10 research outputs found
Perpetuum Mobile of Radicalism – Islamism in la France Laïque
No full textThe article points to growing cultural tensions in France today. On the one hand, the French government is tightening the rules of laïcité, while on the other, Islam is playing an increasingly important role. This is due to both the consolidation of Muslim identity and the ever-growing Muslim population in France. According to the author, French republicanism, which is inextricably linked to laïcité, is incapable of resolving this tension and, in fact, systemically generates it.The article points to growing cultural tensions in France today. On the one hand, the French government is tightening the rules of laïcité, while on the other, Islam is playing an increasingly important role. This is due to both the consolidation of Muslim identity and the ever-growing Muslim population in France. According to the author, French republicanism, which is inextricably linked to laïcité, is incapable of resolving this tension and, in fact, systemically generates it
Perpetuum Mobile of Radicalism – Islamism in la France Laïque
No full textThe article points to growing cultural tensions in France today. On the one hand, the French government is tightening the rules of laïcité, while on the other, Islam is playing an increasingly important role. This is due to both the consolidation of Muslim identity and the ever-growing Muslim population in France. According to the author, French republicanism, which is inextricably linked to laïcité, is incapable of resolving this tension and, in fact, systemically generates it
Female character as a "property"
No full textBachelor thesis is oriented to explore the collective work of director Eric Rohmer, specifically the season in which author starts to create film period - Moral Stories.
Presented thesis describes information about author, French new wave, however attention is aimed on form and structure of Moral Stories. Film The Collector together with analysis of woman character - Haydée are the main link of the work on deal with the gender issue, exploration and analysis of woman component in Rohmer´s film The Collector are supplemented by feministic film theory
The liminar status of begaguien novel’s principal personage Béni ou le pardis privé Dr Zoulikha NASRI
No full textLe travail que nous menons ici autour de la question de la liminalité a pour originela lecture de Béni ou le paradis privé (1989) d’Azouz Begag. Appliqué comme outil d’analysedu personnage, ce concept issu de la réflexion de Van Gennep ([1981 1909]) sur les rites depassage permettra de comprendre à travers le texte de l’auteur franco-algérien la situationdans laquelle se retrouvent les « enfants de la postcolonie ».The reflexion conducted here about the liminality notion hasfor origin thebegaguien novel’s, Béni ou le paradis privé (1989). Applicated as read grid, this concept of VanGennep ([1981] 1909) exploited in anthropology’s domain, precisely around passage rites, willhelp us to understand trought author French-algerian’s text the no easy situation of thepostcolonie’s children
Discusiones en torno a las relaciones entre literatura y cine en la escritura experimental de Antonio Di Benedetto
No full textEste trabajo se inscribe en la discusión en torno a la relación existente entre la cinematografía y la llamada "literatura experimental" de Antonio Di Benedetto. Se parte de la consideración del cine como manifestación artística central en la escena de los años 50, es decir, como un fenómeno cultural de amplio alcance cuyas proyecciones se pueden advertir en la literatura de mediados de siglo. Esta apreciación, por un lado, explica ciertos aspectos de las dos corrientes literarias con las que el escritor de Mendoza ha sido relacionado: el objetivismo francés y el behaviorismo de la novela norteamericana de entreguerras; por el otro, ilumina muchas características formales y temáticas de sus textosThis paper discusses the relation between Antonio Di Benedetto's so-called "experimental literature" and cinematography. The starting point is regarding film-making as an artistic expression that was central to the 1950s scene; i.e., as a wide-ranging cultural phenomenon with distinct projections on mid-century literature. On the one hand, this view accounts for certain aspects in the two literary movements associated with the Mendocinian author: French objectivism and interwar American novel behaviourism. On the other hand, it sheds light on many formal and thematic features in his textsFil: Criach, Sofía. Universidad Nacional de Cuyo; CONICET
დიალოგიზმის როლი ფლენ ო’ბრაიენის რომანში ,,დოლქის არქივი’’
No full textBrian O\u27Nolan better known by his pen name Flann O\u27Brien, was an Irish novelist, playwright, and satirist, considered a major figure in twentieth-century literature. Nevertheless, his works have not become a source for major studies. This article deals with Flan O\u27Brien\u27s novel, The Dalkey Archive (1964), and provides a study based on Bakhtin\u27s theory of dialogism. Like all postmodern texts, the novel is in dialogue not only with the existing literary legacy but various authors as well (f.e. James Joyce, St. Augustine). One of the intertexts is The Third Policeman - a novel written by O\u27Brien earlier in 1939-40 (not published until 1967) - whose fictional character, the philosopher De Selby, becomes one of the leading figures in the The Dalkey Archives. Thus, ტhe novel creates a unity of polyphonic voices in which the omniscient author has disappeared and the text is created as a mosaic of quotations, creating an ironic-parodic dialogue with the past, that is characteristic of the post-modernist tradition.რონალდ ბარტი 1967 წელს ესეიში ,,ავტორის გარდაცვალება’’ ("The Death of the Author" (French: La mort de l\u27auteur) წერს: ,,კლასიკური კრიტიკა არასდროს აქცევდა ყურადღებას მკითხველს; მისთვის ერთადერთი პიროვნება ლიტერატურაში ავტორი იყო. (....) ჩვენ ვიცით, იმისათვის რომ მწერლობას ჰქონდეს მომავალი, საჭიროა მითების მსხვრევა: მკითხველის დაბადებისათვის ავტორის მოკვდინება გარდაუვალია’’[1] [ბარტი 1977, 148]
The Influence of Literature in 1960s British Popular Music: Approaches to Popular Composition
No full textThere is a noticeable influence of literature and literary techniques in the popular music songs of the countercultural period in Britain (1965-71). These dates, as noted by Jonathon Green, characterize the beginning of the UK countercultural movement of the 1960s, culminating with the 1971 trial of the OZ magazine, which Green regards as marking the end of the period (1999).
