748 research outputs found
Thiago de Mello. Pequeña historia grabada
No full textDocumento sonoro en el que Thiago de Mello habla de su vida y lee seis poemas: “Cantiga de Caboclo”, “Confidencia”, “Madrugada campesina”, “Canción viva para Víctor Jara”, “Era el mejor” y “Los estatutos del hombre. También incluye una interpretación del autor de "Lo casual", canción original del dúo Karma, y "Samba para alguien", de Rita del Prado, interpretada por ella. Esta grabación pertenece a la colección Palabra Viva, desarrollada por el Centro Cultural Pablo de la Torriente Brau, a partir de las entrevistas realizadas por el periodista Orlando Castellanos.Sonorous document in which Thiago de Mello speech of his life and reads six poems: "Caboclo's Troubadour Poem", "Confidence", "Rural Dawn", "Alive Song for Víctor Jara", "It was the best " and "The bylaws of the man". Also it includes an interpretation of the author of "The chance thing", original song of the duo Karma, and "Samba for someone", of Rita of the Meadow, interpreted by her. This recording belongs to the collection Alive Word, developed for Pablo de la Torriente Brau Cultural Center, from the interviews realized by the journalist Orlando Castellanos
Thiago de Mello reading house in Manaus
No full textThis paper describes the method used to build the memorial of the poet Thiago de Mello, commissioned by the Ministry of Culture with the aim of providing the personal collection of the poet to the general public, through the Program More Culture. Within the Federal University of Amazonas the public will have access to different works of the author and other works acquired by him throughout his life as books, magazines, newspaper clippings, original design of the house of James, works of arts and letters personal poet. The collection will be distributed in three major themes developed by the poet, the man the forest and Latin America will be available at the Center for Culture Thiago de Mello in the city of Manaus.Este trabalho relata o método utilizado para a construção do memorial do poeta Thiago de Mello, solicitado pelo Ministério da Cultura com o objetivo de disponibilizar o acervo pessoal do poeta para o público em geral, por meio do Programa Mais Cultura. No espaço da Universidade Federal do Amazonas o público terá acesso a diversas obras do próprio autor e outras obras adquiridas por ele ao longo de sua vida como: livros, revistas, recortes de jornais, projeto original da casa de Thiago, obras de artes e correspondências pessoais do poeta. O acervo será distribuído em três grandes temas desenvolvido pelo poeta: o homem, a floresta e América Latina que ficará disponível no Centro de Cultura Thiago de Mello na cidade de Manaus.Rio de janeiro4Sugerimos mais treinamento.Nã
Thiago de Mello reading house in Manaus
No full textThis paper describes the method used to build the memorial of the poet Thiago de Mello, commissioned by the Ministry of Culture with the aim of providing the personal collection of the poet to the general public, through the Program More Culture. Within the Federal University of Amazonas the public will have access to different works of the author and other works acquired by him throughout his life as books, magazines, newspaper clippings, original design of the house of James, works of arts and letters personal poet. The collection will be distributed in three major themes developed by the poet, the man the forest and Latin America will be available at the Center for Culture Thiago de Mello in the city of Manaus.Este trabalho relata o método utilizado para a construção do memorial do poeta Thiago de Mello, solicitado pelo Ministério da Cultura com o objetivo de disponibilizar o acervo pessoal do poeta para o público em geral, por meio do Programa Mais Cultura. No espaço da Universidade Federal do Amazonas o público terá acesso a diversas obras do próprio autor e outras obras adquiridas por ele ao longo de sua vida como: livros, revistas, recortes de jornais, projeto original da casa de Thiago, obras de artes e correspondências pessoais do poeta. O acervo será distribuído em três grandes temas desenvolvido pelo poeta: o homem, a floresta e América Latina que ficará disponível no Centro de Cultura Thiago de Mello na cidade de Manaus.Rio de janeiro4Sugerimos mais treinamento.Nã
Análise dialélica de linhagens de milho com ênfase na resistência a doenças foliares
No full textO objetivo deste trabalho foi identificar o tipo de ação gênica predominante para resistência a Exserohilum turcicum, Phaeosphaeria maydis, Physopella zeae e Puccinia polysora, e determinar o potencial genético de linhagens endogâmicas de milho (Zea mays) para a obtenção de híbridos com elevado desempenho agronômico e resistência a doenças foliares. Os 41 híbridos F1, provenientes de cruzamentos dialélicos entre dez linhagens endogâmicas, e as testemunhas P3069, P30F90, BG7060, Balu761 e Dow2A120 foram avaliados em quatro locais, tendo-se utilizado o delineamento experimental de blocos ao acaso, com três repetições. Os híbridos LGS3xLGS9, LGS2 xLGS6, LGS2xLGS4 e LGS2xLGS3 apresentaram excelente desempenho em comparação às testemunhas, quanto aos diferentes caracteres avaliados. As linhagens com maior frequência de alelos favoráveis foram LGS2, LGS9, LGS4 e LGS3. Os efeitos gênicos aditivos são os mais importantes para a resistência a P. maydis e altura de espiga, enquanto os não aditivos são mais importantes para a produtividade, altura de planta, resistência à E. turcicum, P. zeae e P. polysora
Câncer cérvico-uterino: nível de informação dos profissionais de saúde.
