2,443 research outputs found
Are alcohol-related attentional biases and holistic perception independent processes?
No full textExcessive alcohol consumption is associated with the development of attentional biases for alcohol-related cues and their prioritization in heavy drinkers. Recently, it has been hypothesized that holistic processing may also play a role in this prioritization, with higher alcohol consumers exhibiting stronger holistic perception for alcohol cues. However, it is unclear how processing stimuli holistically may be related to attentional biases. We explored potential relationships between attentional biases, holistic processing, and alcohol consumption in a sample of drinkers using two tasks. In the first, a visual probe task replicated previous findings by showing an increased attentional bias for alcohol-related stimuli in individuals with higher alcohol consumption. Surprisingly, using an inversion paradigm to measure holistic perception in our second task, we showed reduced holistic processing for both alcohol and nonalcohol cues in higher alcohol consumers compared to light alcohol consumers. Although alcohol consumption was positively associated with attentional biases and negatively associated with holistic processing, these cognitive processes were not associated with each other. This study supports a model of visual perception in which attentional biases and holistic processing are independently linked with alcohol use
Microscopy techniques for determining water–cement (w/c) ratio in hardened concrete: A round-robin assessment
No full textWater to cement (w/c) ratio is usually the most important parameter specified in concrete design and is sometimes the subject of dispute when a shortfall in concrete strength or durability is an issue. However, determination of w/c ratio in hardened concrete by testing is very difficult once the concrete has set. This paper presents the results from an inter-laboratory round-robin study organised by the Applied Petrography Group to evaluate and compare microscopy methods for measuring w/c ratio in hardened concrete. Five concrete prisms with w/c ratios ranging from 0.35 to 0.55, but otherwise identical in mix design were prepared independently and distributed to 11 participating petrographic laboratories across Europe. Participants used a range of methods routine to their laboratory and these are broadly divided into visual assessment, measurement of fluorescent intensity and quantitative backscattered electron microscopy. Some participants determined w/c ratio using more than one method or operator. Consequently, 100 individual w/c ratio determinations were collected, representing the largest study of its type ever undertaken. The majority (81%) of the results are accurate to within ± 0.1 of the target mix w/c ratios, 58% come to within ± 0.05 and 37% are within ± 0.025. The study shows that microscopy-based methods are more accurate and reliable compared to the BS 1881-124 physicochemical method for determining w/c ratio. The practical significance, potential sources of errors and limitations are discussed with the view to inform future applications.Materials and Environmen
Claudia Nickolaus, Robin Hood's women : a practice in historical thinking and its classroom implications
No full textMany people and cultures around the world celebrate the legend of Robin Hood, or someone like him. Many also celebrate the classic romance between Robin and his beloved Maid Marian. What many do not necessarily think about is the portrayal of women in the countless tales of Robin Hood, or how the historical context surrounding each tale influences its characterization of the women within them. Author after author has used this hero's life to communicate ideas and values about the relationships between men and women in their own time. Why should the context of each tale matter? I explore both the depiction and historical context of female characters in Howard Pyle's The Merry Adventures of Robin Hood (1883) and Howard Green's The Adventures of Robin Hood (1956) as a practice in what it means to think historically. Following my analysis, I put the research to work with a compilation of practical classroom implications for teachers of history, thus demonstrating the universal need and value of historical thinking and inquiry.Thesis (B.?)Honors Colleg
Bounded model checking of multi-threaded c programs via lazy sequentialization
No full textBounded model checking (BMC) has successfully been used for many practical program verification problems, but concurrency still poses a challenge. Here we describe a new approach to BMC of sequentially consistent C programs using POSIX threads. Our approach first translates a multi-threaded C program into a nondeterministic sequential C program that preserves reachability for all round-robin schedules with a given bound on the number of rounds. It then re-uses existing high-performance BMC tools as backends for the sequential verification problem. Our translation is carefully designed to introduce very small memory overheads and very few sources of nondeterminism, so that it produces tight SAT/SMT formulae, and is thus very effective in practice: our prototype won the concurrency category of SV-COMP14. It solved all verification tasks successfully and was 30x faster than the best tool with native concurrency handling.<br/
The ATLAS ROBIN – A High-Performance Data-Acquisition Module
