10,175 research outputs found
Sphyrospermum xanthocarpum Pedraza 2013, sp. nov.
Sphyrospermum xanthocarpum Pedraza, sp. nov. (Figs. 1F, 6) Folia coriacea carnosa, lanceolata vel elliptica, 1.7–3 × 0.6–1 cm. Flores solitarii, axillares, 5-meri; corolla campanulata, 4.7–5 cm longa, flavo-viridis; stamina 10, 3.4–3.5 mm longa. Bacca obscure flava, embryone seminali viridi. A Sphyrospermo flavifloro foliis longioribus et magis angustioribus atque corollis magis brevioribus distinguenda. Type: — COLOMBIA. Quindio: Mpio. de Filandia, Vereda el Roble, Escuela el Roble, 1950 m, August 2004 (fl, photo of fr), Vargas 14729 (holotype COL!; isotypes FMB!, HUA!, HUQ!, MO!, NY!). Epiphytic shrubs with multiple, pendent branches 0.5–1.2 m long, the branches, leaves, bracts, bracteoles and flowers with more or less erect eglandular hairs, 0.5–1 mm long; stems terete, smooth, densely pubescent. Leaves adpressed, coriaceous and fleshy, lanceolate or elliptic, 1.7–3 × 0.6–1 cm, base obtuse, apex acute and blunt, margin flat, lamina puberulent on both surfaces, glabrate; obscurely 3-plinerved, midrib impressed above, lateral nerves ascending, tertiary veinlets branching openly but abaxially obscured; petiole 2–3 mm long, puberulent. Inflorescences axillary, flowers solitary, not exceeding the subtending leaves; floral bract apparently one, chartaceous, ovate, acute, 0.4–0.7 mm long, ciliolate with eglandular or glandular hairs otherwise glabrate; pedicel 2.5–4 mm long, sparsely pilose to glabrate; bracteoles 2, nearly basal, subopposite, ovate, acute, 0.4–0.7 mm long, ciliolate with eglandular or glandular hairs otherwise glabrate. Flowers 5- merous, diplostemonous; calyx 2.5–3.5 mm long, urceolate and conspicuously constricted between tube and limb, pilose with eglandular hairs; tube terete, 1.6–2.3 mm long; limb erect, 0.9–1.2 mm long; lobes triangular, acute, 0.7–1.4 mm long, ciliolate with eglandular hairs; sinuses rounded; corolla campanulate but with a well-defined tube (often drying cylindric), 4.7–5 mm long and 2.4–3 mm diam., yellow-green, glabrate without with hairs concentrated along veins distally, the lobes erect to spreading, ovate, acute, 1.5 mm long; stamens 10, lightly adherent to base of corolla, equal in length, 3.4–3.5 mm long; filaments slightly alternating in length, 1.3–1.4 mm long, glabrous; anthers slightly alternating in length, 2.5–2.7 mm long; thecae 1 mm long, foveolate not papillate, the base straight, with basal appendage; tubules 1.3–1.4 mm long, dehiscing by oblique pores 0.3–0.4 mm long; style 3.5–4 mm long. Berry more or less spherical, 7.5–8 mm diam., dark yellow, pilose; embryo color green. Distribution and phenology:— Sphyrospermum xanthocarpum is known only from the type collection from the Central Cordillera of Colombia (Dept. Quindio). It grows in montane forests forming dense colonies, at 1950 m. The type was flowering and fruiting in August. Conservation status:— Only a few individuals were recently seen by W. Vargas in early 2007 at the type locality, which is a very deteriorated area. Historically, central Colombia has been dramatically deforested in the effort to open up land for agriculture, particularly for the now ubiquitious coffee plantations. Critically endangered (CR B1 ai). Observations:— Sphyrospermum xanthocarpum is the only species in the genus known to have yellow berries. It belongs to a group of taxa with yellowish corollas. Morphologically, S. xanthocarpum is similar to S. flaviflorum, but can be easily differentiated from the latter species by its longer and much narrower leaves, and much shorter corolla.Published as part of Luteyn, James L. & Pedraza-Peñalosa, Paola, 2013, Nomenclature, taxonomy, and conservation of the neotropical genus Sphyrospermum (Ericaceae: Vaccinieae), including five new species for Colombia, Ecuador, and Peru, pp. 1-29 in Phytotaxa 79 (1) on page 25, DOI: 10.11646/phytotaxa.79.1.1, http://zenodo.org/record/506685
Overview of business archives in Spain
The ICA Section of Business and Labour Archives is compiling several reports on the position of business archives around the world. The present communication is a state of the art in business archives in Spain, placed in several point: national and regional legislation, specific national policies for business archives, business archives
associations, training and current bibliography. A serious problem fort the future of business archives in Spain is the disinterest on the part of the businessmen about the
Archive’s importance in a compan
Alonso Fernández de Avellaneda, Segundo Tomo de El ingenioso hidalgo Don Quijote de la Mancha, eds. M. Rodríguez Cáceres y F.B. Pedraza Jiménez
Review of Alonso Fernández de Avellaneda, Segundo Tomo de El ingenioso hidalgo Don Quijote de la Mancha, eds. M. Rodríguez Cáceres and F.B. Pedraza Jiménez, Diputación de Ciudad Real, Ciudad Real, 2014, 420 pp. ISBN: 9788477893097.Reseña de Alonso Fernández de Avellaneda, Segundo Tomo de El ingenioso hidalgo Don Quijote de la Mancha, eds. M. Rodríguez Cáceres y F.B. Pedraza Jiménez, Diputación de Ciudad Real, Ciudad Real, 2014, 420 pp. ISBN: 9788477893097
Formación, mutación y emergencia de nuevos actores políticos en Santa Cruz
Gustavo Pedraza M.Literaturverzeichnis Seite 1