Full text linkTrabalho de Conclusão de Curso - Universidade Federal de Santa Catarina, Centro de Ciências da Saúde, Departamento de Tocoginecologia, Curso de Medicina, Florianópolis, 199
North-South Encounters: the Inter-American beginnings of community development programs
No full textIn this presentation, Thiago Lopes will discuss some of the findings of his postdoctoral research project on the history of social-scientific exchanges and rural development policies in the Americas in the 1940s. Drawing on his recent research experience at the Center for Southwest Research/University of New Mexico, he will focus on the role played by U.S. rural sociologist T. Lynn Smith in the agricultural cooperation policies of the Roosevelt Administration for the Americas. Smith’s diplomatic and scientific missions to South America, allowing him to engage in meaningful intellectual dialogues with Latin American thinkers such as the Brazilian writer Oliveira Vianna, were a key factor in his own reformist efforts of strengthening communitarian forms of life amid the negative effects of capitalist development in the countryside. According to Thiago Lopes, Smith’s work gives us an opportunity to reexamine traditional narratives in Scientific and Intellectual History concerning the flow of ideas and developmental models from the Global North to the Global South while also inviting us to investigate theoretical and methodological ways of addressing power asymmetries in the global production/circulation of knowledge.
Thiago Lopes is a sociologist and historian based in Rio de Janeiro, Brazil, currently working as a researcher at Oswaldo Cruz Foundation’s Department of History. Since his graduate studies, he has been delving into the history of US-Brazil relations in the fields of the Social Sciences and Technical Cooperation. In 2019, he was awarded the Fulbright Prize for Best Dissertation in Brazil after earning his PhD degree from the History of Science Graduate Program at Oswaldo Cruz Foundation. More recently, Thiago Lopes has acted as a visiting scholar attached to the New York University’s Department of History and to the Latin American & Iberian Institute/ University of New Mexico. He is the author of Em busca da comunidade: ciências sociais, desenvolvimento rural e diplomacia cultural nas relações Brasil – EUA (1930-1950) (Rio de Janeiro, 2020).https://digitalrepository.unm.edu/laii_events/1112/thumbnail.jp
Revisiting the Partial Power Processing Concept: Case Study of a 5-kW 99.11% Efficient Flyback Converter-Based Battery Charger
No full textThis article proposes an analytical methodology to evaluate the performance of the main partial power processing (PPP) architectures in terms of the improvements in the system's conversion efficiency. This analysis considers the influence of the system's voltage gain, the auxiliary dc/dc converter's efficiency, and the possibility of bidirectional power flow. Herein, the key PPP architectures are, thus, modeled and benchmarked. The presented results attest to the series configuration as the most efficient PPP circuit solution, with no limits on the system voltage gain, contrary to the generalized results found in today's literature. To assess these results and the significance of the proposed analysis, a well-known, simple, and cost-effective flyback topology has been designed and tested for a series PPP circuit solution able to effectively interface a 5-kW battery energy storage system (BESS) to a 700-V dc grid. A relatively high power conversion efficiency and compact hardware are achieved due to the reduced size requirements on the input and output filtering stages. Above all, while explaining the PPP concept, this study shows that even converter circuits known for their low power efficiency can be used to derive highly efficient systems. A design approach is, thus, provided to facilitate the design of the presented PPP circuit, and measurements are, finally, carried out to compare the obtained results with the expected ones derived from the developed analytical models. Green Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.DC systems, Energy conversion & Storag
The Wind and the Sun in Ninam ISO shb
No full textThe narrative of the wind and the sun by Albino Xiriana, a native speaker of the Ninam language, Northern dialect (ISO shb, Yanomami family, spoken in the Uraricaa river in Brazil and the Paragua river in Venezuela). Data was recorded in 2017 in the Saúba village in the Uraricaa river. Albino was told the story twice and retold it to the recorder only once. Thiago Chacon was the author of the recording and both transcribed the story with Ninam's orthography and translated it into portuguese.
