95 research outputs found
Rad na ulozi Sarah u predstavi "Ljubavnik"
No full textDjelo Harolda Pintera Ljubavnik zaživjelo je kao diplomska predstava Gordana Marijanovića i Matee Bublić pod mentorstvom doc. art. Jasmina Novljakovića na Akademiji za umjetnost i kulturu u Osijeku na odsjeku za kazališnu umjetnost, smjer gluma i lutkarstvo. U ovom diplomskom radu Matea opisuje proces rada na diplomskoj predstavi koji uključuje rad na tekstu, rad u prostoru te rad na ulozi. Na početku ukratko iznosi činjenice o autoru i djelu nakon čega kronološki navodi faze rada unutar kojih opisuje proces svojeg glumačkog istraživanja i spoznajne činjenice o utvrđenom znanju. Kroz sva poglavlja čitatelja upoznaje s režijskim konceptom predstave, opisuje mu scenografiju, kostimografiju i rekvizite te mu približava karakter predstave. Svoj diplomski rad Matea zaokružuje spoznajom i iznošenjem činjenica o stečenom znanju kroz petogodišnje studiranje te svojom idejom o karakteristikama koje čine kvalitetnog glumca.Drama „Lover“ by Harold Pinter was set on the scene as a final exam of Gordan Marijanović and Matea Bublić, mentored by assist. prof. art. Jasmin Novljaković and produced by Academy for art and culture in Osijek under the Department of Theatre Arts, study of acting and puppetry. In this written thesis Matea is describing the working process on the final exam which is consisted of chapters which are talking about: working on the text, working on the scene and creating a role. On the beginning she is writing about author and drama, chronologically describes the working phases and analyse process of acting reaserch. Through all chapters Matea introduces the reader to the concept of the play, describes the scenography, costumography and tries to bring the character of the play closer to the reader. She is concluding her written thesis by bringing the facts about acquired knowledge through the study and sharing her opinion about characteristics of a good actor
RAD NA PREDSTAVI PLETI MI, DUŠO, SEVDAH
No full textU ovom pisanom diplomskom radu, Matea Bublić opisuje proces rada na ispitnoj predstavi „Pleti mi, dušo, sevdah“ koja je nastala u produkciji Akademije za umjetnost i kulturu u Osijeku pod mentorstvom doc. art. Tamare Kučinović i doc. ArtD. Maje Lučić Vuković. Na početku iznosi činjenice o nastanku projekta, a prije detaljnog opisa procesa rada, upoznaje nas s povijesnim i kulturološkim činjenicama koje su bitne za shvaćanje odabira sevdaha kao inspiracije za stvaranje predstave. U centralnom dijelu svojeg rada autorica kronološki opisuje faze rada koje uključuju: istraživanje, odabir pjesama, lutkarske tehnologije, animaciju, glazbenu adaptaciju, izradu scenografije i dramaturgiju predstave. Svoj diplomski rad zaključuje iznošenjem činjenica o prednosti lutkarstva kao multimedijske umjetnosti, te prednosti lutkara uz sve vještine koje posjeduje.In this written thesis Matea Bublić is describing the working process on the play „Knitt, my soul, a love song“, which was produced by Academy for art and culture in Osijek and mentored by Assist. Prof. Tamara Kučinović and Assist. Prof. Maja Lučić Vuković Art.D. On the beginning she is bringing the facts about the project and introducing the reader with historical and cultural information which are important for understanding sevdah as a source of inspiration. In the middle part of this written thesis author is chronologically describing the working phases which are consisted of: research, selection of the songs, puppet technology, animation, music adaptation, making of scenography and dramaturgy of the play. She is concluding by bringing the facts which are affirming the puppetry as a multimedial art form and asserting all advantages that puppeteers possess
System for author and style recognition of artistic paintings
No full textOvaj rad bavi se izradom sustava za raspoznavanje autora i stilova iz umjetničkih slika. Objašnjeni su osnovni pojmovi koji olakšavaju shvaćanje korištenih metoda poput dubokog učenja, konvolucijske nauronske mreže, i prijenosnog učenja. Sustav se temelji na ResNet50 modelu, unaprijed naučenom modelu poznatom po svojoj točnosti u zadacima klasifikacije slike. Proces uključuje prikupljanje i pripremu podataka, uključujući filtriranje, augmentaciju i normalizaciju slika. Nakon implementacije modela, sustav se evaluira kako bi se utvrdila njegova točnost. Rad nudi detaljnu analizu rezultata, uključujući matrice zabune za klasifikaciju autora i stilova, te grafove funkcije gubitka i točnosti.This paper focuses on developing a system for recognizing authors and styles in artistic images. It explains main concepts that help in understanding the methods used, such as deep learning, convolutional neural networks, and transfer learning. The system is built on the ResNet50 model, a pre-trained model renowned for its accuracy in image classification tasks. The process involves data collection and preparation, including filtering, augmentation, and normalization of images. After the model is implemented, the system is evaluated to assess its accuracy. The paper provides a detailed analysis of the results, including confusion matrices for author and style classification, as well as graphs for the loss function and accuracy
