557 research outputs found
Ebner, Markus: Das Tuba Concerto von Edward Gregson
Graz, Univ. für Musik und darstellende Kunst, Künstler. Masterarb., 201
Online Dispute Resolution: Theory and Practice: A Treatise on Technology and Dispute Resolution
Online mediation is spreading rapidly as a mode of practice. In this chapter, Ebner surveys the development of e-mediation within the wider context of ODR growth. Next, the chapter presents a snapshot of the field's status quo with respect to stakeholders, modes of communication and the technology utilized, Finally, the chapter addresses substantive and process issues in e-mediation: mediation process models, stages and issues; practitioner skills; professional issues; ethics and practitioner standards.|The author identifies current trends in the fields and makes several predictions regarding the field's future development, including the adoption of online mediation by solo practitioners (as opposed to "service provider" firms), the rise of video-conferencing (primarily through low-cost, familiar platforms) and the somewhat counter-intuitive implementation of online mediation in disputes involving strong relational elements, such as divorce, community and workplace issues.357-38
Organisationsberatung, Supervision, Coaching / 4-Evening-Questions: Eine einfache Technik mit tiefgreifender Wirkung : eine qualitative Studie
Markus Ebne
Ebner\u27s Ethical Creatures: Animals and Humanity in the Work of Marie von Ebner-Eschenbach
This dissertation situates the work of Austrian author Marie von Ebner-Eschenbach within late nineteenth-century historical and social developments in Europe, especially those having to do with animals, as they are presented in literature of the period more generally. I devote particular attention to the ethical aims of Ebner\u27s animal representation in the context of nineteenth-century German-speaking Europe\u27s understanding of the human-animal relationship.
I investigate Ebner\u27s portrayals of animals and the social goals of employing such representations; questions raised by human-animal comparison and the social criticism undertaken by aligning human and animal characteristics; and literary and ethical implications of human-animal relationships. I analyze the manner in which Ebner portrays human behavior inspired by, influenced by, and directed at animals and the attribution of various degrees of cognition and emotion to animals themselves. Whether imagined by human characters in the texts or communicated to the reader via narrative identification with animal figures to inspire reader sympathy and empathy, Ebner\u27s depictions of animals draw heavily on nineteenth-century developments in attitudes toward the human-animal relationship and the status of nonhuman animals.
To put Ebner\u27s work in dialog with other European writers and demonstrate her participation in a pan-European trend in literary animal depictions, I treat additional novels, novellas, and poetry by writers including Theodor Storm, Theodor Fontane, Paul Heyse, Leo Tolstoy, and Émile Zola, as well as periodicals and activist and scientific writing from Germany, Austria, France, Russia, and England
Design of a Separating Tool for a Mixture of Glass Beads and Polyamide Powder - Sieve Bowl, Suction Pipe and Air Slot Nozzle
Die vorliegende Arbeit beschäftigt sich mit der Konstruktion einer Strahlguttrennanlage, die ein Gemisch aus Glasperlen und Polyamidpulver in ihre Bestandteile auftrennt. An der FH Campus Wien werden Bauteile bzw. Prototypen durch Selektives Lasersintern (SLS) hergestellt, wobei diese anschließend an den Fertigungsprozess mit Glasperlen gestrahlt werden, um Pulverrückstände von deren Oberfläche zu entfernen. Die konstruierte Trennanlage ist somit in der Lage, Glasperlen aus dem dabei entstehenden Gemisch rückzugewinnen, was zu einer Verbesserung der Umweltfreundlichkeit und Wirtschaftlichkeit des SLS-Fertigungsprozesses führt, da dieses Gemisch bisher direkt entsorgt oder abermals als Strahlgut verwendet wurde. Diese Trennanlage wurde als Luftstrahlsiebmaschine im Rahmen einer Gruppenarbeit der Autoren Markus Ebner, Oliver Spitzer und Walter Stallinger realisiert, wobei die gesamte Konstruktion in verschiedene Arbeitspakete aufgespalten wurde. Im Speziellen betrifft diese Arbeit neben der Beschreibung allgemeiner technischer Grundlagen zur Siebtechnik die Konstruktion des Siebtopfes, des Absaugkanals und der Luftschlitzdüse. Zusätzlich ist im Anhang das Gesamtergebnis dieses Konstruktionsprojekts in Form von Zeichnungsableitungen und Stücklisten dargestellt.This thesis deals with the design of a separating tool for a mixture of glass beads and polyamide powder. At the FH Campus Wien parts and prototypes are manufactured by selective laser sintering (SLS) that includes glass bead blasting of the manufactured components in order to remove powder residues from their surfaces. A separating tool was designed to recover glass beads from the emerging mixture which leads to an improvement of economic efficiency and environmental friendliness of the whole SLS manufacturing process, because so far this mixture had been thrown away or used once again as a blasting material. The tool designed was realized as an air jet sieve in collaboration with the project members Oliver Spitzer and Walter Stallinger. Consequently the whole construction was divided in different work packages. Besides general technical basics about sieving technology, the designs of the sieve bowl, the suction pipe and the air slot nozzle are presented in particular. Furthermore, the overall result of this project is shown in the appendix in form of drawing derivations and parts lists
