39 research outputs found
Faktor-faktor yang Mempengaruhi Efisiensi Pemasaran Panili di Propinsi Bali
No full textFactors that influenced vanilla marketing efficiency were studied in Bali from June to July 1992. Method used for analysis was multiple regression with ordinary least squeres estimation. Result of regression showed that margin of vanilla marketing was simultarsiously influenced by purchasing price, selling volume, transportation cost and reduction cost variables with F-statistic significant over α ≠ 10% level. Partially, each variable gave different effect to each trader level and aggregate. Only selling volume variable that influenced to all trader levels and aggregate with t-value significant over α ≠ 5% level
KELAYAKAN USAHA PENGOLAHAN MINYAK GANDAPURA DI KABUPATEN WONOSOBO JAWA TENGAH
Get PDFMinyak gandapura (Gaultheria fragrantissima) mengandung methylsalisilat yang banyak digunakan dalam industri farmasi. Indonesia masih mengimpor minyak gandapura sintentik dari Cina untuk kebutuhan industri farmasi. Sampai saat ini tanaman gandapura di Indonesia belum dibudidayakan, untuk memperoleh terna segarnya petani masih menambang dari daerah pegunungan yang tumbuh secara liar. Dalam rangka menggali potensi pengembangan pengusahaan minyak gandapura, telah dilakukan kajian awal bertujuan untuk menganalisis kelayakan usaha pengolahan minyak gandapura. Penelitian dilakukan dengan menggunakan metode studi kasus di industri/pengrajin minyak gandapura milik Kelompok Tani Rukun yang berlokasi di Desa Sikunang, Kecamatan Kejajar, Kabupaten Wonosobo, Jawa Tengah mulai bulan Agustus sampai Oktober 2003. Untuk mengetahui kelayakan usaha pengolahan minyak gandapura digunakan indikator kelayakan Benefit Cost Ratio (BCR). Hasil studi menunjukkan bahwa usaha pengolahan minyak gandapura di Kabupaten Wonosobo layak secara finansial. Hal ini ditunjukkan oleh nilai BCR 1,60 dan memberikan pendapatan sebesar Rp. 400.000,- per hari atau Rp.16.000,- per orang/hari, lebih besar dari pada upah tenaga harian yang berlaku setempat (Rp. 12.500,-/HOK)
Mengenal Lebih Dekat Nilam : Tanaman Beraroma Wangi untuk Industri Parfum dan Kosmetika
No full textvi.48 Hal.;24 c
Analisis Efisiensi Pemasaran Jahe Gajah di Daerah Sentra Produksi Sumatera Utara
No full textAnalisis tentang efisiensi pemasaran Jahe Gajah di Derah sentra produksi Sumatra Utara telah di lakukan di kabupaten Dairi dan Simalungun pada bulan Oktober 1992. Penelitian bertujuan intuk mengkaji tingkat effesiensi pemasaran jahe di kedua sentra tersebut. Penelitian ini menggunakan metode survai dengan penarikan contoh secara acak bertujuan. Metode analisis penyebaran marjin pemasaran. Indeks profitabilitas dan korelasi harga. Dari hasil penelitian dapat dikatakan bahwa secara teknis , system pemasaran di kabupaten Dairi dan Simalungun cukup efisien yang di tunjukan oleh saluran pemasaran yang relati pendek dan di di dukung oleh sarana transportasi yang memadai/lancer. Namun secara ekonomis kurang efisien, karena bagian harga petani lebih kecil dari pada marjin pemasaran Indeks profibilitas petani, pedagang desa dan eksportir Di kabupaten Dairi adalah masing-masing sebesar 1.89 ; 1.27 ; dan 1.62. sedangkan di kabupaten Simalunggung adalah sebesar 1.42; 2.12; 2.17 dan 1.64 masing-masing untuk indeks profitabilitas petani. Pedagang desa, pedagng kecamatandan eksportir. Apabila di bandingkan keadaan pemasaran di kedau kabupaten tersebut, ternyata keadaan pemasaran di kabupaten Dairi secara relatif lebih efisien di banding kabupaten Simalungun yang di tunjukan denagn bagian harga petani sebesar 46.22% dan koefisien korelasi harga 0.9034; sedangkan di kabupaten Simalungun bagian harga petani dan korelasi arganya masing-masing sebesar 32.40% dan 0,7928
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Who Is a Nazi Victim? Constructing Victimhood Through Post-War Reparations in France, Germany, Switzerland
Get PDFThe author uses the term “constructing victimhood” to characterize this specific relation, an expression that might sound awkward in the context of Nazi victimization since terms like ‘construction’ or ‘production,’ when used to describe social, cultural and political phenomena, tend to convey the notion that something is invented or even fabricated, therefore not a given reality. It is of course not my intention to leave this impression since there is no doubt about the true nature of Nazi persecution. But instead, she uses the term in an attempt at capturing developments and phenomena of the immediate post-war era that testify to grappling with the extraordinary character of Nazi crimes