Ninam graphemes that diverge from IPA and their equivalents in IPA:
ë = ə
x = ʃ
tx = tʃ
th = tʰ
VV = Vʔ
The Enforcement of Consensual Foreign Plans of Reorganization in Chapter 15
Full text linkThis intriguing Article by Thiago Braga Junqueira argues that variations in the voting requirements between domestic and foreign bankruptcy regimes should not prevent an American bankruptcy court from giving deference to foreign courts\u27 confirmations of plans of reorganization. While the U.S. Bankruptcy Code has endorsed a supermajority threshold for a chapter 11 plan to be consensually confirmed, many foreign bankruptcy regimes have lower thresholds. The author persuasively contends that deference to a foreign main proceeding is consistent with the goals and purposes of the Modern Law on Cross-Border Insolvency and chapter 15. The Article concludes by calling for comity and deference when a foreign plan is confirmed at less than the American supermajority threshold
Cansanção Anthology: A Stirring of Skins
No full textThe anthology Cansanção: A Stirring of Skins is a work that brings together diverse and insurgent voices, with texts interwoven in poetics and reflections that traverse spiritualities, memories, and bodies in constant reconfiguration. As its title suggests, the "cansanção"—a plant known for its stinging touch—is both metaphor and method for achieving what this work sets out to do: to stir skins and rethink how correlations between Art and the University have been woven. Thus, this collection seeks to provoke, stimulate, and open pathways of thought that incite sensitivities and affections, especially those neglected by a Western rationality that has historically silenced ancestral voices.
The texts that make up this work manifest and converge in various formats—essays, poetry, memoirs, and articles—intertwining in their desire to build bridges between the body and writing. In these diverse attempts to crystallize the ideas coursing through their bodies, each author constructs a reflection that not only communicates concepts but inhabits the realm of lived experience, proposing epistemological crossings rooted in memories inscribed in the skin.
In the text-visual-poetic-performance piece AGÔ IS THE INITIAL ACTION FOR AN ANCESTRAL ENCOUNTER, Vaguiner Bráz invites us into a mindful dive: the request for permission (agô) becomes the necessary ritual to awaken memories, connect with ancestors, and provoke timeless questions. In harmony with this, Andeson Cleomar dos Santos, in THE CANSANÇÃO PANKARARU: A SACRED PLANT THAT PURIFIES THE BODY AND SPIRIT OF THE PANKARARU INDIGENOUS PEOPLE, highlights the ancestral value of the cansanção and the imbu race ritual as purifying and symbolic elements for his Pankararu people, reminding us of the Indigenous wisdom that sees body and spirit as a unity in constant dialogue with a dancing nature.
Marilza Oliveira da Silva, in turn, presents CorpOrixá: Foundations for Dances of Ancestral Poetics and, in the artistic-educational proposal POETIC DANCES OF OSSAIN, an Afrocentric pedagogy that intertwines body, spirituality, and movement. Here, dance becomes a technology of resistance and reconnection with the sacred, shaping new possibilities for critical and poetic education. Meanwhile, Dani de Iracema, in Self-Portrait as Poetic Archive and Writing of the Self, challenges us to rethink the self-portrait as a living archive—a writing of the body that carries memory and re-signifies personal experience into an act of creation.
STUDIES CANSANÇÃO: DECOLONIAL FETISHISM, by William Gomes, offers a critical approach to image regimes and power relations, proposing a reading that exposes colonialist strategies and perceptions, challenging us to reconstruct modes of affirmation. Thiago Santos de Assis, in Memories of Formation: Traversing the Labyrinths of Self-Compositions, navigates the winding paths of memory and personal transformation, reflecting on the act of (re)composing oneself through self-narratives and the counterflow of social denials of the Black body.
Closing the collection with wisdom from life/the streets, Danilo Jamal, in his Poestos, creates intersections between poetry and manifesto, blending words and meanings that reverberate urgent questions about identity and belonging. His texts challenge us to inhabit this frontier space between poetry and political action, where words have the power to alert, ignite, and transform.
This e-book is part of the project Cansanção: Decolonial Fetishism, supported by the UFBA Extension Office through the Postgraduate Extension Support Call. Recognizing the extensionist nature of the proposal, William invited contributors from both within and outside the university to intersect the themes central to his doctoral research, supervised by Thiago Assis. These connections have formed over time—some through prior provocations and collaborative creations (Vaguiner and Dani), others as theoretical references directly engaging with the book’s central themes (Andeson and Marilza), and others through insurgent narratives that confront colonial and institutional systems (Jamal).
Thus, Cansanção: A Stirring of Skins is an invitation to engage with new epistemologies and forgotten knowledge—those that modernity sought to erase but persist in burning like embers, like nettles, in the bodies and stories that shape this work. With each page, the anthology proposes a journey through the memories and experiences we carry under our skin—and, like the touch of cansanção, awakens in us the courage to resist, create, and continue—sometimes as healing, sometimes as creation.