Marie von Ebner-Eschenbach, Tagebuch einer modernen Europäerin
Im Text werden Ausschnitte aus den Tagebüchern von Marie von Ebner-Eschenbach zitiert. Weil es sich nur um eine kurze Demonstration handelt, haben wir das Jubiläumsjahr 1866 gewählt. Marie von Ebner-Eschenbach beschreibt die Ereignisse in der Weltpolitik, zu Hause, ihre eigene Tätigkeit und schafft so ein wahres Bild der damaligen gesellschaftlichen Situation.Im Text werden Ausschnitte aus den Tagebüchern von Marie von Ebner-Eschenbach zitiert. Weil es sich nur um eine kurze Demonstration handelt, haben wir das Jubiläumsjahr 1866 gewählt. Marie von Ebner-Eschenbach beschreibt die Ereignisse in der Weltpolitik, zu Hause, ihre eigene Tätigkeit und schafft so ein wahres Bild der damaligen gesellschaftlichen Situation.The article contents parts of the writer's Marie von Ebner-Eschenbach diaries. The year 1866 was chosen from these diaries according to the jubilee. The author describes events in the world politics, at her home, describes her creative work and life of all dweller strata in the region of her native Zdislavice. In this way she creates the picture of the social life at those times
La verità della parola. La critica di Ebner all’idealismo e alla filosofia in generale
Il saggio esamina l'aspra critica del filosofo austriaco Ebner all'idealismo di Hegel e alla filosofia in generale, che giudica incapaci di comprendere adeguatamente la realtà spirituale. Per comprendere il "pensiero dialogico" dell'autore, si suggerisce prima un'analogia tra Ebner e il saltimbanco Jof del film "Il settimo sigillo" di Bergman, poi si propone un parallelismo tra il pensiero di Ebner e quello di Hamann, che in modo simile rifletteva sui limiti della ragione e sulla parola che non è riducibile a concetto, in particolare nel caso della dimensione dello Spirituale e della fede. Si cerca infine di trarre un bilancio che tenga insieme l'esigenza della razionalità e l'inesauribilità della fede senza contrapporle radicalmente.The paper examines the fierce criticism of the Austrian philosopher Ebner to the idealism of Hegel and to philosophy more generally, which he deems unable to account for the spiritual dimension. In order to understand the "dialogic thought" of the author, this paper first proposes an analogy between Ebner and the acrobat player Jof of the movie "The Seventh Seal" by Ingmar Bergman. The paper then carries out a comparison between the thought of Ebner and that of Hamann, who also reflected on the limits of reason and of the word as something that cannot be simply defined as concept, particularly in the case of the dimensions of Spirituality and faith. In the conclusion, the paper examines the actual possibility of finding a balance between the need for rationalism and the infiniteness of faith
Self-actualization in representative works of Marie von Ebner-Eschenbach
This thesis presents a new evaluation of Marie von Ebner-Eschenbach\u27s figure conception by examining the theme of self-actualization in representative works of the author. The theme is defined first according to its psychological and social properties, and second, according to its established tradition in Western literature. Employing selected works of Ebner-Eschenbach in which the theme appears prominently, the figure conception proves to be a key indicator of the author\u27s highly critical world view. A large percentage of figures are engaged in a process of development. Few realize the goal of self-perfection. The traits inherited by birth and the pressure exerted upon the individual from the family and society prohibit a broad range of individuals, from the peasant to the aristocrat, from achieving the desired balance between personal needs and outside expectations. While the author expresses optimism that every individual possesses great potential, she clearly emphasizes the danger posed to this innate ability by social forces beyond individual control. The narratives confirm that unless dominant forces are kept in check, the welfare and further existence of mankind, especially of women and children, is in danger. The analysis of the author\u27s subtle yet powerful social commentary is a neglected aspect of her works and one which should be considered in the future
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