349 research outputs found
Josefa Toledo de Aguerri y su ideario educativo
In this essay, the author traces the long life of Josefa Toledo de Aguirre (1866-1962), a great Nicaraguan intellectual and educator woman, who made very important contributions for education and for women.En este ensayo, su autor recorre la vida de Josefa Toledo de Aguerri (1866-1962), destacada intelectual y educadora nicaragüense, quien dio aportes muy importantes para la educación y para el desarrollo de las mujeres
Příroda v prózách Josefa Thomayera
Diplomová práce se zaměřuje na tematickou vrstvu přírodních próz Josefa Thomayera a způsoby, jimiž autor ve svých prózách zobrazuje přírodu a popisuje krajinu. První kapitola seznamuje se životem Josefa Thomayera a stručně přibližuje jeho dílo. Následující kapitoly se již týkají jeho děl. Druhá kapitola rozebírá zobrazovanou přírodní krajinu z pohledu čtyř ročních období včetně zvukových projevů v přírodě. Následující kapitola je zaměřena především na pohledy do prostoru, vzdálenosti v přírodě a vodní plochy různého typu. Další kapitola naopak zkoumá detaily, kterých si Josef Thomayer v přírodě všímal. V poslední kapitole analyzuji jazyk a jazykové prostředky použité Josefem Thomayerem v přírodních prózách.ObhájenoThe graduate thesis focuses on the thematic layer of Josef Thomayer's natural prose and on the means used by author in his prose to depict the nature and describe the countryside. The first chapter introduces the life of Josef Thomayer and elucidates his writing briefly. Following chapters deal with his work solely. The second chapter analyzes described countryside from the point of view of the four seasons, including sound expressions in the nature. The following chapter is primarily focused on the views into the space of nature, distance in nature and water mass of all the kinds. The next chapter, on the opposite, examines the details that were noticed in nature by Josef Thomayer. In the last chapter, I analyze the language and language means used by Josef Thomayer in his natural prose
El legado bibliográfico-bibliotecológico de Josefa Emilia Sabor (1916-2012)
The bibliographic-librarianship works of Josefa Emilia Sabor are divided into four thematic issues: 1. – Bibliography and reference. 2. – Library Science education, curricula, programs, schools, etc. 3. – Libraries: conceptualizations and problems. 4. – Research. The purpose is to identify the most important intellectual contributions, according to the author of this article, which were recorded in the written production of Sabor and constitute a legacy that benefits the library community and that librarians are contributory
Reflective article on family care, positioning based on Josefa Delgado and Jean Watson
Introduction: we will address the differences provided by the authors, on daily care and family health, both perspectives will give us a vision regarding the premises raised.
Objective: to establish the differences between the postulates of Josefa Delgado, and Jean Watson.
Method: Literary review and existing works on family care proposed by the authors Josefa delgado and Jean Watson.
Results: after the review of the literature, not enough material has been found, even so, a conclusion has been reached.
Conclusion: we should be inclined to think that the applications of the author Josefa Delgado are more in line with the social situation of the Country, and meanwhile, with the daily nursing tasks and the care that she must provide
Reflective article on family care, positioning based on Josefa Delgado and Jean Watson
Introduction: we will address the differences provided by the authors, on daily care and family health, both perspectives will give us a vision regarding the premises raised.
Objective: to establish the differences between the postulates of Josefa Delgado, and Jean Watson.
Method: Literary review and existing works on family care proposed by the authors Josefa delgado and Jean Watson.
Results: after the review of the literature, not enough material has been found, even so, a conclusion has been reached.
Conclusion: we should be inclined to think that the applications of the author Josefa Delgado are more in line with the social situation of the Country, and meanwhile, with the daily nursing tasks and the care that she must provide
The bibliographic-librarianship legacy of Josefa Emilia Sabor (1916-2012)
Se dividen en cuatro ejes temáticos los trabajos bibliográfico-bibliotecológicos de Josefa Emilia Sabor: 1.- bibliografía y referencia; 2.- enseñanza de la Bibliotecología, planes de estudio, programas, carreras, etc.; 3.- bibliotecas: conceptuaciones y problemáticas; 4.- investigación, para identificar los aportes intelectuales más importantes, a juicio de la autora del artículo, que quedaron registrados en la producción escrita de Sabor y que se constituyen en un legado que beneficia a la comunidad bibliotecaria y del que los bibliotecólogos son tributarios.The bibliographic-librarianship works of Josefa Emilia Sabor are divided into four thematic issues: 1. - Bibliography and reference. 2. – Library Science education, curricula, programs, schools, etc. 3. - Libraries: conceptualizations and problems. 4. –Research. The purpose is to identify the most important intellectual contributions, according to the author of this article, which were recorded in the written production of Sabor and constitute a legacy that benefits the library community and that librarians are contributory
Gráfica awajún geometría del universo
The book "is a document that collects the knowledge of the Awajún ceramist women of the Cenepa river basin. It presents the process of elaboration of the ceramics and documents the graph with which the awajún tableware is decorated, reveals the aesthetics and the deep knowledge of the universe of the Amazonian Forest that the women of this town keep." (HKB Translation) --Verso Cover. Author Josefa Nolte is the General Director of Craftmanship in the Ministry of Exterior Commerce and Touris
Corazón-arriba, corazón-abajo, símbolos de la mística en los «Afectos espirituales» de sor Francisca Josefa del Castillo
The article interprets the Spiritual Affections of the Colombian nun
Francisca Josefa del Castillo, in terms of the symbols related to the soul writing and
her search for the absolute. In line with the mystical tradition, the author starts from