Aqualitas Diatoms Database 10 species
Database of diatoms samples from 10 different species, as used in the Aqualitas Project from VISILAB Research Group.This dataset is provided only for research purposes and the following reference and citation should be stated:'The dataset has been generated and provided thanks to the Aqualitas-Retos project funded by the Spanish Goverment Ref. CTM2014-51907-C2-2-R-MINECO (http://aqualitas-retos.es/en/), further information and results obtained may be found at the following articles: - Bueno, G., Deniz, O., Pedraza, A., Ruiz-Santaquiteria, J., Salido, J., Cristóbal, G., Borrego-Ramos, M. and Blanco, S. (2017). Automated diatom classification (Part A): handcrafted feature approaches. Applied Sciences, 7(8), 753- Pedraza, A., Bueno, G., Deniz, O., Cristóbal, G., Blanco, S., and Borrego-Ramos, M. (2017). Automated diatom classification (Part B): a deep learning approach. Applied Sciences, 7(5), 460.</div
Francisco Pedraza and the Processional Cross in Añover (Salamanca)
[EN] The 2019 revision of the historic-artistic inventory of the diocese of Salamanca in different temples in the archpriesthood of Vitigudino-Ledesma (Salamanca) brought to light the processional cross in Añover de Tormes, a magnificent piece with lyre-shaped arms. By the time it was worked, in the mid-16th century, the rich and varied plateresque decoration that covers the whole surface of the cross had been fully assimilated. Its author Francisco de Pedraza (whose heretofore unique hallmark, P/DRA/ƷA, can be seen repeatedly next to the town name, Salamanca) was a renowned Salmantinian silversmith who, for instance, renovated the old processional monstrance in the cathedral of Salamanca
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Alfonso Ramirez Gomez, Jesse Pedraza, and Nick Ortiz pose with a baseball trophy in front of Casa Gomez Botica (photograph)
Alfonso Ramirez Gomez, Jesse Pedraza, and Nick Ortiz pose with a baseball trophy in front of Casa Gomez Botica
La vida que somos: conversación con Zandra Pedraza
O artigo apresenta a entrevista que a autora faz à investigadora social Zandra Pedraza, na que a entrevistada revela como a través dos anos ela foi criando suas preguntas de pesquisa. Indaga seus processos de pensamento e a origem de suas reflexões sobre a vida, o humano e o corpo. Ressalta o fato de que sua proposta é tanto teórica como metodológica, pois a pesquisadora adverte sobre os ricos da fragmentação do pensamento e o conhecimento, e convida a idear novas ferramentas metodológicas visando construir uma visão mais compreensiva sobre o corpo e os sujeitos.The article is about an interview made by the author with the social researcher Zandra Pedraza in which the social researcher reveals how Pedraza's research questions have arisen along the years. The article investigates her thought processes and the origin of her reflections about life, about what is human and the human body. It also highlights the facts about Pedraza's proposal which is both theoretical and methodological, as the researcher warns about the risks of the fragmentation of thought and knowledge, and also encourages others to devise new methodological approaches in order to build a more comprehensive view of the body and individuals.El artículo presenta la entrevista que realiza la autora a la investigadora social Zandra Pedraza, en la que ésta última revela cómo se han formado sus preguntas de investigación a través de los años. Indaga sobre sus procesos de pensamiento y el origen de sus reflexiones acerca de la vida, lo humano y el cuerpo. Resalta el hecho de que su propuesta es tanto teórica como metodológica, ya que la investigadora advierte sobre los riesgos de la fragmentación del pensamiento y el conocimiento, e invita a idear nuevas herramientas metodológicas con el fin de construir una visión más comprensiva sobre el cuerpo y los sujetos
Nigromancia y género: la bruja en la narrativa de Pilar Pedraza
Abstract: In her literature —commonly linked to the fantastic and the gothic—, Pilar Pedraza focuses on individuals on the margins, often monstrous. Among all these figures, the witch stands out. The article studies the way the author conceives it. Based on the ideas exposed in Brujas, sapos y aquelarres (2014) and the analysis of the most representative works, it aims to determine to what extent Pedraza’s treatment affects her poetics as a producer of unusual fiction and to what extent we can consider it a specifically feminine —or feminist— approach to this type of fiction, especially on the gothic side.En su literatura —normalmente vinculada a lo fantástico y lo gótico—, Pilar Pedraza pone énfasis en individuos al margen, a menudo monstruosos. Entre todas estas figuras, destaca la de la bruja. El artículo estudia cómo la concibe la autora. A partir de las ideas expuestas en Brujas, sapos y aquelarres (2014) y el repaso de las obras más representativas, busca dirimir en qué medida el tratamiento de Pedraza afecta a su poética como creadora de una narrativa insólita y hasta qué punto se puede hablar de un enfoque específicamente femenino —o feminista— de este tipo de ficción, sobre todo en su vertiente gótica
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