59 research outputs found
Mutare
No full textDiplomski rad Mutare* realiziran je u mediju stripa i bavi se zbiljom života na Jadranu, točnije na hrvatskim otocima. Strip tematizira način života i običaje otočana te prikazuje intiman doživljaj rodnog mjesta iz perspektive dviju mladih osoba koje odlučuju hoće li ostati ili napustiti otok u potrazi za boljim životom. Likovi su suočeni s aktualnim problemima života na hrvatskim otocima, što uključuje iseljavanje stanovništva, hipertrofiju turizma, sezonalnost, propadanje kulturne baštine i negativne utjecaje klimatskih promjena. Radnja prati odrastanje i osobni rast likova, obuhvaćajući odnos njihovih snova i strahova, prijateljstava i ljubavi, tradicije i suvremenog. Radnja je isprepletena narodnim usmenim predajama i folklornom tradicijom Na izmišljenom otoku ništa se ne mijenja sve dok se dvije glavne protagonistice ne počnu suočavati s problemima i odluče ih riješiti unošenjem promjena. Priča je to o osobnoj i društvenoj transformaciji, prilagodbi i iznalaženju pokretačke snage za pozitivne promjene.The graduate work titled Mutare* is realized in the medium of comics and deals with the reality of life on the Adriatic, specifically on Croatian islands. The comic explores the way of life and customs of islanders, depicting an intimate experience of the birthplace from the perspective of two young individuals who are deciding whether to stay or leave the island in search of a better life. The characters are confronted with current issues of life on Croatian islands, including population migration, the hypertrophy of tourism, seasonality, the decline of cultural heritage and the negative impacts of climate change. The storyline follows the characters’ growth and personal development, encompassing their dreams and fears, friendships and loves, tradition and modernity. The plot is interwoven with folk tales and oral traditions. On the fictional island, nothing changes until the two main protagonists begin to face the problems and decide to solve them by introducing changes. It is a story about personal and social transformation, adaptation, and finding the driving force for positive change
Mutare
No full textDiplomski rad Mutare* realiziran je u mediju stripa i bavi se zbiljom života na Jadranu, točnije na hrvatskim otocima. Strip tematizira način života i običaje otočana te prikazuje intiman doživljaj rodnog mjesta iz perspektive dviju mladih osoba koje odlučuju hoće li ostati ili napustiti otok u potrazi za boljim životom. Likovi su suočeni s aktualnim problemima života na hrvatskim otocima, što uključuje iseljavanje stanovništva, hipertrofiju turizma, sezonalnost, propadanje kulturne baštine i negativne utjecaje klimatskih promjena. Radnja prati odrastanje i osobni rast likova, obuhvaćajući odnos njihovih snova i strahova, prijateljstava i ljubavi, tradicije i suvremenog. Radnja je isprepletena narodnim usmenim predajama i folklornom tradicijom Na izmišljenom otoku ništa se ne mijenja sve dok se dvije glavne protagonistice ne počnu suočavati s problemima i odluče ih riješiti unošenjem promjena. Priča je to o osobnoj i društvenoj transformaciji, prilagodbi i iznalaženju pokretačke snage za pozitivne promjene.The graduate work titled Mutare* is realized in the medium of comics and deals with the reality of life on the Adriatic, specifically on Croatian islands. The comic explores the way of life and customs of islanders, depicting an intimate experience of the birthplace from the perspective of two young individuals who are deciding whether to stay or leave the island in search of a better life. The characters are confronted with current issues of life on Croatian islands, including population migration, the hypertrophy of tourism, seasonality, the decline of cultural heritage and the negative impacts of climate change. The storyline follows the characters’ growth and personal development, encompassing their dreams and fears, friendships and loves, tradition and modernity. The plot is interwoven with folk tales and oral traditions. On the fictional island, nothing changes until the two main protagonists begin to face the problems and decide to solve them by introducing changes. It is a story about personal and social transformation, adaptation, and finding the driving force for positive change
Rad na ulozi Ane u oredstavi Gornja Austrija
