1,723,328 research outputs found

    Informe Sobre la Comisión a las Minas de Antimonio Diaguita. Provincia de La Rioja

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    Fil: Grenard, Fransisco J. Ministerio de Industria y Comercio de la Nación; Argentina

    Frommer's San Fransisco Free & Dirt Cheap

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    viii, ilus, 274 hlm, 20 c

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Las TIC en la carrera de Ingeniería Electromecánica - UTN - Facultad Regional San Fransisco

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    Fil: Neira, Rodolfo. Universidad Nacional Tecnológica - Facultad Regional San Fransisco. Profesor Adjunto; Argentina.Fil: Forestello, Rosanna. Universidad Nacional de Córdoba. Facultad de Ciencias Exactas, Físicas y Naturales. Departamento de Enseñanza de la Ciencia y la Tecnonología. Profesora Asistente Cátedra Pedagogía; Argentina.Esta comunicación da cuenta del proyecto de tesis de maestría Universidad y TIC. El caso: La carrera de Ingeniería Electromecánica de la Universidad Tecnológica Nacional - Facultad Regional San Francisco, desarrollada en el marco de la Maestría en Docencia Universitaria de la UTN Facultad Regional Córdoba. En la misma proporcionamos los ejes centrales del estudio, compartimos antecedentes, cimientos teóricos, marco metodológico y los avances realizados hasta el momento.Fil: Neira, Rodolfo. Universidad Nacional Tecnológica - Facultad Regional San Fransisco. Profesor Adjunto; Argentina.Fil: Forestello, Rosanna. Universidad Nacional de Córdoba. Facultad de Ciencias Exactas, Físicas y Naturales. Departamento de Enseñanza de la Ciencia y la Tecnonología. Profesora Asistente Cátedra Pedagogía; Argentina.Otras Ingenierías y Tecnología

    Penjatuhan Pidana Berdasarkan Dua Alat Bukti dan Keyakinan Hakim oleh : Fransisco Jero Runturambi

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    Tujuan dilakukannya penelitian ini adalah untuk mengetahui bagaimana keberadaan alat-alat bukti dalam praktik peradilan dan bagaimana keberadaan sistem pembuktian dengan menggunakan dua alat bukti dan keyakinan hakim. Dengan menggunakan metode penelitian yuridis normatif dan dapat disimpulkan: 1. Pada dasarnya perihal alat-alat bukti diatur Pasal 184 ayat (1) KUHAP. 1) Keterangan Saksi. Perihal batasan keterangan saksi secara eksplisit Pasal 1 angka 27 KUHAP menentukan, bahwa keterangan saksi adalah salah satu alat bukti dalam perkara pidana yang berupa keterangan dari saksi mengenai suatu peristiwa pidana yang ia dengar sendiri, ia lihat sendiri, dan ia alami sendiri dengan menyebut alasan dari pengetahuannya itu. 2) Keterangan Ahli. Esensi keterangan ahli adalah keterangan yang diberikan oleh seorang yang memiliki keahlian khusus tentang hal yang diperlukan untuk membuat terang suatu perkara pidana guna kepentingan pemeriksaan (Pasal 1 angka 28 KUHAP). 2. Suatu alat bukti haruslah dipergunakan dan diberi penilaian secara cermat, agar tercapai kebenaran sejati sekaligus tanpa mengabaikan hak asasi terdakwa. Secara konkret, bahwasanya jikalau Hakim telah dapat menetapkan perihal adanya kebenaran, aspek ini merupakan pembuktian tentang suatu hal. Pasal 183 tersebut. Minimum pembuktian berarti dalam memutuskan suatu perkara pidana hakim harus memutuskan berdasarkan sejumlah alat bukti. Kitab Undang-undang Hukum Acara Pidana memberikan batasan minimal penggunaan alat bukti, yaitu minimal dua alat bukti, yaitu minimal dua alat bukti disertai oleh keyakinan hakim. Menurut kajian teoritik sistem pembuktian yang dianut Pasal 183 KUHAP adalah sistem pembuktian secara negatif. Akan tetapi, dalam praktiknya, ternyata, sistem pembuktiannya telah bergeser menjadi sistem pembuktian secara positif oleh karena walaupun hakim tidak yakin akan kesalahan terdakwa, tetapi telah didukung oleh dua alat bukti maka hakim tetap menjatuhkan pidana kepada terdakwa

    Portfolio of recorded performances and exegesis: Messiaen’s musical language for the jazz pianist - an exploration through performance.

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    Moving beyond Gunther Schuller’s Third Stream amalgamation of classical and jazz, this study explores whether the musical language of Olivier Messiaen can make a valid contribution to jazz piano performance. Initially, my project sought to answer such questions as: What elements of the musical language of Messiaen already exist in the jazz vocabulary? Am I able to extend this further? What are the timbral structures and pianistic effects within Messiaen’s musical language? What will be the most effective application of Messiaen’s musical language to jazz piano performance? Endeavouring to answer the final question led me to consider such aspects as whether the project should be limited to quoting Messiaen motifs, arranging Messiaen melodies, replacing jazz harmonic structures on standards with examples from Messiaen’s musical language or whether it would be better to approach the research conceptually. The work of Hubert Nuss provided encouraging reassurance that this was not an impossible task. In order to articulate this conception, the initial challenge was to decide how the classical and jazz worlds might meet in a ‘Messiaen’ technique. The approach adopted was similar to that used for undergraduate jazz study, namely, immersion in the piano scores and recordings of Messiaen’s music as well as by live performances. This was followed by the development and assessment of a contrived approach when specific techniques, such as tonal colourings or harmonic structures, were developed through prepared exercises and consciously included in my performance. It was then compared with an intuitive approach when no such precise parameters were established. This submission consists of CD recordings of two public recitals and an exegesis. It documents the development of this Messiaen technique and discusses its application in my performances. It also demonstrates the ways that Messiaen’s musical language can be used within jazz piano performance to provide a colour that distinguishes jazz piano performance in a competitive field.Thesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 201

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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