spatial coordinates that locate the supernatural experience in a “center” or “heart”,
an “up” of transcendence or a “down” of fall, wandering and temptation. Through an
analysis of the passages in which these symbols are evoked, we explore how Francisca
Josefa uses this poetic and mystical language to express her intense interior
life and her singular relationship with the divinity, in the context of the Novo-Hispanic
feminine mystical tradition. The autobiographical texts, Her life, complement the
interpretation of these symbolic elementsEl artículo interpreta los Afectos espirituales de la monja colombiana
Francisca Josefa del Castillo, en función de los símbolos relativos a la escritura del
alma y a su búsqueda de lo absoluto. En consonancia con la tradición mística, la
autora parte de coordenadas espaciales que ubican la experiencia sobrenatural en
un “centro” o “corazón”, un “arriba” de la trascendencia o un “abajo” de la caída, la
errancia y la tentación. Mediante un análisis de los pasajes en los que se evocan
estos símbolos, se explora cómo Francisca Josefa utiliza este lenguaje para expresar
su intensa vida interior y su singular relación con la divinidad, en el contexto
de la tradición mística femenina novohispana. Los textos autobiográficos, Su vida,
complementan la interpretación de estos elementos simbólico
O misaonoj formi filozofije Josefa Piepera
The article presents and analyzes the most important determinants of Josef Pieper’s thought form (»Denkform«). The first part of the paper examines the influence of Romano Guardini’s thought on the development of Pieper’s thought form. Particular attention is put on Guardini’s lecture on the classical spirit which Pieper had an opportunity to hear and which left a deep impression on him. Such an understanding of the classical spirit, together with the influence of the phenomenological thought, is the basic characteristic of Pieper’s thought form. The classical spirit, as a thought form, here means the insistence on the objective, on observing what is being given to us, as it is given to us. The second part of the paper seeks to broadly present, based on some texts of the German author, a thesis on the classical spirit as Josef Pieper’s thought form. The third part of the article shows and analyzes Pieper’s understanding of philosophy, leisure, and myths which he, in line with Guardini and the phenomenological approach, determines within the idea of the classical spirit. Part four is a critical review of Pieper’s thought form. Here, the absence of problematization of the practical mind (action) is seen as the basic lack of the same. Nevertheless, there is an emphasis on the great importance and the actuality of Josef Pieper’s thought, especially in the age of universal subjectivism, which is incapable of free, unobtrusive observation of the object, of all that is given.Članak predstavlja i analizira najvažnije odrednice misaone forme (»Denkform«) Josefa Piepera. U prvome dijelu članka istražuje se utjecaj misli Romana Guardinija na razvoj Pieperove misaone forme. Posebno se zaustavlja kod Guardinijeva predavanja o klasičnom duhu koje je Pieper imao prilike slušati i koje je na njega ostavilo dubok dojam. Takvo shvaćanje klasičnoga duha čini, uz utjecaj fenomenologijske misli, osnovno obilježje Pieperove misaone forme. Klasični duh, kao misaona forma, ovdje znači inzistiranje na objektivnom, na motrenju onoga što nam se daje, onako kako nam se daje. U drugome dijelu članka nastoji se opširnije predstaviti, na temelju nekih tekstova njemačkoga autora, teza o klasičnom duhu kao misaonoj formi Josefa Piepera. Treći dio članka pokazuje i analizira Pieperovo shvaćanje filozofije, dokolice i mitova koje on, na tragu Guardinija i fenomenologijskoga pristupa, određuje unutar ideje klasičnoga duha. Četvrti dio kritički je osvrt na Pieperovu misaonu formu. Ovdje se izostanak problematiziranja praktičnoga uma (djelovanja) vidi kao osnovni nedostatak iste. Unatoč tomu, ističe se velika važnost i aktualnost misli Josefa Piepera, posebice u vremenu sveopćega subjektivizma, koje je nesposobno za slobodno, nenametljivo motrenje objekta, svega onoga što je dano
Su Vida by Madre Josefa del Castillo: Slippages and self-figuration from a rhetoric of affections
La Madre Josefa de Castillo escribió Su vida (1713-1724) bajo mandato de su confesor a causa de sus visiones espirituales. Esta obra surge desde lo que antaño fue considerado como los márgenes del archivo literario latinoamericano, las vidas de monjas, para dar cuenta de una voz y espiritualidad femeninas. Postulamos que la autora colombiana recurre a una retórica de la afectividad, específicamente del padecimiento, a partir de la cual construye una imagen propia y una autoridad enunciativa. Si bien el dolor se manifiesta como el lugar de encuentro entre el poder y el cuerpo femenino —reflejando cómo ella asume la posición destinada a la mujer dentro del discurso místico desde la aniquilación y negación de sí— Francisca Josefa logra delinear un espacio liminar. Aquí la representación de un yo-sufriente le permite oscilar entre asirse a las tecnologías y discursos que determinaban el cuerpo femenino en la época, y alejarse de la mera pasividad encontrando, a su vez, cierto agenciamiento en la construcción de una identidad como mística que respalda su discurso.Madre Josefa del Castillo wrote Su vida (1713-1724) at the behest of her confessor due to her spiritual visions. This account emerges from what was formerly considered the margins of the Latin American Archive, nuns’ Lives, and shows how the Colombian author encodes her writing in an affective rhetoric, focusing on suffering, in order to gain authority and represent herself. Although pain appears as the meeting point where power and the female body encounter —depicting how she embodies the position addressed to women within the mystical discourse with self-annihilation and self-negation being the only alternatives— Francisca Josefa manages to find a space of enunciation in the interstices. The configuration of an “aching” self allows her to shift from the technologies and discourses that constituted the female body at that time, to the legitimization of her voice and her self-image as a mystical nun.Facultad de Humanidades y Ciencias de la Educació
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