Fanfiction, Self-Publishing, and the Materiality of the Book: A Fan Writer’s Autoethnography
Get PDFThis interdisciplinary paper presents an autoethnography of an author who self-publishes her own fanfiction via print-on-demand (POD) services. It reflects upon the subject of fan writer as self-publisher, touching upon shifting notions of authorship, the format of the book, and literary practice, with implications for both fan studies and Library and Information Science (LIS). While its findings cannot be generalised to the wider fan community, the paper posits five reasons for this practice: (1) the desire to publish a work that is technically, if not necessarily creatively, unpublishable (due to copyright laws); (2) the physical presence of the book bestows ‘thingness’, physical legitimacy, and the power of traditional notions of authorship to one’s work; (3) the materiality of the book and the pleasure afforded by its physical, tactile, and haptic qualities; (4) books can be collectible (fan) items; (5) self-published books can act as signifiers both of the self-as-author and one’s creative journey. The paper recommends further study be conducted on a wider scale, engaging other self-publishing fanfiction authors in their own practice to test the conclusions presented here
MINIMASI BULLWHIP EFFECT DENGAN PERANCANGAN MODEL DEMAND FORECASTING KERNEL REGRESSION
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Les images familiales de Zeina Abirached ; suivi de Leurs histoires cicatrices
Get PDFLe travail de recherche regarde la manière dont l’autrice franco-libanaise Zeina Abirached se réapproprie ses images d’enfance au sein de ses trois bandes dessinées : Mourir, partir, revenir – Le jeu des hirondelles (2007), Je me souviens – Beyrouth (2008), Le piano oriental (2015). L’essai tente de décrypter les procès appropriatifs esthétiques opérés dans trois oeuvres d’Abirached en mobilisant les théories des écritures visuelles de l’Histoire, la sociolinguistique et le concept d’« image orientale ». En observant les procédés d’appropriation effectués par Abirached, on peut analyser le style de cette dernière, un style composé de passé, infusé de présent, lui permettant de faire une Histoire, la sienne. La partie création consiste en une bande dessinée micro-historienne sur ma grandmère. Je retrace sa vie en Algérie et son immigration en France. Je mène une enquête auprès des membres de ma famille afin de comprendre les processus d’assimilation et d’intégration de ma famille en France, l’importance de leur judéité dans leur parcours, l’impact de cette histoire sur mon identité en tant que personne aujourd’hui socialement, structurellement, statutairement blanche. La bande dessinée expose la difficulté de raconter une histoire multiple, pleine de trous, dans un seul dispositif. Un accent est particulièrement mis sur le raté, la tentative et l’essai. Par cette création, je veux essayer de comprendre la cicatrice de mon passé familial et parvenir à délimiter certains de ses contours.The essay explores how the Franco-Lebanese author Zeina Abirached appropriates images of her childhood in three graphic novels : Mourir, partir, revenir – Le jeu des hirondelles (2007), Je me souviens – Beyrouth (2008), and Le piano oriental (2015). I analyse the aesthetic appropriation processes in Abirached’s works by engaging with theories of visual history writing, sociolinguistics, and the concept of the “Oriental image”. The hypothesis is that, by reappropriating images from her past while simultaneously emancipating herself from them, Abirached succeeds in creating an identity (graphical, subjective) that allows her to “make” history from a margin. The creative section consists in a micro-historical graphic novel about my grandmother. I describe her life in Algeria and her immigration in France. I interview several family members to understand the processes of assimilation and integration of my family in France, the importance of their Jewish identity in their journey, and the impact of this heritage on my identity as a person today—socially, structurally, and statutorily white. The graphic novel addresses the difficulty of telling a multiple-story narrative full of gaps within a single framework. Special emphasis is placed on failure, attempt, and trial. Through this creation, I aim to understand the scar of my family’s past and attempt to define some of its contours