There are three main questions that this project explores. In what ways did songwriters of the era use literature as an inspiration in the compositional process? How can literary influenced songwriting techniques be used and extended in contemporary popular composition? How useful are these techniques and the extensions of these techniques in the compositional process?
This project investigates the influence of literature on the songwriters of the era by analysing relevant song examples and subsequently inventing systematic forms that songwriters today can use as a basis for composition. A portfolio of original compositions is included, which demonstrates various approaches to composition that abide by the systematic forms, which stem from the literary influence of the 1960s songwriters. This project makes a contribution to our knowledge and understanding of popular music, as the influence of literature, especially the application of literary techniques in the compositional process, is a subject that has not been researched previously in any great depth. The abundance of available literary techniques and the possibilities for the invention of techniques is an exciting prospect when applied to popular composition.
After highlighting certain issues such as the homogeneity of songwriters and poets, a brief contextual background is given concerning 1960s counterculture and popular music. A taxonomy of systematic forms is created, into which are placed literary influenced techniques used by songwriters such as Syd Barrett and John Lennon, illustrated by a number of examples. Explanations of the original compositions included in the portfolio highlight the attributes of various songwriting approaches and conclusions are drawn that look into the differing levels of constraint and artistic intuition and how these factors affect the compositional process
A gazetteer and summary of French pottery imported into Scotland c. 1150 to c. 1650 a ceramic contribution to Scotland's economic history Ceramic Resource Disc 3
No full textThe proposal for a series of published inventories, by countries, of all the imported medieval and post medieval pottery recovered from excavations and field walking in Scotland, was advanced on the final day of the Medieval Pottery Research Group’s conference held in Edinburgh in May 2001. Taking on the roll of creating a gazetteer and catalogue of French pottery in Scotland, it was the authors aim to build on the pioneering work of John Hurst and other medieval ceramicists and in the process make a contribution to the ongoing research on identifiable medieval and post-medieval ceramics traded around the North and Irish Sea
Paramphitrite dragovabeci Lavesque & Daffe & Londoño-Mesa & Hutchings 2021, n. sp.
