1,720,967 research outputs found
Intrications entre conception de design pédagogique et expérience de création : comment la recherche design en éducation et la recherche création cohabitent-elles ?
No full textCet article met en lumière les intrications entre le design d’innovations pédagogiques propres à la recherche design en éducation et l’expérience sensible de l’ordre de l’artistique comme méthode de recherche, caractéristique de la recherche-création. En présentant la réalisation d’une étude pilote en éducation artistique, l’autrice démontre comment la recherche design en éducation bénéficie du processus de création artistique et des orientations épistémologiques de la recherche-création pour la conception et l’implantation d’un design éducatif. Cette intrication du processus de création au cœur de la production du design peut ainsi contribuer à la génération de nouveaux savoirs, spécifiquement reliés au champ de l’éducation artistique.This article highlights the intricacies between the design of pedagogical innovations specific to design-based research and the artistic experience as a method, characteristic of research-creation. The author presents a pilot study in art education and demonstrates how design-based research benefits from the artistic process and from the epistemological orientations of research-creation for the conception and the implementation of an educational design. This entanglement of the artistic process at the heart of design production can thus contribute to the generation of new knowledge, specifically related to the field of art education
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Educação estética e redes sociais: despertando a atenção sensível em adolescentes
Full text linkOn social media, adolescents are exposed to a vast quantity of images and sounds, continuously. The hyperconnectivity in which they evolve has a significant impact on the forms of their attention to available content and, by extension, to artworks shared on connected platforms. In this context, aesthetic appreciation, which requires time and sensitive attention, can represent a challenge. This article examines this issue by outlining a theoretical framework around the notions of attention, connected copresence, education for viewing and attention, and artistic and pedagogical détournement. Then, it proposes the analysis of a narrative of appreciation activities that took place in art classrooms at secondary school in Quebec. From this narrative, the article identifies pedagogical orientations promoting differentiated attention, intersubjectivity, and the processual nature of copresence to educate about seeing.Dans les réseaux sociaux, les adolescent·es sont exposés à une vaste quantité d’images et de sons, ce en continu. L’hyperconnectivité dans laquelle ils et elles évoluent a une incidence importante sur les formes de leur attention aux contenus disponibles et par extension aux œuvres diffusées sur les plateformes connectées. Dans ce contexte, l’appréciation esthétique, exigeant du temps et une attention sensible, peut représenter un défi. Cet article interroge cet enjeu en étayant un cadre théorique autour des notions d’attention, de coprésence connectée, d’éducation au regard et à l’attention et de détournement artistique et pédagogique. Puis, il propose l’analyse d’un récit d’activités d’appréciation ayant eu lieu en enseignement des arts visuels et médiatiques à l’école secondaire au Québec. À partir de ce récit, l’article dégage des orientations pédagogiques favorisant l’attention différenciée, l’intersubjectivité et le caractère processuel de la co/présence pour éduquer au regard.Nas redes sociais, os adolescentes são expostos a uma grande quantidade de imagens e sons, continuamente. A hiperconectividade em que evoluem tem um impacto significativo nas formas de atenção aos conteúdos disponíveis e, por extensão, às obras veiculadas em plataformas conectadas. Nesse contexto, a apreciação estética, que exige tempo e atenção sensível, pode representar um desafio. Este artigo questiona essa questão apoiando uma estrutura teórica em torno das noções de atenção, copresença conectada, educação no olhar e atenção e diversão artística e pedagógica. Em seguida, ele propõe a análise de uma história de atividades de valorização que ocorreram no ensino de artes visuais e de mídia em escolas secundárias de Quebec. A partir dessa narrativa, o artigo identifica orientações pedagógicas que promovem a atenção diferenciada, a intersubjetividade e a processualidade da co/presença para educar para o olhar
Prémisses d'une approche d'intervention éducative basée sur l'installation vidéo favorisant l'engagement chez les adolescents dans un contexte communautaire de prévention de la violence
No full textCette recherche porte sur l'engagement d'adolescents au coeur de projets de création vidéo, dans un contexte d'éducation communautaire, en prévention de la violence. Au moyen d'une recherche-action, il est question de dégager ce qui favorise cet engagement, en proposant une approche qui permettrait à ces jeunes de découvrir les possibilités expressives de l'installation vidéo et qui les stimulerait à mener à terme un travail créatif. C'est d'abord par une démarche conceptuelle que les concepts-clés sont cernés. En premier lieu, il s'agit de définir la notion d'adolescence et d'engagement à la création. Par la suite, le medium vidéographique est étudié et ses propriétés engageantes sont examinées. Aussi, l'installation vidéo est choisie comme dispositif à utiliser avec les jeunes à cause de son potentiel d'interaction. Arrimées à cette recherche théorique, des stratégies issues de mon expérience comme éducatrice me permettent d'élaborer une séquence pédagogique type qui viserait à engager les adolescents à la création. Cette séquence pédagogique a été soumise à l'expérimentation avec des adolescents issus de milieux socioculturels divers, à Montréal. Par la suite, de cette expérimentation ont émergé les grandes lignes d'une approche qui pourrait être adoptée par des éducateurs manifestant le désir de travailler avec le medium vidéographique. L'issue de cette recherche ne viserait pas simplement l'application d'un modèle unique d'atelier vidéo à vivre avec les adolescents, mais bien à découvrir les paramètres qui favoriseraient leur engagement. Ces paramètres peuvent être intégrés dans une séquence pédagogique malléable, s'adaptant aux besoins précis d'un contexte éducatif. Dans l'ensemble, il est question des défis d'enseigner dans un cadre autre que l'école, c'est-à-dire dans le milieu communautaire, et d'engager des adolescents dans des projets de création, de sorte que la vidéo devient moteur de changement social. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Adolescents, Engagement, Vidéo, Installation vidéo, Communauté, Approche d'intervention, Projet de création
- …
