7,846 research outputs found
<i>No se sabe</i>: entrevista a José Eduardo Jorge
No full textEntrevista al investigador de la UNLP José Eduardo Jorge, especialista en cultura política. Jorge, además, es miembro del Consejo Directivo del Instituto de Investigación en Comunicación (IICOM), director de proyectos de investigación acreditados y autor de un centenar de artículos científicos y de divulgación sobre Cultura Política y Comunicación Política. Autor también del libro Cultura Política y Democracia en Argentina (Edulp, 2010). Revisor de artículos científicos de la revista Questión.Al hacer clic en el enlace que figura en "Documentos relacionados", pueden accederse a todos los trabajos de José Eduardo Jorge presentes en el repositorio.Radio Universidad Nacional de La Plat
Miradas Al Sur: a criação mitológica do bairro sur na obra de Jorge Luis Borges
Full text linkDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2014Este estudo investiga como Jorge Luis Borges constrói o Sur como espaço mítico, em seus três primeiros livros de poesia. Para tanto, analisou-se de que forma a representação de tal espaço torna-o simbólico e, posteriormente, mítico, tanto no conjunto da obra do autor, como também, a partir desse movimento individual de Borges, no imaginário coletivo da cidade. Estudou-se ainda como a memória própria e o imaginário criaram espaços afetivos, que permeiam a totalidade dos textos do autor.Abstract: This study investigates how Jorge Luis Borges builds Sur neighborhood as mythic space in his first three books of poetry. To this end, we analyzed how the representation of such a space make of it a symbolic and later a mythical space, both in the overall work of the author, but also that individual movement of Borges that achieve the collective imagination of the city. Still we have studied how the personal memory and the imagery is able to create emotional spaces, which constitute the totality of texts by the author
Enlaces: memória e subjetividades no acervo Jorge Amado
Full text linkDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2015.O objetivo central da minha dissertação é apresentar o resultado das relações afetivas constituídas e apreendidas no Acervo Jorge Amado (NuLIME). A minha subjetividade foi ao encontro da memória material das cartas destinadas ou remetidas por dois comunistas: Juan e Joaquim. A leitura delas me permitiu ressignificar a questão da autoria e da literatura epistolar. O trabalho, em parte, foi apresentado como cartas. A escrita, situada no limite entre ficcional e factual, faz referências ao contexto político e social do Brasil no período da ditadura de Vargas. O trabalho está inserido no contexto específico da memória e da narrativa dos comunistas e perseguidos políticos que viveram esta fase da vida intelectual, social, política e literária brasileira.Abstract : My dissertation´s main objective is to present the result of the affective relations constituted and apprehended from Jorge Amado´s collection (NuLIME). My subjectivity is connected to the material memory of the letters destined or posted by two communists: Juan and Joaquim. Reading them has enabled me to reframe the questions of authorship and epistolary literature. The work was partially presented as letters. The writing, classified in between fictional and factual, refers to the social and political context and to the narrative from communists and political persecuted who lived this period of Brazilian intellectual, social, political and literary life
Dancing with Napster: Predictable consumer behavior in the New Digital Economy
No full textThe Internet is often characterized as a "disruptive technology," as recently argued by the music industry against Napster and by Sony against PC emulations of its PlayStation. Three questions are raised: 1) How much does the Internet replace traditional media? 2) As another information channel, does the Internet supplement traditional media? 3) How much do Internet users navigate the Web in order to download relevant information goods (news, music, movies) as part of their consumption and purchase strategies?Data from the Pew Internet and American Life Project are used to test two competing hypotheses: 1) Easily copied and distributed digital content encouragesconsumers to exploit the "information wants to be free" character of the Internet, thereby hampering the growth of the market for information goods and services, and 2)Information consumers practice a sophisticated arbitrage process across different media, by weighing the value of online and offline information and thereby reinforcing active participation in the electronic marketplace. The efforts of the music industry to obstruct the downloading of MP3s may represent a serious misunderstanding of consumer arbitrage practices, much as book publishers characterize library use as a threat to book sales. Policy implications of thiswork extend into ongoing public and corporate policy debates about digital content and intellectual property.The original publication is available at: http://www.stanford.edu/group/siqss/itandsociety/v01i02/v01i02a11.pd