No full textThis work presents the re-configurable processor ROBIN, which is a key element of the data-acquisition-system of the ATLAS experiment, located at the new LHC at CERN. The ATLAS detector provides data over 1600 channels simultaneously towards the DAQ system. The ATLAS dataflow model follows the “PULL” strategy in contrast to the commonly used “PUSH” strategy. The data volume transported is reduced by a factor of 10, however the data must be temporarily stored at the entry to the DAQ system. The input layer consists of approx. 160 ROS read-out units comprising 1 PC and 4 ROBIN modules. Each ROBIN device acquires detector data via 3 input channels and performs local buffering. Board control is done via a 64-bit PCI interface. Event selection and data transmission runs via PCI in the baseline bus-based ROS. Alternatively, a local GE interface can take over part or all of the data traffic in the switch-based ROS, in order to reduce the load on the host PC. The performance of the ROBIN module stems from the close cooperation of a fast embedded processor with a complex FPGA. The efficient task-distribution lets the processor handle all complex management functionality, programmed in “C” while all movement of data is performed by the FPGA via multiple, concurrently operating DMA engines. The ROBIN-project was carried-out by and international team and comprises the design specification, the development of the ROBIN hardware, firmware (VHDL and C-Code), host-code (C++), prototyping, volume production and installation of 700 boards. The project was led by the author of this thesis. The hardware platform is an evolution of a FPGA processor previously designed by the author. He has contributed elementary concepts of the communication mechanisms and the “C”-coded embedded application software. He also organised and supervised the prototype and series productions including the various design reports and presentations. The results show that the ROBIN-module is able to meet its ambitious requirements of 100kHz incoming fragment rate per channel with a concurrent outgoing fragment rate of 21kHz per channel. At the system level, each ROS unit (12 channels) operates at the same rates, however for a subset of the channels only. The ATLAS DAQ system – with 640 ROBIN modules installed – has performed a successful data-taking phase at the start-up of the LHC in September
Round-robin tests of porous disc models
No full textNine research teams organized a round-robin measurement campaign of the wake of two porous discs in a homogeneous and "low-turbulent' flow. Mean streamwise velocity and turbulence intensity profiles at four diameters downstream of the discs were measured and compared through such metrics as the maximum of velocity deficit, the maximum of turbulence intensity, the wake width and the thrust coefficient. The dependence of these metrics on the inflow conditions (freestream turbulence intensity and Reynolds number based on the disc diameter) is discussed.Team Jan-Willem van WingerdenDesign Conceptualization and CommunicationWind Energ
ROBIN: A novel personal recommendation model based on information propagation
No full textWith the rapid development of the Internet technology, we have now entered the era of information overloading. Recommendation System technology can recommend web resources or information to people based on his/her personal preference, and has gotten a great deal of attention and development in recent years. In this paper, by combining collaborative filtering technology and information propagation principle, we proposed ROBIN, a novel recommendation model. The ROBIN model achieves a good recommendation effect by propagating the relationship information between users and resources. Based on the ROBIN model, we designed and implemented tag recommendation algorithm named ROBIN-T. For evaluating our proposed method, we have conducted tag recommendation experiments on three real datasets and the results show that the ROBIN-T algorithm achieves good performance when compared with classical approaches. (c) 2013 Elsevier Ltd. All rights reserved.Computer Science, Artificial IntelligenceEngineering, Electrical & ElectronicOperations Research & Management ScienceSCI(E)EI0ARTICLE135306-53134
Mobile Press-Register sleeve MP0011467
No full textMobile Press - Register employees photograph department / Frank Chandler, Robin Tillman, Jackson Hill, and John P. Schaffne
Art and the unconscious : a semiotic case study of the painting process
No full textThis dissertation is an attempt to design an interpretation model for the comprehension of unconscious content in artworks, as well as to find painting techniques to free the unconscious mind, allowing it to be expressed through artwork. The interpretation model, still in its infancy, is ripe for further development. The unconscious mind is a fascinating subject—in art production as well as in many scientific fields. This hidden part of the mind, being the source of creativity, constitutes an important foundation for many possible and valuable inquiries in multiple areas of knowledge. In the present study, the unconscious is approached from an art-educational perspective.
The nature of the unconscious is addressed through the theories of Carl Gustav Jung and Charles Sanders Peirce, as well as through the information gained from data the author produced herself during the experimental painting process she devised for this study. For psychological distinctions not addressed by Jung, the theories of Sigmund Freud are used to forward this inquiry into the unconscious mind.