System for author and style recognition of artistic paintings
No full textOvaj rad bavi se izradom sustava za raspoznavanje autora i stilova iz umjetničkih slika. Objašnjeni su osnovni pojmovi koji olakšavaju shvaćanje korištenih metoda poput dubokog učenja, konvolucijske nauronske mreže, i prijenosnog učenja. Sustav se temelji na ResNet50 modelu, unaprijed naučenom modelu poznatom po svojoj točnosti u zadacima klasifikacije slike. Proces uključuje prikupljanje i pripremu podataka, uključujući filtriranje, augmentaciju i normalizaciju slika. Nakon implementacije modela, sustav se evaluira kako bi se utvrdila njegova točnost. Rad nudi detaljnu analizu rezultata, uključujući matrice zabune za klasifikaciju autora i stilova, te grafove funkcije gubitka i točnosti.This paper focuses on developing a system for recognizing authors and styles in artistic images. It explains main concepts that help in understanding the methods used, such as deep learning, convolutional neural networks, and transfer learning. The system is built on the ResNet50 model, a pre-trained model renowned for its accuracy in image classification tasks. The process involves data collection and preparation, including filtering, augmentation, and normalization of images. After the model is implemented, the system is evaluated to assess its accuracy. The paper provides a detailed analysis of the results, including confusion matrices for author and style classification, as well as graphs for the loss function and accuracy
System for author and style recognition of artistic paintings
No full textOvaj rad bavi se izradom sustava za raspoznavanje autora i stilova iz umjetničkih slika. Objašnjeni su osnovni pojmovi koji olakšavaju shvaćanje korištenih metoda poput dubokog učenja, konvolucijske nauronske mreže, i prijenosnog učenja. Sustav se temelji na ResNet50 modelu, unaprijed naučenom modelu poznatom po svojoj točnosti u zadacima klasifikacije slike. Proces uključuje prikupljanje i pripremu podataka, uključujući filtriranje, augmentaciju i normalizaciju slika. Nakon implementacije modela, sustav se evaluira kako bi se utvrdila njegova točnost. Rad nudi detaljnu analizu rezultata, uključujući matrice zabune za klasifikaciju autora i stilova, te grafove funkcije gubitka i točnosti.This paper focuses on developing a system for recognizing authors and styles in artistic images. It explains main concepts that help in understanding the methods used, such as deep learning, convolutional neural networks, and transfer learning. The system is built on the ResNet50 model, a pre-trained model renowned for its accuracy in image classification tasks. The process involves data collection and preparation, including filtering, augmentation, and normalization of images. After the model is implemented, the system is evaluated to assess its accuracy. The paper provides a detailed analysis of the results, including confusion matrices for author and style classification, as well as graphs for the loss function and accuracy
Causal inference with multi-state models, applied on estimating the effect of the IUI treatment timing for couples with unexplained subfertility
No full textThis thesis examines statistical methods to find the right timing of intrauterine insemination treatment relative to the start of the follow-up of the couples. Intrauterine insemination is a fertility treatment conducted by injecting refined sperm into a woman's uterus. Lots of research has been done on timing of steps within one IUI cycle. However, not a lot of research has been done on investigating if couples should be advised to start with the IUI immediately after consulting a fertility clinic, or wait a few more months to see if the pregnancy occurs naturally during this time. To analyze this problem, treatment strategies are defined in the following way: a couple stays on expectant management until some predetermined time when the first IUI cycle is started, unless they become pregnant before that time. Strategies analyzed involve starting the treatment at 0, 3, 6 or 9 months, or not at all until the end of the analysis, which is 1.5 years after diagnosis. Pregnancy probability for each couple is estimated with a