Ethics of dust:visual essay on the artistic works by Jorge Otero-Pailos
Full text linkThe works of artist and preservation architect Jorge Otero-Pailos on experimental preservation provoke deep reflections about some of the fundamental questions dealing with heritage: temporality of objects, changeability of inscribed cultural values, the greater purpose of architectural preservation as a cultural practice, and the societal role of an architect and preservationist in formulating narratives around heritage. As the artistic installations featured in this visual essay — The Ethics of Dust (2014–2016) and Watershed Moment (2020) — demonstrate, Jorge Otero-Pailos combines various elusive elements, such as water sounds and dust, to conceive meditative and contemplative spaces. His installations invite visitors to pause and reflect on the memories, both personal, social, and environmental, that define each of us; they probe deep into the past and deep into the future.Since these are some of the issues we wanted to explore in this special issue, ‘Embodiment and Meaning-making: Interdisciplinary Perspectives on Heritage Architecture’, we invited various artists and scholars to write a very short caption in reaction to the images provided by the author through one of these three ‘lenses’:- affect, embodied experience, atmosphere;- politics of heritage;- processes of meaning-making.The results reveal the power of images to provoke imagination through atmospheric and embodied experiences, and the power of experimental heritage work to convey (political) meaning across distance and different analogue or digital media.This visual essay includes contributions from (in order of appearance): Tenna Doktor Olsen Tvedebrink, Federico De Matteis, Michael Hirschbichler, Jovana Popić, Maria De Piedade Ferreira, Uta Pottgiesser, Marcus Weisen and Brady Wagoner, with an epilogue from Jorge Otero-Pailos.Situated ArchitectureHeritage & Technolog
Cantiga de ceilão, com Jorge de Sena em Santa Bárbara
Full text linkUm estudo de uma cantiga em crioulo indo-português da comunidade de descendentes de portugueses da costa oriental do Sri Lanka, gravada pelo autor em pesquisa de campo, incluindo uma orientação à história e persistência da língua portuguesa crioula na ilha. Relata a origem do poema “Cantiga de Ceilão” de Jorge de Sena e a relevância dos versos para o pensamento e a situação do poeta, separado da língua portuguesa.A study of a cantiga in Indo-Portuguese creole from a community of descendants of Portuguese on the East coast of Sri Lanka, recorded by the author during fieldwork, including a survey of the history and persistence of the Portuguese creole language on the Island. The study addresses the origin of the poem “Cantiga from Ceylon” by Jorge de Sena and its relevance to the thought and situation of the poet, separated physically and culturally from the Portuguese language
What have we learned?
No full textDebate over the potential and efficacy of the Telecommunications Act of 1996 arose at the moment of its first consideration, continued right through the President’s signature, and shows no sign of diminishing. In cosidering the impact of the Act five years later, three central issues emerge: competition, regulation, and access.The original publication is available at: http://newmillenniumresearch.org/archive/schement.pd
Jorge Vinatea Reinoso. Una propuesta indigenista en su lenguaje pictórico [Capítulo 1]
No full textLa publicación es una investigación sobre la propuesta indigenista encontrada en el lenguaje pictórico de las obras del reconocido pintor arequipeño Jorge Vinatea Reinoso. La autora del libro, Philarine Villanueva, se enfoca en el análisis del espacio cultural andino de las obras del artista y cómo su visión personal buscó destacar la imagen de hombres y mujeres de la sierra sur del Perú en sus pinturas, por medio de técnicas pictóricas que priorizan la presencia de sus personajes y las acciones de sus vidas cotidianas.
