental texts to understand the evolution –with the permanent will to experiment– of her stylistics and the diversity of her themes
La narrativa breu d’Isabel-Clara Simó: a propòsit d’uns contes inèdits
No full textThe literary career of Isabel-Clara Simó (1943-2020) has been developed
mainly in the narrative genres. Thus, she alternated between writing and publishing
novels and short stories. It is in this sub-genre where we want to focus our analysis, as it
was in these, probably due to its brevity, that she offered greater samples of stylistic and
thematic experimentation that she later deployed in the novels. The author experiments
in various sub-genres and styles, which lead us to find a great structural heterogeneity in
her texts. However, a common fact can stand out which is the importance that the author
attaches to the treatment of narrative voices as a reflection of the reality in which the
characters evolve. In our research we focus on several short stories that the author left
unpublished and that, through the family, we were able to consult. We also analyse the
last of her publications, the volume Prime Time. Irreverences (2019), which for various
reasons has not been distributed in commercial channels. Fundamental texts to
understand the evolution –with the permanent will to experiment– of her stylistics and
the diversity of her themes.La carrière littéraire d'Isabel-Clara Simó (1943-2020) s’est essentiellement
développée dans les genres narratifs. Ainsi, elle alterne l'écriture et la publication de
romans et de nouvelles. C'est dans ce sous-genre que nous voulons concentrer notre
analyse, et c'est dans les nouvelles, probablement en raison de leur brièveté, qu’elle
offre une grande expérimentation stylistique et thématique ensuite déployée dans les
romans. L'autrice expérimente dans divers sous-genres et styles, ce qui nous amène à
trouver une grande hétérogénéité structurelle dans ses textes. Cependant, on peut
souligner un fait commun qui est l'importance qu’elle accorde au traitement des voix
narratives comme reflet de la réalité dans laquelle évoluent les personnages. Nous nous
concentrons sur plusieurs nouvelles inédites que nous avons pu consulter par le biais de
la famille. Nous analysons également la dernière des publications d’Isabel-Clara Simó,
le volume Prime Time. Irrévérences (2019), qui pour diverses raisons n'a pas été
distribué dans les circuits commerciaux. Des textes fondamentaux pour comprendre
l'évolution de sa stylistique et la diversité de ses thèmes, avec une volonté permanente
d'expérimentation
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