multi-state Cox proportional hazards model. Then, the model is connected to the causal inference setting in order to compute the counterfactual pregnancy probability of each couple in the population. This thesis explores how multi-state models can be used to answer causal questions. To do this, a 3-state multi-state model is carefully connected to the causal inference theory and the assumptions this framework relies on are listed and commented upon. Treatment strategies are implemented through making an intervention on the IUI starting time. Then, a causal inference method, G-computation, is used to estimate the expected pregnancy probability of all couples in the population, given that everyone follows the same treatment strategy. Then, individual pregnancy probabilities are averaged in order to obtain the expected pregnancy rates in the population for each strategy. Methodology combining multi-state models and causal inference is new and only one similar study has been found so far in the literature. Multi-state models are currently used mostly for predictive analyses and it is of great interest to use them to answer causal questions as well. The results of this study show that there is no significant effect of the time the IUI has been started on the pregnancy rate in the population after 1.5 years, but there is significant difference between being and not being treated
Fin de partie - Endgame - Svršetak igre : how much "Fin de partie" is left in the two translations? A comparison between Samuel Beckett’s English self-translation and the Croatian translation of "Fin de partie"
No full textIm Bereich der literarischen Übersetzung genießen SelbstübersetzerInnen oftmals eine größere Aufmerksamkeit und einen anderen Status als ÜbersetzerInnen fremder Werke und nehmen somit eine Sonderrolle ein. Ziel dieser Masterarbeit ist aufzudecken, ob genannte Faktoren Einfluss auf die Zieltexte von SelbstübersetzerInnen haben.Die vorliegende Arbeit untersucht mittels eines Übersetzungsvergleichs der englischen Selbstübersetzung sowie der kroatischen Übersetzung von Samuel Becketts Stück Fin de partie, welche Eingriffe in den Ausgangstext vorgenommen werden. In der Hypothese wird davon ausgegangen, dass die kroatische Übersetzung Svršetak igre von Alka Škiljan primär aufgrund der unterschiedlichen Sprachsysteme der Ausgangs- bzw. Zielsprache Unterschiede zwischen Ausgangs- und Zieltext aufweist, während in der englischen Selbstübersetzung Endgame darüber hinausgehende Diskrepanzen auftreten und diese somit distanzierter vom Original ausfällt. Die in einem ersten Analyseschritt durchgeführte Paratextanalyse nach Genette hat gezeigt, dass bereits die Paratexte darauf schließen lassen, dass Beckett trotz seiner Doppelrolle als Autor und Übersetzer primär als ersterer wahrgenommen wird und somit zu erwarten ist, dass ihm auch in der Rolle als Übersetzer künstlerische Freiheiten eingeräumt werden. Die textinterne Analyse von zehn Textbeispielen anhand des Analysemodells der deforming tendencies nach Berman konnte schließlich zeigen, dass die zu erwartenden größeren Freiheiten bei der Selbstübersetzung eingetroffen sind. Diese wies größere Unterschiede zum Original auf als die kroatische Übersetzung. Letztere fiel jedoch losgelöster vom Ausgangstext aus als ursprünglich angenommen. Die aus dem Übersetzungsvergleich gewonnenen Erkenntnisse legen nahe, dass SelbstübersetzerInnen durchaus eine Sonderrolle unter ÜbersetzerInnen einnehmen und ihre Übersetzungen insgesamt mehr Diskrepanzen vom Ausgangstext aufweisen als jene von ÜbersetzerInnen fremder Werke.In the field of literary translation, self-translators enjoy more attention as well as a different status than those who translate other peoples works and are granted a special status amongst translators. This master thesis aims to show whether the aforementioned factors influence the target texts of self-translators. By comparing the English self-translation and Croatian translation of Samuel Becketts play Fin de partie, this thesis examines interventions in the source text. The hypothesis assumes that the Croatian translation Svršetak igre by Alka Škiljan mainly shows differences to the original text due to the differing language systems of the source and target language. According to the hypothesis, the English self-translation Endgame will show changes beyond these differences and will thus be more detached from the original text.In a first step, the various texts paratexts were analysed according to Genettes model. The analysis has shown that the paratexts already indicate that, despite his role as both author and translator, Beckett is primarily perceived as the former. So, when acting as a translator, Beckett is