No full textŽivot nije jeftin prema tekstu Gornja Austrija, autora Franza Xavera Kroetza, naslov je diplomske ispitne predstave studentice Anamarije Jurišić pod mentorstvom izv. prof. Roberta Raponje i sumentorice Katice Šubarić na Umjetničkoj akademiji u Osijeku, na Odsjeku za kazališnu umjetnost, smjer gluma i lutkarstvo. S njom u predstavi sudjeluje kolega Luka Stilinović ,koji utjelovljuje ulogu muža Heinza. U ovom pismenom radu autorica opisuje proces rada na predstavi s naglaskom na analizu procesa kreiranja uloge Ane i sistematiziranog rada na predstavi. Na početku piše o svom procesu studiranja i osnovnim glumačkim alatima potrebnim za kreiranje uloge. Zatim iznosi činjenice o autoru, o dolasku i odabiru teksta, analizira scenske prizore, prostor igre i mikroradnje, odabir scenografije, rekvizite i glazbe te opisuje kojim je umjetničkim sredstvima uspjela doći od loše generalne probe do dobre premijere. Na kraju autorica zaključuje kako je proces kreiranja uloge i rada na ispitnoj predstavi uvelike nadogradio njezine izvođačke alate i utvrdio umjetnički identitet.Life is not cheap according to the text Upper Austria by the author Franz Xavera Kroetz is the title of the graduate exam presentation of the student Anamarija Jurišić under the mentorship of Prof. Roberta Raponja and assistant Katica Šubarić at the Academy of Art in Osijek, at the theater department, acting and puppetry. With her in the presentation is colleague Luka Stilinović who is acting a role of husband Heinz. In this written thesis author describes the work on the play with an emphasis on the analysis of the process of creating a role of Ana and describes systematized work on the play. In the beginning she writes about her study process and the basic acting tools needed to create the role. Then she tells facts about the author, and how she got and selected the text, she analyzes stage scenes, playgrounds and micro-works, selects scenery, props, and music and describes the artist's ability to come from a bad general rehearsal to a good premiere. At the end author concludes that her process of creating her role and work on the screenplay has greatly enhanced her performance tools and helped her to find her artistic identity
RAD NA ULOZI ANE U PREDSTAVI GORNJA AUSTRIJA
No full textŽivot nije jeftin prema tekstu Gornja Austrija, autora Franza Xavera Kroetza, naslov je diplomske ispitne predstave studentice Anamarije Jurišić pod mentorstvom izv. prof. Roberta Raponje i sumentorice Katice Šubarić na Umjetničkoj akademiji u Osijeku, na Odsjeku za kazališnu umjetnost, smjer gluma i lutkarstvo. S njom u predstavi sudjeluje kolega Luka Stilinović ,koji utjelovljuje ulogu muža Heinza. U ovom pismenom radu autorica opisuje proces rada na predstavi s naglaskom na analizu procesa kreiranja uloge Ane i sistematiziranog rada na predstavi. Na početku piše o svom procesu studiranja i osnovnim glumačkim alatima potrebnim za kreiranje uloge. Zatim iznosi činjenice o autoru, o dolasku i odabiru teksta, analizira scenske prizore, prostor igre i mikroradnje, odabir scenografije, rekvizite i glazbe te opisuje kojim je umjetničkim sredstvima uspjela doći od loše generalne probe do dobre premijere. Na kraju autorica zaključuje kako je proces kreiranja uloge i rada na ispitnoj predstavi uvelike nadogradio njezine izvođačke alate i utvrdio umjetnički identitet.Life is not cheap according to the text Upper Austria by the author Franz Xavera Kroetz is the title of the graduate exam presentation of the student Anamarija Jurišić under the mentorship of Prof. Roberta Raponja and assistant Katica Šubarić at the Academy of Art in Osijek, at the theater department, acting and puppetry. With her in the presentation is colleague Luka Stilinović who is acting a role of husband Heinz. In this written thesis author describes the work on the play with an emphasis on the analysis of the process of creating a role of Ana and describes systematized work on the play. In the beginning she writes about her study process and the basic acting tools needed to create the role. Then she tells facts about the author, and how she got and selected the text, she analyzes stage scenes, playgrounds and micro-works, selects scenery, props, and music and describes the artist's ability to come from a bad general rehearsal to a good premiere. At the end author concludes that her process of creating her role and work on the screenplay has greatly enhanced her performance tools and helped her to find her artistic identity
NOVO UREĐENJE REVIZIJE U PARNIČNOM POSTUPKU-REVIZIJA DO DOPUŠTENJU