El libro presenta, en una primera parte, un recuento histórico sobre la producción artística de Jorge Vinatea Reinoso y en su contexto social, político y cultural. En la segunda parte, la autora, mediante el análisis de las pinturas A Amancaes, Tantahuasi y Caballitos de totora, deconstruye el estilo pictórico del pintor y cómo las estructuras, trazos y colores responden a su propia cosmovisión andina. Finalmente, se explican los hallazgos de las composiciones dinámicas de las obras analizadas y la manera en que estas logran generar una experiencia sensorial sobre un indigenismo crítico y endógeno.The publication is a research about the indigenist proposal found in the pictorial language of the works by Jorge Vinatea Reinoso, renowned painter from Arequipa. The book's author, Philarine Villanueva, focuses on the analysis of the Andean cultural space in his works and how his personal view sought to spotlight the image of Peru's southern highlands men and women in his paintings using pictorial techniques that feature the characters and their daily activities. In the first part of the book, there is a historical review of Jorge Vinatea Reinoso's artistic production and its social, political, and cultural background. In the second part, through the analysis of the A Amancaes, Tantahuasi and Caballitos de totora paintings, the author deconstructs the painter's pictorial style and how the structures, strokes, and colors respond to his own Andean world view. Finally, the findings about the dynamic compositions of the analyzed paintings are explained, as well as the way they manage to generate a sensory experience regarding critical and endogenous indigenism
3rd Floor: University Author Reception
No full textJorge Leon walks with students through the new 3rd floor.https://digitalcommons.pittstate.edu/unihistoryphotos/1119/thumbnail.jp
Jorge Icaza y Su Creación Literaria
No full textEcuador is known in the world of letters for more than one writer of continental renown, among them being José Joaquín Olmedo, Juan León Mera, Juan Montalvo, Jorge Carrera Andrade, Alfredo Pareja Diez-Canseco, and Jorge Icaza. Critics, in general, have rated the last as the greatest of the indigenist writers of Ecuador as well as one of the most outstanding novelists of the Indian theme in all of Hispanic America. Nevertheless, the literary activity of this Ecuadorian writer is not restricted exclusively to the novel as a genre, nor to the Indian as theme. Theater, short story and novel constitute the complete scope of his literary, political and social concerns. Furthermore, he is equally preoccupied with the mestizo--for him the keystone of Latin American society--as he is with the tragedy of the aborigine. Jorge Icaza was initiated into the field of letters as an actor and theatrical writer, winning widespread applause on the national scene. Seven pieces, aside from his numerous roles as an actor, testify to his labor in this field. They are, in chronological order: El intruso (1928), La comedia sin nombre (1929), Por el viejo (1929), ¿Cuál es? (1931), Como ellos quieren (1931), Sin sentido (1932), and Flagelo (1936). The first three pieces reveal strong influence of the Spanish theater of customs and of French vaudeville, while the latter reflect equally his intellectual preoccupations and his political-social tendencies. In the last work, Icaza shows himself to be a true artist of agitation, both in his own society and in that of Spanish America in general. The short story and the novel are the tribunal for those preoccupations. Two collections of short stories, Barro de la Sierra (1933), and Seis relatos (1952)--as well as Viejos cuentos (1954), a reconstruction of some of them together with assorted others--are his contributions to the former genre. Huasipungo (1934), En las calles (1935), Cholos (1938), Media vida deslumbrados (1942), Huairapamushcas (1948), and El chulla Romero y Flores (1958), give testimony to his novelistic activity. In the first chapter of this thesis the writer and the genesis of his literary work are presented, showing how the work was shaped by circumstantial reality and tied strongly to the author\u27s personality. In the following chapter, Icaza\u27s theatrical work is studied in detail, emphasizing the techniques employed, as well as the Freudian and Marxist preoccupations of the author together with his rebellious call for social justice and respect for human dignity. The next chapter is dedicated to the detailed analysis of each of the stories which make up the two principal collections, as well as the author\u27s social protest on behalf of the Indian, the mestizo, and the deprived proletariat; that is to say, his well known leftist militancy, especially notable in Barro de la Sierra. The following four chapters deal with Icaza\u27s novels. Particular emphasis has been placed on the study of the disputed novel, Huasipungo, one of Latin America\u27s greatest allegations in favor of the Indian. Finally, in the last chapter, the conclusions are presented, according to which Icaza emerges not only as one of the greatest defenders of the Indian, but also as the novelist of the mestizo, the common man of America oppressed by infinite problems, but in full march toward the realization of his destiny. The present study embraces the socio-political, as well as the literary values of Icaza\u27s works. The author is perceived as a talented artist deeply committed to his own society and endowed with a three-fold mission eminently, though not exclusively, his own. By virtue of this triple impact, Icaza stands as one of the great names in twentiethcentury Latin American letters
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