granted artistic freedom. By applying Bermans analytic of translation, ten extracts were categorised according to the deforming tendencies model. The text analysis illustrated that Becketts self-translation shows indeed strategies which exhibit artistic freedom. As expected, the self-translation shows more differences to the original text than the Croatian version. The latter, however, showed more differences to the source text than initially expected. The findings gained by comparing the two translations suggest that self-translators do occupy a special role amongst translators and that their translations show more interventions in the source text than those of other translators.vorgelegt von Matea Osrečki-Ostojić, BAEnthält Zusammenfassungen auf Deutsch und EnglischAbweichender Titel laut Übersetzung des Verfassers/der VerfasserinMasterarbeit Karl-Franzens-Universität Graz 2020 21.59
I remember only happy days." Etnography of social memory of war-time medical work
No full textU ovom radu etnografski istražujem društveno sjećanje na ratni medicinski rad te sjećanje na sâm Domovinski rat iz perspektive rada i radnog mjesta kroz analitičke koncepte kulture sjećanja i politike pamćenja. Analizu temeljim na biografskom intervjuu koji sam provela sa svojom majkom i na zbirci svjedočanstava o ratnom medicinskom radu. Metodološki polazim od komparativnog čitanja narativa o ratnom medicinskom radu, iskustveno smještenih u ratom više i manje pogođenim prostorima. Cilj je ovog rada detaljnije prikazati dinamiku kulture sjećanja i politike pamćenja u društvenom sjećanju na ratni medicinski rad. Njihov je međuodnos izuzetno kompleksan – iako se jedna na drugu u nekim pogledima oslanjaju, međusobno se i potiru. Analiza suvremene konstrukcije zajedničke prošlosti medicinskih radnika u Domovinskom ratu u tom međuodnosu pokazuje kako taj proces utječe na konstrukciju individualnog i društvenog identiteta, odnosno kako se ta grupa povezuje, ali i kako se unutar sebe razlikuje u sjećanju na ratni medicinski rad te na taj način diferencira i individue u grupi. Svrha je ovog rada ponuditi novu perspektivu u istraživanju društvenog sjećanja na Domovinski rat – perspektivu koja isprepliće ratnu svakodnevicu civila i vojske između kojih je doslovno i metaforički konstruiran medicinski radnik.In this article the author examines social memory of war-time medical work and the memory of Homeland war from the perspective of work and workplace, through the concepts of culture of memory and politics of memory. A biographical interview conducted with the researcher's mother and a collection of testimonies of war-time medical workers are the body of the analysis. The author appliea a qualitative methodology characteristic of ethnographic research using the method of comparative narrative reading. The aim of the article is to provide a more detailed insight into the interrelation of culture of memory and politics of memory within the social memory of war-time medical work. The analysis of the contemporary construction of the shared past of war-time medical workers shows the effects this process has on constructing individual and social identities. It shows how individuals are differentiated within the group depending on their memories of war-time medical work. The purpose of this article is to offer a new perspective in the research of social memory of Homeland war – a perspective that considers the war-time everyday life of the medical worker who is constructed both literally and metaphorically in between the civilian and the soldier
Traduire sans en voir de toutes les couleurs : les phrasèmes défigés dans le roman Le Vaillant petit tailleur d’Éric Chevillard
No full textThe aim of this study is to analyze the translation process of idioms in the first chapter of Le Vaillant petit tailleur by Éric Traduire sans en voir de toutes les couleurs : les phrasèmes défigés dans le roman Le Vaillant petit tailleur d’Éric Chevillard Vanda Mikšić Matea Tamara Krpina UNIVERSITÉ DE ZADAR (CROATIE) Chevillard. In this chapter, the author uses idioms forming one of the underlying networks of the text (cf. Berman, 1991). Chevillard uses some twenty idioms and takes advantage of images they convey, considering them word by word. Translating consisting in (re)make what has been done in the original (cf.Meschonnic, 1995, 1999), the translation has to respect the original intention. How to transfer the image and the meaning of the idioms from one language to another? What translation approaches are available, depending on the degree of opacity and fixation? Our analysis will be based on the works related to (un)set expressions by Mejri (2005, 2008, 2009, 2010) and Mel’čuk (1995, 2008, 2011), as well as