William Gomes da Silva
Thiago Santos de AssisProext-UFBAA antologia Cansanção: atiçar de peles é uma obra que reúne vozes diversas e insurgentes, cujos textos se entrelaçam em poéticas e reflexões que atravessam espiritualidades, memórias e corpos em constante reconfiguração. Como o próprio nome sugere, o "cansanção" – planta conhecida por seu toque que provoca ardência – é aqui metáfora e método para se chegar naquilo que consideramos ser função desta obra: atiçar de peles para repensar os modos como se vêm sendo tramadas as correlações entre Arte e Universidade. Assim, esta coletânea se propõe a inquietar, estimular e abrir caminhos de pensamento que incitem sensibilidades e afetos, especialmente aqueles negligenciados por uma racionalidade ocidental que, historicamente, silenciou vozes ancestrais.
Os textos que compõem esta obra se manifestam e confluem em distintos formatos – ensaio, poesia, memória, artigo, e se entrelaçam no desejo de estabelecer pontes entre corpo e escrita. Nessas distintas iniciativas de congelamento das ideias que percorrem seus corpos, cada autor e autora constrói uma reflexão que, não apenas comunica conceitos, habita o campo do vivido, propondo atravessamentos epistemológicos que incidem em memórias circunscritas nas peles.
No texto-visual-poético-performativo AGÔ É A AÇÃO INICIAL PARA O ENCONTRO ANCESTRAL, Vaguiner Bráz nos convoca a um mergulho atento: o pedido de licença (“agô”) se torna o rito necessário para o despertar de memórias, a conexão com antepassados e provocações atemporais. Em consonância, Andeson Cleomar dos Santos resgata em O CANSANÇÃO PANKARARU: PLANTA SAGRADA QUE PURIFICA O CORPO E O ESPÍRITO DO SER INDÍGENA PANKARARU o valor ancestral do cansanção e do ritual da corrida do imbu enquanto elemento purificador e simbólico para o seu povo Pankararu, lembrando-nos da sabedoria indígena que percebe corpo e espírito como uma unidade em diálogo constante com a natureza que dança.
Marilza Oliveira da Silva, por sua vez, apresenta CorpOrixá: Fundamentos Para Danças de Poéticas Ancestrais e na proposta artístico-educativa DANÇAS DA POÉTICA DE OSSAIN uma pedagogia afrocêntrica que entrelaça corpo, espiritualidade e movimento. A Dança aqui se torna uma tecnologia de resistência e reconexão com o sagrado, desenhando novas possibilidades de educação crítica e poética. Já Dani de Iracema, em Autorretrato como arquivo poético e escrita de si, nos provoca a repensar o autorretrato como um arquivo vivo, uma escrita do corpo que carrega a memória e ressignifica a experiência pessoal em ato de criação.
ESTUDOS CANSANÇÃO: FETICHISMO DECOLONIAL, de William Gomes, oferece uma abordagem crítica dos regimes de imagem e das relações de poder, propondo uma leitura que desnuda estratégias e percepções colonizadoras e nos desafia a reconstruir modos de afirmação. Thiago Santos de Assis, com Memórias de Formação: percorrendo os labirintos das composições de si, navega pelos caminhos sinuosos das memórias e das transformações pessoais, refletindo sobre o ato de (re)compor-se a partir das narrativas de si, e do contrafluxo social de negações do corpo negro.
Fechando a coletânea com saberes de vida/rua de nômade artesão, Danilo Jamal, com seus Poestos, cria cruzamentos entre a poesia e o manifesto, encruzilhando palavras e sentidos que reverberam questões urgentes sobre identidade e pertencimento. Seus textos nos desafiam a habitar esse lugar de fronteira entre a poesia e o ato político, um espaço onde a palavra tem o poder de alertar, incendiar e transformar.
Este e-book integra o projeto Cansanção: fetichismo decolonial contemplado e com apoio da Pró-Reitoria de Extensão da UFBA via Chamada de Apoio à Extensão na Pós-Graduação. Por considerar também o caráter extensionista da proposta, William convidou estas pessoas de dentro e de fora da universidade para cruzar as temáticas que vem compondo sua pesquisa de doutorado orientada por Thiago Assis. Vínculos esses que vem acontecendo ao longo dos tempos, umas por conta de provocações e criações colaborativas realizadas anteriormente (Vaguiner e Dani), outras sendo referenciais teóricos que conversam diretamente com os temas centrais deste livro (Andeson e Marilza), outras pelas narrativas insurgentes que confrontam sistemas coloniais e institucionais (Jamal).
Assim, Cansanção: atiçar de peles é um convite para encontros com novas epistemologias e saberes esquecidos, aqueles que a modernidade tentou apagar, mas que insistem em arder feito brasa, feito urtiga, nos corpos e nas histórias que atravessam esta obra. Com cada página, a antologia propõe uma travessia pelas memórias e experiências que carregamos sob a pele – e, como o toque do cansanção, desperta em nós a coragem de resistir, criar e continuar – ora cura, ora feitura.
William Gomes da Silva
Thiago Santos de Assi
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