No full textCilj ovog rada autorice Anamarije Duvanĉić nazvanog „ Izvanredni pravni lijek revizija“ je pobliţe objasniti definiciju revizije kao izvanrednog pravnog lijeka te karakteristike revizije. Radi se o kompleksnoj materiji koja je doţivjela mnogobrojne promjene. Rad polazi od same definicije izvanrednih pravnih lijekova te samog instituta revizije i njegovih karakteristika. Potom se pobliţe objašnjava revizija bez dopuštenja ( bivša tzv. redovna revizija) te revizija ex lege ( bivša tzv. izvanredna revizija). Jedan od naĉina ostvarenja cilja je pribliţiti materiju kroz zakonske odredbe, potom kroz usporeĊivanje promjena, kroz sam revizijski postupak i na koncu, reviziju protiv rješenja. Revizija po dopuštenju ograniĉila bi pristup VSRH na naĉin da bi navedeni sud na temelju pravno definiranog okvira omogućio reviziju samo u onim sluĉajevima koji su vaţni za osiguranje jedinstvene primjene zakona i ravnopravnost svih u njegovoj primjeni ili za razvoj prava Republike Hrvatske putem sudske prakse.The purpose of this document called „Extraordinary remedy revision“ by the author Anamarija Duvanĉić is to closely explain the topic of revision, to give a definition and characteristics. It is a complex matter which has undergone many changes. The document itself starts from the definition of revision given by the law, then they are more closely explained trough defining other terms related to matter, such as: revision without permission, revision per permission. One of the ways how to explain the matter closely is trough it’s development, trough legal regulation,trough procedure and trough revision against solution. Revision per premission would limit acces to Supreme Court in a way that the said Court would, based on the legally defined framework, allow revision only in those cases which are important for ensuring a unique application of law and equality of all in its applictation or for the development of law through case la
RAD NA PREDSTAVI ''FRAGILE''
No full textPredstava Fragile nastala kao dio europskog projekta ''Zavirimo iza pozornice: Pioniri europskog Lutkarstva'' ujedno je i diplomski ispit Anamarije Jurišić pod mentorstvom doc. dr. art. Hrvoja Seršića na Umjetničkoj akademiji u Osijeku, na Odsjeku za kazališnu umjetnost, smjer gluma i lutkarstvo. Diplomski ispit je nastao u suradnji s kolegama Antoniom Jakupčevićem, Krešimirom Jelićem, Hanom Kunić, Ivanom Vukićević i Ines Zmazek, docentima Majom Lučić Vuković i Tamarom Kučinović, te asistentima Katarinom Arbanas i Nenadom Pavlovićem. U ovom pismenom radu autorica opisuje proces rada na predstavi s naglaskom na analizu procesa kreiranja predstave od ideje do realizacije. Na početku rada autorica opisuje svoje osjećaje prema lutkarskoj umjetnosti, zatim piše o projektu unutar kojeg je nastala predstave, piše kratke biografije lutkara koji su bili inspiracija i tema cijelog projekta te opisuje sam proces nastanka predstave od prvih kolegija na Akademiji, posjeta festivalima, do konačnog izvođenja pred publikom u Italiji. Na kraju, autorica rezimira cijeli proces i daje svoj zaključak o budućnosti lutkara i lutkarstvaThe play Fragile was born as part of the European project ‘‘All Strings Attached: The Pioneers of European Puppetry Behind the Scenes’’ and at the same time a graduate exam of Anamarija Jurišić under the mentor of assistant professor of arts Hrvoje Seršić at the Academy of Art in Osijek, at the theater department, acting and puppetry. Graduate exam was created in cooperation with colleagues Antonio Jakupčević, Krešimirom Jelić, Hanom Kunić, Ivan Vukićević and Ines Zmazek, assistant professors Maja Lučić Vuković and Tamara Kučinović, and instructors Katarina Arbanas and Nenad Pavlović. In this written thesis the author describes the work process on the play with an emphasis on the analysis of the process of creating the play from the idea to the realization. At the beginning of the work the author describes hers feelings for puppet art, then writes about the project within which the plays have been produced, writes short puppet biographies that were the inspiration and the theme of the whole project, and describes the process of making the first courses at the academy, to the final performance in front of the audience in Italy. At the end the author summarizes the whole process and gives his conclusion about the future of puppets and puppetry
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