No full textParamphitrite dragovabeci n. sp. Figures 16 and 17 Material examined. Holotype. MNHN-IA-TYPE 2029, posteriorly incomplete, Northeastern Atlantic Ocean, Brittany, Bay of Brest, Camaret, 48°17’48”N 4°34’59”W, depth 15 m, October 2016. Paratype. MNHN-IA-TYPE 2030, posteriorly incomplete, Northeastern Atlantic Ocean, Brittany, Bay of Brest, Camaret, 48°17’48”N 4°34’59”W, depth 15 m, October 2016, mounted for SEM. Description. Holotype posteriorly incomplete with 22 segments, 17.3 mm long (9.9 mm) and 1.2 mm wide (1.4 mm). Transverse prostomium attached to dorsal surface of upper lip; basal part with eyespots regularly arranged in short lateral rows (Fig. 16C). Buccal tentacles thick and grooved (Figs 16B–D; 17A). Peristomium forming lips; upper lip broad, rounded, hood-like, with dorsal surface distinctly annulated; pharyngeal organ everted, followed by a small, rounded lower lip, restricted to mouth (Fig. 16A–D). Well-developed ventral lobe on SG I, developed lateral lobes on SG II–IV, lobes from SG II connected by a ventral crest. Ten ventral shields present on SG III to SG XIII (Figs 16A–D; 17A–C). Two pairs of dichotomous branchiae, on SG II–III, each situated dorso-laterally, with wide medial gap; branchial filaments annulated, arising from short stems; filaments of the first pair longer (Figs 16A–C; 17A–C). Notopodia on SG IV–SG XVI (n=13), inserted progressively more laterally (Figs 16A–B; 17A); notopodia small, almost rectangular, distally rounded. Notochaetae arranged in two rows, with first row shorter. Notochaetae almost straight, medially winged with limbs of same width, and distally serrated (Fig. 16E–F). Neuropodia from SG V, as fleshy lateral ridges until SG XIV, slightly raised from SG XV and displaced more ventrally. Uncini in double rows from SG XI–SG XX, in a face-to-face arrangement. Uncini avicular, with triangular heel, distally pointed prow downwardly directed, short dorsal button inserted closer to the base of main fang than to tip of the prow, convex base, and main fang surmounted by crest with six rows of secondary teeth (Figs 16G–H; 17D). Nephridial and genital papillae present on SG III and SG VI–VIII; nephridial papillae on SG III large and elongate, situated laterally at branchial base (Fig. 16A); genital papillae situated laterally below notopodia and slightly posteriorly to neuropodia on SG VI–VIII. Pygidium unknown. Etymology. This species is dedicated to the Yugoslav football player Drago Vabec, legend of the “Stade Brestois” Football Club from 1979 to 1983. This species name was proposed by Jacques Grall (IUEM laboratory— Brest), who collected the type material and who is a great fan of both this club and this player. Habitat. Shallow waters (depth 15 m), in maërl (rhodolith) beds. Type locality. Bay of Brest (Camaret), Bay of Biscay, Northeastern Atlantic Ocean, France. 48°17’48”N 4°34’59”W. Distribution. Only known from the type locality. Remarks. Two species of Paramphitrite are known to occur in the European waters: P. birulai Ssolowiew, 1899 and P. tetrabranchia Holthe, 1976. This last species was recently synomymised with P. birulai by Jirkov (2020) but Holthe had already doubts about its status earlier (Holthe 1986). Branchiae of P. dragovabeci n. sp. are separated by a wide medial gap while those of P. birulai are relatively close (Loia et al. 2017: fig. 3b; Jirkov 2020: fig. 4c). Paramphitrite dragovabeci n. sp. differs by the presence of well-developed lateral lobes on SG II–IV which are small for P. birulai, and by the absence of nephridial papillae on SG IV which are present for P. birulai (Jirkov 2020). Finally, based on the figure 4A from Jirkov’ paper (2020), the shape of the large elongate nephridial papillae of SG III of P. dragovabeci n. sp. seems different but this character was not described either by Loia et al. (2017) nor by Jirkov (2020). According to Jirkov (2020), P. birulai has pectinate branchiae while specimens of P. dragovabeci n. sp. described herein have dichotomous ones. However, based on Jirkov’s fig. 4A, the branchiae are clearly not pectinate (as in Eunicidae for example) but with filaments arising from a main stem (as also written by the author). French specimens are similar to Spanish ones studied by Parapar et al. (1991). Indeed, Spanish specimens have a wide gap between branchiae and well-developed lateral lobes on SG II–IV. Unfortunately, no information about nephridial papillae appear in this paper. They were sampled in the same geographical area, the Bay of Biscay. We suspect that Spanish and French specimens belong to a single species: P. dragovabeci n. sp. Finally, the wide distribution of P. birulai, from the High Arctic Sea to the Mediterranean Sea (Loia et al. 2017; Jirkov 2020), seems doubtful, given the very different environmental conditions. Loia et al. (2017) proposed that this species was introduced in the Adriatic Sea, but molecular comparisons are necessary to confirm it, as several cryptic species probably occur in Europe, but also to confirm if P. birulai has such a wide distribution and if the Spanish specimens actually belong to P. dragovabeci n. sp. Paramphitrite pauciseta (Day, 1963), described from South Africa, differs from P. dragovabeci n. sp. by the presence of small (and not obvious) lateral lobes on SG II-IV, by branchiae which are not dichotomous and which consist of a tuft of stout filaments and by the presence of characteristic reddish subdermal spots at the base of each branchia (but these spots probably disappear after fixation and storage in alcohol).Published as part of Lavesque, Nicolas, Daffe, Guillemine, Londoño-Mesa, Mario H. & Hutchings, Pat, 2021, Revision of the French Terebellidae sensu stricto (Annelida, Terebelliformia), with descriptions of nine new species, pp. 1-63 in Zootaxa 5038 (1) on pages 36-39, DOI: 10.11646/zootaxa.5038.1.1, http://zenodo.org/record/550286