on some translation considerations of Berman and Meschonnic.Le but de cette étude est d’analyser l’épreuve de la traduction des phrasèmes dans le chapitre I du roman Le Vaillant petit tailleur d’Éric Chevillard. Dans ce chapitre, l’auteur a recours à des phrasèmes formant un des réseaux textuels sousjacents (cf.Berman, 1991). Chevillard utilise une vingtaine de phrasèmes et profite des images qu’ils véhiculent pour les prendre au pied de la lettre. Traduire consistant à (re)faire ce qui a été fait dans le texte original (cf.Meschonnic, 1995, 1999), la traduction doit respecter l’intention originelle. Comment transférer l’image et le sens des phrasèmes d’une langue à une autre? Quelles sont les approches traductologiques disponibles, selon le degré d’opacité et de figement? Notre analyse s’appuiera sur les travaux relatifs au (dé)figement de Mejri (2005, 2008, 2009, 2010) et de Mel’čuk (1995, 2008, 2011), ainsi que sur les réflexions traductologiques de Berman et de Meschonnic.Le but de cette étude est d’analyser l’épreuve de la traduction des phrasèmes dans le chapitre I du roman Le Vaillant petit tailleur d’Éric Chevillard. Dans ce chapitre, l’auteur a recours à des phrasèmes formant un des réseaux textuels sousjacents (cf.Berman, 1991). Chevillard utilise une vingtaine de phrasèmes et profite des images qu’ils véhiculent pour les prendre au pied de la lettre. Traduire consistant à (re)faire ce qui a été fait dans le texte original (cf.Meschonnic, 1995, 1999), la traduction doit respecter l’intention originelle. Comment transférer l’image et le sens des phrasèmes d’une langue à une autre? Quelles sont les approches traductologiques disponibles, selon le degré d’opacité et de figement? Notre analyse s’appuiera sur les travaux relatifs au (dé)figement de Mejri (2005, 2008, 2009, 2010) et de Mel’čuk (1995, 2008, 2011), ainsi que sur les réflexions traductologiques de Berman et de Meschonnic
Analysis of the implementation of marketing activities in Zagreb holding
No full textOvaj se radi bavi analizom implementacije marketinških aktivnosti na primjeru
Zagrebačkog holdinga d.o.o. u okviru kojeg posluje podružnica Čistoća. Područje
djelovanja koje obuhvaća spomenuta podružnica je razvoj cjelovitog sustava
gospodarenja otpadom na području grada Zagreba. U radu se na koncizan način
analiziraju osnovni pojmovi i procesi u strateškom marketingu. Autorica smatra da su
dosadašnje marketinške aktivnosti bile dobar potencijal za daljnji razvoj podružnice
Čistoće u marketinškom kontekstu cjelovitog gospodarenja otpadom i brige građana
za okoliš općenito. Problematika ovog rada ogleda se kroz primjenu marketinških
aktivnosti u poslovanju podružnice Čistoća odnosno njihovom implementacijom i
kontrolom. Cilj rada je utvrditi uspješnost marketinških aktivnosti u okviru poslovanja
Zagrebačkog holdinga d.o.o. u cilju kreiranja strateških odrednica na razini Grupe.
Naglasak na ovu temu proizlazi iz činjenice da se u današnje vrijeme još uvijek
nedovoljno posvećuje pažnja izradi strateških marketinških planova i kontroli i analizi
kao zadnjoj stavci u strateškom marketinškom planu. Upravo se na temelju kontrole
i analize provedenih marketinških aktivnosti može utvrditi uspješnost kampanja te
odrediti daljnje aktivnosti u svrhu ostvarenja budućih strateških ciljeva tvrtke.This paper is done by analyzing the implementation of marketing activities on the
example of Zagreb Holding within which the affiliate Čistoća operates. The scope of
action encompassed by the said subsidiary is the development of a comprehensive
waste management system in the city of Zagreb. This paper analyzes the basic
concepts and processes in strategic marketing in a concise manner. The author
thinks that marketing activities so far have been good potential for further
development of the Cleaner branch in the marketing context of integrated waste
management and environmental concerns in general. The issues of this work are
reflected in the implementation of marketing activities in the affiliates of Čistoća, and
their implementation and control. The aim of the paper is to determine whether the
marketing activities implemented so far are well implemented and whether they
support the Zagreb holding Group in meeting the Group's strategic guidelines. The
emphasis on this topic was given by the fact that at present, attention is still paid
insufficiently to the development of strategic marketing plans and control and
analysis as the last item in the strategic marketing plan. It is precisely on the basis of
analyzes of marketing activities that can well prepare and improve business
processes in the future in order to achieve the company's strategic goals
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