A research method was created to bring Peirce’s theories into consonance with Jung’s amplification method. Since Peirce’s theories are challenging to read, to avoid misinterpretation, the author used Phyllis Chiasson’s 2001 book Peirce’s Pragmatism: The Design for Thinking as a secondary source. Peirce’s three modes of reality—firstness, secondness, and thirdness—were utilized to interpret artworks. This three-mode reality allows interpreters to reflect on their subjective feelings and then to compare them to collected data. The interpreters’ intuitive self-interpretations often correlate well with the more objective data.
In this approach to interpretation, the work of art is seen as a sign, in the Jungian as well as in the Peircean sense, and interpretation seeks to discover a sign’s objects—icon, index, and symbol. Additionally, the objects are studied in combination with Peirce’s designation of the sign’s character elements—sinsign, qualisign, and legisign. Peirce’s theory offers a logical and productive structure for approaching a variety of signs and reaching a multiplicity of interpretations.
Jungian theories inculcated a combined psychological and artistic perspective for the interpretation of artworks. Jung’s method of amplification is an effort to bring a symbol to life, and it is used as a technique to discover—through the seeking of parallels—a possible context for any unconscious content that an image might have. In amplification, a word or element—from a fantasy, dream, or, in this study, artwork—is associated, through use of what Jung called the active imagination, with another context where it also occurs. It must be remembered that unconscious images in artworks do not easily open themselves up for interpretation. One way to interpret possibly unconscious images is for the interpreter to become vulnerable by employing his or her own unconscious mind to interpret an artwork; such use of the active imagination can enable a subjective experience of the artwork on the part of the interpreter, who might thereby uncover unconscious content.
Moreover, in this study, Jung’s theory of archetypes is employed, in parallel with Peirce’s and Jung’s theories of the sign, to illuminate an artwork’s images by connecting them with collective unconscious archetypes. The author relied upon The Book of Symbols: Reflections on Archetypal Images (Ronnberg and Martin 2010) as the main source for interpreting possibly unconscious elements in the artworks. This approach is especially powerful when artists interpret their own artwork—possibly leading to a galvanizing self-discovery as they revisit past encounters, personal highlights, and other pieces of unconscious content that might reveal previously unknown meaning important to their life. By comparing archetypes to the unconscious content in their own lives, people can discover themselves.
Unconscious phenomena were approached on both the theoretical and empirical levels. Different methods and ideas were used to stimulate the author’s unconscious thinking while performing artwork analyses of three paintings: surrealist Salvador Dalí’s (1904–1989) Assumpta Corpuscularia Lapislazulina; abstract expressionist Jackson Pollock’s (1912-1956) The Deep; and one painting by the author herself, and for which the process of painting is videorecorded (www.astagallery.com/academic.html).
With regard to the third painting interpreted, the author is the study subject, and her artistic production is used as an opportunity to explore the unconscious mind. During the act of painting, an attempt is made to free unconscious thinking by fusing Dalí’s and Pollock’s methods as well as by testing multiple other methods. The author’s artistic production was conjoined with use of a technique that is called the verbal protocol method, which generates additional data not necessarily visible in the final artwork. This method unseals the artist’s tacit knowledge, which in normal circumstances remains silent.
In the verbal protocol method, the author, while engaged in the act of painting, speaks aloud the stream of consciousness that accompanies and guides the art-making activity; the recorded and transcribed monologue from the artistic production is supplied, in both Finnish and English, in appendices. This thinking-aloud technique allows a person to become more self-aware and to create more solutions while struggling with emergent artistic problems. Such narratives can reveal more about the painting than the completed artwork alone can convey. Along with the artist’s finished painting and the videorecorded material, narratives produced during the painting activity were interpreted. Moreover, the discoveries arising from the author’s interpretation of her own artwork are correlated with some of the latest research on the unconscious.
This study allows the reader-viewer an intimate glimpse into the author’s subjective painting experience and demonstrates the participation of the unconscious in an artwork’s creation. The interpretations methodology constitutes an interpretation model suitable for other artists and art educators to follow.
Keywords: unconscious, art, archetype, mandalaei tietoa saavutettavuudest
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