3,983 research outputs found

    Oral History Interview with Allen S. Kilborn, March 11, 1991

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    Interview with Allen S. Kilborn, U.S. Army veteran, concerning his experiences as an Army officer in the Civilian Conservation Corps during the Great Depression. Kilborn worked at camps in Winterset, Iowa (Company 2726); Leon, Iowa (Company 783); Tarkio, Missouri (Company 1742); Gallatin, Missouri (Company 1742); and Harrisonville, Missouri (Company 3773)

    Oral History Interview with Allen S. Kilborn, March 11, 1991

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    Interview with Allen S. Kilborn, a former member of the Civilian Conservation Corps from Boone, Iowa, regarding his experiences and memories of participating in the CCC during the Great Depression

    Tropical ginsberg: the resonance of Allen Ginsberg on the Tropicália

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    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010Through a dialogical relation between poems and song lyrics, and the socio-political contexts which surrounded these texts, this research discusses the resonance that North American poet, Allen Ginsberg, had over the Brazilian musical movement, the Tropicália. The corpora are the poems "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), and "Wild Orphan" (1952), written by Allen Ginsberg, and the songs "Batmacumba" (1968), composed by Caetano Veloso, and Gilberto Gil, "Baby" (1968), composed by Caetano Veloso, "Geléia Geral" (1968), composed by Gilberto Gil and Torquato Neto, "Alegria, Alegria" (1967), composed by Caetano Veloso, and "Domingo no Parque" (1967), composed by Gilberto Gil. The main theoretical and critical parameters of this research include: Mikhail Bakhtin and his reflections on intertextuality; James J. Farrell, who believes that the American counterculture began with the Beats; Claudio Willer, who stresses the importance of Allen Ginsberg to the Beat movement, as well as to the birth of the American counterculture; Christopher Dunn, who emphasizes the historical, social, and political relevance of the Tropicália; and Celso Favaretto, who discusses in depth the complexity of most of the Tropicália songs. Based on such parameters, this research suggests that the life and work of Allen Ginsberg had great resonance over the creation of the Tropicália.Através de uma relação dialógica entre poesia e letras de música e o contexto sócio-político que circundava tais textos, este estudo discute a ressonância que o poeta Norte Americano, Allen Ginsberg, teve sobre o movimento musical Brasileiro, a Tropicália. A corpora são os poemas "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), e "Wild Orphan" (1952), escritos por Allen Ginsberg, e as músicas "Batmacumba" (1968), composta por Caetano Veloso, e Gilberto Gil, "Baby" (1968), composta por Caetano Veloso, "Geléia Geral" (1968), composta por Gilberto Gil e Torquato Neto, "Alegria, Alegria" (1967), composta por Caetano Veloso, e "Domingo no Parque" (1967), composta por Gilberto Gil. Os principais parâmetros teóricos e críticos desta pesquisa incluem: Mikhail Bakhtin e suas reflexões sobre intertextualidade; James J. Farrell, que acredita que a contracultura Americana começou com os Beats; também em Claudio Willer, que salienta a importância de Allen Ginsberg no movimento Beat e no nascimento da contracultura Americana; Christopher Dunn, que enfatiza a relevância histórica, social e política da Tropicália; e Celso Favaretto, que discute em profundidade a complexidade da grande maioria das músicas da Tropicália. Baseando-se em tais parâmetros identificados, esta dissertação sugere que a vida e obra de Allen Ginsberg tiveram grande ressonância sobre a criação da Tropicália

    The construction of Karen Karnak: The multi-author-function

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    This thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author

    Desire, Friendship, and Intimacy Across the 'Black World'

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    The conversation between Jafari S. Allen und Serena O. Dankwa explored different Black postcolonial sites in which desires for (erotic) power, friendship, and intimacy are being negotiated. Both Dankwa’s research into the everyday materiality and provisionality of female same-sex intimacy in Ghana and Allen’s work on transnational Black desires for political empowerment and autonomy transcend analytical boundaries between friendship and sexuality, between scholarship, art, and activism. While considering intimate connections and disconnections across the ‘Black world’, this conversation sought to understand the intertwinement of various forms of struggle and sociality.Jafari S. Allen is Associate Professor of African American Studies and Anthropology. He works at the intersections of (queer) sexuality, gender, and blackness, and teaches courses on the cultural politics of race, sexuality, and gender in Black diasporas; Black feminist and queer theory. Allen is the author of ¡Venceremos?: The Erotics of Black Self-Making in Cuba (Duke UP, 2011) and editor of Black/Queer/Diaspora – a special issue of GLQ: A Journal of Lesbian and Gay Studies (18:2-3, 2012). Serena O. Dankwa earned her PhD from the Institute of Social Anthropology at the University of Berne. Specialized in the study of gender and sexuality in West Africa, her doctoral project focused on practices of female friendship and same-sex intimacy in postcolonial Ghana. In 2010-2011, she was the Sarah Pettit Fellow in LGBT Studies at Yale University. Besides her academic work, she freelances as a music journalist and broadcaster with SRF2 Kultur

    Hundreds of variants clustered in genomic loci and biological pathways affect human height

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    Most common human traits and diseases have a polygenic pattern of inheritance: DNA sequence variants at many genetic loci influence the phenotype. Genome-wide association (GWA) studies have identified more than 600 variants associated with human traits(1), but these typically explain small fractions of phenotypic variation, raising questions about the use of further studies. Here, using 183,727 individuals, we show that hundreds of genetic variants, in at least 180 loci, influence adult height, a highly heritable and classic polygenic trait(2,3). The large number of loci reveals patterns with important implications for genetic studies of common human diseases and traits. First, the 180 loci are not random, but instead are enriched for genes that are connected in biological pathways (P = 0.016) and that underlie skeletal growth defects (P<0.001). Second, the likely causal gene is often located near the most strongly associated variant: in 13 of 21 loci containing a known skeletal growth gene, that gene was closest to the associated variant. Third, at least 19 loci have multiple independently associated variants, suggesting that allelic heterogeneity is a frequent feature of polygenic traits, that comprehensive explorations of already-discovered loci should discover additional variants and that an appreciable fraction of associated loci may have been identified. Fourth, associated variants are enriched for likely functional effects on genes, being over-represented among variants that alter amino-acid structure of proteins and expression levels of nearby genes. Our data explain approximately 10% of the phenotypic variation in height, and we estimate that unidentified common variants of similar effect sizes would increase this figure to approximately 16% of phenotypic variation (approximately 20% of heritable variation). Although additional approaches are needed to dissect the genetic architecture of polygenic human traits fully, our findings indicate that GWA studies can identify large numbers of loci that implicate biologically relevant genes and pathways

    Maintaining knowledge about temporal intervals

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    lames F. Allen's main interests are in artificial intelligence inparticular natural language processing and the representation of knowledge. Author's Present Address

    Amazing Grace : Reflections on the John Allen Legacy

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    This article appeared in the issue of USF Magazine that celebrated the fortieth anniversary of USF\u27s founding. The article offered a brief history of USF, based upon the author\u27s interview of Grace Allen, the wife of founding USF President John S. Allen
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